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关于经典电影的论文英文名

发布时间:2021-07-15 03:50:24

1. 求一些经典欧美经典电影的简介和他的英文名~~

gone with wind

2. 求各国经典电影的英文和中文名字(主要是美英) 越多越好

星球大战前传1:魅影危机
外文片名:Star Wars: Episode I - The Phantom Menace
星球大战前传2:克隆人的进攻
外文片名:Star Wars: Episode II - Attack of the Clones
星球大战前传3:西斯的复仇
英文名:REVENGE OF THE SITH
指环王:护戒使者
英文片名:The Lord of the Rings:The Fellowship of the Ring
指环王:双塔奇兵 The Lord of the Rings:The Two Towers
指环王:王者归来 The Lord of the Rings:The Return Of The King
阿甘正传:Forrest Gump
勇敢的心:Braveheart
终结者1:The Terminator 简称T1
终结者2 :末日审判Terminator 2:Judgment Day
终结者3 :Terminator 3:Rise of the Machines
终结者:救世主:Terminator Salvation
黑客帝国:The Matrix
黑客帝国2:重装上阵:The Matrix Reloaded
黑客帝国3:革命:The Matrix Revolutions
2001太空漫游 2001: A Space Odyssey,Two Thousand and One: A Space Odyssey
教父The Godfather
天堂电影院(意大利): Nuovo cinema Paradiso
楚门的世界:The Truman Show
辛德勒的名单:Schindler's List
拯救大兵瑞恩Saving Private Ryan

决战中的较量(兵临城下)Enemy at the Gates
太多了 楼主先在http://..com/question/102477310.html?an=0&si=1这里找你要的经典电影 然后网络里搜一下就知道了

3. 外国电影名,越多越好(中文和英文名)

1、《Fast & Furious》

《速度与激情》(Fast & Furious)是罗伯·科恩等执导,于2001年至2017年范·迪塞尔、保罗·沃克(已故)、乔丹娜·布鲁斯特、米歇尔·罗德里格兹等主演的赛车题材的动作犯罪类电影,截至2018年,一共拍了八部。之后两部续集正式定档,《速度与激情9》和《速度与激情10》分别于2020年4月10日和2021年4月2日上映。

4. 英语论文中的电影名、书名、文章名、歌名、诗名如何标注英语论文题目中的电影名如何标注斜体还是引号

斜体即可.

5. 中国经典电影的英文名

《Farewell My Concubine》———再见了,我的小老婆(《霸王别姬》)

《Be There or Be Square》———在那里或者是平等的(《不见不散》)

《Seventeen Years》———十七年(《回家过年》)

《So Close to Paradise》———天堂如此之近(《扁担,姑娘》)

《Ashes of Time》———时间的灰烬(《东邪西毒》)

《All Men Are Brothers: Blood of the Leopard》———四海之内皆兄弟:豹
子的血(《水浒传》,《水浒传》有个英文译名就是《四海之内皆兄弟》)

《Chinese Odyssey 1: Pando-ra,s Box》———中国的奥德赛1:潘多拉宝盒
(《大话西游之月光宝盒》)

《Chinese Odyssey 2: Cin-derella, A》灰姑娘(《大话西游之仙履奇缘》)

《Funeral of the Famous Star》———明星的葬礼(《大腕》)

《Treatment》———治疗(《刮痧》,如果美国法律这么认为就好了)

《Dream Factory》———梦工厂(《甲方乙方》)

《Steel Meets Fire》———钢遇上了火(《烈火金刚》)

《Third Sister Liu》———第三个姐姐刘(《刘三姐》)

《Red Firecracker, Green Firecracker》———红鞭炮,绿鞭炮(《炮打双
灯》)

《Breaking the Silence》———打破沉默(《漂亮妈妈》)

《Emperor's Shadow》———帝国的阴影(《秦颂》)

《In the Mood for Love》———在爱的情绪中(《花样年华》)

《Woman-Demon-Human》———女人-恶魔-人类(《人鬼情》,失恋中的译者)

《From Beijing with Love》———从北京带着爱(《国产007》)

《Fatal Decision》———重大选择(可惜FATAL有致命的意思,致命的抉择?
《生死抉择》)

《In the Heat of the Sun》———在炎热的太阳下(《阳光灿烂的日子》,原文
的"阳光灿烂"可有寓意啊。译文让JEWAYS想起中学语文第几课来着———祥子拉
着人力车在街上走)

《Keep Cool》———保持冷静(《有话好好说》)

《Far Far Place》———很远很远的地方(《在那遥远的地方》,想起LONG
LONG AGO)

《Sixty Million Dollar Man》———六千万美元的男人(《百变星君》)

《Flirting Scholar》———正在调情的学者(《唐伯虎点秋香》)

6. 想要一些电影的中英文名

<肖申克的救赎
The Shawshank Redemption>

<辛德勒的名单Schindler's List >

<功夫熊猫
Kung Fu Panda>

<阿甘正传Forrest Gump >

<霸王别姬Farewell My Concubine>

<天使爱美丽Amelie >

<天堂电影院
Nuovo cinema Paradiso>

<罗马假日Roman Holiday >

<美丽人生La Vita e bella >

<海上钢琴师 The Legend of 1900>

<乱世佳人 Gone with the Wind>

<剪刀手爱德华 Edward Scissorhands>

<狮子王 The Lion King>

<放牛班的春天 Les Choristes>
<无间道 Infernal Affairs>
<沉默的羔羊 The Silence of the Lambs>

<千与千寻 Spirited Away>

找了很久的`希望可以帮到你``

7. 急需英语经典电影的英文介绍!!!(详细的好!)

这是1933年版《金刚》电影的介绍,希望对你交作业有帮助

The greatest and most famous classic adventure-fantasy (and part-horror) film of all time is King Kong (1933). Co-procers and directors Merian C. Cooper and Ernest B. Schoedsack (both real-life adventurers and film documentarians) conceived of the low-budget story of a beautiful, plucky blonde woman (Fay Wray) and a frightening, gigantic, 50 foot ape-monster as a metaphoric re-telling of the archetypal Beauty and the Beast fable. [Fay Wray mistakenly believed that her RKO film co-star, 'the tallest, darkest leading man in Hollywood,' would be Cary Grant rather than the beast. Later in her life, she titled her autobiography "On the Other Hand" in memory of her squirming in Kong's grip.]

The major themes of the film include the struggle for survival on the primitive, fog-enshrouded, tropical Skull Island between the ardent and energetic filmmakers (led by Robert Armstrong), the hero (Bruce Cabot in a part originally offered to Joel McCrea), the voodoo natives, and the forces of nature (the unique Beast creature); unrequited love and the frustration and repression of violent sexual desires. However, the primitive, giant ape must also struggle against the forces of urban civilization and technology when it is exploited for profit and returned for display in New York City ring a time of economic oppression.

From the start of the picture, its clever screenplay by James Ashmore Creelman and Ruth Rose (based on a story by Merian C. Cooper and Edgar Wallace) suggested the coming terror. The film was shot ring the spring and summer of 1932 in the confines of the studio. Due to their limited budget for sets, Cooper and Schoedsack used the jungle locale from the latter's previous film The Most Dangerous Game (1932) - an adventure film that also starred Fay Wray. When released, it broke all previous box-office records. Its massive, money-making success helped to save RKO Studios from bankruptcy.

The following scenes for the 1938 re-release, that were excised by censors after the Proction Code took effect in 1934, were restored in recent editions of the film:

the Brontosaurus' killing of three victims (instead of five in the original)
the giant spider scene
Kong's stripping/peeling of Fay Wray's clothing while holding her unconscious in his palm
Kong's chewing of a New York victim and his drop of a woman from the Empire State Building
This remarkable film received no Academy Awards nominations - it would have won in the Special Effects category if there had been such a category. The film contained many revolutionary technical innovations for its time (rear projection, miniature models about 18 inches in height, and trick photography, etc.), and some of the most phenomenal stop-motion animation sequences and special effects ever filmed (by chief technician Willis O'Brien, famed for his first feature film The Lost World (1925)). A wildly dramatic musical score by Max Steiner enhanced the action of the story.

The film has numerous memorable moments, including Kong's battle with a giant snake in a misty cavern, his struggle against a flying pterodactyl, the screaming beauty (Fay Wray, known as the "Queen of Scream") held captive in Kong's giant clenched palm, and the finale with the defiant Kong atop the Empire State Building while circling aircraft shoot him down. In director John Guillermin's inferior remake King Kong (1976), starring Jessica Lange, the great ape takes his last stand atop one of the towers of the World Trade Center.

King Kong launched the "giant beast" subgenre of science-fiction, inspiring the 1950's atomic mutant creature features and the Japanese giant movie monsters like Godzilla, Gamera, Rodan, etc. Godzilla and King Kong actually faced off in the Japanese film King Kong Vs. Godzilla (1962, Jp.) (aka Godzilla vs. King Kong in Japan). Various other Kong-related films are summarized in the following list:

Son of Kong (1933)
Mighty Joe Young (1949)
Konga (1961)
King Kong Vs. Godzilla (1962, Jp.)
King Kong Escapes (1967, Jp.)
King of Kong Island (1968)
King Kong (1976)
A*P*E (1976, Kor.)
Queen Kong (1976, UK)
King Kong Lives (1986)
The Mighty Kong (1998, animated)
Mighty Joe Young (1998)
[Oscar-winning The Lord of the Rings trilogy director Peter Jackson shot a remake of the classic 1933 film as King Kong (2005), with Jack Black (as Carl Denham), Adrien Brody (as Jack Driscoll), Naomi Watts (as Fay Wray), and Andy Serkis (and CGI) employed for the 25-foot tall monstrous ape.]

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The film begins with the title card from an Old Arabian Proverb:

And the Prophet said, 'And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead.'
The scene is 1932 at the Hoboken docks in New Jersey ring a Depression-era winter. A dock night watchman is approached and asked about the nearby moored steamer: "Say, is this the moving picture ship?" The watchman confirms that the ship is going on a "crazy" voyage, and knows of the brash reputation of Carl Denham (Robert Armstrong), a fearless and arrogant adventure filmmaker and movie procer, who is preparing for a film expedition: "...that crazy fella that's a runnin' it....They say he ain't scared of nothing. If he wants a picture of a lion, he just goes up to him and tells him to look pleasant." Everybody around the dock is talking about the unusually large cargo and number of crew members - "three times more than the ship needs." The well-dressed man, Charles Weston (Sam Hardy), a theatrical agent, is invited on board the vessel by First Mate Jack (John) Driscoll (Bruce Cabot) and is told: "Come on board. Denham's gettin' wild. I hope you got some good news for him."

In the captain's cabin, trusted skipper-Captain Englehorn (Frank Reicher) confers with Denham and suggests that he sail immediately by the next day's light, before the fire marshal can discover his illegal cargo of ammunition, explosives and gas bombs, one of which is strong enough "to knock out an elephant." They must also get to their destination to finish filming before the monsoon season starts. Weston and Driscoll enter and Denham demands to know if the agent has located an actress to star in his top-secret film: "Somebody's interfered with every girl I've tried to hire. And now all the agents in town have shut down on me. All but you, you know I'm square." Weston believes Denham has a "reputation for recklessness that can't be glossed over." Weston also objects to Denham's secretiveness - not even the skipper and first mate know where they are going. The agent hasn't found a girl because his conscience won't let him ask a young girl to take on such an unknown project:

I can't send a young pretty girl such as you ask on a job like this without telling her what to expect...To go off on a trip for no one knows how long, to some spot you don't even hint at, the only woman on the ship with the toughest mugs I ever looked at.
No ingenue actress will commit to a long sea voyage to an unknown destination, with an all-male crew. Denham argues that there's more danger in New York for most women: "Listen, there are dozens of girls in this town tonight that are in more danger than they'll ever see with me." "Yeah, but they know that kind of danger," thick-headed Jack pipes up. Denham complains that he needs to have a heroine in his picture to provide romance and a love interest:

Holy Mackerel. Do you think I want to haul a woman around?...Because the Public, bless 'em, must have a pretty face to look at...Well, isn't there any romance or adventure in the world without having a flapper in it?...Makes me sore. I go out and sweat blood to make a swell picture and then the critics and the exhibitors all say, 'If this picture had love interest it would gross twice as much.' All right. The Public Wants a Girl, and this time, I'm gonna give 'em what they want.
Undaunted but frustrated, the entrepreneurial, jungle filmmaker promises them he will make the "greatest picture in the world, something that nobody's ever seen or heard of. They'll have to think up a lot of new adjectives when I come back." He leaves to find a girl for his picture by himself, vowing: "even if I have to marry one." A cab drops him off outside the Woman's Home Mission where women are in a breadline, but he doesn't see any potential prospects. Nearby, he notices a hungry, out-of-work, and broke girl reaching for an apple from a fruit market on the streets of New York. The street vendor catches the girl and threatens to call the police. After paying off the irate proprietor with a buck to rescue her, she swoons into his arms. When he takes a good look at her, he impulsively decides that she has the kind of beauty that he is looking for - perfect for the starring role in his documentary movie.

Denham takes the starving young girl by taxi to a Bowery restaurant, buys her a meal, and over a cup of coffee asks her about herself. She is orphaned with no family, although she says: "I'm supposed to have an uncle someplace." She also worked as a film extra at a studio on Long Island before it closed. She identifies herself as Ann Darrow (Fay Wray) and he enthusiastically offers the down-and-out, destitute woman a job: "I've got a job for you. Costumes on the ship won't fit you. Broadway shops are still open. I can get some clothes for you there." To encourage the beautiful girl to go along, he entices her with a promise of lifting her out of obscurity:

It's money and adventure and fame. It's the thrill of a lifetime and a long sea voyage that starts at six o'clock tomorrow morning.
Ann hesitates with fear in her voice, fearing that she will be made Denham's mistress: "No wait. I - I don't understand. You must tell me. I do want the job so, but I can't..." Denham chivalrously reassures her by explaining his position: "Oh, I see. No, you've got me wrong. This is strictly business....Listen, I'm Carl Denham. Ever hear of me?" His fearless, courageous, daredevil reputation is even known by Ann: "Yes. Yes! You make moving pictures in jungles and places." Ann is told that she has been picked to be the leading lady in his new film, and their voyage leaves at 6 am to a place "a long way off." Ann agrees to the voyage, after Denham offers final assurances that sex isn't involved: "I'm on the level. No funny business...Just trust me and keep your chin up." They shake on it.

The next day, the all-male crew sets sail on a long six-week journey on the S. S. Venture bound for the South Pacific. The good-looking and brawny, but disgruntled First Mate Driscoll meets Ann on deck and unpleasantly marks her as "that girl Denham picked up last night." The males on board are angry and distrustful at the prospect of having such a tempting, attractive, and charming woman along on such a dangerous voyage: "I've never been on one with a woman before." Women are a "nuisance" on board ships, according to him.

During the voyage, Ann prepares to practice and rehearse a scene for the film director on the deck, "to see which side of my face looks best and all that." Driscoll really believes her life is in jeopardy and is feeling protective of her safety: "This is no place for a girl," he tells her. The First Mate is chauvinistic, but apologetic: "You're all right, but, but, but women, women just can't help being a bother. Made that way, I guess."

Denham strolls into their company, and sees Ann fondly petting the ship's pet monkey - a miniature foreshadowing of the regal Beast in the film. He comments, sardonically: "Beauty and the Beast, eh?" Ann excuses herself to put on one of her costumes for the film test to be directed by Denham. While waiting for Ann to reappear, Driscoll confronts Denham and asks what lies ahead: "When do we find out where we're going?...And you going to tell us what happens when we get there?"

Possibly feeling threatened by Driscoll's growing crush on his actress-heroine, Denham suspects that the crew member has been emasculated and gone "soft" and "sappy" over Ann's Beauty. Denham equates the first mate to the Beast in his Hollywood script - already robbed of his virile masculinity e to his concern for Ann's vulnerable presence:

Denham: Oh, you have gone soft on her, eh? I've got enough troubles without a love affair to complicate things. Better cut it out, Jack.
Driscoll: Love affair! You think I'm gonna fall for any dame?
Denham: I've never known it to fail: some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy.
Driscoll: Now who's goin' sappy? Listen, I haven't run out on ya, have I?
Denham: No, you're a pretty tough guy, but if Beauty gets you, ya...(He breaks his train of thought and turns away with a self-deprecating smile.) Huh, I'm going right into a theme song here.
Driscoll: Say, what are you talkin' about?
Denham: It's the idea of my picture. The Beast was a tough guy too. He could lick the world. But when he saw Beauty, she got him. He went soft. He forgot his wisdom and the little fellas licked him. Think it over, Jack.

8. 求外国经典电影的25个中英文名字,谢谢,

1.巴顿将军/铁血将军巴顿 Patton (1970)
2.发条橙子/发条桔子 Clockwork Orange, A (1971)
3.最后一场电影 Last Picture Show, The (1971)
4.教父 Godfather, The (1972)
5.日以继夜 Day for Night (1972)
6.我记得,想当年/当年事 Amarcord (1973)
7.教父II Godfather: Part II, The (1974)
8.飞越疯人院/飞越杜鹃窝 One Flew Over the Cuckoo\'s Nest (1975)
9.出租车司机/计程车司机/的士司机 Taxi Driver (1976)
10.拿出你的手帕 Get Out Your Handkerchiefs, France (1977)
11.安妮·霍尔 Annie Hall (1977)
12.猎鹿人/越战猎鹿人 Deer Hunter, The (1978)
13.现代启示录 Apocalypse Now (1979)
14.铁皮鼓 Blechtrommel, Die (1979)
15.克莱默夫妇 Kramer vs. Kramer (1979)
16.普通人 Ordinary People (1980)
17.象人 Elephant Man, The (1980)
18.愤怒的公牛/蛮牛/狂牛 Raging Bull (1980)
19.佩比、露西、伯姆和其他姑娘们 Pepi, Luci, Bom and the Other Girls (1980)
20.火战车/火之战车 Chariots of Fire (1981)
21.甘地传 Gandhi (1982)
22.外星人E.T. E.T. the Extra-Terrestrial (1982)
23.芬妮与亚力山大 Fanny och Alexander (1982)
24.美国往事/四海兄弟/义薄云天 Once Upon a Time in America (1984)
25.莫扎特传/阿玛迪斯 Amadeus (1984)
26.为什么我命该如此 What Have I Done to Deserve This (1984)
27.走出非洲/远离非洲/非洲之旅 Out of Africa (1985)
28.巴西 Brazil (1985)
29.野战排/前进高棉/杀戮战场 Platoon (1986)
30.斗牛士 Matador (1986)
31.末代皇帝 Last Emperor, The (1987)
32.征服者佩尔 Pelle erobreren (1987)
33.十诫 Dekalog (1987)
34.欲望的法则 Ley del deseo, La (1987)
35金甲部队/全金属外壳 Full Metal Jacket (1987)
36.雨人/手足情未了 Rain Man (1988)
37.濒临崩溃边缘的女人 Mujeres al borde de un ataque de nervios (1988)
38.天堂电影院/星光伴我心/新天堂乐园 Nuovo cinema Paradiso (1989)
39.光荣/光荣战役 Glory (1989)
40.教父III Godfather: Part III, The (1990)
41.与狼共舞 Dances with Wolves (1990)
42.好家伙/四海好家伙/盗亦有道 Goodfellas (1990)
43.人鬼情未了 Ghost (1990)
44.捆着你,困着我/捆着我,绑着我 ?átame! (1990)
45.终结者2/魔鬼终结者2/未来战士2 Terminator 2: Judgment Day (1991)
46.沉默的羔羊 Silence of the Lambs, The (1991)
47.高跟鞋 Tacones lejanos (1991)
48.闻香识女人 Scent of a Woman (1992)
49.辛德勒的名单 Schindler\'s List (1993)
50.因父之名 In the Name of the Father (1993)
51.基卡 Kika (1993)
52.阿甘正传 Forrest Gump (1994)
53.肖申克的救赎/刺激1995/月黑高飞 Shawshank Redemption, The (1994)
54.燃情岁月/秋日传奇 Legends of the Fall (1994)
55.这个杀手不太冷/终极追杀令/杀手莱昂 Léon (1994)
56.低俗小说/黑色追缉令/危险人物 Pulp Fiction (1994)
57.毒太阳 Burnt by the Sun (1994)
58.七宗罪/火线追缉令 Se7en (1995)
59.勇敢的心/英雄本色/惊世未了缘 Braveheart (1995)
60.廊桥遗梦/麦迪逊之桥 Bridges of Madison County, The (1995)
61.猜火车/迷幻列车 Trainspotting (1996)
62.英国病人 English Patient, The (1996)
63.给我一个爸 Kolya (1996)
64.美丽人生/一个快乐的传说 Vita è bella, La (1997)
65.泰坦尼克号/铁达尼号 Titanic (1997)
66.角色 Karakter (1997)
67.颤抖的欲望 Carne trémula (1997)
68.海上钢琴师 Leggenda del pianista sull\'oceano, La (1998)
69.楚门的世界 Truman Show, The (1998)
70.拯救大兵瑞恩/雷霆救兵/拯救大兵雷恩 Saving Private Ryan (1998)
71.罗拉快跑/疾走罗拉 Lola rennt (1998)
72.细细的红线/红色警戒 Thin Red Line, The (1998)
73.野兽良民/美国X档案 American History X (1998)
74.格斗俱乐部/斗阵俱乐部/搏击会/搏击俱乐部 Fight Club (1999)
75.美国丽人/美国心·玫瑰情/美国大美人 American Beauty (1999)
76.关于我母亲的一切/论尽我母亲/关于我的母亲/我的母亲 Todo sobre mi madre (1999)
77史崔特先生的故事/路直路弯 The Straight Story (1999)
78.角斗士/神鬼战士/帝国骄雄 Gladiator (2000)
79.西西里的美丽传说/真爱伴我行/玛莲娜 Malena (2000)
80.跳出我天地/舞动人生/芭蕾之梦 Billy Elliot (2000)
81.梦之安魂曲 Requiem for a Dream (2000)
82.爱情是狗娘/狗男女的爱/人、爱、狗 Amores perros (2000)
83.兄弟连 Band of Brothers (2001)
84.美丽心灵 A Beautiful Mind (2001)
85.天使爱美丽/艾蜜莉的异想世界/阿梅丽的奇妙命运 Fabuleux destin d\'Amélie Poulain, Le (2001)
86.无主之地 No Man\'s Land (2001)
87.坎大哈 Safar e Ghandehar (2001)
88.穆荷兰大道 Mulholland Dr. (2001)
89.钢琴家/战地琴人/钢琴战曲/钢琴恋曲 The Pianist (2002)
90.对她说/悄悄告诉她/对她有话儿 Hable con ella (2002)
91.大鱼/大鱼老爸/大智若鱼 Big Fish (2003)
92.最后的武士 The Last Samurai (2003)
93.冷山 Cold Mountain (2003)
94.野蛮人入侵 The Barbarian Invasions (2003)
95.百万宝贝 Million Dollar Baby (2004)
96.杯酒人生/并肩前行 Sideways (2004)
97.飞行者/神鬼玩家 The Aviator (2004)
98.深海长眠/出海/长眠地中海/安乐死之谜 Mar adentro (2004)
99.不良教育/毁灭性教育/圣.教.欲 Mala ecación, La (2004)
100.卢旺达饭店 Hotel Rwanda (2004)

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