Ⅰ 请介绍一下韩国电影《春夏秋冬又一春》
片名:春夏秋冬又一春
英文片名:Spring Summer Fall Winter And Spring
国家/地区:韩国
区域:亚洲
类型:剧情
导演:金基德
编剧:金基德
主演:金永敏 何丽珍 金浩授
分级:美国R
上映时间:2003-
剧情:荷花池边的寺庙里住着老和尚和小和尚，一天，小和尚把蛇、青蛙和鱼绑在石头上，看到这些动物痛苦扭曲的身体小和尚哈哈大笑，面对小和尚的残酷老和尚并没有制止，而是无奈地摇头，这是发生在春天的故事。过了很多年，小和尚已经长成17岁的大人，这个偏僻的寺庙忽然出现了一个少女，少女是到寺庙疗养的，小和尚对少女产生了情愫，于是在少女离开后不久也离开了从小长大的寺庙。
不知不觉时间过去了10年之久，这时的小和尚已经变成了一个杀人犯，因为妻子的不忠与背叛，他亲手结束了妻子的生命，从此他也背上了痛苦与折磨的包袱。回到寺庙的小和尚无法忍受良心的不安与折磨，他决定在佛像前自刎，就在他要结束自己的生命之际，老和尚解开了他的心结，他平静的走下山，而他不知道的是老和尚已经圆寂在寺庙中。
过了很多年，小和尚已经变成了一个中年男人，这时的他已经刑满释放，再次回到寺庙中潜心佛学。直到他看到了一个女子将自己的孩子放在寺庙门口……不知不觉时间过去了多年，又是一个春天，这时的小和尚已经到了人生的暮年，就像当年的老和尚领着他一样，他和当年的弃婴在寺庙中生活，弃婴如何当年的他一样，把石头塞入青蛙和蛇的身体里，像当年的他一样笑得那么开心……
看点:《春夏秋冬又一春》是大师金德基的又一部代表影片，以寺庙为背景，将人生中应该经历的痛苦、烦恼、解脱、爱与恨等都融入其中，是一部深刻复杂的影片。
影片名为《春夏秋冬又一春》，将故事的情节也定格在不同的季节里，发生在春天里的罪恶和救赎，夏天里的欲望与放纵，秋天中蕴含的爱与恨，冬季里的哲学与反思，再到春的延续，生生不息。在这部表现人生思考与意义的影片里，具有浓郁的佛学色彩，导演将人生凝结为宇宙的四季，生生不息，循环不息，同时也提出了一个深刻的问题——人生的意义到底何在。
影片主要表现了一个人的人生历程，小和尚的童年、少年、青年与中年，走后步入老年，这个僧人的人生轨迹与经历，在金德基的细腻的笔触中娓娓道来，充满安静、祥和与宁静，客观真实，如同一幕幕美好的画卷展现在观众面前，让观众自己去思考，去琢磨，去理解与揣摩，仁者见仁，智者见智。
金德基的电影作品一向以灰暗的基调与黑暗的社会现象为表现对象，这如他自己所言：“我的电影，渗透了黑暗的人生经历和对世界的憎恶，同时又是对世界慢慢理解的过程。”同样，本片与金德基以往作品的风格一脉相承，所不同的是整部影片都渗透着对佛的认可与肯定，影片处处体现了“人性本恶”的事实与只有佛才能洗脱与拯救灵魂，同时也体现了佛学的思想——轮回。从开始中小和尚所制造的罪恶，到最后他为此进行的救赎与罪恶的结束，处处体现了轮回与救赎的主题。只有通过修行才能进行救赎，人来到世间就是为了受苦赎罪，同时影片也暗示了小和尚的将来也会和老和尚一样，这正是佛学的思想。
Ⅱ 一部韩国电影的名字
[编辑本段]韩国电影《中毒》
基本信息
英文名：Addicted
地区： 韩国
首映：2002.10.25 韩国首映
编剧：朴永熏
导演：朴永熏
主演：李秉宪、李美妍、朴善英
外文片名：
Jungdok
The Poisoning.....(International: English title)
剧情介绍
和俊与达俊（李秉宪饰）是两兄弟。和俊跟恩淑（李美妍饰）是一对幸福夫妻，两人过着平静幸福日子。一天，达俊不顾哥哥反对，去参加赛车比赛。兄弟俩在同一时间不同地点遇上车祸，他们昏睡一年，和俊去，达俊醒来。悲伤恩淑以为自己与幸福永远地擦肩而过。奇迹般醒来达俊坚持说自己是和俊。出院后达俊从口头禅到生活习惯都完全是和俊式，他已不再是那个狂热赛车手，而是成和俊。他像和俊一样，把手叉在腰上给花圃浇水，做工艺家具，每天早上给恩淑挤好牙膏，每天晚上做好饭菜等恩淑。
这让恩淑陷入错觉和迷乱。一方面，恩淑难以接受和俊灵魂转到他弟弟身上事实；另一方面，恩淑又感觉到和俊气息和模糊幸福。恩淑不敢相信和俊是附体在达俊身上，于是达俊告诉她情书内容，他们相识相爱细节。等达俊从桌下取出那枚垫平用硬币时，恩淑不能不相信，这个有着达俊身体、面孔和声音男人，其实就是她和俊。
终于有一天，恩淑决定要抓住曾经失去过爱情，她把达俊完全当成和俊，第二次爱上他。如同中毒一般不可救药爱情终于开始。达俊疯狂地让自己从这个世界消失，疯狂地幻化成哥哥灵魂，疯狂地让嫂子相信他是通灵化身，疯狂地让沉积已久暗恋释放、呼吸……他呼出他畸恋毒气，吸入已中毒嫂子温软气息。他们互相传染，疯狂中毒，越爱越狂，越陷越深……在情爱世界里，天地荡然无存，世俗已然不在，在那一刻，彼此眼里只有对方，纯美、坚强、回归本真……
达俊差不多就这样成功，但是，因为一个细节暴露，他被揭穿。这一切对于恩淑来说，是极度震惊，但又有一种手足无措感动。
故事的结尾令人思考，如果是你又会做何选择，片名叫中毒真是贴中主题。
精彩视点
韩国2002年最卖座、最具噱头文艺爱情片《中毒》由韩国青钟奖影帝影后李秉宪、李美妍主演，在韩上映后立即引起轰动，票房一路狂升。韩国人还搞个“最希望你配偶灵魂进入哪个明星身体评比”，结果李美妍在女星中排名第一，李秉宪在男星排第二，可见影后魅力并非浪得虚名。李美妍惊人性感、成熟韵味以及练过瑜珈身段着实让韩国男人们中一回毒
幕后制作
《中毒》在韩国上映前已经相当轰动，李美妍、李秉宪两大巨星的加盟，以及两人长达8分钟床上戏的噱头也算吊足了影迷观众的胃口。影片在上映当天也的确在韩国创下了最高上映影院纪录，韩国全国168个大型电影院中，有153家同时上映此片，上映后立即引起轰动，票房一路狂升。影片借用了灵魂附体的框架并不算特别新鲜，但是该片是韩国第一部描写叔嫂恋情的影片，因为其中有一些大胆的情爱场面，使得影片在韩国国内成为一个热门话题。影片在前半部分似乎着意突现兄弟二人和恩素三人间的人物关系，以表现两兄弟性格的差异，但效果却差强人意，且令影片节奏稍嫌拖沓。李秉宪的演技弥补了情节缓慢的遗憾，在演绎达俊性格的转变上，他不温不火的拿捏住那个变化的程度，真实且自然的表现十分精彩
精彩剧照
Ⅲ 求韩国电影《雏菊》的英文评论或介绍
Review：
PanAsia lives with Daisy. This ballyhooed Korean film screams quality from the get-go. Not only does it star the inestimable Sassy Girl herself, Jeon Ji-Hyun, but it's got a story from My Sassy Girl mastermind Kwak Jae-Yong, plus it features a killer o of actors in Jung Woo-Sung and Lee Sung-Jae. The crossover occurs with Hong Kong director Andrew Lau, who's been on an insane streak since he made the Infernal Affairs series and Initial D. The Amsterdam location and genre-friendly hitman-with-a-heart storyline only intensify any notion of this being a must-see Asian film. Better check those expectations pronto; the actors are fine and the film looks great, but that's as good as it gets.
Jeon Ji-Hyun is Hye-Young, a young painter who works at her grandfather's antique shop in Amsterdam, and makes some money on the side sketching portraits for tourists. She ends up falling in love with Jeong-Woo (Lee Sung-Jae), who she mistakenly believes to be the guy who sends her daisies on a weekly basis. Jeong-Woo is actually an Interpol agent specializing in Asian criminals, and not a daisy-delivering romantic, though his growing affection for Hye-Young makes it hard to come clean. Jeong-Woo also must eventually face off against the real daisy guy: Park-Yi (Jung Woo-Sung), a soulful hitman who has pined for Hye-Young ever since he spied her painting daisies in the countryside. Through myriad manufactured circumstances, the two men meet and become rivals over love and the law. Meanwhile, Hye-Young cries in the background, clueless as to who her promised daisy guy really is.
If you're looking for good filmmaking, you just might join Hye-Young in her tears. While possessing stunning proction values and some fine performances, Daisy goes to hell pretty damn quick thanks to superficial direction, obvious voiceover, and events that are mind-blowing in their sheer stupidity. The film starts promisingly enough. The characters are introced effectively, and the first action sequence is kinetic and exciting. The actors are charismatic and likable, especially Lee Sung-Jae, who gives his third-wheel cop character both humanity and heart. And the location and cinematography are aces. As a music video - or a tourism commercial for Amsterdam - Daisy is supreme stuff. There may not be a better-looking movie this year.
The problem is that's all on the surface. Outwardly, Daisy presents quality, but the interior of the film is startlingly routine and even laughable. First of all, nothing is left to the viewer's imagination. Lau and his screenwriters spell everything out with copious voiceover, such that the film starts to feel like it's being recited rather than told. Also, the film is mind-numblingly serious. Daisy recalls HK flicks like The Killer and Fulltime Killer with its "soulful hitman" clichés, but unlike those films - which possessed dark wit or an enthralling cinematic verve - Daisy possesses absolutely no sense of humor, and its style is exceedingly artificial. Everything is played for such heart-rending emotional effect that you can either submit and buy into the overblown romanticism, or give up and start laughing.
Furthermore, the characters begin to act stupidly. At a certain point, they drop any pretense of logical lives, and begin to submit to some over-idealized romantic world where love controls and basically is everything. That may work in some sappy melodrama, but this is a movie with hitmen and cops, who should actually try to do their jobs instead of giving up because the Sassy Girl may prefer the other person. Also, it's all well and good to hold some romantic longing for a secret admirer who sends you daisies, but you'd think that discovering he was a hitman would give you some pause. That's not the case here. In Daisy, the idealized notion of love seems to hold amazing sway over everyone; it's like ideal love is The Force, and what The Force instructs is that your self-imagined idea of romance is more important than trivial things like laws, morality, or perhaps human life. That sounds like a great idea if the filmmakers could sell it. But they can't, and since Lau and his cohorts can't convince us that love is as powerful as Daisy purports it to be, all we're left with is a promising, but overblown romantic drama with some minor bits of effective action. We all deserve better.
Ⅳ 找一补韩国老电影
片 名： Summertime
译 名： 爱的色放
导 演： ( Jae-ho Park )
主 演： ( Ji-hyeon Kim) ( Cheol-ho Choi) ( Su-yeong Ryu) ( Wok-suk Song) ( Jeong-yun Bae)
上 映： 2001年01月24日
剧情介绍：
一个独自存在的村庄里有一个破旧的二层小楼，年久腐化地板上露出斑斑驳驳的小洞，这正是偷窥的窗口。楼上血气方刚的男孩看到楼下住着一位美貌但寂寞的女人，她做保安的丈夫日夜不归，回来就拿她做泄欲的工具。偷窥的男孩默默爱上了这个落寞的女人。女人与丈夫做爱时从不正面接触是个奇异的情节。这使得偶然得到楼下房门钥匙的男孩终于按捺不住模仿男人的样子与女人发生了关系。当秘密暴露后，女人终于为男孩的稚嫩和真情所打动，爱情如火焰般发生在他们中间。
变色胶片和夸张的色彩使得这部影片蒙上一层哀伤的情绪。故事发生的地点可谓是韩国影片当中最为肮脏龌龊的一处，然而这里仍然藏密着一对飞蛾扑火的人。
大量的偷窥、手淫、各种姿势的性爱场面，使得这部影片难逃少儿不宜的定级，但《爱的色放》中若隐若现的政治背景，使得影片又显得有所追求，尽管不是十分成熟。《爱的色放》中婚外偷情的故事发生在1980年，韩国光州惨案数百名争取民主的平民被枪杀的历史背景中。偷情的三个主角均有鲜明的社会身份：男主人公是被通缉的学运分子，女人是光州事件中被捕教授的女儿；而其丈夫就是当年冲入她的家门，强行占有她的警察。影片的结尾，是警察发现奸情，打死逃犯后自杀，女人生下腹中婴儿后卧轨。角色身份的格局足以让观众想象很多，弃婴或许正代表了当今韩国政治迷惘的年轻一代。
弃婴长大以后，得到了母亲的一只少女时代的芭蕾舞鞋，男孩怀抱着乳白色的舞鞋，站在飞驰的火车旁，晃动间，隐约看到化蝶般的母亲穿着白色的衣裙在他的面前翩翩起舞。
Ⅳ 求韩国电影<实尾岛>的英文介绍 谢谢了 最好有中文对照的 我们上课要用
1968年1月，124北韩特别行动队31位成员渗入南韩，执行袭击总统府的行动，并刺杀南韩总统ParkChung-hee。谁知行动失败，只剩下唯一一个队员活口-Kim Shin-jo，当他被迫问时，他怒号“我来的目的只为手刃Park Chung-hee”，此话震撼整个南韩！
与此同时，Kang In-chan 为了逃避死刑，甘愿接受H.I.D.将军Choi Jae-hyun的安排，被送到实尾岛部队-队中31位成员全是极度重犯。他们到实尾岛被Jae-hyun派遣一个国家级的机密任务-潜入北韩并杀害总统Kim Il-sung。他们接受生不如死的训练，但坚守着为国牺牲的祟高信念。
January 1968, 124 North Korean special operations forces into South Korea, 31 members of the Executive Office of the President's action to attack and assassinate South Korean President ParkChung-hee. Who knows fails, the only team left to live on-Kim Shin-jo, when he was forced to ask, he roar, "I came only for the purpose of Shouren Park Chung-hee", remark shook the South Korea!
At the same time, Kang In-chan in order to avoid the death penalty, are willing to accept the HID General Choi Jae-hyun of the arrangements, was sent to Silmido Unit - 31 team members are all highly repeated. Silmido them to be Jae-hyun sent a secret mission at the national level - sneaked into North Korea and the murder of President Kim Il-sung. They accept the living death of the training, but stick to the noble sacrifice for the country faith.
Ⅵ 韩国电影<雏菊>的英文介绍
Daisy (데이지) is a Korean movie directed by Hong Kong filmmaker Andrew Lau Wai Keung of the Infernal Affairs series, and starring Jeon Ji-hyun (My Sassy Girl), Jung Woo-sung (Musa), John Tai-wai Chiang , Lee Sung-jae (Public Enemy), and Cheon Ho-jin (The Big Swindle).
Daisy is an urban melodrama about a young struggling art painter, the Interpol police detective she loves and a professional hitman from whom there is no escape. Shot entirely in The Netherlands, for the most part in the capital of Amsterdam, Haarlem and Epen. Daisy is proced by iFilm and opened in South Korean cinemas on March 9, 2006.
There are two version of Daisy: an Asian cut and an international cut.
雏菊 (韩语：데이지，台湾称爱无间) 是由香港导演刘伟强执导的韩语动作及爱情电影。主要演员有全智贤、郑雨盛、姜大卫、李诚宰和千虎珍。
来自：http://en.wikipedia.org/wiki/Daisy (film)