外国电影的英文影评

⑴ 一个英语作品的读后感和英文电影的影评，要英语的，初二别太难，80词左右，急！

读后感:
The Ugly Duckling withi ts poetic beauty and comedy humor toshow the unique artistic style.The Ugly Duckling is Anderson'snovels,fantasy elements ralative weakening,angmented reality component.The pusuit of better life,but also reveals the lack of confidence in the depression.The Ugly Duckling is famous around the world.Up to now many people still think The Ugly Duckling is perfect and unbelievable.
《丑小鸭》以其诗意的美和喜剧性的幽默展现了独特的艺术风格。《丑小鸭》是安徒生的中期作品，幻想成分减弱，现实成分相对增强。表现了对美好生活的执着追求，也流露了缺乏信心的忧郁情绪。《丑小鸭》在全世界都非常著名。直到现在许多人觉得《丑小鸭》完美和不可思议。
影评:
"This is a full of feeling,grand,beautiful movie.A real dream,a beautiful new world!"——global screen
Let's come into the Avatar."You're never seen CGI in a movie like this!""Just look like real!"The andience so evaluation.
IF the use of literature to compare,the Avatar is in fact the folk literature,is a fairy tale,but not too much——contemporary fiction movie audiences accustomed to fictional narrative.
"这是一部充满情怀、宏大、优美的电影，一个真实的梦境，一个美丽新世界！"——《环球银幕》
让我们走进《阿凡达》。"你从来没见过这样的CGI效果！""就像真的一样！"观众如此评价。
如果用文学来比较，《阿凡达》其实是民间文学，是童话，而不是小说——当代太多电影观众习惯于小说式的现代叙事了。
采纳哦！因为我只是初一，所以写了一个小时，看在我这么辛苦的份上，采纳吧！

⑵ 急求三篇英文的电影观后感大神们帮帮忙

英文影评:千与千寻(Spirited Away) Animated feature from Japanese master Hayao Miyazaki. A young girl finds herself trapped in a mystical realm, where she must find a way to save her parents - who have been turned into pigs There's something almost criminal about the way Spirited Away took over two years to reach Britain after its original Japanese release. In Japan, Hayao Miyazaki is both commercially successful (his films regularly beat box office records) and highly respected (Akira Kurosawa said: "I am somewhat disturbed when critics lump our works together. One cannot mimimise the importance of Miyazaki's work by comparing it to mine."). In Britain, however, his work has barely got more than a few cursory arts venue screenings. At least Spirited Away - which took the Berlin Golden Bear in 2002 and the Best Animated Film Oscar in 2003 - made it. Better late than never. After the stress of making his last film, 1997's Princess Mononoke, Miyazaki had a breakdown and retired. But he came out of retirement when an idea to create another, lighter film began to take shape. Princess Mononoke was an action-packed epic that ranged across 15th century Japan. For Spirited Away he returned to the quieter - but no less serious - themes that he addressed to a degree in 1988's My Neighbor Tortoro. Both films feature a family moving house, girls getting used to upheaval, and elements of 'Alice In Wonderland'. But where the 1988 film used a few specific motifs from Carroll's book (a plunge into a 'rabbit hole', a version of the Cheshire cat), Spirited Away casts its 10-year-old protagonist, Chihiro (Hragi; or Chase in the US b), fully into a Wonderland, a mystical otherworld populated by animal spirits and gods. Chihiro arrives in this realm by accident. Her parents, heading for their new home, take a road that leads into the woods. Arriving at a dead end, they walk down a corridor through a building and emerge in what dad takes to be "an abandoned theme park". It's something like a Japanese Portmeirion, but eerily deserted. While her parents greedily help themselves to food, Chihiro wanders off and meets Haku (Irino; or Marsden), a boy who warns her to leave before dark. She's too late though - a lake has appeared, blocking her route, ghostly forms have populated the town and her parents have turned into pigs. She's trapped. The only way to survive, Haku tells her, is to get work in the bath house that dominates the town. Here "eight million gods rest their weary bones", according to Yubaba (Natsuki; or Pleshette), the witch who runs the establishment. Chihiro makes her way to meet Yubaba with the help of Kamajii (Sugawara; Ogden Stiers), a multi-limbed codger who runs the boiler house, Lin (Tamai; Egan), a serving woman with a taste for "roasted newt", and even a 'Radish God', a giant sumo of a chap with tuber-like appendages. Yubaba is hardly forthcoming - her realm is "no place for humans" - but she's forced to give Chihiro work, thanks to an oath she swore. Chihiro gets work helping Lin. But the management give them the worst jobs - such as assisting a hideous oozing creature they take to be a "Stink God; an extra large stinker at that". It's an entity so foul its smell makes food rot instantaneously, while its suppurations fill the room with a noxious gloop. Chihiro - or Sen as she becomes when Yubaba takes her name as part of her contract - does get by in the bath house, but it's not without further incident. She may lose her identity, but she retains her decency. One act of kindness results in a dangerous spirit, No Face, getting into the bath house and wreaking havoc by playing on the greed of the other employees ("Gold springs from his palms!"). She even gets involved in an adventure that reveals her mysterious bond with Haku. But can she save her parents? It's often said that Katsuhiro Otomo's Akira (1988) is the greatest anime ever. That's as maybe, but every one of Miyazaki's films is a masterpiece, so it's hard to pick just one that stands out. It's also tricky to compare his works with the more traditionally received notion of anime (giant robots, demons with phallic tentacles, telekinetic fighting, atom bomb-style explosions etc). Although Miyazaki insists it's not his role to be didactic, all of his work (notably his second feature Nausicaa Of The Valley Of The Wind and Princess Mononoke) has strong messages about ecology and the human relationship with the natural world. But he's also fascinated with coming-of-age stories, notably about how girls (many of his protagonists are young females) can not only face up to alt responsibility, but also how they can become strong, principled members of society. Here Chihiro is forced to grow up fast, but the process, while gruelling, is not without real benefits, as her understanding of the way society functions and experience of alt emotions develops exponentially. Some aspects of the film are likely to be too foreign for Westerners - we're ignorant of Japanese belief systems, with their hierarchies of entities - but Miyazaki's work has the power to transcend such culturally specific elements. While many of his earlier films drew on European stories (such as 1986's Castle In The Sky, from Swift), the folkloric features he reworks are often universal. But most of all, his team's animation - here utilising more digital techniques, while still being grounded in 2D traditions - is always beautiful and, in places, breathtaking. Locations are atmospheric, details are immaculate (you can identify the flower species in the gardens) and characters are diverse. Yubaba, for example, is a bizarre creation, a stocky woman with a huge head and even bigger hairdo; the bath house itself is stocked with all sorts of weird and wonderful creatures, from a Kermit-like assistant, to creatures reminiscent of his cuddly woodland deity from My Neighbor Tortoro, to troll-like beasts that look related to Maurice Sendak's 'Wild Things'). The only factor that could be seen as mildly misjudged is J Hisaishi's score, which is overbearing in places. It's no wonder the likes of Pixar's John Lasseter (who executive proced the US b) are so full of praise for Miyazaki. He's a true genius, an artist and great filmmaker who happens to work in animation - a medium often belittled as childish in the West. Spirited Away is wonderful. 蜜蜂总动员 Bee Movie review by Roger Ebert From each according to his ability, to each according to his need. -- Karl Marx Applied with strict rigor, that's how bee society works in Jerry Seinfeld's "Bee Movie" and apparently in real life. Doesn't seem like much fun. You are born, grow a little, attend school for three days, and then go to work for the rest of your life. "Are you going to work us to death?" a young bee asks ring a briefing. "We certainly hope so!" says the smiling lecturer, to appreciative chuckles all around. One bee, however, is not so thrilled with the system. His name is Barry B. Benson, and he is voiced by Seinfeld as a rebel who wants to experience the world before settling down to a lifetime job as, for example, a Crud Remover. He sneaks into a formation of ace pollinators, flies out of the hive, has a dizzying flight through Central Park, and ends up (never mind how) making a friend of a human named Vanessa (voice of Renee Zellweger). Then their relationship blossoms into something more, although not very much more, given the physical differences. Compared to them, a Chihuahua and a Great Dane would have it easy. This friendship is against all the rules. Bees are forbidden to speak to humans. And humans tend to swat bees (there's a good laugh when Barry explains how a friend was offed by a rolled-up of French Vogue). What Barry mostly discovers from human society is, gasp!, that humans rob the bees of all their honey and eat it. He and Adam, his best pal (Matthew Broderick), even visit a bee farm, which looks like forced labor of the worst sort. Their instant analysis of the human-bee economic relationship is pure Marxism, if only they knew it. Barry and Adam end up bringing a lawsuit against the human race for its exploitation of all bees everywhere, and this court case (with a judge voiced by Oprah Winfrey) is enlivened by the rotund, syrupy voiced Layton T. Montgomery (John Goodman), attorney for the human race, who talks like a cross between Fred Thompson and Foghorn Leghorn. If the bees win their case, Montgomery jokes, he'd have to negotiate with silkworms for the stuff that holds up his britches. All of this material, written by Seinfeld and writers associated with his television series, tries hard, but never really takes off. We learn at the outset of the movie that bees theoretically cannot fly. Unfortunately, in the movie, that applies only to the screenplay. It is really, really, really hard to care much about a platonic romantic relationship between Renee Zellweger and a bee, although if anyone could pull if off, she could. Barry and Adam come across as earnest, articulate young bees who pursue logic into the realm of the bizarre, as sometimes happened on the "Seinfeld" show. Most of the humor is verbal, and tends toward the gently ironic rather than the hilarious. Chris Rock scores best, as a mosquito named Mooseblood, but his biggest laugh comes from a recycled lawyer joke. In the tradition of many recent animated films, several famous people turn up playing themselves, including Sting (how did he earn that name?) and Ray Liotta, who is called as a witness because his brand of Ray Liotta Honey profiteers from the labors of bees. Liotta's character and voice work are actually kind of inspired, leaving me to regret the absence of B.B. King, Burt's Bees, Johnny B. Goode, and the evil Canadian bee slavemaster Norman Jewison, who -- oh, I forgot, he exploits maple trees.

⑶ 英语影评，简单易懂，50到100词，写出电影好的方面，还要写出它不好的方面，初一水平

《Big Fish》
It is a fairy tale talking about family bonds. When the father was young, it was his favorite to tell stories to his little boy. But when the boy grew up, he thought those stories were all fake. As a result, he disliked his father and lived far away from his father. Many years later, the father caught cancer and didn't have much time to live, so the son came back home to look after him. This time the son realized the strong love contained in those fancy stories and the two forgave each other. From this movie, I learned how to deal with generation gap between father and son.

简单易懂

⑷ 美国电影《弱点》的英文影评和梗概

梗概：

The film tells of a homeless African American boy, Michael och, who was an orphan since childhood and met the kind Mrs. Taoxi. With the help of the latter, he finally became the first selected player of the American National Football League.

影片讲述了一个无家可归的非洲裔男孩迈克尔·奥赫从小就是一个孤儿，遇上了好心的陶西太太，而在后者的帮助下，他终于成为了美国国家橄榄球联盟的首批被选球员。

评价：

This is a typical American theme film. Although it has its hypocritical side, it really moves people's hearts. It uses an ordinary person's personalized road of success to interpret the level of social development and national feelings.

这是一部典型的美国主旋律电影，尽管有其伪善的一面，但真正做到了打动人心，是用一个平凡人的个性化成功之路来诠释社会发展水平和国民情怀。

人物

1、莉·安妮·陶西

一位和蔼、友善、极有责任心的白人养母。陶西的儿女与迈克尔在同一个学校就读，她看到迈克尔一人徘徊在街上便把他带回了家。陶西一家都非常喜欢迈克尔，最后他们决定领养他，让他成为家庭的一员。

2、迈克尔·奥赫

一个无家可归的非洲裔男孩迈克尔·奥赫从小就是一个孤儿，一再的从领养家庭中逃走后终于遇上了好心的陶西太太。

⑸ 美国电影《弱点》的英文影评和梗概

观看《弱点》这部电影时，你可能会误以为自己进入了另一个美国，那里共和党仍掌控着政权。Sandra Bullock饰演的Leigh Anne Touhy是一个比生活还要大的人物，她扮演了一个比Sarah Palin还要白的怪胎角色。她几乎和Tina Fey模仿阿拉斯加州长的表演一样滑稽，台词如“我和检察官在祈祷小组，我是NRA的成员，而且我总是随身携带枪支”被她以最严肃的态度说出。

直到你意识到，我们应当为她加油。Leigh Anne是一个擅长室内装饰，对怀旧金色饰品情有独钟，并且拥有一颗与之相匹配的善良之心的女人。当她注意到学校里一个贫困的黑人孩子实际上无家可归时，她将他收养并以她那种不妥协的方式，把他塑造成了一位职业级别的美国橄榄球运动员。这个故事是真实的，真实的Michael Oher目前效力于巴尔的摩乌鸦队，他在高中时被Touhys家庭收养（顺便说一句，Leigh Anne的丈夫在这个故事中几乎不出现，他是一位沉默寡言的男人）。

电影讲述的是Leigh Anne如何在1999年通过收养Michael Oher，将其从一个流浪街头的孩子变成了职业橄榄球运动员的故事。Leigh Anne Touhy是一位有着强烈责任感的母亲，她不仅改变了一个孩子的命运，也展示了爱与坚持的力量。电影通过细腻的镜头和生动的表演，呈现了Leigh Anne Touhy如何以她的智慧和坚韧，引导Michael Oher走出困境，走向成功。

电影中的Leigh Anne Touhy是一个充满智慧和善良的角色，她不仅是一位成功的室内设计师，还是一位有着强烈责任感的母亲。她的生活哲学是，无论面临何种挑战，都要坚持不懈，积极面对。她通过自己的行动和努力，不仅帮助了Michael Oher，也影响了周围的人，让他们相信，只要付出努力，就有可能实现自己的梦想。

《弱点》不仅仅是一部关于个人成长和成功的电影，更是一部关于家庭、爱与坚持的故事。Leigh Anne Touhy的无私奉献和坚定信念，激励着每一个观众，让我们相信，无论遇到多大的困难，只要有爱，就一定能够克服。

⑹ 求一篇外国电影《外星人et》 的英文影评

Nearly twenty years since it was first released on the world, Steven Spielberg's 1982 sci-fi/fantasy masterpiece E.T.: THE EXTRA-TERRESTRIAL remains one of the greatest movies ever made. This is one of those films that makes us feel and think at the same time.

Its story of a very benign alien being accidentally left stranded on Earth and protected by a ten year-old boy (Henry Thomas) from government agents is so well known it doen't really have to be discussed. E.T. is, alternately, magical, fantastic, suspenseful, and sometimes even a bit terrifying. And sprinkled throughout the film are singular moments that really stand out as some of the most unforgettable scenes in cinematic history; by this time, I think we know what those are. For me, perhaps the most priceless scene is the introction between E.T. and Gertie (Drew Barrymore), where she screams her head off, It is one of the very few times where I've wanted to laugh and scream at the same time!

Spielberg's film, though scripted by Melissa Mathison, is almost painfully autobiographical, given what the director has said about his childhood. Like Spielberg, Thomas' character goes through life minus a father, even though his mother (Dee Wallace) does her best. He feels isolated and picked upon in school, as Spielberg frequently did. There is also plenty of religious symbolism that probably doesn't need any analysing and was probably unintentional. In any case, looking past the fact that it won four Oscars--for sound, sound effects editing, special effects, and John Williams' legendary music score--and has grossed over $1 billion, E.T. is a masterpiece of the cinema, pure and simple, and it will always be that way.

⑺ 爱丽丝梦游仙境英语影评(中英对照）

I think the acting and affects are brilliant in the ALICE IN WODERLAND. It is a kids movie and I will recomend this movie for anyone. I like how anybody is legal to see it and it can be considered as a family movie.Alice is a brilliant role model for young tweens and teens. In the film she learns to have confidence in herself and her own decisions, despite family pressures and being unsure in a safe land. She has a strong sense of right and wrong, and holds herself accountable for making things right that she herself feels she had a role in when the situations "went wrong". Brilliant film, a little dark, but when compared to what's on tv and in video games these days, the strong role model messages ride triumphantly into the sunset!!

我认为行动和影响是精采的.这是一个孩子的电影，我会推荐这对任何人的电影。我喜欢任何人 看是合法的.它可作为一个家庭 电影.Alice认为是一个十几岁的年轻充斥着和光辉的榜样。在这部影片中，她学会了在自己和她自己的决定有信心，尽管家庭的压力和被安全地不确定。她有一个正确和错误，并认为自己负责的事情作出强烈的权利，她自己觉得她有一个角色的情况时，“出了问题”。辉煌的胶片，有点黑暗，但是当比什么的在电视和视频游戏中的这些天，强作用骑胜利走向日落model messages！！

⑻ 电影《奔腾年代》的英语影评

经典欧美电影推荐
以下是本人总结的欧美经典电影大全，排名不分先后，经典不分时间。有的列了主演的名字上去，有的或者因为懒、或者因为不太确定、或者因为不知道就没有列出。以下片子基本本人都看过，觉得都还不错，列出以抛砖引玉。

1：罗马假日--奥黛丽.赫本

2：魂断蓝桥

3：音乐之声

4：桂河大桥

5：乱世佳人（飘）--费雯丽 、 盖博

6：教父1、2--马龙.白兰度、阿尔帕西诺

7：卡萨布兰卡

8：沉默的羔羊--朱迪.福斯特

9：与狼共舞

10：未来水世界

11：廊桥遗梦--伊斯特伍德

12：尼尔的芳心----朱迪.福斯特

13：勇敢的心--梅尔吉布森

14：爱国者--梅尔吉布森

15：夺宝奇兵1、2、3--哈里森福特

16：第一滴血1、2、3--史泰龙

17：洛奇1、2、3、4、5、6--史泰龙

18：终结者--施瓦辛格

19：真实的谎言--施瓦辛格

20：费城故事--汤姆.汉克斯

21：阿波罗13号--汤姆.汉克斯

22：阿甘正传--汤姆.汉克斯

23：毕业生--达斯汀.霍夫曼

24：壮志凌云--汤姆.克鲁斯

25：碟中谍1、2、3--汤姆.克鲁斯

26：纽约黑帮--罗纳尔蒂尼奥

27：泰坦尼克--罗纳尔蒂尼奥

28：人鬼情未了--黛咪.摩尔

29：红磨坊

30：闻香识女人

31：黑客帝国1、2--基努.李维斯

32：异形1、2、3、4

33：异种1、2

34：科学怪人

35：人猿星球

36：异石

37：埃及艳后

38：死神来了1、2、3、4

39：杀人如麻1、2、3

40：人皮客栈1、2

41：极度惊惧

42：电锯杀人狂

43：世界大战

44：空军一号--哈里森福特

45：天煞（地球反击战）

46：生死时速1、2

47：变脸--尼古拉斯.凯奇

48：第六元素

49：星球大战

50：星战前传

51：E.T--巴里莫尔

52：指环王

53：哈里波特

54：蜘蛛侠

55：断箭--汤姆克鲁斯

56：简.爱

57：呼啸山庄

58：断背山

59：杀死比尔1、2

60：007系列

61：宾虚

62：蝙蝠侠

63：亚瑟王

64：超人

65：超人归来

66：木乃伊1、2

67：加勒比海盗1、2、3

68：大白鲨

69：侏罗纪公园系列

70：X战警系列

71：小鬼当家系列

72：面具--金.凯瑞

73：肖申克的救赎

74：修女也疯狂1、2

75：古墓丽影

76：生化危机

77：恐怖地带

78：飞越疯人院

79：日内瓦医生

80：蝴蝶梦

81：本能1、2--莎朗.斯通

82：脱衣舞娘--黛咪莫尔

83：恐怖蜡像馆

84：机械战警系列

85：变形金刚

86：金刚

87：哥斯拉

88：狂蟒之灾系列

89：钢琴课

90：国家机密

91：女角斗士系列

92：角斗士

93：匈奴王

94：斯巴达克斯

95：巴黎圣母院

96：悲惨世界

97：狮子王

98：婴儿外出系列

99：加菲猫

100：冰河世纪

101：风语者

102：独立日

103：龙卷风

104：雨人

105：爱情故事

106：勇闯夺命岛

107：傲慢与偏见

108：珍珠港

109：惊情四百年

110：夜访吸血鬼

111：这个杀手不太冷

112：英国病人

113：安娜.卡列林娜

114：泰山

115：森林之王

116：金色池塘

117：辛德勒名单

118：西线无战事

119：霹雳天使1、2

120：佐罗

121：基督山伯爵

122：英俊少年

123：桥

124：查泰莱夫人的情人

125：惊声尖笑

126：铁面人

127：美国派系列

128：艳舞女郎

129：拯救大兵瑞恩

130：兵临城下

131：丛林奇兵

132：神奇四侠

133：达芬奇密码

134：莎士比亚的爱情

135：国家宝藏

136：野战排

137：刀锋战士

138：驱魔人

139：保镖