电影第九区不是英文

① 《谍影重重3》《第九区》《非常嫌疑人》《心灵捕手》《光荣战役》求以上任意一部电影的英文影评。

《第九区》

Well, that wasn't supposed to happen. "District 9" was supposed to be another tired Man Versus Scary Alien late summer crapfest. Actually, when you think about the plot, it really should be a crapfest. "District 9" has absolutely no business being A Good Film. But, yet, here it is and here we are. We: the late summer movie going audience desperately seeking out... something... anything; one last eensy weensy morsel of precious, precious entertainment to use as an excuse to get out of the wretched heat of a mid-August sun . It: not content to be just A Good Film -- but, rather, A Great Film. And, on certain levels, maybe even An Important Film.

Whatever you think you know about "District 9" is, probably, wrong. "Well," you say, "It's about a reporter that discovers..." No. Wikus (Sharlto Copley), the main character, is not a reporter. He's a government bureaucrat. "OK, fine" you contend, "he discovers the atrocities that are occurring in District 9 and fights to help..." Nope. Wikus is well aware of what's happening in the district and, at first, is part of a team that's making things a bit worse. "Well, there are big scary evil aliens, right?" Evil? No. Scary? Not really, ornery might be a better adjective. Aliens? Yes!

You see, "District 9" plays out quite realistically -- if, you know, a giant alien spaceship visited Earth. Twenty years ago a spacecraft appears over Johannesburg, South Africa, and, for awhile, absolutely nothing happens. Finally, a mission to the hovering ship is implemented and around one million sick and malnourished aliens are found. They're brought down to the city, a large scale humanitarian effort takes place. Samaritans from around the world arrive to help feed and shelter the visitors. What happens next? Well, what always happen when the news of the day shifts to another story? Except for the government and a Nigerian gang who both have interest in their weapon technology, they're forgotten. (Remember those Iran elections the media cared so much about? Oh, yeah, you might not because Michael Jackson died.)

The aliens are far from evil -- writer and director Neill Blomkamp describes them as worker bees after the queen bee has died: a bit lost and without a purpose -- just neglected and, in terms of their life on Earth, quite poor. They live in a slum and absolutely no one wants them here -- especially the human residents of the slum. Wikus Van De Merwe is in charge -- a job he was given by his father-in-law -- of a relocation effort of the aliens from District 9 to the even less desirable District 10. Under South African law, each alien must be served an eviction notice. This is why Wikus and his team are in the district; to serve and have each alien sign a of his eviction notice.

Image &; Columbia Tristar Marketing Group, Inc.

Wikus does, eventually, take an interest in the aliens' well being. But not because Wikus has a sudden influx of morality or righteousness -- his motives are strictly selfish. There's a lot of selfishness at play in this film and not a lot to like about human behavior. The most genuine character in the film is named Christopher Johnson -- you may be surprised who Christopher Johnson turns out to be.

It next to impossible to ignore -- considering the film's South African setting -- the underlying comparisons of the aliens' plight to that of apartheid. Blomkamp -- a South African native -- draws on his own experiences of his home country and transforms black and white racial tension to human and aliens on a surprisingly low 30 million dollar budget. This isn't a particularly scary film, but it is gory (Christ, is it gory) and it has something to say. The thing is: even if you completely ignore "District 9"'s themes, there are aliens and a lot of things explode -- people seem to enjoy that. As stated: "District 9" shouldn't really be a good film; it shouldn't be a great film. It is. "District 9" is the best film of the summer -- possibly, so far, the year.

2
Shot and set in Blomkamp's native South Africa, "District 9" imagines a present-day scenario in which humans and aliens are forced into an uneasy co-existence and, predictably, bring out the violent worst in each other. As scripted by Blomkamp and Terri Tatchell, the result reps a remarkably cohesive hybrid of creature feature and satirical mockumentary that elaborates on the helmer's 2005 short "Alive in Jo'burg," borrows plot points from 1988's "Alien Nation" and takes its emotional cues from "E.T."

The film's faux-verite visual style, however, is very much a thing of the present, blending handheld HD camerawork with ersatz news coverage (complete with CNN-style text scrolls) and talking heads, plus actual archival footage from local news agencies, so as to suggest an urgent dispatch from the front lines of an interspecies war.

The introctory 15 minutes are swiftly paced, making modest demands on the viewer to keep up with the jiggly aesthetic and the particulars of the premise: Twenty years ago, an enormous spaceship came to rest over Johannesburg, now a sun-scorched urban wasteland. Since then, the ship's inhabitants, referred to as "prawns" -- four-legged insectoid beings that walk upright, secrete black goo and speak in subtitled grunts and gurgles -- have been moved into the titular ghetto and placed under the control of Multi-National United, a private corporation bent on cracking the secrets of the aliens' ultra-powerful weapons.

Into the fray strides Wikus van der Merwe (Sharlto Copley), an annoyingly chipper, boastful MNU operative overseeing the transfer of aliens to the more remote District 10. Blithely navigating cameramen through the creatures' filthy shack homes, Wikus accidentally comes into contact with an icky substance that, within hours, begins altering his DNA.

In the script's most ingenious gambit, the contaminated Wikus is suddenly coveted by MNU, as well as by a gang of Nigerian thugs and witch doctors who won't win the filmmakers any prizes for ethnic sensitivity. Forced into hiding, Wikus teams up with an intelligent, green-skinned prawn, Christopher Johnson (voiced by Jason Cope), and his kid, Little CJ, who's kinda cute in a hideous sort of way; together, they seek a way to reverse Wikus' alien metamorphosis and help the refugees return to their planet.

Rather than plunge the viewer immediately into unrelieved carnage and chaos, the film opens on a note of anxious uncertainty and tense humor as it probes the varying degrees of hostility in human-prawn relations. Though compelling throughout, "District 9" never becomes outright terrifying, largely because Blomkamp is less interested in exploiting his aliens for cheap scares than in holding up a mirror to our own bloodthirsty, xenophobic species.

That said, he doesn't skimp on the viscera; it's hard to watch the grisly climactic battle, with its parade of high-tech weaponry and exploding body parts, and not think of the horror cheapies Jackson was making pre-"Lord of the Rings." The pic does take a sentimental turn toward the end, with an excess of alien reaction shots that feel at odds with the much more authentic passion Blomkamp lovingly invests in his grotesque setpieces.

Copley makes the most of the only substantial human role -- and not an especially likable one at that -- with a twitchy, blustery, shifty-eyed performance of ferretlike intensity. Dropping F-bombs in Afrikaans-accented English, he ably conveys not only Wikus' physical transformation but also his mental deterioration and subsequent moral awakening; it's to the pic's credit that when Wikus is shown on the battlefield, his half-mutated body covered with festering wounds and alien protrusions, he has never seemed more profoundly human.

Lensed primarily on the Red-One camera, the film looks and sounds terrific, its seeming improvisation masking the obviously exhaustive planning required in all departments. The interactions between the aliens (a combo of f/x and old-fashioned prosthetics) and the humans are handled as confidently as anything in the "Transformers" movies and are arguably more impressive for d.p. Trent Opaloch's off-the-cuff shooting style. Clinton Shorter's percussive score is effective but at times over-reliant on the loud wailing/crooning that has become a too-easy signifier of Africa and other foreign locales.

3

第九区 英文影评 District 9 Movie Review

Throw another prawn on the barbie

I suppose there’s no reason the first alien race to reach the Earth shouldn’t look like what the cat threw up. After all, they love to eat cat food. The alien beings in “District 9,” nicknamed “prawns” because they look like a cross between lobsters and grasshoppers, arrive in a space ship that hovers over Johannesburg. Found inside, huddled together and starving to death, are the aliens, who benefit from a humanitarian impulse to relocate them to a location on the ground.

Here they become not welcomed but feared, and their camp turns into a prison. Fearing alien attacks, humans demand they be resettled far from town, and a clueless bureaucrat named Wikus van der Merwe (Sharlto Copley) is placed in charge of this task. The creatures are not eager to move. A private security force, headed by van der Merwe, moves in with armored vehicles and flame-throwers to encourage them, and van der Merwe cheerfully destroys houses full of their young.

Who are these aliens? Where did they come from? How did their ship apparently run out of power (except what’s necessary to levitate its massive tonnage?). No one asks: They’re here, we don’t like them, get them out of town. There doesn’t seem to be a lot to like. In appearance, they’re loathsome, in behavior disgusting and evoke so little sympathy that killing one is like — why, like dropping a 7-foot lobster into boiling water.

This science-fiction fable, directed by newcomer Neill Blomkamp and proced by Peter (“The Lord of the Rings”) Jackson, takes the form of a mockumentary about van der Merwe’s relocation campaign, his infection by an alien virus, his own refuge in District 9 and his partnership with the only alien who behaves intelligently and reveals, dare we say, human emotions. This alien, named Christopher Johnson — yes, Christopher Johnson — has a secret workspace where he prepares to return to the mothership and help his people.

Much of the plot involves the obsession of the private security firm in learning the secret of the alien weapons, which humans cannot operate. Curiously, none of these weapons seem superior to those of the humans and aren’t used to much effect by the aliens in their own defense. Never mind. After van der Merwe grows a lobster claw in place of a hand, he can operate the weapons, and thus becomes the quarry of both the security company and the Nigerian gangsters, who exploit the aliens by selling them cat food. All of this is presented very seriously.

The film’s South African setting brings up inescapable parallels with its now-defunct apartheid system of racial segregation. Many of them are obvious, such as the action to move a race out of the city and to a remote location. Others will be more pointed in South Africa. The title “District 9” evokes Cape Town’s historic District 6, where Cape Coloureds (as they were called then) owned homes and businesses for many years before being bulldozed out and relocated. The hero’s name, van der Merwe, is not only a common name for Afrikaners, the white South Africans of Dutch descent, but also the name of the protagonist of van der Merwe jokes, of which the point is that the hero is stupid. Nor would it escape a South African ear that the alien language incorporates clicking sounds, just as Bantu, the language of a large group of African apartheid targets.

Certainly this van der Merwe isn’t the brightest bulb on the tree. Wearing a sweater vest over a short-sleeve shirt, he walks up to alien shanties and asks them to sign a relocation consent form. He has little sense of caution, which is why he finds himself in his eventual predicament. What Neill Blomkamp somehow does is make Christopher Johnson and his son, Little CJ, sympathetic despite appearances. This is achieved by giving them, but no other aliens, human body language, and little CJ even gets big wet eyes, like E.T.

“District 9” does a lot of things right, including giving us aliens to remind us not everyone who comes in a spaceship need be angelic, octopod or stainless steel. They are certainly alien, all right. It is also a seamless merger of the mockumentary and special effects (the aliens are CGI). And there’s a harsh parable here about the alienation and treatment of refugees.

But the third act is disappointing, involving standard shoot-out action. No attempt is made to resolve the situation, and if that’s a happy ending, I’ve seen happier. Despite its creativity, the movie remains space opera and avoids the higher realms of science-fiction.

I’ll be interested to see if general audiences go for these aliens. I said they’re loathsome and disgusting, and I don’t think that’s just me. The movie mentions Nigerian prostitutes servicing the aliens, but wisely refrains from entertaining us with this spectacle.

《心灵捕手》

In essence, Good Will Hunting is an ordinary story told well. Taken as a whole, there's little that's special about this tale -- it follows a traditional narrative path, leaves the audience with a warm, fuzzy feeling, and never really challenges or surprises us. But it's intelligently written (with dialogue that is occasionally brilliant), strongly directed, and nicely acted. So, while Good Will Hunting is far from a late-year masterpiece, it's a worthwhile sample of entertainment.

Like Scent of a Woman, which was released around this time of the season five years ago, Good Will Hunting is about the unlikely friendship that develops between a world-weary veteran and a cocky young man. The formula for the two films is similar -- both of the principals learn from each other as they slowly break down their barriers on the way to a better understanding of life and their place in it -- but the characters are different. Al Pacino's Slade was a larger-than-life indivial; Robin Williams' Sean McGuire is much more subtle. And Matt Damon's Will Hunting uses pugnaciousness to supplant the blandness of Chris O'Donnell's Charlie.

Will is a troubled indivial. As a child, he was the frequent victim of abuse. An orphan, he was in and out of foster homes on a regular basis. Now, not yet 21 years old, he has accumulated an impressive rap sheet. He has a short temper and any little incident can set him off like a spark in a tinder box. But he's a mathematical genius with a photographic memory and the ability to conceive simple solutions to complex problems. While working as a janitor at MIT, he delights in anonymously proving theorems on the math building's hall blackboards. Then, one evening, his anonymity is shattered when Professor Lambeau (Stellan Skarsgard) catches him at work. Will flees, but Lambeau tracks him down. Unfortunately, by the time the professor finds him, Will is in jail for assaulting a police offer.

The judge agrees to release Will under two conditions: that he spend one day a week meeting with Lambeau and that he spend one day a week meeting with a therapist. Eventually, once several psychologists have rejected the belligerent young man, Sean McGuire, a teacher at Bunker Hill Community College, agrees to take the case. After a rocky start, the two form a rapport and Will begins to explore issues and emotions he had walled up behind impregnable armor. And, as Will advances his self-awareness in sessions with Sean, he also learns about friendship from his buddy, Chuckie (Ben Affleck), and love from a Harvard co-ed named Skylar (Minnie Driver).

The script, by co-stars Matt Damon and Ben Affleck, is not a groundbreaking piece of literature, and occasionally resorts to shameless manipulation. The characters are well-developed, however, and there are times when the dialogue positively sparkles. At one point, Will comments that a session with Sean is turning into a "Taster's Choice Moment." Later, Will gives a brilliant, breathless diatribe against the NSA that has the rhythm of something written by Kevin Smith. (Note: Since Smith co-executive proced Good Will Hunting, it's not out of the question that he had some input into this scene.)

Director Gus Van Sant (Drugstore Cowboy, To Die For) culls genuine emotion from his actors, and this results in several affecting and powerful scenes. There's an edginess to some of the Sean/Will therapy sessions, and the offscreen chemistry between Matt Damon and Minnie Driver (who became romantically linked while making this film) translates effectively to the movie -- the Will/Skylar relationship is electric. Likewise, the companionability of Damon and Affleck is apparent in the easygoing nature of Will and Chuckie's friendship. Many of the indivial scenes are strong enough to earn Good Will Hunting a recommendation, even if the overall story is somewhat generic.

Matt Damon, who recently starred as the idealistic young lawyer in The Rainmaker, is solid (although not spectacular) as Will. Minnie Driver (last seen in Grosse Pointe Blank) adds another strong performance to a growing resume (and it's refreshing that she was allowed to keep her British accent rather than having to attempt an American one). The outstanding performance of the film belongs to Robin Williams, whose Sean is sad and wise, funny and somber. Arguably the best dramatic work in the actor's career (alongside what he did in The Fisher King), Williams' portrayal could earn him a Best Supporting Actor Oscar nomination. Adequate support is provided by Ben Affleck (Chasing Amy) and Stellan Skarsgard (Breaking the Waves).

Like most of what comes before it, the ending of Good Will Hunting is completely predictable. But meeting expectations and following a familiar path aren't always bad things in a movie, provided the film accomplishes those goals with a modicum of style and an attention to detail. Good Will Hunting does both, and, as a result, earns a rating commensurate with the "good" in the title.

2
When I saw this movie, I decided that this movie reminded me of an old Pilgrim movie (wait, I'm not through). In the old Pilgrim or any sea-faring movie, there was usually a scene in which the flour barrel was opened, and found to be teeming with vermin of one sort or another. There was plenty of good flour in there, but you had to get past/through the vermin. I feel that there is a tremendous movie underneath the vermin in this movie (the blatant profanity; the obigatory love scene though it was toned down; and the violence of a basketball court fight). Once you get past the vermin, you can enjoy the sensitivity of this movie. It was worth seeing. On a Christian level, there's little to say good about this film. Robin Williams made a good counselor, but Jesus is still the best there is at healing wounds.

3
Foul language and sexual content—fabulous theme and acting. A christian friend told me that if I could get past the langauage, this is a superb and powerful film. I agree. The language and filthy content is overboard even considering the ghetto-like environment. I would suggest, however, that Jesus would hang out with people like these. Moreover, I found the themes of friendship, love and facing one's past and emotional confusion to be inspiring indeed. Robin Williams definitely deserves his Academy Award for best supporting actor, and this is a very well written movie.

② 对电影《第九区》的英文评价……80词左右

1.《第九区》是启示录,眺望地球以外的,更是对人类自身的审视.难得的是,在冠冕堂皇的文艺外壳下,其科幻内核闪闪放光.《第九区》无论在形式上还是内容上,都具备观看价值.
District 9 is a revelation,overlooking the earth,outside the review about the human.Rare is that under the grandiose artistic shell,its sparkling science kernel.District 9 both in form and content,all have to watch the value.
2.影片没有循旧辙,而是辟出新路,放弃对外来文明的恐惧心理,反其道而行之.虽然有《黑衣人》等科幻珠玉在前,但是《第九区》严肃、深沉的叙事风格与前者的插科打诨或使劲用力截然不同,这让《第九区》具备了经典的气质.
The film did not follow the old quote,but for a new road,out of fear of external cultures,on the contrary.Although there are "men in black" science fiction "pearls before,but" district 9 "serious,deep narrative style very different from the former gag or tried hard,this let" district 9 "with the classic temperament.

③ 求：电影《第九区》简介…

《第九区》主角是一位MNU（列国联盟）的迁移办事人员。他在强迫贫民窟外星难民拆迁的过程中，意外感染到外星人的流体并变异，之后被抓捕当作实验体，最后逃脱并展开逃亡。这部电影被认为是尼尔·布洛姆坎普从他的2005年短片《约堡外星人》(Alive in Joburg)演绎而来。《约堡外星人》讲述外星人和地球居民在约堡的冲突。约堡实际上就是约翰内斯堡。此外，不少人认为该片影射南非当年的种族隔离政策。《第九区》的片名则是来自传闻中美国的专门负责处理外星人事务51区。而男主角变成外星人的情节则参考了卡夫卡的《变形记》。此片除了取得票房上的成功外，亦被提名为第82届奥斯卡金像奖的最佳电影及最佳改编剧本。情节概要 故事开始在1982年，在南非约翰内斯堡上空突然出现了一艘巨大的外星人长程采矿船停留于该处，人们惶恐不安，而又分外好奇。根据报道显示，这艘飞船的一块命令模块偶然掉落在地球后导致其搁浅。经过长达三个月的等待后，太空船仍没有动静，而登上船舰的探索小组发现了舱内约有100万名身体状况欠佳的节肢动物状外星物种，而这些外星人在寻求庇护。在被接送下来后，入住非洲的外星人中有部分人从事犯罪和破坏活动，从而导致了政府对其进行人口控制的需求。南非政府将他们限制在约翰内斯堡的一个贫民窟中，内部代号第九区。由于他们长得像一种南非的巨型蟋蟀“城镇大虾”（Parktown Prawn），因此被当地人称为“大虾”。来到20年后的现在，经过数年的繁衍后，外星人的数量已一发不可收拾。一个名叫Multinational United的机构（列国联盟，简称MNU）要去执行外星人迁移计划，而主角威库斯（沙尔托·科普雷饰）为此次任务的负责人，他的任务是要让外星人签下移居同意书。威库斯在拜访外星人的时候，不小心感染到外星人的能源—“流体”，因而慢慢演化为外星人。在演化的过程中，威库斯被MNU所抓到并且在他身上做实验，由于威库斯已拥有外星人的DNA，而从外星人缴来的武器必须以他们的DNA才可以启动，威库斯无疑已经成了解开外星人武器技术的秘密钥匙，这也使得他成了全世界追捕的对象，因为他象征着MNU武器实验中最有价值的关键所在。威库斯在受到了同类无尽的排斥和不友好的对待后，最后唯有匿藏在第九区内。拍摄 《第九区》在非洲的贫民窟实地拍摄。片中的许多人类使用的武器都是真实存在的。例如南非部队使用的20毫米反坦克步枪NTW-20，白色的CR-21突击步枪，PAW-20榴弹发射器。主角威库斯使用的外星反重力枪则脱胎于游戏《半条命2》。背景设定 影片中的外星人社会是一个蜂巢社会。评价 截至2009年09月30日，知名评论网站烂番茄里，基于228篇评论，高达90%的影评给予正面的评价，而在IMDb上更获得8.6的高分。主要角色 沙托·卡普利饰 魏克斯·凡·得·莫威（Wikus van de Merwe） 杰森·寇普饰 克里斯多佛·强森（Christopher Johnson）以及所有开口外星人角色 凡妮莎·海沃饰 塔妮雅（Tania） 禁止上映 西非尼日利亚政府在本片上映前曾提出强烈抗议，指其诋毁尼日利亚国家形象，将尼日利亚人丑化成食人生番、罪犯和娼妓。该国当局除下令全国禁映、将影片没收，同时要求索尼电脑娱乐电影公司公开道歉。希望帮到你啦~

④ 《第九区》英语概要，少点哦。<做英语电影海报，求大师>

In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The refugee camp where the aliens were located has deteriorated into a militarized ghetto called District 9, where they are confined and exploited in squalor. In 2010, the munitions corporation, Multi-National United, is contracted to forcibly evict the population with operative Wikus van der Merwe in charge. In this operation, Wikus is exposed to a strange alien chemical and must rely on the help of his only two new 'Prawn' friends.

⑤ 急求电影第九区的英文影评只要150字就好了！！！

A South African Futuristic Greek Tragedy

After "District 9" was over, I had to run from the theater to the hotel and take a long, long shower. "District 9" is a first. We've never seen anything quite like it. A metaphor for a world that's becoming faster and faster a huge melting pot where nothing truly melts. The have and the have not. New ghettos, new forms of life and we have to learn to live with it or, or what? Neill Blomkamp, the 30 year old director, is someone who's exploded into the film scene and I'm sure he'll stay for a long time to come. A commercial director with a refined artistic mind. Accessible without being condescending a real find and who found him? Peter Jackson. A man that I suspect is creating a Hollywood overseas, a Hollywood for the thinking man. I urge you to see "District 9" and get used to those aliens, they stand for something that is already here.

⑥ 《第九区》是一部外星人电影，第九区英文怎麼写

District Nine

⑦ 电影《第九区》是真实故事吗

电影《第九区》不是真实故事。

《第九区》是2009年索尼出品的一部科幻电影，由尼尔·布洛姆坎普导演，沙尔托·科普雷、詹森·库伯等联袂出演主演。影片于2009年11月26日在中国内地上映。电影讲述了维库斯感染了某种神秘病毒，正逐渐变成一个外星人，为了不沦为研究的对象遭受非人的实验，他只有逃往唯一安全之地第九区。

相关信息：

1990年，一艘巨大的飞船出现在地球上空，人们惶恐不安，却又分外好奇。经过一段时间紧张的等待，外星飞船始终没有动静。人类终于小心翼翼靠近它，强行走进舱内，结果发现了不计其数的外星人。他们形容丑陋，宛如虾子，而且健康状况极差，虚弱无力。

原来这是一群来自外星的难民，他们最终被地球人接纳，并隔离在南非约翰内斯堡的一片区域内生活，此地名为“第九区”。经过长达20年的繁衍，外星难民的数量扩张至180万之多，且和周边人类的矛盾冲突不断，越来越多的人类呼吁将“大虾”赶出地球。

⑧ 电影《第九区》讲的是一个什么故事

差不多在30年前，外星生物终于与地球有了第一次亲密接触，当人类战战兢兢地等待着对方可能会施予的来势凶猛的侵略与袭击、或者是科技方面飞跃性的进步时，却始终没能达成所愿。

原来这些外星生物因为自己所在的星球遭受了战火的摧残，已然成为最后一批幸存者，他们来到地球并不是为了侵略和联姻，而是要寻求庇护。在全世界的重要国家首脑经过了会晤之后，他们一致决定在南非的第九区为这些外星生物建立一个勉强凑合出来的临时避难所，集中管理这些人类眼中的“异类”。

然而随着时间的推移，这些在地球落脚的外星生物的忍耐力也在慢慢被磨光，过于艰苦的生存环境，让他们越来越难以抑制住愤怒的情绪。

控制和管理外星人的任务，已经被政府承包给了一家被称为“跨国联合组织” （MNU）的私人公司，不过他们显然对外星人的福利和待遇并不感兴趣，如果他们能够掌握随着外星人一起抵达地球的武器工程，就能收获想象不到的巨大利润。

不过MNU的每一次尝试都以失败告终，因为如果想要激活武器网，就必须提取外星人的DNA。MNU的行为致使外星人与人类之间的关系越来越紧张，已经处在了一触即发的边缘地带。

尤其是当MNU的场地管理员威库斯·范·德·马维（沙尔托·科普雷饰）感染了一种神秘的病毒之后，他的身体也随着DNA的重组发生了惊人的变化，使得威库斯很快就成了全世界追捕的对象。

因为他同时也象征着MNU的武器实验中最有价值的关键所在，威库斯无疑已经成了解开外星人武器技术的那把秘密的钥匙。

受到了同类无尽的排斥和不友好的对待，对于威库斯来说，这个世界上似乎只有一个地方能够为他提供一处安身之地了，那就是第九区。

(8)电影第九区不是英文扩展阅读：

影片《第九区》是2009年索尼出品的一部科幻电影，由尼尔·布洛姆坎普导演，沙尔托·科普雷、詹森·库伯等联袂出演主演。影片于2009年11月26日在中国内地上映。

角色介绍

1、怀可·范·德·梅里

演员 沙尔托·科普雷

影片男主角，MNU的一名文职人员，同时也是公司总监的女婿，怀可代表的是一个最普通的地球人对外星难民的态度，对外星人充满鄙视，看不起他们，甚至可以说也很残忍，根本没把他们当人看，会有如儿戏一般地焚烧外星人“超生”的卵。

但随着怀可接触了外星物质后开始逐渐变成外星人，他这才一点点地从外星人的角度来看待他们的遭遇，内心的良知也在不停被唤醒，终于在历尽各种磨难后，怀可在关键时刻做出了正义的选择，实现了对自己的救赎。

2、库巴斯·温特

演员 戴维·杰姆斯

MNU旗下士兵的指挥官，是MNU手中数一数二的侩子手，心狠手辣。如果说怀可只是看不起外星人，那么库巴斯则是打心眼里憎恶他们，他可以毫不犹豫地枪杀掉看不顺眼的外星人。库巴斯同样也看不起怀可，所以当怀可的身体开始发生变异后，库巴斯自然是非常乐意的充当起了追捕怀可的角色。

3、蒙德里安·史密特

演员 路易斯·密奈尔

MNU的总监，同时也是怀可的岳父。皮耶代表的是地球上的高层力量对外星人的态度：外星人唯一有价值的就是他们的尖端科技和武器，除此之外，它们有如可以随意宰杀的畜生。

怀可在身体发生变异后，他的这位岳父不但没有做任何要救他的表示，反而把他当成一件珍贵的标本，允许科学家进行各种试验，并对他进行解剖。

4、克里斯托弗·约翰逊

演员 杰森·库珀

是外星人中的领军人物，事实上影片中的外星人背景交代甚少，我们只能从只言片语中推断在他们的星球也发生了什么事，导致整个民族进行了大迁徙，但正如地球上一样，大多数的外星人只是普通的“人”而已，他们可能不是科学家也不是士兵，不知道战斗也不知道有关尖端科技的情况。

而克里斯托弗则是其中相当于科学家或者船长那样的人，有证据表明他是第一个从母船上下来的外星人。也正是他一直在暗中努力再次启动母船，飞回自己的星球。但怀可的出现让他的计划被打乱，两人的轨迹也就此交织在了一起。

⑨ 美国电影第九区这部电影是什么剧情

《第九区》电影剧情简介：某年某月某日，一艘外星飞船突然发现在南非开普敦上空，各国军队蜂拥而至，他们进入飞船以后发现这些外星人似乎已经非常虚弱，而且没有敌意，后来经过科学家研究发现这些外星人的社会结构类似地球上的蚂蚁，但是他们似乎已经失去了蚁后，对人类构不成威胁。后来联合国决定在南非开普敦设立一个外星人聚居区，再后来因为外星人繁殖太多了，所以联合国决定搬迁外星人聚居区，由于任务过于庞大，所以联合国把外星人口统计的工作外包给了一家公司（这家公司也顺便负责拆除违建）。主角是这家公司的员工，负责统计外星人口，在一次人口统计工作中阴差阳错接触到了外星不明液体，一条手臂开始变成外星人的手臂，公司不知道因为什么原因没有对其提供帮助，反而开始抓捕主角，并且在新闻上说主角强奸了一名外星人，最后主角被公司抓到了，公司把他带去一个武器测试场，原来公司在偷偷的研究外星武器，但是由于外星武器有生物锁，人类根本无法操控，主角的手臂正好可以操控武器，所以公司要抓他。武器测试完之后，公司决定解剖主角，但是主角跑了出来，并且找到了拥有外星不明液体的外星人，外星人说只要有这种液体他们就可以逃出地球，于是主角决定帮助外星人去公司抢液体，最终外星人成功逃出地球，但是主角又被公司抓到了。电影结束。