泰国电影homestay影评

『壹』 关于生死停留（Stay）的结局

这部《Stay》是N年以前看的了，现在才想起来要写观后感什么的。男主角是Ewan McGregor，即星战前传里演欧比旺的那个帅哥，也是《逃出克隆岛》、《大鱼》和《红磨坊》里的主角，他出演过的最重要的作品，应该是《猜火车》；另外一个男主角是Ryan Gosling，一个颇具颓废气质的小帅哥，不过不知道还出演过什么电影；女主角是Naomi Watts，代表作《穆赫兰道》，没看过穆赫兰道的不要紧，看《金刚》就知道她是谁了。

最新影片,电影影评

《Stay》讲的是一个处于生死之隙的人在一时之间产生的幻觉，但是不看到最后是明白不过来的。Ryan Gosling饰演的是一个有心理障碍的艺术系大学生，有自虐的倾向，跟Ewan McGregor饰演的心理医生说他要在星期六晚上自杀。医生为了帮助他，就开始调查他生活的方方面面，Naomi Watts是 医生的画家女友，也曾患有严重的抑郁症，割完自杀过，被他救了下来。医生调查到大学生的上一个主治医生也患上了严重的抑郁症，同时发现大学生有惊人的预言 能力，而且还治好了失明已久的老人。星期六越来越近，医生却陷入越来越深的谜团——他找到大学生的母亲，回来后却被告知她早已死去；他在大学生的录音机上 听到自己的声音；他的女友在自己的画作后面发现大学生的名字；医生寻找大学生的女友时陷入时空的怪圈…… 于是，医生心里越来越紧张、思维越来越混乱，最后分不清楚什么是真实什么是幻觉……

这是一部比较典型的心理悬疑惊悚剧，时空错乱、逻辑矛盾的各种谜团。空房间里行状诡异、莫名其妙就开始头上冒血的老妇人这种桥段虽然从《闪灵》开始就已经被用烂了，但是偶尔穿插一下还是能起到一点渲染的作用。情节中加入了大量的细节上的暗示，包括路人母子的问答、寻找戒指的动作、不知何处传来的耳语、莫名 其妙的录音机留言等等等等都是那种可以让你再看完结局之后恍然大悟“哦，原来这里有用意的”。选择的场景，场景的布置与设计都相当能烘托影片所需要的那种气氛。

值得好好留意一下的是本片的剪辑，一开始可能有点眼花缭乱，有点看MV的感觉，但是那种带眩晕的流畅感，从不可能处完成场景的转换，是十分吸引人的。而且在匪夷所思的场景转换中，会自然地产生一种时空跳脱甚至混乱的感觉，对传 达影片的叙事表达以及情节暗示都有很大的帮助。如果这部片是按照正常的手法来进行剪辑衔接，叙事转换之间根本就传递不出“幻觉”的味道。

有看家说，这部电影比较失败的是最后把什么都抖落出来，太过直白，但是相信很多看过的人，都会觉得，要弄清楚这个“直白”其实还是要费点脑筋的。

网上有传闻说这部电影有两个结局，但是经Ewan McGregor自己亲口证实这部电影在与官方以及投资方协商上映时，确实曾被要求另外拍摄一个结局，但是导演骄傲地拒绝了，所以并没有另外一个结局。这个导演就是拍《Finding Neverland》的那一位，两片的风格确实是天差地远，而且据说《Stay》这种黑暗与死亡题材才是该导演的长项，他的名字是Marc Forster，以后要多留意一下他的电影。

推荐大家看一下。海报上有一句话：Between the worlds of the living and the dead there is a place you’re not supposed to stay. 应该可以帮助理解电影的主题。

『贰』 求《precious》 电影英文影评~

I should start out by emphasizing that I disagree with much of the criticism the film has been receiving. A common disparagement condemns the movie as "emotionally manipulative" and "superficially inspirational", much like other films that fall into the category of the "inspirational dramas" depicting stories of indivials overcoming obstacles and hardships that many people seem to hate. Well, I personally found that the film portrays a reality far too bleak and dismal and brutal for it to possibly be considered "inspirational"; in addition, while the film ends on somewhat of a high note, even that is laced with misery and becomes the lesser of two evils for the protagonist. Another criticism of the film – and of the book it is based on – is from the opposite end of the spectrum, and blames the film for portraying TOO bleak a situation to the point of exploitation. I personally found the scenario portrayed in the film to be strikingly realistic, and I think that people who are too ignorant to realize that such a grim existence can feasibly be led in 21st century America need a serious wake-up call.

One aspect of the film that deserves all the praise in the world is its cast, specifically the performances of its lead actresses and the surprising and unexpected quality of these performances considering the particular thespians involved. First and foremost, we have the breakout role of Gabourey "Gabby" Sidibe, portraying the overweight, twice-pregnant and illiterate protagonist, Precious. The performance is a revelation both because of how convincingly Sidibe reacts to and interacts with her brutal day-to-day existence, but also because of how completely removed it is from the first-time actresses' actual life. It's always impressive to see a performer convincingly convey difficult and profound emotions that they probably would never feel themselves in their real lives, but for a first-time actress to convey these emotions is particularly incredible. Precious' life is populated by three prominent alt characters; two of which see past her daunting exterior and genuinely want to help her, and one who does the exact opposite. Mariah Carey plays a social worker who takes a personal interest in Precious' case and, in the film's most dramatically gut-wrenching scene, makes a genuine attempt to bridge the gap between the teenager and her monstrous mother. Carey has only ever acted in two or three other films, including the atrocious vanity project "Glitter", but in this role, she de-glams, puts on a convincing and raspy accent and actually manages to deliver a surprisingly well rounded and convincing performance. Paula Patton plays another alternate mother figure in Precious' life, her teacher at her alternate school who takes a particularly personal interest in Precious, to the point of letter her stay at her home when she has nowhere else to go. Unlike Mariah Carey, Patton never did anything to totally remove my confidence in her acting abilities, but then again, she's never actually given what can really be considered a "good" performance, which is what makes her tender and genuine turn in this film most impressive. But the scene-stealer is without a doubt Mo'Nique, probably one of my LEAST favorite "comedic" performers who totally redeems herself and manages to deliver a frighteningly convincing performance, incredibly transforming herself into Precious' villainous, sadistic and purely evil mother. It is an incredible and difficult and extremely brave performance, and is even more impressive considering that it's coming from the star of "Phat Girlz".

The performances are rich and incredible enough to hold up dramatic scenes, but not the narrative as a whole, which, as I mentioned before, suffers from a series of bad directorial choices made by director Lee Daniels. The film's biggest flow is emotional inconsistency: in an attempt to portray Precious' inner feelings, Daniels injects strangely conceived fantasy sequences at key dramatic moments in which Precious imagines herself as a glamorous and famous personality. While the intention of these sequences is clear, their abruptness just totally jolts the audience out of the emotional flow of the film, and they just seem out of place. For a similar reason, Daniels chooses to set grim and dramatic scenes to oddly inappropriate songs and musical cues, which once again just feel forced and out of place, and interrupt the emotional resonance of the scenes. Other than that, the film just seems poorly done at times, or simply unfinished: the cinematography is inconsistent and often features zooms and loss of focus that don't feel like stylistic choices but rather just like mistakes. In addition, the editing is quite disjointed at times, and many cuts interrupt musical cues in the middle or otherwise are just so sudden and jumbled that they completely ruin the dramatic flow. Finally, I just felt that while many separate scenes work wonderfully and are emotional and genuinely gut-wrenching, they are just too loosely connected for the film to actually carry a consistent dramatic arc throughout, as it jumps between Precious' brutal home life to her newfound support in her classroom to her day-to-day activities to her inner fantasies. For example, a major dramatic reveal near the end of the film end sup completely ignored and thus irrelevant to the dramatic arc. As I mentioned earlier, the performances are absolutely spectacular, but the inconsistencies in the film's tone and its jumbled and odd editing take away from what otherwise could have been a genuinely affective film.

有好几部电影都叫precious，你看看是不是这部，要是不对的话，把电影的年份和主演告诉我

『叁』 电影《fly away home》 英文影评700字

What do we have, if we don't preserve nature's wonders? What do you do with a flock of Canadian goose eggs, after the mother has been driven away by subdivision builders? Why, you hatch them, raise them, build an ultralight that looks like a giant goose, and teach them to follow you south to North Carolina.

Amy (Anna Paquin) is living with her mother in New Zealand, when an auto accident kills mom and forces Amy to go live with her eccentric father (Jeff Daniels) in Canada. A 13-yr-old, she does not adjust well, but her life changes when she finds those abandoned eggs. She hatches them in the barn, with the help of a light, and they "imprint" on her. She feeds them, sleeps in the bathtub so they can have the bathroom, swim in the toilet, they follow her everywhere.

Warden tries to clip their wings, the law, but Amy hits him over the head with a pot, dad chases him away. Geese grow, learn how to fly, dad says they can't stay, need to migrate, hits on the idea that they will follow her in a plane. Being a handyman, sculptor, and inventor, he builds the goose-looking ultralight and teaches her to fly. The geese follow her.

They plan a 4-day route, 2 planes, first stop at an airforce base near Niagra Falls, NY, creates a "scramble" and a little havoc. Second day, their geese follow some wild geese and land in a pond, near where hunters are shooting geese. Next morning, Amy uses her special "call" to round up all hers, and they take off again. The news media catch on, start to track her route, and anticipate their next landing. Dad has a rudder problem, crashes in a cornfield, Amy has to continue alone, makes it to the construction site as they were ready to destroy it.

Although a fictional account, the story is based on real migratory patterns of geese, and the imprinting and following a vehicle is real. The real stars of this film are the geese, from pecking out of their shells, to following Amy all over, to their flight with the ultralight, to their playfulness in the water after they reach their destination. Seeing that wonder of nature, from egg to alt in such a short time, is extremely moving for me.

Anna Paquin is so perfect in her role, and seems so natural with the geese. Jeff Daniels' role as her father seems just perfect too. Mary Chapin Carpenter's "10,000 Miles", both at the beginning and at the end, is beautiful and haunting.

Caleb Deschanel's cinematography of flying geese is more than merely uplifting, like the film, it is extraordinary, and well deserved its Oscar nomination. This charming and delightful film is based upon the well-known fact that birds can 'imprint' on whoever or whatever is there when they hatch, and in this case it is the 14 year-old actress Anna Paquin. She was well worth imprinting on, as she is every bit as delightful as the film as a whole. Now that she is all grown up and glamorous, I wouldn't mind imprinting on her myself. - Give me an eggshell, quick! - The story is a wonderful fable about the girl who saves the goose eggs, hatches them, and becomes their Momma. They follow her around everywhere, but wild geese have to migrate, so she is faced with the dilemma: what to do at migration time? The girl's father is an eccentric, beautifully portrayed by Jeff Daniels. He is always tinkering with machines and likes to build what we now call 'micro-lites', tiny planes with engines that go 'put put' and carry a single person at low altitudes. So you guessed it, father and daughter get into their micro-lites and lead the geese south! Apparently, wild geese will follow a micro-lite if it is shaped like a goose. The story is a magnificent fable which is just believable, sensitively portrayed and with fabulous cinematography and special effects. It is what is called these days, amidst all the blood and gore and obsession with closeups of copulation, a 'family film', meaning no murders take place and people do something other than have sex all the time. (In a normal Hollywood movie it would be impossible to take the geese south because it would mean the director could not ask lots of actresses to take their clothes off.) Carroll Ballard directs this film really well. He is one of those rare directors who does not want to have all his characters mown down by machine guns or chopped to pieces by maniacs, and he does not want to invent unnecessary bath scenes where the girls show their tits so that he can get his jollies. He also likes animals a lot, and that is always a good sign that he might himself not be a monster like so many other directors are. Any normal person (and there still are some) would have to enjoy this film. It is what used to be called 'heart-warming'. In this era of cold hearts, we need that.

『肆』 电影《新世界》的影评

完全符合你标准的没找到耶，只找到这两篇，参考一下~

一、
记得安德烈·巴赞说过一句话，要更好地理解一部影片的倾向如何，最好先理解该影片是如何表现其倾向的。在第一次得到《新世界》的海报时，我就觉得这是部好片子，凭着自己的感性认知和直觉认为是，在海报的影响下我选择地看了这部电影，看完之后有太多的感受，心情虽不是此起彼伏，但还是久久不能宁静。

电影的景色很美，这也是能够吸引观众的一个重要原因，一切都是那么原始，那么美丽。阳光、河流，青草，山石，女子的微笑与淳朴再加上那一个眼神的流露，则更加充满了神秘气息。我们不能不说法瑞尔的演技很棒，虽然有人说他表演时过冷淡，但我说，沉着和冷静更能表现出对女子的至爱和关怀。我们始终很想回到那种世界，但真正身临其境时会发现一切并不是你想象的那样完美，在那里，外人的出现让那里充满了乌烟和瘴气。

伯格曼说过，他的电影从来无意写实，它们是镜子，是现实的片断，几乎跟梦一样。我想，如果搁到今天这必是说《新世界》无疑了，其实纵观古今电影叙事手段，有《沉默的羔羊》压抑的透不过气来的电影，有《虎口脱险》让你放松极致，笑观历史的电影，也有《晚安，好运》充分利用所有元素的电影，但没有一部像《新世界》这样平和无彩，却能博得赏识。当然，这部片子并没有开创这种叙述手法的先例，早些时候，一部叫《与狼共舞》的电影摘得奥斯卡桂冠时这种手段就立下了汗马功劳，当然，我们并不能拿《新世界》同《与狼共舞》相比，不是相差太远，而是各有其独特之处。

刚才提到，影片的表述手法很平和，没有一点波澜起伏在其中，甚至到最后的战争都在情理之中，所以说，这部电影并不是只有景色能让人津津乐道。影片的一开头就给出了巨大的景观，着重描写自然生活，而并没有任何叙事，仿佛大导演并没有让我们急于看到矛盾冲突的情节，到女子将主人公两次救回时，男子的眼神都是同样的迷离而充满热情。

这种电影最优之处则在于对人性的诠释，当土著人的一次次宽容换来了数次的欺骗与伤害，他们没有痛苦，反而和沉默，仿佛已经知错，却又选择了逃避和原谅。我觉得，导演是在给我们传达一个信息，在古代也好，在现代也好，人都应该与自然和谐相处，融为一体。人应该接近自然，靠近自然，去享受自然带来的美好。而不是一味的阴谋、诡计来破坏自然，以及一切与原始自然有关的物质存在。

我留下脚印，让后人来追寻。写到这里，想起了女主角的一句话，Why dose this world have colors？

这样一部夹杂着回忆、梦境和理念的电影，希望大家有时间可以看看。

二、
一个月没有看电影,这还是第一次，在昨天终于把自己买的碟翻出来，随手翻到《NEW WORLD》（新世界）。说起这部电影，真正吸引我的，还是封面及其以前看的电影介绍的片段。便猜想应该是部不错的电影。然而当整部电影看完，才发现，这部电影与想象中的相去甚远。

荒蛮之地的土著领土，忽来掠夺的英国侵略者。由于地域和文化的差异，引起了冲突，而英国侵略者与土著公主产生情愫……

不得不承认，这部电影的确取景非常的美丽。流水潺潺，阳光，微风及半身的杂草，让人有无限的遐想，而女主角的淳朴和善良，又使的女子更加的充满魅力。然而，克林法瑞尔的演技实在不敢恭维，从头到尾饰演的SMITH船长没有一点感情色彩在里面，只是影片开头见到女主角流露出来的表情让人可以感受他所表达的意思。

影片表现的很平和，中间几乎没什么起伏，取景的自然使的影片有了唯一的看点，景色另人向往犹如世外桃源，这也许是影片唯一可以叫卖的地方。

这部电影的配乐，也与影片格格不入，一段单板的钢琴根本无法表露自然的美丽和两人之间神圣并超越国界的爱情心理。

也许，在我们对这部电影作反面评价的时候，不得不让我想起凯文．克斯特纳的《与狼共舞》，完美的场景，完美的剧情，完美的演员，而更完美的是表达人与自然之间的结合，这种结合在这部早期电影里表现的无暇。

看完电影，让我们来想想女主角说的那句话：“Why dose this world have colors？”……

『伍』 请教电影《生死停留》(Stay)的剧情

影片表现手法十分怪异，而且凌乱，叙事结构也前后颠倒，丝毫没有逻辑性，这似乎正好应片子意境，唯心虚幻根本就不用再想逻辑。既然是弥留时幻境，有人说，这个弥留时间未免过长，其实梦境想象是不可以用时间来衡量，不知你试过没有，本人就曾试过半梦半醒之间模糊。似乎踏过千山万水，似乎历经林林总总。睁眼偶一瞟，原来几分钟而已，弹指瞬间、回首百年可能就有这方面意境吧。影片有过硬质量，远非一些普通商业作品可比，毕竟有想法影片实彩铃不多，而彩铃有思想影片中又能兼顾娱乐性就更少，而且还有伊万.迈奎格与娜奥米.沃茨这两个介于商业与艺术之间出色演员出演更是值得你去欣赏。

再罗嗦一下，之前我一直没搞明白，伊万裤腿非常短，这种吊腿裤似乎不应穿着于这个年代人身上，后来彩铃网上看到一个说法，也经较说过去。因为伊万彩铃对亨利进行抢救时是蹲下，而蹲下人裤腿自然是缩上去。而亨利凭借这个蹲下伊万虚构影片中人，所以片中伊万如此穿着就不足为奇.

『陆』 电影《幸福终点站》的英文剧情简介和英文读后感

电影《幸福终点站》的英文剧情简介:

Viktor Navorski, a man from an Eastern European country arrives in New York. However after he left his country war broke out. Suddenly Navorski is a man without a country - or one that the U.S. cannot recognize, thus he is denied entrance to the U.S. However, he also can't be deported so he is told by the Security Manager that he has to remain in the airport until his status can be fixed. And also Navorski doesn't speak English very well, so he cannot talk to or understand anyone. But he somehow adapts and sets up residence in the airport, which makes the man who placed him there unhappy, as it seems he is in line for a promotion but Navroski's presence might complicate that. So he tries to get Navorski to leave but Navorski remains where he is. Navorski makes friends with some of the people who work in the airport and is attracted to a flight attendant he runs into whenever she comes in.

英文读后感543篇:
http://www.imdb.com/title/tt0362227/usercomments

『柒』 跪求好心人分享借来的100天2018年上映的由 披纳若·苏潘平佑主演的免费高清百度云资源

《借来的100天 Homestay》网络网盘高清资源免费在线观看：

链接: https://pan..com/s/1EJgw3yQFp5NiZunHWrh4Bg

《借来的100天 Homestay》

导演: 柏德潘·王般

编剧: 柏德潘·王般、汤萨蓬·逖提拿坎、Jirassaya Wongsutin、艾卡斯特·泰叻他那、Abhichoke Chandrasen、森绘都

主演: 披纳若·苏潘平佑、切尔普朗·阿瑞库尔、纳帕猜·贾亚纳马、赖拉·邦雅淑、Suquan Bulakool、纳塔西特·科蒂马努瓦尼、塔内·瓦拉库努娄

类型: 剧情、惊悚、奇幻

制片国家/地区: 泰国

语言: 泰语

上映日期: 2018-10-25(泰国)

片长: 131分钟

又名: 寄身100天、โฮมสเตย์

该片翻拍自2010年上映的日本动漫电影

《意外的幸运签》，一缕无主幽魂，赫然发现自己附身在一名高中男生Min的尸首中，在外人眼里他是个医学奇迹，唯有这个「寄居灵魂」心知肚明，这是死神给他的考验，要他在100天内找出令明死去的真凶，否则他将永不超生！「寄居灵魂」用尽方法投入Min的世界，感受Min的亲情、友情及爱情，逐渐发现Min的死另有内情…

『捌』 求一篇英语影评，最好是最近的英语电影，大概在50词左右，单词难度最好在初一。

Movie review: 'Harry Potter and the Deathly Hallows — Part 1'
Much of the plot of "Harry Potter and the Deathly Hallows" involves the attempt to find and destroy a series of Horcruxes, and if you haven't a clue about what they are or why they're important, you might as well stay home.

There is something different, however, about this Potter movie, and that is the words "Part 1" that end the title. Understandably distraught about "Hallows" being the last of the phenomenally popular J.K. Rowling novels, Warner Bros. has split the final effort into two films and is likely kicking itself for not having thought of that with the earlier books.

You don't make $5.7 billion in theatrical revenue, however, by being cavalier about your source material and the watchword for the "Potter" series in general, and this film in particular, is making the audience feel like it's in safe hands.

Though adventurous filmmakers like Alfonso Cuarón have made "Potter" films, David Yates, who directed the two previous epics as well as both installments of "Deathly Hallows," is not one of them.

Capable and dependable, he can be counted on to make solid albeit unsurprising films that believe in connecting the dots rather than creating risky excitement. When studio president Alan Horn said his priority for the series was treating the books "respectfully," he wasn't kidding.

Being respectful also means making sure you have quality people behind the camera (Steve Kloves has written almost all the screenplays and the new cinematographer is Oscar-nominated "Girl With a Pearl Earring" veteran Eardo Serra) as well as top acting talent in front of it. Even if you don't always have enough for them to do.

In fact, the Potter films are so loaded down with the best of British performers that Bill Nighy, who was added to the cast this time along with Rhys Ifans, wasn't really kidding when he commented, "For a while, I thought I would be the only English actor of a certain age who wasn't in a 'Harry Potter' film."哈利波特的 你删删改改就行了

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美国电影《当幸福来敲门》（The Pursuit of Happiness）取材真实故事。故事的主角就是当今美国黑人投资专家Chris Gardner。成功诠释出一位濒临破产、老婆离家的落魄业务员，如何刻苦耐劳的善尽单亲责任，奋发向上成为股市交易员，最后成为知名的金融投资家的励志故事。该片获得2006年奥斯卡最佳男主角提名。另有同名大陆电视剧和同名图书。

观后感：
幸福，我们是如此想享受它带来的那片刻温柔。当我们苦苦寻找幸福的时候，或许我们已经错过了许多原本幸福的时刻。当我们费尽千辛万苦获得所谓的幸福时，你才发现幸福原来很简单，简单的让你感受不到它的存在。 什么是幸福？这个问题就如你问什么是宇宙一样。每个人在心中都有自己的幸福标准，只要达到了这个标准，你就是幸福的。别人的幸福不一定是你所想要的，而你自己的幸福未必对别人有用。幸福是自私的，只有自己才能体会那片刻的快感。如果非要给幸福下个定论，无非有两点：一是和你相爱的人在一起；一是做你最喜欢的事情。