A. 介绍教父(电影)写一篇英文作文,80次左右
http://wenku..com/view/6edc1f4ce518964bcf847c3a.html
这是个PPT,不过我觉得会对你有帮助加油!
B. 有对教父系列电影的赏析吗、、视频
我最爱的电影是《教父》。在这一点上,我可以同许多男人达成共识。马龙的表演实在令人心折。在少年时代,我深深着迷,甚至模仿他那含混不清的说话方式,却并不成功。一个平凡的小人物,喊破了嗓子也找不到认真的听众,那个口齿不清的教父,却没人敢忽略他说出的每一个字。他总是面无表情,背后却潜藏着不可忽视的力量——一种优雅的狂暴、平静的残忍、化妆的邪恶,如同毒蛇与猛虎的混合体。他轻蔑地说,“让我开一个你无法拒绝的条件”——这是男人的威权;他温和地说:“不经常与家人呆在一起的男人,永远也成不了真正的男人。”——这是男人的价值。而事实不是这样的。那个真实的教父,生活中的马龙·白兰度,是个十足的混蛋,他的家族则是一窝混蛋。
当然,他们是迷人的混蛋,令人同情的混蛋,应该被宽恕的混蛋。
白兰度家族中,女人个个红杏出墙,男人个个酗酒成性,且盛产自杀者。小马龙的童年在阴郁中度过,父亲很少回家,母亲终日喝得酩酊大醉,与一个又一个男人发生关系。小马龙生活中惟一的温暖来自一个友善的同性恋教士。这使得他成为一个双性恋者,因为同性恋行为被军校开除。
为逃避这一切,他来到纽约,跻身百老汇,阴郁生活赐予他的狂暴气质令他成功出演《欲望号街车》,名声鹊起。“仿佛一觉醒来坐在糖果堆上”,他不能承受这种名气,感觉自己是个骗子,不得不求助于心理医生。为了帮助他战胜焦虑,医生甚至为他宣读希特勒的讲演词。
上世纪50年代初,马龙步入影坛,开始辉煌之旅。他拿下了七次奥斯卡提名,两次奥斯卡奖。与此同时,他不停地结婚离婚,生下一大堆性情阴郁的子女。他的妻子总在争吵,他的情妇总在自杀,他的子女则陷入无尽的麻烦。 马龙的大儿子克里斯蒂安·白兰度吸毒、私藏武器、干非法交易、与父亲的情妇吉尔上床(吉尔后来在汽车上自杀)。切娜是白兰度的小女儿。这个太阳般美丽的姑娘在家中得不到关爱,就到毒品中寻求慰藉。
1990年5月16日,马龙生活中最大的悲剧发生了:儿子克里斯蒂安杀死了女儿切娜的男友戴格。当警察赶到时,戴格已经死了,颧颊处射进一颗子弹。切娜坐在沙发上,手里握着一个打火机,面前摆着一杯酸奶。人们至今搞不清楚究竟发生了什么:据白兰度家的人讲,是一场殴斗;据辩护律师讲,是一场意外;据切娜讲,“是我父亲安排了一切。”后来,切娜自杀。马龙没有参加女儿的葬礼。
记者问马龙是否感到应为这种乱糟糟的局面承担责任,他说:“当一只海鸥从2000人头上飞过,谁知道它掉下的羽毛会落在哪里?” 然而,马龙真的可以把沉重的罪过当成轻浮的羽毛?他仿佛中了诅咒,正如他在《巴黎最后的探戈》中说过的台词:“你一直是孤单的,你无法逃脱寂寞的感觉,直到你死去。”——隐然就是他一生写照。
我曾经想过,这个双性恋男人到底爱过谁?也许,只是他那个没出息的杀人犯儿子。我永难忘记《教父》中的情节:儿子桑尼被乱枪打死。他对殡仪馆的化妆师说:“你看,他们是这样对待我儿子的。”昏暗的灯光打在他额头上,脸的下半部隐没在阴影里,他的眉毛蹙起,形成悲伤的皱纹——我的心抽紧了,紧得发痛。我也有个可爱的儿子。我能够感受一个父亲遭遇这最大的不幸时,那种汹涌的痛苦与复仇的狂怒。现实中,为了给儿子克里斯蒂安脱罪,马龙耗尽家财,穷困潦倒。克里斯蒂安仍然被判入狱十年。受此打击,马龙暴饮暴食,体重惊人,昔日的“性感野兽”变成一头肥猪。如果想要呕吐,你大可以去看马龙在大烂片《人魔岛》中的扮相,脸上涂的粉厚过日本艺妓,如同一吨涂脂抹粉的肥肉。
后来,他终于死了。听到这消息时,我愣怔了一会儿。在记忆中,马龙早就死了,永远地葬在了1972年。那一年,《教父》问世。他扮演的教父在花园里颓然倒下。丧钟鸣响,经典诞生。32年后,他死了第二次。这次,他是彻底地死掉了。马龙的身后,遗留下一长串数字:1个不朽的角色——教父,5部经典的影片——《欲望号街车》、《现代启示录》、《巴黎最后的探戈》、《码头风云》、《教父》;6个自杀的情妇;17个律师;大约25个不幸的子女;1100万英镑的巨额债务。
安息吧,教父。只是,我要纠正一下你的说法。尽管你不经常与家人呆在一起,但你仍是真正的男人。因为,你的扮演角色教导无数男孩成长为男人。仅为这一个理由,我将永远尊敬你。
教父经典语录!一、人生与处世
1、生活是这样美丽。
2、一个人只有一个命运。
3、不要让别人知道你的想法。
4、不要让人知道你伸手要抓什么。
5、我们都是伪君子。
6、当你说不时,你要使不听上去象是一样好听。
7、我一生为家族服务,而不愿成为大人物手下的玩偶。
8、如果历史教育了我们什么,如果生活教给我们什么,那就是我们可以杀任何人。
9、我将给他一个他无法拒绝的理由。
10、把意外当作对个人尊严侮辱的人永远不会再遭遇意外。
11、不要让女人左右你的思维。
12、如果一个人很慷慨,那他就必须把自己的慷慨表现得充满感情。
13、我只可能被杀害,但永远不可能被捕。
14、如果你认为我不知道其中的真相,那就是在侮辱我的智慧。
15、最好的威胁是不采取行动,一旦采取了行动而没有收到效果,人们就不再怕威胁了。
16、不要让外人知道家族内部的不同意见。
17、女人和小孩可以无忧无虑,男人不行。
18、伟大的人不是生下来就伟大的,而是在成长过程中显示其伟大的。
19、我相信友谊,并且愿意首先表示出我的友谊。
20、友谊可以筑起一道坚实的防线。
21、我绝不会把友谊强加给不需要友谊——认为我无足轻重的人。
22、让朋友低估你的优点,让敌人高估你的缺点。
23、永远不要恨你的敌人 ,因为这会影响你的判断力。
24、跟朋友要亲密,跟敌人要更亲密。
25、第一个帮你敌人说话的兄弟是叛徒。
26、痛苦不象死亡那样无可挽回!
二、社会的真实
1、巨大财富的背后,都隐藏着罪恶。
2、政治和犯罪是一样的。
3、金融就是手枪,政治就是知道何时扣动扳机。
4、无法掌控权力的人将被权力毁灭。
5、一个提着公文包的律师所抢到的钱比一千个拿着冲锋枪的抢到的钱还要多。
6、世界上有什么事情能那么肯定?只有一个---复仇。
三、家庭
1、你是我的家人,我爱你。
2、首先,你不能对你所热爱的人说不。
3、爸爸在吃饭时从不谈生意。
4、你花时间和你的家人在一起吗? 不照顾家人的男人,根本算不上是个男人。
5、如果你不和家人在一起,你就永远无法成为真正的男人。
四、酷
1、我不记得你上一次请我到你的家里喝咖啡是什么时候。
2、你不该拒绝我的友谊。
3、在找警察之前为什么不来找我。
4、我是个迷信的人,若是他不幸发生意外,或被警察开枪打死,或在牢里上吊,或是他被闪电击中,那我会怪罪这个房间里的每一个人,到那时候我就不会再客气了。
5、这张和约书上只会留下两样东西:或是你的名字,或是你的脑浆。
6、如果下次再让我在这里碰见你,我就把你的xx挂在你的耳朵上
C. thegodfather中的英文词句
TheGodfather:教父
《教父》是派拉蒙影业公司出品的一部黑帮题材的电影,改编自马里奥·普佐的同名小说,由弗朗西斯·福特·科波拉执导,马龙·白兰度、阿尔·帕西诺等主演。影片于1972年在美国上映。
该片讲述了以维托·唐·科莱昂为首的黑帮家族的发展过程以及科莱昂的小儿子迈克如何接任父亲成为黑帮首领的故事。1973年这部电影获得了第45届奥斯卡奖最佳电影、最佳男主角、最佳改编剧本三项奖项[1];此外还获得了第30届美国金球奖最佳电影奖、最佳导演等奖项。2007年美国电影协会评选了“百年百佳影片”,《教父》排名第二。
搜索《the godfather ppt》,网络文库中有许多关于教父的英语词句。
附件中贴了一个the_godfather_ppt。
Genre
The Godfather conforms to the key generic conventions of the gangster film: the tragic narrative, the pursuit of the American dream, the morality tale message, and the documentary style, which are important features of the film. However, what makes The G a significant contribution to the genre, and to cinema as a whole, is the originality of its approach.
The tragic narrative in The G takes on the dimensions of classical tragedy. The director, Francis Ford Coppola, suggested as much when he said that it was a “romance about a king with three sons”(modern King Lear). Don Corleone’s is similar to Lear’s in that he has three offspring to whom he can pass on his mantle of “Godfather”, but not all are worthy. The eldest, Fredo, is a womanizing drunk and incompetent buffoon who when his father is shot before his eyes, merely collapses in tears on the curbside. Sonny, the second son, is strong, masculine, and good-natured, but he is too emotional and impetuous, and is killed as a result. The only viable candidate for the role of “Godfather” id Michael, but he has renounce the criminal side of the family—and so Don Corleone’s tragedy is that he must pass on his “crown” to an unwilling heir. Michael’s story is, in turn, equally tragic: He is a great man with great potential, but through his love for his father he compromises his principles and ends up losing everything important in life—love, intimacy, friendship, peace of mind, and ultimately (in The Godfather III) his family as well. At it’s core, the tragedy of the gangster embodies the most basic paradox of success—a paradox centered on the fact that success always arouses the hatred that is its undoing. “Success is always the establishment of an indivial pre-eminence that must be imposed on others, in whom it automatically arouse hatred. The gangster is doomed because he is under an obligation to succeed.”
The motive for all this is the pursuit of the “American Dream”—a belief that the poorest man can, with hard work and persistence, rise to the presidency. Don Corleone was pursuing this dream when he came to America from Sicily; he failed because he remained essentially a criminal. Michael pursues the dream on behalf of his dead father and hopes to make the family organization completely legal. He, too, fails as one crime leads to another, and he finds it impossible to extricate himself.
This feeds into the “morality tale” message of The G, which could be simplified as, “However well intentioned you may be, and however much material benefit it brings, crime will entrap you and destroy the things that are valuable to you.” What makes The G so interesting and original, though, is that this “moral” is complicated by the main character, who are never purely evil, but are instead presented as full human beings with ambitions, affections, weaknesses, and idiosyncrasies.
Character
The Character of the Gangster
The Revolution in Characterization in The Godfather
Classic Gangster Character
The Gangster Character in The G
Without culture, without manners, without leisure
Don C and Michael are both closely attached to the culture of Sicily
Lonely and melancholy
The loneliness of Don C and M is alleviated by their closeness to each other
Expansive and noisy
Don C and M are both quiet, thoughtful, and introspective
Violent and may lose control at any time
Don C and M are defined by their capacity for self-control
Trying to “get ahead” and is therefore never satisfied
Don C and M look forward to a day when their organization will become legal and they can get out of crime.
No need of love (associating with loose women and prostitutes)
Don C and M are family men; Don C believes that only men who pay attention to their families can be “real men”.
Material possessions are central to his being—they define him—and are ostentatiously displayed.
Don C and M both reject ostentation; their identities are defined not by possessions but by responsibilities.
D. 求电影《教父》的英文影评~!~!~!~!~!~!~!急求
教父几?
给你一个网站吧有很多电影的影评http://www.veryabc.cn/movie/new/article/search.php?keywords=The+Godfather+&channelsearch=%2Fmovie%2Fnew%2Farticle%2Fsearch.php&search=1&submit=+%E6%90%9C+%E7%B4%A2+
E. 求<教父1>英文简介
教父1
1945年夏天,美国本部黑手党科莱昂家族首领,“教父”维托·唐·科莱昂为小女儿康妮举行了盛大的婚礼。“教父”有三个儿子:好色的长子逊尼,懦弱的次子弗雷德和刚从二战战场回来的小儿子迈克。其中逊尼是“教父”的得力助手;而迈克虽然精明能干,却对家族的“事业”没什么兴趣。
“教父”是黑手党首领,常干违法的构当。但同时他也是许多弱小平民的保护神,深得人们爱戴。他还有一个准则就是决不贩毒害人。为此他拒绝了毒枭素洛佐的要求,并因此激化了与纽约其它几个黑手党家族的矛盾。
圣诞前夕,素洛佐劫持了“教父”的大女婿汤姆,并派人暗杀“教父”。“教父”中枪入院。素洛佐要汤姆设法使逊尼同意毒品买卖,重新谈判。逊尼有勇无谋,他发誓报仇,却无计可施。
迈克去医院探望父亲,他发现保镖已被收买,而警方亦和素洛佐串通一气。各家族间的火并一触即发。迈克制定了一个计策诱使素洛佐和警长前来谈判。在一家小餐馆内,迈克用事先藏在厕所内的手枪击毙了素洛佐和警长。
迈克逃到了西西里,在那里他娶了美丽的阿波萝妮亚为妻,过着田园诗般的生活。而此时,纽约各个黑手党家族间的仇杀却越来越激烈。逊尼也被康妮的丈夫卡洛出卖,被人打得千疮百孔。“教父”伤愈复出,安排各家族间的和解。听到噩耗的迈克也受到了袭击。被收买的保镖法布里奇奥在迈克的车上装了炸弹。迈克虽幸免于难,却痛失爱妻。
迈克于1951年回到了纽约,并和前女友凯结了婚。日益衰老的“教父”将家族首领的位置传给了迈克。在“教父”病故之后,迈克开始了酝酿已久的复仇。他派人刺杀了另两个敌对家族的首领,并亲自杀死了谋害他前妻的法布里奇奥。同时他也命人杀死了卡洛,为逊尼报了仇。
仇敌尽数剪除。康妮因为丈夫被杀而冲进了家门,疯狂地撕打迈克。迈克冷峻地命人把康妮送进了疯人院。他已经成了新一代的“教父”——唐·科莱昂。
F. 教父的英文详细介绍 好的追50
Directed by: (Francis Ford Coppola Francis Ford Coppola)
Starring: (Marlon Brando Marlon Brando) (Al Pacino Al Pacino) (James Caan James Caan) (Richard Castellano Richard S. Castellano) (Robert Duvall Robert Duvall) (Sterling Hayden Sterling Hayden)
Release: March 15, 1972 the United States
Region: United States
White: English Italian Latin
Rating: IMDb Rating 9.1/10 (231,981 votes)
Color: Color
Sound: Digital Theater Systems (DTS) Single channel (Mono)
Length: 175
Type: Crime Drama
Rating: Spain: 13 Colombia: 18 Canada: PA, Canada: AA Australia: M, Argentina: 18 Australia: R Austria: 16 Canada: 13 + Chile: 18, Denmark: 15 Finland: K-16 Finland: K-18 France: -- 12 Hong Kong: IIB, Iceland: 16 Ireland: 18 Israel: PG, Italy: VM14, Japan: R-15 Mexico: C Netherlands: 16 New Zealand: R16 Norway: 18 Peru: 18 Portugal: 17 Switzerland: 12
Godfather Plot description:
The summer of 1945, the U.S. headquarters Corleone Mafia family leaders, "Godfather" Don Vito Corleone Connie for the little girl held a grand wedding. "The Godfather" has three sons: the eldest son of Sunni lecherous, cowardly, the second son of Fred and just returned from the battlefield of World War II returned youngest son Mike. One Sunni yes "Godfather" of the right-hand man; and Mike though smart and capable, but ignored the family's "cause" no interest.
"The Godfather" is a Mafia leader, and often illegal structure when dry. But he is also a weak protection of civilians in many gods, won the people's love. He also has a criterion is by no means harmful drug trafficking. To this end, he rejected the request of narco-prime Lozo, and thus intensified with several other New York Mafia family conflicts. On Christmas Eve, prime Lozo hijacked the "Godfather" of the great son Tom, and he sent the assassination of "The Godfather."
"The Godfather" was shot in hospital. Su-Lozo to Tom managed to agree that drug trafficking Sunni, re-negotiation. Sunni foolhardy, he vowed revenge, but can not do anything. Mike go to the hospital to visit his father, he found that bodyguards had been bought, while the police and the prime Lozo complicit. Clashes between the hair-trigger for every family. Mike has developed a ruse to lure prime Lozo and the sheriff to come to the negotiations. In a small restaurant, the Mike with the prior possession of a pistol shot in the toilet of prime Lozo and Sergeant.
Michael fled to Sicily, where he married a beautiful阿波萝妮亚wife, living the idyllic life. By this time, New York, the vendetta between the various Mafia families has become increasingly fierce. Sunnis have been Connie's husband Carlo betrayed scarred were beaten. "The Godfather" back injury to arrange reconciliation between the various families. Heard the sad news of Mike has also been attacked. Fabrizio bribed guards installed in Mike's car bomb. Although Mike survived, but lost his beloved wife. Mike returned to New York in 1951, and and the former girlfriend, Kay got married.
The increasingly aging "Godfather" will be passed to the location of the family head Mike. In the "Godfather," died after Mike started the long-awaited revenge. He sent the assassination of another family of two rival leaders, and personally killed his ex-wife's murder Fabrizio. He also ordered the killing of Carlo for the Sunni avenged. Listed out in full cut off enemies. Connie because her husband was killed and rushed into the house, frantically Sida Mike. Mike solemn manner ordered to Connie sent to a lunatic asylum. He has become a new generation of "Godfather" - Tangkelaiang.
United States National Film Protection Agency / National Film Preservation Board, USA 1990 National Film Registry / National Film Registry award-winning
Oscar / Academy Awards, USA 1973 Best Film / Best Picture award
Oscar / Academy Awards, USA 1973 Best Actor / Best Actor in a Leading Role winner Marlon Brando
Oscar / Academy Awards, USA 1973 Best Supporting Actor / Best Actor in a Supporting Role nomination of James Caan
Oscar / Academy Awards, USA 1973 Best Supporting Actor / Best Actor in a Supporting Role nomination of Robert Duvall
Oscar / Academy Awards, USA 1973 Best Supporting Actor / Best Actor in a Supporting Role nomination of Al Pacino
Oscar / Academy Awards, USA 1973 Best Director / Best Director nomination of Francis Ford Coppola
Oscar / Academy Awards, USA 1973 Best Screenplay / Best Writing, Screenplay Written Directly for the Screen Awards Mario Puzo
Oscar / Academy Awards, USA 1973 Best Screenplay / Best Writing, Screenplay Written Directly for the Screen award-winning Francis Ford Coppola
Oscar / Academy Awards, USA 1973 Best Costume Design / Best Costume Design nomination Anna Hill Johnstone
Oscar / Academy Awards, USA 1973 Best Editing / Best Film Editing nomination of William Reynolds
Oscar / Academy Awards, USA 1973 Best Editing / Best Film Editing nomination of Peter Zinner
Oscar / Academy Awards, USA 1973 Best Sound / Best Sound nomination of Charles Grenzbach
Oscar / Academy Awards, USA 1973 Best Sound / Best Sound nomination of Richard Portman
Oscar / Academy Awards, USA 1973 Best Sound / Best Sound nomination of Christopher Newman
Oscar / Academy Awards, USA 1973 Best Music / Song / Best Music, Song nomination Nino Rota
Golden Globes / Golden Globes, USA 1973 Best Film (Drama) / Best Motion Picture - Drama award-winning
Golden Globes / Golden Globes, USA 1973 Best Supporting Actor / Best Performance by an Actor in a Supporting Role in a Motion Picture nomination of James Caan
Golden Globes / Golden Globes, USA 1973 Best Director / Best Director - Motion Picture Francis Ford Coppola's award-winning
Golden Globes / Golden Globes, USA 1973 Best Screenplay / Best Screenplay - Motion Picture Francis Ford Coppola's award-winning
Golden Globes / Golden Globes, USA 1973 Best Screenplay / Best Screenplay - Motion Picture Awards Mario Puzo
Golden Globes / Golden Globes, USA 1973 Best Actor (Drama) / Best Performance by an Actor in a Motion Picture - Drama award-winning Marlon Brando
Golden Globes / Golden Globes, USA 1973 Best Actor (Drama) / Best Performance by an Actor in a Motion Picture - Drama Al Pacino Nominations
Golden Globes / Golden Globes, USA 1973 Best Original Film Song / Music / Best Motion Picture Score winners Nino Rota
British Academy Awards / British Academy Awards 1973 Best Actor / Best Performance by an Actor in a Leading Role nomination of Marlon Brando
British Academy Awards / British Academy Awards 1973 Best Supporting Actor / Best Performance by an Actor in a Supporting Role nomination of Robert Duvall
British Academy Awards / British Academy Awards 1973 Best Costume Design / Best Costume Design nomination Anna Hill Johnstone
British Academy Awards / British Academy Awards 1973 Best New Artist / Best Newcomer nomination of Al Pacino
British Academy Awards / British Academy Awards 1973 Best Music / Best Music Awards Nino Rota
United States Society of Film Critics Award / National Society of Film Critics Awards, USA 1973 Best Actor / Best Actor winner Al Pacino
New York Film Critics Circle Awards / New York Film Critics Circle Awards 1972 Best Supporting Actor / Best Supporting Actor award-winning Robert Duvall
National Board of Review Awards (U.S.) / National Board of Review, USA 1972 Best Supporting Actor / Best Supporting Actor winner Al Pacino
G. 求一段关于《教父1》的英文影评(500字左右),按题目作答
Speaking of "The Godfather" protagonist Michael's life, many people behaved evaluation is turned into an endless fall, thereby shedding step by step process of the human shell. People always seem to relish the old godfather, said that despite his extraordinary means, but there is still tender feelings of humanity, and Michael almost cruel, cold-blooded, psychotic synonymous. In fact, looking back at "The Godfather", Michael is my understanding of the fate of the most tragic characters, as he was champion of Lu Xun alone, traveled alone in the dark. "The Godfather" Michael is the fate of three main line runs through its ambitious narrative structure has always been praiseworthy man to show the essence of the role of Michael in terms of the mentality or the carrier. Let us remove the head of the godfather of Michael halo, from the perspective of human nature to analyze the tragic fate of his tragic life can be summed up in one word: alone. Can say that the eyes of his father Michael has been a peak. Unlike the third generation of Godfather Michael Vincent, the nature of the desire for power is not fanatical, he is completely out of his father's love of family. He once said that I do not want to be like him, but I love him. The pure love, so that after the accident he heard his father, desperate to protect their loved ones. Found in his father arrived at the hospital had been shot once again facing the danger, the camera shows the most touching scene: he fell on his father bedside, gently stroking his father's old face, said nothing, Dad, I to protect you, me and you. Then kissed his father's forehead, leaving the father could not move his party tears. In the most perilous moment the whole family, the father life threatening at any moment, he can not consider all of the sacrifices made by their own, decided to take on drug lords and the police chief to remove the task. Please note that before this he had never directly intervene in family affairs. We see the end of the second firm flash gyrus Michael leave school to join the army already had on their future plans, but now all been actively involved in family affairs, people stand to one side, and to destroy his life by Michael the expense of the future to restore his father's life. Videos in shaping the image of Michael is very attention to the use of eyes, this is Pacino the actor's greatness. Michael has been very firm eyes watching the same direction, many people commented that you looked at his empty eye hole, there will be chilling feeling, but in Michael to shoot drug dealers and the police chief, his eyes is the only time when scattered. He did not watch each other, but bowed his head, such as constantly looking for something out of the window with the sound of approaching trains, the atmosphere more and more nervous, but Michael's eyes are more free, finally, he decided to carry a decision on the fate of his hand fired the bullet. This is a major focus of rendering is to show Michael the biggest turning point in the fate of the psychological state of temporary confusion in his eyes he can see how intense the ongoing ideological struggle, because he has to pay, is his life. After this point, as his solemn eyes, Michael embarked on a path of no re-added. Father has been strongly opposed to his involvement in family affairs, in his post-injury to get rid of the enemies heard that Michael, the lens appears in her father's fading face, shook his head and closed his eyes and I sigh, as the father of Shangqie Michael's future has been destroyed bitter, Michael how much I have to bear the pain? But Michael never showed it. Godfather in the old garden talk with Michael in that scene, the camera is very clever deal, the two of them one after the other, suggesting the transfer of the last two generations, the father of the lens front, said: I did not want you to interfere in the hope that Can you come out ahead, I hope you can become governor of Lyon. And in late position to think about Michael at this time is no longer simple, he has to play alone, from the family's affairs. On the one hand, he assured the family to console his father, one must also work hard to achieve his father hoped he was the head has become the legitimate hopes of the world's elite, the phrase I tell you I can support the live, I can require much perseverance in the back support ah! After the death of his father, Michael can be more alone in his soul who no longer fit with them, the only position to understand the situation of living in The Godfather father passed away, this feeling in the second part of the Michael the performance of a dialogue with the mother head. Very dark color processing room, the only light is lit the flame of the fireplace Michael half of the face, indicate that he is extremely ambivalent. He asked his mother: the idea of telling my father, he is very strong, For the family firm, the family he failed before? ... ... This is not my loss, but the entire family out. Mother said: You can not let the whole family out ah. Can be said that the important task of the whole family to bear by one Michael, he has been trying to make his strong, in order not to lose the family and strong, but the firm was behind poignant loneliness. Michael from man to the godfather of the transformation process is to some extent reflected the lives of everyone it? Perhaps the tragedy of life and human nature alone, is really the fate of mankind. People - Godfather Review of Michael's life, we must ask that this tragic and lonely thing behind it? What caused the tragedy of Michael it? I think people with power, institutional and social opposition between the eternal. Human nature is complex, because people always in the id, ego, superego constant balance. This balance involves not only indivials, but has a more complex social reasons. Person as an indivial, in the process of integration will continue to lose their own nature, and Michael is even more special, because he has to complete one from a pure to the changing role of godfather. This shift was looking forward to the family and other factors continue to contribute to society's expectations. In this process, factors to suppress the self to a minimum, because the more a person to become part of the established rules, the more to rece the proportion of self. In this conversion, he faces is a powerful system, but the special nature of the role of godfather to Michael Powers and evil must be faced with the problem throughout society, in which the relationship between human nature is fully reflected in the dark side, the indivial person's role in this most vulnerable groups have to face their own form from the darkest abyss, if you can not be part of it, it can only become a victim of its reality. The abyss has a religious aura, has a shocking and bloody, with the cloak of civilization, but the deepest of which is the integration of evil human nature. Group of people who are poor from the ancient hard to survive in the natural environment of the important reasons to the present, but also human nature to become the best stage show. Relations in groups, to establish a balance between the human constraints of the system, but the rule-makers and actors out of the same nature, which determined that the nature of the system. However, this system has a strong binding to human, they do not act according to the system will be eliminated, so the people will never have to sacrifice their own sake only system, it is also this makes Michael constantly lose sight of yourself to be thrown into darker situation. If in the first "Godfather" in Connie's children to complete in the holy water of baptism wash away that Michael to the baptism of blood at the same time completed the transformation from the indivial to the Godfather, if he does not do that, his life offerings will be another evil, which, in essence, reveals the top of power between the human relationship. "The Godfather" to express a character through which, in fact, the problem of all mankind, the indivial is helpless, they can not escape the old godfather said he is fighting the end of their refusal to become a big shot in the hands of the doll, the one is to become the so-called big man, Michael also followed such a trajectory, the tragedy for the indivial as the only means to survive. In such circumstances, the indivial alone with nature is always a state of mind, which in this environment is still the only source of conscience, which alone comes from indivial and group conflict can never be reconciled, the person impossible for the integration of groups than when alone, because the group is the integration of me, but always the potential of self mind, silently looking at everything, which is why people are the cause of indivial existence. Self by various factors from the extrusion group, faced with the expense of their own at any time for a balanced position. It is the only support comes from the kinship of mankind, this is the only pure natural relationship, a real dilemma when faced with the export of the ideal, always hopes future generations, or to find a soul all his actions support, this is one of the human virtues, completely without the purpose of self-sacrifice exists only in such a relationship. However, when people have lost their last hope that when everything is completely back to the dark abyss, lonely and always linger in the mind become inescapable in the state. Michael from man to the godfather of the transformation process is to some extent reflected the lives of everyone it? Perhaps the tragedy of life and human nature alone, is really the fate of mankind.
H. 教父1深度解析
《教父1》以沉郁冷静的风格讲述了一段颇具浪漫主义色彩的黑帮史诗。它是电影史上最伟大的黑帮电影之一,被誉为男人的圣经,在经历40年的电影市场翻天覆雨的变化,依然能活在每一个人心中。这部电影不但在评论、艺术和票房上取得了成功,而且它还为后人树立了一个典范,是一部众口称赞的经典电影。本影片中,其主旨除了在讲述故事情节之外,也给广大观众树立了一个正确的价值观导向。
影片主人公式围绕教父《教父1》以精细的笔墨描述了黑手党全盛时期的家族恩怨。虽然影片的格局庞大、情节复杂、人物众多,但整部影片处理得有条不紊、扣人心弦,展现了高超的专业技巧。《教父1》的深层意义在于它为美国电影史上的犯罪片开拓了宽广的前景 。
《教父1》作为黑帮题材的电影,不是虚无主义地淡化宗教意味,相反这部电影有着深深的基督教烙印,它很少讨论善恶,也很少用主观镜头表现宗教的道德观,除了在内容丰富的同时,也保证了其精神文化的丰富,也是这部影片经历40年风雨仍然经久不衰的原因。
I. 求教父电影解析,要有深度的那种。
《教父》在叙事上很圆熟,婚礼半小时的伏线密集,对庞大的人物关系网、情节发展起着关键作用。影片开头埋下的几处伏笔,在后来的剧情中全有呼应,而且令人感到新颖的是这几处呼应并不决定情节走向,而是草灰伏线式连接。
(9)教父电影英文赏析ppt扩展阅读
《教父》主要剧情:40年代的美国,“教父”维托·柯里昂(马龙·白兰度 饰)是黑手党柯里昂家族的首领,带领家族从事非法的勾当,但同时他也是许多弱小平民的保护神,深得人们爱戴。
因为拒绝了毒枭索洛索的毒品交易要求,柯里昂家族和纽约其他几个黑手党家族的矛盾激化。圣诞前夕,索洛索劫持了“教父”的参谋汤姆,并派人暗杀“教父”。
因为内奸的出卖,“教父”的大儿子逊尼被仇家杀害;小儿子麦克(阿尔·帕西诺 饰)也被卷了进来,失去爱妻。黑手党家族之间的矛盾越来越白热化。血雨腥风和温情脉脉,在这部里程碑式的黑帮史诗巨片里真实上演。
J. 急求《教父》的英文影评
The New York Times | Vincent Canby
One of the most brutal and moving chronicles of American life ever designed within the limits of popular entertainment. [16 Mar 1972]
Washington Post | Desson Thomson
A great American picture, full of incredible images and lasting moments.
LA Weekly | F. X. Feeney
The Godfather traces the arc of this doomed idealism with a beauty that is still fresh.
Chicago Reader | Dave Kehr
Sharp, entertaining, and convincing--discursive, but with a sense of structure and control that Coppola hasn't achieved since.
Los Angeles Times | Kenneth Turan
Overflowing with life, rich with all the grand emotions and vital juices of existence, up to and including blood. And its deaths, like that of Hotspur in "Henry IV, Part I," continue to shock no matter how often we've watched them coming. [16 Mar 1997, Calendar, p.7]
Chicago Tribune | Michael Wilmington
Brando made Don Vito something we rarely see in movies: a tragicomic villain-hero, a vulnerable hood. The don is so close to a comic character -- the movie itself is so close to comedy -- that Brando's capacity to move us in the role is doubly impressive. At the end, it is the older Godfather's tenderness and sagacity we recall. [21 Mar 1997, Friday, p.A]
San Francisco Examiner | Barbara Shulgasser
A handbook on cinematic lucidity. All events are described clearly. Motives of all the characters are set right there on the table next to the pasta for our consideration.
TV Guide | Staff (Non Credited)
The Godfather is a generational saga; it's also an action film; but above all, it catches the imagination of audiences because it suggests that the career of a gangster is not so very different from the career of a businessman or a politician.
Film Threat | Ron Wells
One warning however: James Caan's shoulder hair, when seen on this size screen, may frighten children considerably (you'll at least want to discuss it openly after the show, answering any questions your kids may have in an honest and direct manner).
Austin Chronicle | Marjorie Baumgarten
Just about as great as a movie's ever gonna be... As for the storytellng, The Godfather is an intricately constructed gem that simultaneously kicks ass.
ReelViews | James Berardinelli
The picture is a series of mini-climaxes, all building to the devastating, definitive conclusion... It was carefully and painstakingly crafted. Every major character - and more than a few minor ones - is molded into a distinct, complex indivial.
Chicago Sun-Times | Roger Ebert
The wedding sequence... is a virtuoso stretch of filmmaking: Coppola brings his large cast onstage so artfully that we are drawn at once into the Godfather's world.
San Francisco Chronicle | Edward Guthmann
In scene after scene -- the long wedding sequence, John Marley's bloody discovery in his bed, Pacino nervously smoothing down his hair before a restaurant massacre, the godfather's collapse in a garden -- Coppola crafted an enring, undisputed masterpiece. [21 Mar 1997, Daily Datebook, p.C3]
Variety | Staff (Not Credited)
Overlong at about 175 minutes (played without intermission), and occasionally confusing. While never so placid as to be boring, it is never so gripping as be superior screen drama.