超级太阳鸭电影英文影评

③ 求一部电影的英文影评

选择影片的时候按照得奖情况来判断，是聪明而省力的做法。但是在评委目光所不能及的角落里，一样有多张胶片在闪闪发光。很多影迷可能会立即举出《肖申克的救赎(THE SHAWSHANK REDEMPTION)》作为例证，而在我看来，还有一部片子也和《肖申克的救赎》一样伟大而动人。

影片《生命因你而动听》英文原名为Mr. Holland’s Opus，这是我见过最贴切而典雅的译名之一。它还被译做《春风化雨1996》——想一想《肖申克的救赎》当年被为莫名其妙地翻译为《刺激1995》，则两片难兄难弟的情形可想而知。

在所有的学科中，有一样东西最没有实用价值，也最难教，这就是美。因为美不能被写在教案上，拥有它与否不能改变面包数量的多寡。而且，一个人进了美的殿堂后，往往变得拙嘴笨舌，或者自私无比，他很难退出来拉着你的手，带你进去一起参观，告诉你如何去欣赏。

幸运的是，我们有《生命因你而动听》里的霍兰德先生。听古典音乐打瞌睡？那么他会在键盘上敲击出爵士乐来刺激你萎靡的精神，然后一点点告诉你，这曲子和巴赫的名曲之间的关系。告诉你，你喜欢的流行音乐和那些你所畏惧的严肃音乐之间的传承关系。

喜欢演奏却没有天分？吹单簧管就像个肺痨患者一样四下走风变音？来，看看霍兰德先生是怎么教他的女学生的：他抢走了乐谱，告诉女孩说曲子都在心里，不需要再看了。当女学生依然毫无进展时，他问女孩子一个非常奇怪的问题：“你最喜欢自己脸上的哪一部分？”女学生回答是头发，因为她父亲说她的头发像是日落黄昏。于是，霍兰德先生在女学生耳边低语：“那么，吹奏日落吧！”这一次，女学生真的做到了。

而在一开始，霍兰德先生只想着尽快结束他的教学生涯，以完成他的作曲，成为一名伟大的作曲家。但是他最终没有那么做，却成为一名中学音乐教师，一生如此。他用音乐改变了无数学生的命运。更重要的是，他教会了他们什么是音乐之美，使生命不再是一个枯燥乏味的循环，而是闪烁着音乐的点点烛光。

生命如歌，如果说美也可以被教授和传承，霍兰德先生告诉了我们其中的一个原因：凭着爱。

Choose award-winning film in accordance with the situation to determine when it is intelligent and labor-saving approach. But in the eyes of the judges can not and corner, the same multiple-exposure film at the glittering. Many fans may immediately give "The Shawshank Redemption (THE SHAWSHANK REDEMPTION)" as an example, and in my opinion, there is also a film and "The Shawshank Redemption" as a great and touching.

The movie "Life is sweet of you" in English formerly known as Mr. Holland's Opus, which is most appropriate and elegant I've ever seen one of the translation. It is also translated do "Dead Poets Society 1996" - think "The Shawshank Redemption" as the year has been inexplicably translated as "to stimulate 1995", then the two fellow sufferers of the situation can be imagined.

In all disciplines, there is one thing most lacking in practical value, but also the most difficult to teach, this is beautiful. Because the U.S. can not be written in the lesson plans, the have it or not, can not be changed to the amount of bread. Moreover, a person entered the hall, after the United States often become clumsy Zuiben tongue, or selfish and extremely difficult for him to come out holding your hand, take you into the tour together, to tell you how to enjoy.

Fortunately, we have the "Life is sweet of you," Mr. Holland Lane. Fall asleep listening to classical music? Then he would hit a jazz Jianpanshangqiao to stimulate your spiritual malaise, and then a little bit to tell you that this song, and the relationship between Bach's music. To tell you, you like pop music and that you are afraid of the transmission of the relationship between serious music.

Like to play but not gifted? Blowing clarinet like a tuberculosis patient looked away as the wind changed tone? Come to see Mr. Holland taught him how female students: he stole music, telling girls that song in my heart, do not need to look at the. When the female students made no progress, he asked the girls a very strange question: "What is your favorite part of his face, what?" The answer is the hair of female students, because her father said her hair is like a sunset. As a result, Mr. Holland ears of female students whisper: "Well, playing the sunset bar!" This time, female students actually did.

In the beginning, Mr. Holland was only thinking to end his teaching career as soon as possible in order to complete his compositions became a great composer. But he eventually did not do it, it became a secondary school music teacher, and his case. He used music to change the fate of countless students. More importantly, he taught them what is the beauty of music, so that is no longer a boring life cycle, but the music, little candles flicker.

Life Cantabile, if America can also be teaching and tradition, Mr. Holland told us one reason: With Love.

④ 求电影eight blow的英文影评，谢谢了（30分）

南极大冒险 Eight Below (2006)英文影评(141篇):
http://www.imdb.com/title/tt0397313/usercomments
不好意思啊，这是我别人那里看来的，不过应该会对你有帮助吧

⑤ 求如下电影的英文影评

音乐之声
Trapp (Georg Ludwig von Trapp) Baron April 4, 1880 was born in the coastal town Zadar Croatia (Zadar), or at the time of the Austro-Hungarian Empire. Navy father was a colonel, he would also like to dedicate themselves to the cause of the Navy, the Royal Navy took part in the college. When he was a young naval colonel, was appointed U6 submarine command. A time of war, a French submarine were to sink the submarine's trap. In 1918, King Joseph I of the Navy for his major upgrade. After the war, Austria lost its coastline, the Navy no longer needed. Colonel Trapp not only lost their jobs in 1924 also lost his wife, he left to take care of the child 7.
Maria was born on January 26, 1905. In about two years old when her mother died, she became the table regardless of her foster mother, who lived in the Vienna suburb of a small house. She was a strict ecation, finished high school after three years, four years into the National Teachers College. Maria was a socialist and atheist, but at the university, a famous priest started to teach her cloth, has changed the lives of Maria and beliefs. Maria Teresa joined the Salzburg Shan monastery and became a nun. Maria decided to leave the monastery a year, Baron Trapp family house for female teachers, to take care of one of his daughter suffering from rheumatic fever.
A year later, the children's father, asking them to try to keep Maria, who even suggested that he should marry her. "I do not know if she likes me!" Baron replied. As a result the children to ask their Maria. Maria said: "Yes, I like him." They engaged. She never return to the monastery for nuns, in November 26, 1927 married Baron. The addition of a trap and two daughters.
In 1935, Schwarz with the priest into their lives. His music so that they become a hobby. They are natural and fresh and sweet voice singing them in the 1935 Salzburg Festival of Music and Drama choir won the first game. They have been in the Great Depression to lose all the money, since they were invited to do the European Tour.
In 1938, Hitler invaded Austria, Telapuning can lose material properties, but also to retain dignity. They left the house on the outskirts of Salzburg and all property, to the United States.
In September 1938, they arrived in New York. No. 10 on the way a child is born. Schwartz also with the priest and their counterparts in the United States, under his guidance, they became a singing career, family trap chorus graally become famous. After World War II, a trap set up a charity music: Trapp Family Austrian Relief Agency, Austria for the motherland sent numerous food and clothing.
In 1941, the trap in a village in Vermont and bought a large farm, and here they miss the scenery is similar to Salzburg, Austria. They named their house, "a loyalty."
May 30, 1947, the death trap, was buried in the backyard of a house where the family cemetery. When they ended the more than 20 years, more than 30 countries singing career, they put their big-Austria into the wooden inn. Unfortunately, in December 1980, which was destroyed in a fire. They immediately decided to rebuild. The new wooden trap design is modern, but still retains the flavor of the past. March 28, 1987 Maria died, was buried in the cemetery next to her husband.
The film in that year to become the highest in the history of film has broken box-office record of the musical, this classic has been huge for the 38th Oscar for Best Picture, Best Director, Best Music, Best Sound, clips of the five Best Picture Award , Have been translated into 30 languages in the world exhibition, film is still wonderful music widely sung. The translation of the film in different localities: in Hong Kong, China, which has been translated as "The Sound of Music to hear"; in Taiwan is a translation of "The Sound of Music"; in Portugal, is the "soul music"; to be in Spain "Laughter and Tears"; Argentina translation is "against the spirit of the new rich"; in Germany, its name is "My Song, My Dream" ... ... have been translated into different, but the music sounds the same, people love it can be seen Evident.
阿甘正转
In the film, with the South American accent, impaired intellectual Forrest Gump looked full of Jenny's wild, as if the United States and the master of Faulkner's famous novel, "Sound and the Fury" in Bangui is a distant relative of the fool. But the two apparently have a fundamental difference: The Decline and Fall of Bangui is only a symbol of the family, is a real imbecile; Forrest Gump and the "Fool" is almost a representative of the times by the lack of all the virtues: honesty and trustworthiness, serious work, courage Fearless, Chongqing Light Choi, on the other hand is that these virtues have become stupid, this is some of today's social situation of a great irony.
Forrest Gump and the love of Jennifer is a symbol of degradation, she has been infected with almost all of the bad habits, such as drug abuse, sexual liberation and so on, her final died of a virus - in fact insinuate that the HIV virus. Forrest Gump and not at all, always loved her in his films constitute a kind of specious blame at the same time, but also reflects his innocence and goodness.
Forrest Gump as a soldier, with his seemingly simple, but in reality is more simple-minded and special talents, as well as physical powerful weapons, again and again to win the survival and development. This is a good God reward the hopes and at the same time, it includes a keynote: forward, to run. It is said that this run will bring hope to people. In fact, there is indeed hope that this unique film has won so many viewers, and even attracted only light-hearted entertainment like film audience, it shows their hope and the hope that the Kui Li.
Forrest Gump image to subvert the normal world, the image of a hero, with the traditional concept, with a strong anti-traditional, anti-mainstream. Forrest Gump experience many "wise men" to be outshone, I think the director is like Forrest Gump through Image irony to the community, reflect the social status quo, such as the alienation of the people, and so on

⑥ 求一片电影的英文影评100词左右

什么专业的啊，好羡慕你啊，我很喜欢电影，也喜欢英语

⑦ 求《precious》 电影英文影评~

I should start out by emphasizing that I disagree with much of the criticism the film has been receiving. A common disparagement condemns the movie as "emotionally manipulative" and "superficially inspirational", much like other films that fall into the category of the "inspirational dramas" depicting stories of indivials overcoming obstacles and hardships that many people seem to hate. Well, I personally found that the film portrays a reality far too bleak and dismal and brutal for it to possibly be considered "inspirational"; in addition, while the film ends on somewhat of a high note, even that is laced with misery and becomes the lesser of two evils for the protagonist. Another criticism of the film – and of the book it is based on – is from the opposite end of the spectrum, and blames the film for portraying TOO bleak a situation to the point of exploitation. I personally found the scenario portrayed in the film to be strikingly realistic, and I think that people who are too ignorant to realize that such a grim existence can feasibly be led in 21st century America need a serious wake-up call.

One aspect of the film that deserves all the praise in the world is its cast, specifically the performances of its lead actresses and the surprising and unexpected quality of these performances considering the particular thespians involved. First and foremost, we have the breakout role of Gabourey "Gabby" Sidibe, portraying the overweight, twice-pregnant and illiterate protagonist, Precious. The performance is a revelation both because of how convincingly Sidibe reacts to and interacts with her brutal day-to-day existence, but also because of how completely removed it is from the first-time actresses' actual life. It's always impressive to see a performer convincingly convey difficult and profound emotions that they probably would never feel themselves in their real lives, but for a first-time actress to convey these emotions is particularly incredible. Precious' life is populated by three prominent alt characters; two of which see past her daunting exterior and genuinely want to help her, and one who does the exact opposite. Mariah Carey plays a social worker who takes a personal interest in Precious' case and, in the film's most dramatically gut-wrenching scene, makes a genuine attempt to bridge the gap between the teenager and her monstrous mother. Carey has only ever acted in two or three other films, including the atrocious vanity project "Glitter", but in this role, she de-glams, puts on a convincing and raspy accent and actually manages to deliver a surprisingly well rounded and convincing performance. Paula Patton plays another alternate mother figure in Precious' life, her teacher at her alternate school who takes a particularly personal interest in Precious, to the point of letter her stay at her home when she has nowhere else to go. Unlike Mariah Carey, Patton never did anything to totally remove my confidence in her acting abilities, but then again, she's never actually given what can really be considered a "good" performance, which is what makes her tender and genuine turn in this film most impressive. But the scene-stealer is without a doubt Mo'Nique, probably one of my LEAST favorite "comedic" performers who totally redeems herself and manages to deliver a frighteningly convincing performance, incredibly transforming herself into Precious' villainous, sadistic and purely evil mother. It is an incredible and difficult and extremely brave performance, and is even more impressive considering that it's coming from the star of "Phat Girlz".

The performances are rich and incredible enough to hold up dramatic scenes, but not the narrative as a whole, which, as I mentioned before, suffers from a series of bad directorial choices made by director Lee Daniels. The film's biggest flow is emotional inconsistency: in an attempt to portray Precious' inner feelings, Daniels injects strangely conceived fantasy sequences at key dramatic moments in which Precious imagines herself as a glamorous and famous personality. While the intention of these sequences is clear, their abruptness just totally jolts the audience out of the emotional flow of the film, and they just seem out of place. For a similar reason, Daniels chooses to set grim and dramatic scenes to oddly inappropriate songs and musical cues, which once again just feel forced and out of place, and interrupt the emotional resonance of the scenes. Other than that, the film just seems poorly done at times, or simply unfinished: the cinematography is inconsistent and often features zooms and loss of focus that don't feel like stylistic choices but rather just like mistakes. In addition, the editing is quite disjointed at times, and many cuts interrupt musical cues in the middle or otherwise are just so sudden and jumbled that they completely ruin the dramatic flow. Finally, I just felt that while many separate scenes work wonderfully and are emotional and genuinely gut-wrenching, they are just too loosely connected for the film to actually carry a consistent dramatic arc throughout, as it jumps between Precious' brutal home life to her newfound support in her classroom to her day-to-day activities to her inner fantasies. For example, a major dramatic reveal near the end of the film end sup completely ignored and thus irrelevant to the dramatic arc. As I mentioned earlier, the performances are absolutely spectacular, but the inconsistencies in the film's tone and its jumbled and odd editing take away from what otherwise could have been a genuinely affective film.

有好几部电影都叫precious，你看看是不是这部，要是不对的话，把电影的年份和主演告诉我

⑧ 求一篇 电影 英文影评！

If you've ever been poor, this movie may be hard to watch. It depicts poverty in America in gut wrenchingly accurate ways. I've been as poor as Chris Gardner, and, like him, I've been poor among very rich people in the Bay Area while trying to work my way up.

Chris Gardner is a loving father and failing businessman. He is chosen for a competitive internship at Dean Witter, a stock brokerage. The internship, which offers Chris a very long shot at a better life, doesn't pay any salary. Chris has to live without a salary for six months while risking just about everything for that long shot gamble.

Chris is really smart. He can solve a Rubrik's cube in minutes. But, he's poor. Poverty, like an octopus, keeps trying to suck him down to the bottom, and make him stay there.

His car is towed. His wife walks out on him, leaving him with a five year old son. He is arrested for unpaid traffic tickets. He becomes homeless. He has to rely on a homeless shelter.

All this while, he must appear for work in the morning in a suit and tie, and be ready to charm some of the wealthiest and most powerful people in the Bay Area. These people take wealth so much for granted that two of them stiff him for cab fare.

Having lived through similar experiences, I cringed throughout this movie. My stomach hurt. I winced. I cried. I hugged my knees to my chest.

The movie is very accurate, but painful to watch. I hope a lot of rich people, who think that they understand poverty, see it.

This movie will be politically controversial. First of all, it doesn't touch the race issue with a ten foot pole. For example, when Chris appears to stiff a taxi driver for fare (it was really the rich white guy who failed to pay), the taxi driver never uses the "n" word. In real life, I think he probably would have.

Is the movie afraid to talk about race, or does it not want to? I don't know, but I know that some will protest the movie's not shoving race in the movie goer's face. I'm not one of those people. The movie's approach to race -- treating it as almost incidental -- worked for me. As a poor white person, I can tell you that poor white people face the same obstacles Chris did.

Second, does the movie sell the message that if you work hard, you will succeed, no matter what, and does that message tell the truth about success in America? I think that the movie is open to interpretation. Some will see it as an indictment of poverty in America. The scene of carefree rich people driving past the line to get into a homeless shelter is pretty devastating. Other people will become angry because they believe that the movie's depiction of hard work leading to rewards, in some cases, is too facile. I disagree, but that's what you'll hear.

Third, is this movie meant to chastise black men who abandon their children? Chris is a role model exactly because he moves heaven and earth to be a good father to his son. This will be debated back and forth.

The movie has a big philosophical statement to make, that has been lost on many reviewers, for example, Richard Schickel in TIME.

Chris is shown running throughout the movie. Remember the title of the movie: "The PURSUIT of Happiness." Chris places emphasis on "pursuit." Jefferson, when he penned the Declaration of Independence, did not promise Americans happiness, but only the right to pursue it. Chris says, at one point in the movie, paraphrase, "I am happy right now. It is a fleeting moment." We experience happiness in eyeblinks. The rest of the time we, like Chris, are chasing after it.

⑨ 求一篇英文电影的英文影评

Pride & Prejudice (2005)
傲慢与偏见 凯拉奈特莉版
The story is based on Jane Austen's novel about five sisters - Jane, Elizabeth, Mary, Kitty and Lydia Bennet - in Georgian England. Their lives are turned upside down when a wealthy young man (Mr. Bingley) and his best friend (Mr. Darcy) arrive in their neighborhood.
Jane Austen's tale of love and economics reaches us once more with the energy of a thorough novelty. "Pride and Prejudice" has been a favorite novel of mine since I first read it and I've seen Laurence Olivier and Greer Garson, Colin Firth and Jennifer Ehle and now Matthew MacFadyen and Kiera Knightly. Amazingly enough I've never been disappointed. The material seems to be full proof. Colin Firth's Darcy, in many ways, is the Darcy I've always imagined. He's been an actor I've followed feverishly since his glorious Adrian LeDuc in "Apartment Zero", Matthew MacFadyen was totally new to me but he managed to create that sense of longing that makes that final pay off so satisfying. Kiera Knightly is a ravishing revelation. I must confess, I didn't remotely imagined that she was capable of the powerful range she brilliantly shows here. The other big surprise is Joe Wright, the director, in his feature film debut which is more than promising, it's extraordinary. The photography, the art direction and the spectacular supporting cast, in particular Donald Sutherland and Brenda Blethyn, makes this new version of a perennial classic a memorable evening at the movies