纯英文电影简爱

1. 请问英文版《简爱》电影中哪个片段比较经典

罗切斯特：简。Jane.

简：您为什么对我讲这些？您和她(英格拉姆小姐)跟我有什么关系？您以为我穷，不好看，就没有感情吗？告诉你吧，如果上帝赐予我财富和美貌，我会让您难以离开我，就想我现在难以离开您。可上帝没有这样做，但我的灵魂能够同您的灵魂说话，仿佛我们都经过了坟墓，平等地站在上帝面前。Why do you confide in me like this? What are you and she to me? You think that because I'm poor and plain, Ihave no feelings? I promise you, if God had gifted me with wealth and beauty, I would make it as hard for you to leave me now as it is for me to leave you. But He did not. But my spirit can address yours, as if both have passed through the grave and stood before heaven equal.

简：让我走，先生。Let me go, sir.

罗切斯特：我爱你。我爱你！I love you. I love you!

简：别，别让我干傻事。No, don't make me foolish.

罗切斯特：傻事？我需要你，布兰奇(英格拉姆小姐)有什么？我知道我对她意味着什么，是使她父亲的土地变得肥沃的金钱。嫁给我，简。说你嫁给我。Foolish? I need you. What's Blanch to me? I know what I am to her. Money to manure her father's land with. Marry me, Jane. Say you marry me.

简：你是说真的？You mean it?

罗切斯特：你的怀疑折磨着我，答应吧，答应吧。(他把她搂在怀里，吻她。)上帝饶恕我，别让任何人干涉我，她是我的，是我的。You torture me with your doubts.Say yes,say yes(He takes hersintoshis arm and kisser her.)God forgive me.And let no men meddle with me.She is mine.Mine.

简发现罗切斯特先生有个精神失常的妻子之后。After Jane finds out Mr. Rochester has an insane wife.

罗切斯特：总算出来了。你把自己关在房间里一个人伤心。一句责难的话也没有。什么都没有。这就是对我的惩罚？我不是有心要这样伤你，你相信吗？我无论如何也不会伤害你，我怎么办？都对你说了我就会失去你，那我还不如去死。So come out at last. You shut yourself in your room and grieve alone. Not one word of reproach.Nothing.Is that to be my punishment? I didn't mean to wound you like this. Do you believe that?I wouldn't hurt you not for the world.What was I to do? Confess everything I might as well have lost my life.

简：你已经失去我了，爱德华。我也失去了您。You have lost me, Edward.And I've lost you.

罗切斯特：为什么跟我说这些？继续惩罚我吗？简，我已经受够了！我生平第一次找到我真正的爱，你不要把她拿走。Why did you say that to me? To punish me a little longer? Jane, I've been though! For the first time I have found what I can truly love. Don't take if away from me.

简：我必须离开您。I must leave you.

2. 《简爱》电影的英语影评

Jane Eyre is a first-person narrative of the formative years of the title character, a small, plain-faced, intelligent, and passionate English orphan girl. The plot follows the form of a Bilngsroman, a novel that tells the story of a child's maturation and focuses on the emotions and experiences that lead to his or her maturity. The novel goes through five distinct stages: (1) Jane's childhood at Gateshead, where she is abused by her aunt and cousins; (2) her ecation at Lowood School, where she acquires friends and role models but also suffers privations; (3) her time as governess at Thornfield Manor, where she falls in love with her Byronic employer, Edward Rochester; (4) her time with the Rivers family at Marsh's End (or Moor House) and at Morton, where her cold clergyman-cousin St. John Rivers proposes to her; and (5) her reunion with and marriage to her beloved Rochester at his house of Ferndean. Partly autobiographical, the novel abounds with social criticism and sinister Gothic elements. Jane Eyre is divided into 38 chapters, and most editions are at least 400 pages long

3. 简爱电影英文简介/介绍。求帮忙。暑假内回答。

一、《简爱》是英国小说阿基夏洛蒂•勃朗特的作品，刻画了一个女性的成长历程。就让我们一起重温这部经典，来看看《简爱》的英文简介。 Jane Eyre is a novel by English writer Charlotte Brontë. It was published in London, England, in 1847 with the title Jane Eyre. An Autobiography under the pen name "Currer Bell". The Penguin edition describes it as an "influential feminist text" because of its in-depth exploration of a strong female character's feelings. 《简爱》是英国小说作家夏洛蒂•勃朗特的作品，1847年在英国伦敦出版，书名定为自传《简爱》，以笔名“库瑞尔•贝尔”署名。Penguin出版社的版次将小说誉为“具有影响力的女权主义文本”，因为小说深入探索了女主角的强烈情感。 The novel merges elements of three distinct genres. It has the form of a Bilngsroman, a story about a child's maturation, focusing on the emotions and experiences that accompany growth to althood. The novel also contains much social criticism, with a strong sense of morality at its core, and finally has the brooding and moody quality and Byronic character typical of Gothic fiction. 小说融合了三截然不同的写作风格。小说文本是教育小说，讲述了一个小孩的成长过程，聚 焦陪伴孩子成长到成人的情感和经历。小说同样含有不少社会批判的内容，强烈的道德感尤为突出。最后，小说还有哥特式小说特点，婉约曲折，人物嘲讽而浪漫。 It is a novel often considered ahead of its time e to its portrayal of the development of a thinking and passionate young woman who is both indivialistic, desiring for a full life, while also highly moral. Jane evolves from her beginnings as a poor and plain woman without captivating charm to her mature stage as a compassionate and confident whole woman. As she matures, she comments much on the complexities of the human condition. Jane also has a deeply pious personal trust in God, but is also highly self-reliant. Although Jane suffers much, she is never portrayed as a damsel in distress who needs rescuing. For this reason, it is sometimes regarded as an important early feminist (or proto-feminist) novel. 这部小说被认为走在时代的前面，因为小说刻画了一个有思想、有热情的年轻女子，她热衷个人主义，期望完整的生活，同时有着高尚的道德操守。简爱从一个清贫而平凡无奇的姑娘演变成一个富有同情、充满自信的完整女性。随着她的成熟，她开始对人性的复杂表达自己的见解。简爱极度忠诚于上帝，但又非常独立自主。虽然简爱经历许多苦难，她给人的印象从来不是一个需要救赎的可怜姑娘。因为这些原因，这部小说被认为一部重要的早期女权主义（或原始女权主义）小说。

或长一点的
Jane Eyre, is a poor orphan with a joyless life as a child in the opening chapters. Her wealthy aunt, the widowed Mrs. Reed, is bound by a deathbed promise to her husband to raise his orphaned niece, Jane. However, she and her children are unkind to Jane, never failing to emphasize how she is below them. Jane's plain, intelligent, and passionate nature, combined with her occasional "visions" or vivid dreams, certainly do not help to secure her relatives' affections.

When tensions escalate, Jane is sent to Lowood, a boarding school run by the inhumane Mr. Brocklehurst. She is soon branded a liar, which hurts her even more than malnutrition and cold, but Miss Temple, the teacher Jane admires, later clears her of these charges. She also finds her only friend in Helen Burns, who is very learned and intelligent, has a patient and philosophical mind, and believes firmly in God. Helen is often singled out for punishment by a teacher, Miss Scatcherd, who claims she is a bad child because she is disorganized, incompetent, and often late. Helen accepts these faults, and teaches Jane to accept discipline in order to improve her fiery temper and character. While Jane responds to the injustices of the world with a barely contained burning temper, Helen accepts earthly sufferings, including her own premature death from consumption (now known as tuberculosis), with calmness and a martyr-like attitude.

After a serious typhoid fever epidemic occurs simultaneously with Helen's death, the conditions in Lowood improve and Jane slowly finds her place in the institution, eventually becoming a teacher. When Miss Temple marries and moves away, Jane decides to change careers. She is desperate to see the world beyond Lowood and puts out an advertisement in the local paper, soon securing a position as governess in Thornfield Hall.

At first, life is very quiet with Jane teaching a young French girl, Adèle, and spending time with the old housekeeper, Mrs. Fairfax. But everything changes when the owner of the manor—brooding, Byronic, fiery Edward Rochester—arrives. Though on rough footing at first, he and Jane slowly become acquainted with and grow to respect each other. Mr. Rochester creates an elaborate set-up by seemingly courting a proud local beauty named Miss Blanche Ingram until Jane cannot bear it any longer. Mr. Rochester then admits that his courtship of Miss Ingram was a ruse to arouse Jane's jealousy and that it is she whom he truly loves. His feelings are returned, and they become engaged despite their differences in social status, age, and experience. Jane is young and innocent at nineteen years old, while Rochester is nearly forty—worldly, and thoroughly disillusioned with life and religion. Jane is determined to stay modest, plain, and virtuous, and Rochester is almost equally determined to offer her expensive presents and finery. The former has the moral high ground, though, and the weeks before the wedding are spent mostly as she wishes.

The wedding ceremony is interrupted by a lawyer, who declares that Mr. Rochester is already married. His mad wife Bertha Mason, a Creole from Jamaica whom his family forced him to marry, resides in the attic of Thornfield Hall, and her presence explains all sorts of mysterious events that have taken place ring Jane's stay in Thornfield. Mr. Rochester offers to take her abroad to live with him, but Jane is not willing to sacrifice her morals or self-respect for earthly pleasures, let alone accept the status of mistress, even though Rochester insists Jane will break his heart if she refuses him. Torn between her love for Rochester and her own integrity and religion, Jane flees Thornfield in the middle of the night, with very little money and nowhere to go.

She wanders for a few days and finally finds safe haven, under an alias, with a vicar, St. John Rivers, and his two sisters. They bond, and in e course Jane is given a position as village schoolteacher. Later, St. John learns Jane's true identity, and, by an incredible coincidence, it transpires that he and his sisters are actually her cousins. Additionally, Jane conveniently inherits a large sum of money from an uncle who lived abroad. The cousins are left without inheritance because of an old family feud, but she promptly splits the money so that all four of them are now financially secure. This gives St. John the means to pursue his true calling, to go to India as a missionary, but not without proposing marriage to Jane in order for her to accompany him. Though this is her opportunity to choose a husband of high morals, she knows St. John does not truly love her. Contrary to her protest, he insists they must be married if they are to go to India. Jane nearly succumbs to his proposal, but at the last minute, in another supernatural episode, she hears Rochester's voice calling her in the wind, and feels the need to respond to it.

Jane immediately travels to Thornfield Hall, only to find it destroyed by a fire and abandoned. She learns that Mr. Rochester lost a hand, an eye, and sight in the other eye as a result of an unsuccessful attempt to save Bertha from the flames, of which she was the cause. Upon acquiring the knowledge of his location, at a country manor called Ferndean, she sets off for it. She and Mr. Rochester reconcile and marry, for he has adopted love and religion. She writes from the perspective of ten years after their marriage, ring which she gave birth to a son and Mr. Rochester gained part of his sight back. Jane's long quest to find love and a sense of belonging is finally fulfilled. The book ends with a look at the noble missionary death of St. John Rivers far away in India, most likely representing the righteousness of the path Jane did not take.

4. 求电影简爱，双语有字幕版（中英对照），最好是1996年版

你下载个风行 在里面搜就行

5. 在哪可以看到英国电影简爱的英文影评

片名：简爱 英文：jane.eyre 导演：德尔伯特·曼 Delbert Mann 编剧：夏洛特·勃朗特 杰克·普尔曼 主演：乔治·C·斯科特——爱德华·罗切斯特（邱岳峰配音） 苏珊娜·约克——简·爱（李梓配音） 伊恩·巴纳恩——圣约翰·利弗斯 杰克·霍金斯——布洛克赫斯特先生 娜丽·唐·伯特——布兰奇·英格拉姆 拉切尔·坎普森——菲尔法克斯太太 坎尼斯·格里菲斯——梅森 彼得·考普兰——约翰 国家：英国 语言：英语 类型：剧情 片长：110 min 上映：1970 剧情介绍： 全世界拥有读者最多爱情小说的经典电影版。 影片根据英国女作家夏洛蒂·勃朗特的同名小说改编。简爱父母早亡寄居在舅舅家，舅舅病逝后，舅母把她送进孤儿院，成年后她应聘去桑费尔德当家庭教师。来到桑费尔德，当男主人公罗切斯特先生家的家庭教师，男主人罗切斯特生活颓废脾气古怪，经过几次接触，简爱爱上了他，而简爱的到来也使他的生活有了希望。在他们举行婚礼时，罗切斯特的内弟梅森闯进来指出古堡顶楼小屋里的疯女人是罗切斯特先生的妻子。由于这个疯女人的存在，他们无法结合，简爱 也不愿作为情妇，爱毅然离开了桑费尔德，来到一个偏远的地方。在牧师圣约翰的帮助下，简爱找到了一个乡村教师的职业。在圣约翰向简爱提出结婚时，她想起了罗切斯特先生。当 简赶回桑费尔德时古堡已成废墟，罗切斯特双目失明，简爱赶往罗切斯特先生住的芬丁，她决定下来和相爱的人厮守一生…… 图片附件: 0.jpg (2007-12-17 04:31, 24.27 K) 半个灵魂：郎骑铁马来，你在未来，我在古代。 妖娆棉花 级别 管理员 精华99 帖子11015 威望11182 点 金钱29851 点 金桥币 101 JQB 贡献度 2 点 阅读权限 230 状态 离线 #2发表于 2007-12-17 04:35 资料 主页 个人空间 短消息 图片附件: 1.jpg (2007-12-17 04:35, 16.04 K) 《简爱》(1970)影评： 英国作家Charlotte Brinte的传世经典，自问世以来不断地被搬上舞台和荧屏。电影人对这个故事颇为热衷，从早年的奥逊·威尔斯 Orson Welles（《公民凯恩》）版本到近期的威廉.赫特（《大寒》）版本，在历时半个多世纪以来，伴随着7、8个版本简爱影片的诞生，不同的电影人在各自的作品中用自己的角度阐述对作品的理解，同时也推动了这部经典名著在全球的普及。 1970年的George C. Scott饰演的版本历来被认为是所有版本中改编得最恰到好处的－－既忠实于原著精神，且故事结构更为紧凑，爱情主题更加突出。苍凉静谧的英国荒原，神秘诡异的古堡，阴郁迷离的气氛，加上“老戏骨"George C. Scott的表演，将一个维多利亚时代歌特式的爱情故事演绎得凄美动人。George C. Scott的表演无疑是本片的一大看点，他的激情演绎使其他版本的Rochester黯然失色，其锋芒直逼早年的Orson Welles。而Susannah York外表沉静，含蓄内敛的风格也被评为最接近原著简爱的精神气质。本片的主题音乐更是大手笔，它出自著名音乐人约翰.威廉姆斯之手，这一主题曲把本片的爱情主题推向高潮，更成为该版本的标签，至今仍在不同的音乐会上被演奏。 对于中国观众，这一版本的意义尤为特殊——它被无数次地制成录音剪辑，在全国各地的电台一播再播：它被制成各种版本的录音带，被“听迷”们争相购买，听这部电影着迷的人甚至比有机会看这部电影的观众还要多。对于出产了无数配音电影精品的上海电影译制厂，《简爱》堪称精品中的精品。在观众每一次选出的配音作品中，《简爱》无不位列三甲。它从台词翻译到演员表演，无不成就了一种典范。这是配音大师邱岳峰与李梓的颠峰之作，他们用声音拓展了新的表现空间，丰富了电影这一“视听”的艺术在听觉上的美好体验。邱岳峰塑造的罗切斯特，或愤懑，或柔情，或倦怠，或狂暴，无不让人动容。而李梓演绎的简爱在不愠不火的声调里展现出细腻的情感变化，或温婉，或坚定，也在更深层次上丰富了简爱人物的形象。他们的声音有表情，有形象，有情感，一寸一寸都是鲜活的。 本片是20世纪70年代初拍摄的小成本电视电影，虽然由明星乔治·斯科特担纲主演，但国外观众对其评价不高，在国外电影市场基本上没有什么影响力，是上海电影译制厂表演艺术家们的精湛技艺使得她面貌焕然一新，成为观众心目中外国电影经典之作。经过邱岳峰和李梓主配之后，多少观众为之倾倒，甚至有人在寒冷的冬夜刚看完这部片子步出影院，便满怀激情吟诵起罗切斯特和简爱的对白来。简爱的爱情观、价值观、人生观对不少女性产生了巨大的影响，孕育了一批中国式的女权主义者。大伙欣赏之余，还找来原著细细品读、比较 。 这是一部特殊的电影，观众可以闭上眼睛，倾听这来自灵魂的声音。 如果问译制片里有哪部影片可以称得上是“圣经”的话，那一定就是她了。 图片附件: 4.jpg (2007-12-17 04:35, 46.25 K)

6. 找四部纯英文的电影，用英文写出电影名称、导演和感受最深的一句话

1.《大河恋》 外文名：River Runs Through It 导演： 罗伯特·雷德福，Robert Redford
you can love completely without completely understanding. 你可以不完全了解一个人，但你仍能全心全意地去爱他/她。
2.《乱世佳人》外文名：Gone With The Wind 导演：维克多·弗莱明 Victor Fleming
After all, tomorrow is another day！毕竟，明天又是新的一天！
3. 《简爱 》外文名：Jane Eyre 导演: Franco Zeffirelli
你以为我矮小,卑微,不美,我就没有了感觉了吗?你错了,因为我们的灵魂是平等的,就像我们都是赤裸着来到这个世界一样。
4. 《死亡诗社》 外文名：Dead Poets Society 导演：彼得·威尔 Peter Weir
Only in their dreams can men be truly free. 惟有在梦中，人们才是真正自由的。

7. 简爱2011版中英双字百度云资源谢谢了

《简爱》网络网盘高清资源免费在线观看；

链接:

《简·爱》是2011年焦点电影公司出品的一部美国爱情片，由凯瑞·福永执导，由迈克尔·法斯宾德、米娅·华希科沃斯卡、杰米·贝尔、朱迪·丹奇等联袂主演。影片于2011年3月11日在美国上映。影片改编自英国女作家夏洛蒂·勃朗特的同名小说，讲述一位从小变成孤儿的英国女子在各种磨难中不断追求自由与尊严，坚持自我，最终获得幸福的故事。

8. 《简爱》电影哪个版本好看

《简爱》1944，舞台剧版
主演：奥逊·威尔斯 / 琼·芳登 / 伊丽莎白·泰勒
最粗鲁的罗切斯特和最美最程式化的简爱
最早的版本，泰勒在里面演小海伦。因为最早，所以表演程式化、看起来像舞台剧，故事没有细节，琼芳登似乎只有一种表情。着火后，罗切斯特直接从老房子里走出来，后来眼睛还渐渐复明。
《简爱》1971，台词版
主演: 乔治·斯科特/苏珊娜·约克
最硬派的罗切斯特和最显老的简爱
因为邱岳峰和李梓配音先入为主的缘故，总觉得这个版本的台词最好，事实上也是这样。中文配音版本是另一种形式的再创作，和英文版台词都有很大不同。里面的所有演员和其他版本相比，年龄都是偏大的，罗切斯特、简爱、梅森姐弟、圣约翰都是如此，圣约翰和不像其他版本那样略去。失明的罗切斯特住到芬丁，最终的对话非常精彩。
简爱离开罗切斯特时，他喊了10声“简”，撕心裂肺。
《简爱》1996，经典版
主演：威廉·赫特 / 夏洛特·甘斯布 / 安娜·帕奎因
最忧郁温柔的罗切斯特和最倔强的简爱
“简，你真是个很奇妙的人，简直不像人世间的生灵。我爱你就像爱自己身上的血肉。我爱你，说你爱我。”
扮演简爱的夏洛特是戛纳影后，虽然样子不大好看，但倔强的表情还是有简爱的味道。里面的细节设置很好，包括小时候海伦和简爱的感情，海伦给她带回面包，简爱为红发的海伦画像。因为太美好，所以当海伦去世时就感觉特别心疼。
几个版本比较起来，这是最忧郁最温柔的罗切斯特。
里面的简爱一走，罗切斯特骑马去追，但格雷斯普尔把家中点燃了，罗切斯特只好赶回，救火中他的一只眼睛瞎了。简爱继承了叔叔的遗产，成了有钱的妇人，她感觉到心底里发出的罗切斯特的呼唤，于是回到桑菲尔德。

《简爱》2011，偶像版
主演: 迈克尔·法斯宾德 / 米娅·华希科沃斯卡
最帅的罗切斯特和最像小男生的简爱
这个版本去年去美国的飞机上看了几个镜头。法斯宾德的罗切斯特是最帅的，但罗切斯特太帅的话，就不是罗切斯特了，法斯宾德演了个牛仔版的。简爱却像个小男孩，两个看起来非常不配，感觉不到20岁的年龄差距。特别是简爱的大脸，看着非常不舒服。男女主角不登对的话，电影没法成功。
为了迎合年轻观众吧，这个版本走偶像路线，除了罗切斯特，圣约翰、梅森姐弟都很年轻漂亮。

9. 要简爱2011电影 中英字幕的 要清楚的哦

已经发过去了！

10. 简爱简介

一个名字叫简.爱的人的事
简爱

《简·爱》1847是一部自传成分很浓的小说，虽然书中的故事是虚构的，但是女主人公以及其他许多人物的生活、环境，甚至许多生活细节，都是取自作者及其周围人的真实经验。作者夏洛蒂·勃朗特1816年生于英国北部的一个牧师家庭。母亲早逝，八岁的夏洛蒂被送进一所寄宿学校。在那里生活条件极其恶劣，她的两个姐姐因染上肺病而先后死去。于是夏洛蒂和妹妹艾米利回到家乡，在荒凉的约克郡山区度过了童年。15岁时她进了伍勒小姐办的学校读书，几年后又在这个学校当教师。后来她曾作家庭教师，但因不能忍受贵妇人、阔小姐对家庭教师的歧视和刻薄，放弃了家庭教师的谋生之路。她曾打算自办学校，为此她在姨母的资助下与艾米利一起去意大利进修法语和德语。然而由于没有人来就读，学校没能办成。但是她在意大利学习的经历激发了她表现自我的强烈愿望，促使她投身于文学创作的道路。

《简·爱》写于1846年，是夏洛蒂的第二部小说。她借一个出身寒微的年轻女子奋斗的经历，抒发了自己胸中的积愫，深深打动了当时的读者。小说于1847年秋以柯勒·贝尔的笔名发表，随即在次年又相继两次再版。这位名不见经传的作者，夏洛蒂·勃朗特，由此进入英国著名小说家的行列。

《简·爱》的独特之处不仅在于小说的真实性和强烈的感染力，还在于小说塑造了一个不屈于世俗压力，独立自主，积极进取的女性形象。小说中简·爱对罗切斯特的爱情故事，生动地展现了的那火一样的热情和赤诚的心灵，强烈地透露出她的爱情观。她蔑视权贵的骄横，嘲笑他们的愚蠢，显示出自强自立的人格和美好的理想。她大胆地爱自己所爱，然而当她发现自己所爱之人还有妻子的时候，又毅然离开她所留恋的人和地方。小说表达出的思想，即妇女不甘于社会指定她们的地位而要求在工作上以至婚姻上独立平等的思想，在当时不同凡响，对英国文坛也是一大震动。小说的虚构结尾，描写简爱获得一笔遗产，回到孤独无助的罗切斯特身边。这一情节虽然值得推敲，但是它显露出作者的理想—女性在经济、社会地位以及家庭中的独立平等以及对爱情的忠贞不移。

在写作风格上，夏洛蒂也独树一帜。她文笔简洁而传神，质朴而生动，加之第一人称的叙述语言，使得小说贴近读者，贴近现实。同时，小说又体现了欧洲浪漫主义文学传统的特点，显示出作者丰富的想象力和诗人的气质。作者在叙述中自然地使用了梦境、幻觉、预感和象征、隐喻等手法，使小说的“自然”境界扑朔朦胧，情节扣人心弦。

在当今文坛中，有人批评小说缺乏对社会现实更理智而深刻的分析。在对疯女人的描写中，过多地追求“哥特式小说”的神秘气氛而减弱了表现现实的真实性。在对牧师圣约翰的描写上，美化他献身基督教的传道事业，而掩盖了殖民主义者文化侵略的性质。小说中所表现的这些局限性的成因很复杂，有的是受作者本人的阅历所限她只活了39岁，有的是因作品本身形式的特点而定，而有的则是由于历史的局限性所至。总之，一百多年来，《简·爱》的影响不衰，作家、评论家对它的热情不成。它至今仍然是广大读者喜爱的书。

吴均燮译、人民文学出版社1990年版《简·爱》。