① 要电影的英文点评。
你好！
《亚瑟王》点评，短点的：
Excellent Movie, 27 December 2004
Author: Gomezy3k from United States
I loved this movie. It is closer to the truth than any other movie about King Arthur. Yes there was some literary license but for the most part I found it more real and believable than any "Knight in Shining Armor fantasy" about King Arthur that has been put out in the last Century... I liked it because it made the knights more like real humans instead of the perfect Chivalry living Holy Warriors of the Fantasy stories. I also liked the way it portrayed the Church as a bunch of conniving lowlife scumbags which they were. There should be no holy cups, lances, 16th century ceremonial armor and Saxons/Vikings in horned helmets. To me the time period at the end of the Roman Conquest of Britain is much more interesting than the later time period when the fantasy Arthur was supposed to have lived. I would recommend this movie to anyone.
长点的：
这是《芝加哥时报》著名影评人Roger Ebert对《亚瑟王》的评论：
For centuries, countless tales have been told of the legend of King Arthur. But the only story you've never heard ... is the true story that inspired the legend. -- Trailer for "King Arthur"
Uh, huh. And in the true story, Arthur traveled to Rome, became a Christian and a soldier, and was assigned to lead a group of yurt-dwelling warriors from Sarmatia on a 15-year tour of ty in England, where Guinevere is a fierce woman warrior of the Woads. His knights team up with the Woads to battle the Saxons. In this version, Guinevere and Lancelot are not lovers, although they exchange significant glances; Arthur is Guinevere's lover. So much for all those legends we learned from Thomas Malory's immortal Le Morte d'Arthur (1470) and the less immortal "Knights of the Round Table" (1953).
This new "King Arthur" tells a story with uncanny parallels to current events in Iraq. The imperialists from Rome enter England intent on overthrowing the tyrannical Saxons, and find allies in the brave Woads. "You -- all of you -- were free from your first breath!" Arthur informs his charges and future subjects, anticipating by a millennium or so the notion that all men are born free, and overlooking the detail that his knights have been pressed into involuntary servitude. Later he comes across a Roman torture chamber, although with Geneva and its Convention safely in the future, he doesn’t believe that Romans do not do such things.
The movie is darker and the weather chillier than in the usual Arthurian movie. There is a round table, but the knights scarcely find time to sit down at it. Guinevere is not a damsel in potential distress, but seems to have been cloned from Brigitte Nielsen in "Red Sonja." And everybody speaks idiomatic English -- even the knights, who as natives of Sarmatia might be expected to converse in an early version of Uzbek, and the Woads, whose accents get a free pass because not even the Oxford English Dictionary has heard of a Woad. To the line "Last night was a mistake" in "Troy," we can now add, in our anthology of unlikely statements in history, Lancelot's line to Guinevere as seven warriors prepare to do battle on a frozen lake with hundreds if not thousands of Saxons: "There are a lot of lonely men over there." (Her reply: "Don't worry. I won't let them rape you," also seems somewhat non-historical.)
Despite these objections, "King Arthur" is not a bad movie, although it could have been better. It isn't flat-out silly like "Troy," its actors look at home as their characters, and director Antoine Fuqua curtails the use of computer effects in the battle scenes, which involve mostly real people. There is a sense of place here, and although the costumes bespeak a thriving trade in tailoring somewhere beyond the mead, the film's locations look rough, ready and green (it was filmed in Ireland).
Clive Owen, who has been on the edge of stardom for a decade, makes an Arthur who seems more like a drill instructor, less like a fairy-tale prince, than most of the Arthurs we've seen. Lean, dark and angular, he takes the character to the edge of anti-hero status. Keira Knightley, who was the best friend in "Bend It Like Beckham," here looks simultaneously sexy and muddy, which is a necessity in this movie, and fits right into the current appetite for women action heroes who are essentially honorary men, all except for the squishy parts. The cast is filled with dependable actors with great faces, such as Ray Winstone as a tough-as-nails knight who inexplicably but perhaps appropriately anticipates the Cockney accent, and Stephen Dillane as Merlin, leader of the Woads and more of a psychic and sorcerer than a magician who does David Copperfield material.
The plot involves Rome's desire to defend its English colony against the invading Saxons, and its decision to back the local Woads in their long struggle against the barbarians. But Rome, declining and falling right on schele, is losing its territorial ambitions and beginning to withdraw from the far corners of its empire. That leaves Arthur risking his neck without much support from the folks at home, and perhaps he will cast his lot with England. In the traditional legends he became king at 15, and went on to conquer Scotland, Ireland, Iceland -- and Orkney, which was flattered to find itself in such company.
The movie ends with a pitched battle that's heavy on swords and maces and stabbings and skewerings, and in which countless enemies fall while nobody that we know ever dies except for those whose deaths are prefigured by prescient dialogue or the requirements of fate. I have at this point seen about enough swashbuckling, I think, although procer Jerry Bruckheimer hasn't, since this project follows right on the heels of his "Pirates of the Caribbean." I would have liked to see deeper characterizations and more complex dialogue, as in movies like "Braveheart" or "Rob Roy," but today's multiplex audience, once it has digested a word like Sarmatia, feels its day's work is done.
That the movie works is because of the considerable proction qualities and the charisma of the actors, who bring more interest to the characters than they deserve. There is a kind of direct, unadorned conviction to the acting of Clive Owen and the others; raised on Shakespeare, trained for swordfights, with an idea of Arthurian legend in their heads since childhood, they don't seem out of time and place like the cast of "Troy." They get on with it.
② 如何用英语评论电影
可以试下登陆
www.imdb.com
网站，该网站是非常权威的电影资料库，搜索你要的电影，
就会有相关电影评论，全英文的，所以要有一定英语水平才比较容易阅读
③ 英文影评怎么写有人帮忙吗
在国外大学中，要想写好电影影评，首先要了解电影影评作业分裂有哪些，一般被分为下面四种：
电影报告（Screening Report）
为discussion或者exam而准备的一篇小essay，主要是在一般描述性的文章里集中分析与题目相关的几个论点。它的写作目的主要是在视觉和听觉两个方面尽可能的客观和详尽一些。
电影评论（Movie Review）
movie review是我们大部分留学生都比较熟悉、常见于报刊杂志的一种电影分析论文作业形式。它的主要写作目的是介绍或推荐大家要不要去看某部电影，在前面的文章我们也给大家具体分析过如何去写movie review。
理论文章（Theoretical Essay）
这类论文作业并不常见，如果你的老师足够奇葩的话可能你会遇到。它的写作目标受众常常是对具体的类型电影、电影历史和其他与电影有关的知识有足够了解的相关专业领域的人士，其写作目的是解释电影中更大和更复杂的结构，以及我们该怎么去理解它。看完是不是觉得有点难写？没事赶紧交给我们meeloun为您搞定吧！
评论文章（Critical Essay）
介于理论文章和影评之间，此类文章作者预设他的读者可能并没有认真思考过这部电影，但已经看过或者至少很熟悉将要讨论的电影。作者尽可能地揭示一些观众有可能在观看时忽略的细节或复杂点。
当你在评论电影时，你的个人意见和品位必定成为你的论述的一部分，评写电影的大部分文章都包含个人意见和评价。但是，没有一个读者会对一个以自己的个人意见来避免或者掩饰其批判立场的作者感到满意，作者必须找到个人经验和客观观察之间的平衡点。
想：理解观影经历
留学生们在写影评的过程中常见的一个问题就是怎样理解观影经历的多个层面。简单地说，就是你应该选择什么角度来分析和评写，在开始一部影评之前，你要思考更多并尽可能多地为写做准备。
看：与电影的交谈
开始时，需要注意电影中的哪些元素使你产生了陌生或困惑的感觉，注意哪些元素一直在重复强调某一个观点。每部电影都有其重复的模式，这些重复与电影中某些激动人心的非凡时刻形成了强烈对比。找出这些模式并且解释它们是分析电影意义的第一步。
写：记笔记
如果你想要写出一篇让自己也让老师满意的影评，首先要做的看电影，可能看一遍是不行的，同时还要做好笔记。
电影与传统艺术联系
这里，我们讨论三个电影研究与其他文学及视觉艺术相关的术语：叙事、角色和视点。
叙事（Narrative）：叙事电影可以被分为以下三个部分
故事（story）是所有呈现给我们的事件或我们可以推断出的事件。
情节（plot）是以某种形式或结构对一些列事件的安排或建构。
叙事（narration）是指根据某个特定情感的、身体的，或智力的观点来组织情节的视角。
角色（Character）：角色集中了人物的行为和电影的主题。记住，在分析影片角色的时候，如果你混淆了真实人物、演员和角色三者之间的区别，或者你认为他们仅仅是真实人物的反映，那么这样的分析一定会非常枯燥而且浅薄。但是如果你一直关注角色类型和建构的不同，你将会看到不用电影间的角色功能及其意味等细微复杂之处。
视点（Point of View）：广义地说，它指看的位置，及暗示视点决定你所见之事的方式。狭义地说，视点是有形的，更深入一层，视点可以是心理的和文化的。通常，电影使用客观的视点，它所呈现的事件并不局限于任何人的视角。视点是评写电影的一个核心词汇，基本上电影都是以某种特定的方式来看待世界的。
评写电影的六种方法
分析一部影片时，了解你所要使用的分析方法将会帮助你察觉该方法的局限性、观众的需要和文章的意义。
1.历史方法
是使用最广泛的方法之一。使用此种方法组织和研究电影时，会依据它们在电影史中的地位而从历史发展的角度出发。在使用历史方法来阐释一部电影时，要避免事先假定在任何一部电影里，甚至是纪录片里，关于一个社会或某个历史时期的画面是未经媒介处理的。历史是一件精致的工具，使用的时候要多加鉴别。
2.民族电影
从文化和民族性格的角度来讨论电影。这种方法背后的假设是，电影文化通过相当数量的个体性来演化和获得理解。根据这种方法，电影中看待世界和描绘世界的方式依国家和文化的不同而不同。
3.类型
类型（Genre）源于法语词，是“种类”的意思，根据其形式和内容的模式对电影进行分类。如：西部片、歌舞片、公路电影、科幻电影等。
4.作者论
“作者批评”是接受程度最广而且最容易在无意间被运用的电影批评的一种方法，它是通过将电影和导演或片中主人公联系起来，以此来定义和检视一部电影。
5.形式主义
形式主义是电影批评中的一个词汇，主要是关于一部电影的风格和结构、或是如叙事或场面调度等技巧是如何在电影中以某种方式组织起来的。探讨形式主义的文章其焦点是关于模式或镜头和片段相互之间的关系。但目前已经很少有纯粹的形式主义讨论文章了。
6.意识形态
在一篇诉诸意识形态的评论文章中，任何文化产物或创作，都会直接或间接地传达出：这是一个怎样世界，我们应该如何看待它……
意识形态批评家认为，电影从来不是一些无意义的人间影像，而且，电影中那些看起来自然的社会和个人价值观都应当加以分析。
写作风格与结构
对电影的宏观构想和执行那个计划的细节之间存在着不可避免的差别。评写电影也是相似的，我们最后表达出来的观点或许已经改变初衷，或许最终表现平平。当作者遵循一定的规则或参考关键词汇来反思一部电影时，一篇文章的实际写作过程可能会变得相对容易。
词
使用具体的语言，因为文章是通过语言来重塑电影或者观感的，因此，用词的敏锐和准确极为重要。“具体化”是一些有些电影评论的核心，最主要是因为读者相当依赖于对某一场景或片段的具象化。同样，作者准确地描述他的观影得以证明一个观点，常常是最具说服力的一种方式。
句
使用有力的句子，追求两个主要的风格目标：简洁、有趣。删除那些言之无物或没有风格的词语及句子。
段
段落要有条理，段落最重要的是有突出的主题句，且段与段之间的过渡要有转承。要特别注重抓住读者兴趣的首段和画龙点睛的结尾段落。
④ 关于评论电影的英语作文
第1篇 英文：
Although Lei Feng left in a hurry, but leave us precious wealth. -- "
Lei Feng, the shock of universal name! When it comes to Lei Feng, my heart is always filled with respect and gratitude, especially after watching the movie "Lei Feng", this move is particularly strong.
No smoke of the battlefield on the screen, but each picture was so touching story; no extraordinary, plot twists and turns, but every detail was so exciting......
The movie "Lei Feng" tells the story of Uncle Lei Feng put one's heart and soul into serving the people's story. Was this a seemingly ordinary things, make Lei Feng in the hearts of the people to establish a very tall figure.
"No matter what position, I will do everything in my power, tried in every way to serve the people." This, Lei Feng -- a good son of the people! Outstanding member of the Communist party!
Each plot in the film is deeply moved me, however, the most let me unforgettable is Lei Feng for the victims.
Once, Lei Feng and his comrades driving transporting flood control materials to the disaster areas, to unload supplies, Lei Feng do not eat rice will return. Before he left, he took the opportunity to sneak an envelope was ready on the table, the envelope marked "with one hundred yuan donated to the disaster areas the people's Liberation Army soldiers". Beam director of the flood control headquarters after know, hurried to catch up, want to put the money back to Lei Feng, Lei Feng would take? Then, the beam director to see Lei Feng fall down an old pair of socks have mixed feelings, said: "you, you're wearing the socks, has donated one hundred dollars!?" He turned, the presence of people said: "comrades, this is not the one hundred dollars and a pair of thousands of joint million patch socks, this is a tremendous spiritual wealth!"
As you can imagine, this "one hundred yuan" was how huge amount! This can not but let us ponder: with only six yuan monthly allowance, save one hundred yuan of money is how not easy! However, who knows, Lei Feng's life is very simple: thirsty, refused to drink a bottle of that only five cents of soda; heat, even a sweat towel also did not carry...... But put those old socks, fill fill...... However, the people in the disaster areas have a difficult time, but he had no scruples, loosen one's purse strings generously, this is such a huge contrast!
At this time, the screen where everyone was excited; now, I had tears off screen. Who is not for Lei Feng's noble deeds and moved?
What is this spirit? This is work hard and perseveringly, thrift revolutionary spirit. Lei Feng's good qualities of this selfless dedication, sacrifice oneself to protect others is proud of the Chinese nation, is the pride of the Chinese people!
"A man's life is limited, but service to the people is limitless. I will dedicate my limited life to infinite serve for the people."
The film ended, Lei Feng's voice still echoes in my ears, my heart is not quiet for a long time -- although Lei Feng left us too early, however, he has left us with a very great wealth. This wealth, for you, I, he, the benefit of the whole society. I believe, this precious wealth will forever be handed down from age to age!
翻译中文：
雷锋虽然匆匆地离开了，然而却给我们留下了宝贵的财富。——题记
雷锋，这个震撼环宇的名字！每当提起雷锋，我的内心总会充盈着崇敬与感激，特别是在观看了电影《雷锋》之后，这种感动尤为强烈。
银幕上没有硝烟弥漫的战场，可是每个画面竟那么感人至深；故事里没有离奇、曲折的情节，可是每个细节竟那么扣人心弦……
电影《雷锋》讲述的是雷锋叔叔全心全意为人民服务的故事。竟是这一件件看似平凡的小事，使雷锋在人们的心中树立起无比高大的形象。
“不管在什么岗位上，我都要尽一切力量、想一切办法去为人民服务。”这，就是雷锋——人民的好儿子！优秀的共产党员！
影片中的每个情节都深深地感动了我，然而，最让我难以忘怀的是雷锋为灾区捐款的事。
一次，雷锋和他的战友驾车给灾区运送防洪物资，卸下物资后，雷锋饭也不吃就要返回。临行前，他趁机偷偷地把早就准备好的一个信封放在桌子上，信封上面写着“内有一百元捐给灾区人民解放军一战士”。防汛指挥部的梁主任知道后，急忙追出来，想把钱还给雷锋，雷锋怎肯收下呢？这时，梁主任见到雷锋落下的一双旧袜子，百感交集地说：“你，你就穿着这样的袜子，却捐出来一百块钱！？”他转过身，对在场的人说：“同志们，这不是一百块钱和一双千缝万补的袜子，这是一笔巨大的精神财富！”
可以想象，这“一百元”在当时是多么庞大的数额！这不能不让我们深思：凭着每月仅仅六元钱的津贴费，积攒下一百元钱是多么不容易啊！然而，又有谁知道，雷锋的生活是多么俭朴：渴了，不肯喝一瓶当时仅仅一毛五分钱的汽水；热了，就连一条擦汗的毛巾也不曾携带……却把那双年久的袜子，补了又补……然而，在灾区人民有难的时候，他却毫不顾忌，慷慨解囊，这是多么巨大的反差啊！
此时，银幕里在场的人都激动万分；此刻，银幕外的我早已热泪盈眶。谁不为雷锋的高尚行为而感动呢？
这是什么精神？这是艰苦奋斗、勤俭节约的革命精神。雷锋的这种无私奉献、舍己为人的优秀品质是中华民族的自豪，是中国人民的骄傲！
“人的生命是有限的，可是为人民服务是无限的。我要把有限的生命投入到无限的为人民服务之中去。”
影片放映结束了，雷锋的声音却一直在我的耳畔回响，我的心更是久久不能平静——雷锋虽然过早地离开了我们，但是，他却给我们留下了无比巨大的财富。这财富，惠及着你、我、他，惠及着全社会。我相信，这宝贵的财富将世世代代相传下去！
⑤ 急求电影的英文评论！！！
"Pirates" sequel thrid biggest film of all time
"Pirates" sequel thrid biggest film of all time
(Reuters)
Updated: 2006-09-11 09:03
The swashbuckler epic "Pirates of the Caribbean: Dead Man's Chest" has become the third film to pass $1 billion at the worldwide box office, distributor Walt Disney Co. said on Saturday.
The film starring Johnny Depp had sold $1.003 billion worth of tickets as of Friday, the company said in a statement. But it was unlikely to climb any higher up the rankings.
"Titanic," released in 1997, holds the record with $1.8 billion, followed by 2003's "Lord of the Rings: The Return of the King" with $1.1 billion.
"Pirates," which has ruled the foreign box office for the last nine weekends, enters its final major market, Italy, on Wednesday. The first film, 2003's "Pirates of the Caribbean: The Curse of the Black Pearl," earned $21 million there, and $656 million worldwide.
All told, the sequel has earned $415.1 million in North America, and $587.5 million internationally, the No. 1 film of the year by both measures.
A third film, "Pirates of the Caribbean: At World's End," is shooting in Los Angeles with plans for release next May.
Key cast members including Depp, Keira Knightley and Orlando Bloom are returning. Additionally, Rolling Stones guitarist Keith Richards has just flown in to shoot a cameo role, a source close to the set said.
Richards, on whom Depp modeled his flamboyant character, Captain Jack Sparrow, has long been asked by procers to play Sparrow's father. The source declined to say what role Richards was playing.
⑥ 电影英语影评怎么写
先中文然后谷歌 成英文
⑦ 求几篇关于电影的英文评论
the story happened in japan.an elder brother and his sisterJI ZI lost their mom.unwillingy,they lived into uncle's hous waiting for his father coming back,a man who was battling on the pacific ocean in the world war2.unfortunately,his relatives were loathed to lead for the couple of brother&sister.on the account,they moved into a cavern that abode by a lake.with the end of the story,the pretty girl was died of disease.the brother,died off in a conner at a train station later by then.to everyone's expection,their dad sacrificed on battlefield finally.it is a tragedy.a lot of homeless children lost their childhood in war period.people gave the film a definition:a wall of a sign was built by war.it is important to say another man,久石让.he dislike war ,and 宫崎骏，either.it is a cartoon movie;we called it "the grave of firefly".
匆忙之作,电影,宫崎峻的,萤火虫之墓.二战的故事,反映的思想是,坚持反战原则.
⑧ 英文电影英语影评怎么写
建议的写作内容：
1.先写一下在什么情况下看了这部电影，对这部电影的整体评价。
2.简单介绍影片内容，以及影片的背景信息。例如：编剧、导演、主演的其他作品等。
3.选择一个方面对影片作出具体的评价。例如：故事情节、角色性格、配音、特效、音乐等。
4.做出结论，是否向他人推荐，适合什么样的人观看。
⑨ 如何写英文影评
一篇规则的英文影评应包含以下内容：
1、电影名称，拍摄地点，导演及演员名字。
2、电影内容简介（一般不透露结局）
3、你对该电影的评价+电影优点（你认为最吸引你的，比如剧情跌宕起伏，演员演技好）
4、你的观点+你认为该电影的缺陷（比如结尾过于仓促、特技不够逼真）
5、你对该电影的评分，如2星，5星（通常为1-5,1为最低）
可以搜索一些英文影评作为范文参考。