1. 一个英语作品的读后感和英文电影的影评，要英语的，初二别太难，80词左右，急！
读后感:
The Ugly Duckling withi ts poetic beauty and comedy humor toshow the unique artistic style.The Ugly Duckling is Anderson'snovels,fantasy elements ralative weakening,angmented reality component.The pusuit of better life,but also reveals the lack of confidence in the depression.The Ugly Duckling is famous around the world.Up to now many people still think The Ugly Duckling is perfect and unbelievable.
《丑小鸭》以其诗意的美和喜剧性的幽默展现了独特的艺术风格。《丑小鸭》是安徒生的中期作品，幻想成分减弱，现实成分相对增强。表现了对美好生活的执着追求，也流露了缺乏信心的忧郁情绪。《丑小鸭》在全世界都非常著名。直到现在许多人觉得《丑小鸭》完美和不可思议。
影评:
"This is a full of feeling,grand,beautiful movie.A real dream,a beautiful new world!"——global screen
Let's come into the Avatar."You're never seen CGI in a movie like this!""Just look like real!"The andience so evaluation.
IF the use of literature to compare,the Avatar is in fact the folk literature,is a fairy tale,but not too much——contemporary fiction movie audiences accustomed to fictional narrative.
"这是一部充满情怀、宏大、优美的电影，一个真实的梦境，一个美丽新世界！"——《环球银幕》
让我们走进《阿凡达》。"你从来没见过这样的CGI效果！""就像真的一样！"观众如此评价。
如果用文学来比较，《阿凡达》其实是民间文学，是童话，而不是小说——当代太多电影观众习惯于小说式的现代叙事了。
采纳哦！因为我只是初一，所以写了一个小时，看在我这么辛苦的份上，采纳吧！
2. 人教版英语八年级上第五单元写一个电影评价
p77 Down 1.far 2.am 3.April 4.homework 5.movie 9.cups 11.office 13.bread
14.violin 16.next 17,CD 18.shark
3. 写一篇关于电影评价的英语作文八年级上。急！急！急！
A review of "The Smurfs"
It is sunny today. I am excited, It’s not because of the nice weather but “The Smurfs”, a 3D movie published by Sony Pictures Releasing (Argentina). The content of the movie is very amusing and funny for children. The scene and color are grandiose and magnificent. I think it's a successful motivation. Time goes fast! On the way home, the audiences are falling in love with those lovely smurfs. What a nice movie !
《鲁宾逊漂流记》读后感(A Review of Robinson Crusoe)
This is a novel by the English author Daniel Defoe, published in 1719. It is one of the most popular adventure novels in all literature. It is the story of Bobinson Crusoe, an Englishman who is shipwrecked in a lonely tropical island. He builds himself a hut, grows his own food, and becomes self-sufficient. After 23 years he meets with a group of cannibals and rescues one of their prisoners, a young native whome he calls Friday.Crusoe and his“man”Friday become close friends, and when they are finally rescued four years later, both return to England.
Robinson Crusoe was partly based on the actual deeds of Alexander Selkirk, an 18th-century Scottish sailor who spent almost five years alone on a desert island. This novel is famous for its lovely details and its expression of belief in man's ability when left alone in nature
4. 一篇初二上册影评英语作文
My favourite movie is transformer. This film was made in America. It used a lot of high-techs and computer special effects. I like it very much. This film has huge scenes and famous movie stars. Besides, it has good story, and it told me to respect anybody protects us. This film asked us to be brave to fight the enemies and have the courage to live in the danger. It also have a lot of robot troys I like. This is my favourite movie.
5. 关于谈论最喜欢的电影或电视节目的初二上册英语作文
1.香蕉， 多年生草本，具直立茎。植株丛生，一般高不及2m，高型的达4-5m。假茎均浓绿而带黑斑，被白粉，尤以上部为多。叶柄短粗，通常长在30cm以下，叶翼明显，张开，边缘褐红色或鲜红色。叶片长圆形，长（1.5-）2-2.2m，宽60-70cm，先端钝圆，...
6. 翻译影片评价（英文翻译）
Battle of the gods
The story is told is the God of heaven infighting, earth people fight a bloody battle story, if you like muscular men, then this film will never miss.A group of powerful metrosexual man up the whole movie, hope superior was criticized 3D effect will be improved
Bitefight
As a fusion of vampires and werewolves two big theme series, dark legend as we depicts a mysterious and violent underground world, failed to play in the third division of Kate Jin Sai's official return, black tights design cool.
Resident Evil
Biochemical crisis has developed to the fifth already and the original game is not much, but in order to bring the audience a fresh element, the director invited a film star Li Bingbing in the role of Ada, the face of the zombie horde, the elegant oriental beauty and Mira Joe with counter
The Avengers
The Avengers brought together many previously in the film singles heroes [Captain America, Thor, iron man, the Hulk] finally in a movie together, at the same time brought together the major movie star, this luxury large will undoubtedly become the biggest blockbuster summer box office
7. 一篇初二上册影评英语作文随便什么电影，内容简单易懂
提供冰雪奇缘的英文作文，内容简单，见附件。
8. 谁能帮我写一篇英文的对电影的评价
这是《芝加哥时报》著名影评人Roger Ebert的评论：
For centuries, countless tales have been told of the legend of King Arthur. But the only story you've never heard ... is the true story that inspired the legend. -- Trailer for "King Arthur"
Uh, huh. And in the true story, Arthur traveled to Rome, became a Christian and a soldier, and was assigned to lead a group of yurt-dwelling warriors from Sarmatia on a 15-year tour of ty in England, where Guinevere is a fierce woman warrior of the Woads. His knights team up with the Woads to battle the Saxons. In this version, Guinevere and Lancelot are not lovers, although they exchange significant glances; Arthur is Guinevere's lover. So much for all those legends we learned from Thomas Malory's immortal Le Morte d'Arthur (1470) and the less immortal "Knights of the Round Table" (1953).
This new "King Arthur" tells a story with uncanny parallels to current events in Iraq. The imperialists from Rome enter England intent on overthrowing the tyrannical Saxons, and find allies in the brave Woads. "You -- all of you -- were free from your first breath!" Arthur informs his charges and future subjects, anticipating by a millennium or so the notion that all men are born free, and overlooking the detail that his knights have been pressed into involuntary servitude. Later he comes across a Roman torture chamber, although with Geneva and its Convention safely in the future, he doesn’t believe that Romans do not do such things.
The movie is darker and the weather chillier than in the usual Arthurian movie. There is a round table, but the knights scarcely find time to sit down at it. Guinevere is not a damsel in potential distress, but seems to have been cloned from Brigitte Nielsen in "Red Sonja." And everybody speaks idiomatic English -- even the knights, who as natives of Sarmatia might be expected to converse in an early version of Uzbek, and the Woads, whose accents get a free pass because not even the Oxford English Dictionary has heard of a Woad. To the line "Last night was a mistake" in "Troy," we can now add, in our anthology of unlikely statements in history, Lancelot's line to Guinevere as seven warriors prepare to do battle on a frozen lake with hundreds if not thousands of Saxons: "There are a lot of lonely men over there." (Her reply: "Don't worry. I won't let them rape you," also seems somewhat non-historical.)
Despite these objections, "King Arthur" is not a bad movie, although it could have been better. It isn't flat-out silly like "Troy," its actors look at home as their characters, and director Antoine Fuqua curtails the use of computer effects in the battle scenes, which involve mostly real people. There is a sense of place here, and although the costumes bespeak a thriving trade in tailoring somewhere beyond the mead, the film's locations look rough, ready and green (it was filmed in Ireland).
Clive Owen, who has been on the edge of stardom for a decade, makes an Arthur who seems more like a drill instructor, less like a fairy-tale prince, than most of the Arthurs we've seen. Lean, dark and angular, he takes the character to the edge of anti-hero status. Keira Knightley, who was the best friend in "Bend It Like Beckham," here looks simultaneously sexy and muddy, which is a necessity in this movie, and fits right into the current appetite for women action heroes who are essentially honorary men, all except for the squishy parts. The cast is filled with dependable actors with great faces, such as Ray Winstone as a tough-as-nails knight who inexplicably but perhaps appropriately anticipates the Cockney accent, and Stephen Dillane as Merlin, leader of the Woads and more of a psychic and sorcerer than a magician who does David Copperfield material.
The plot involves Rome's desire to defend its English colony against the invading Saxons, and its decision to back the local Woads in their long struggle against the barbarians. But Rome, declining and falling right on schele, is losing its territorial ambitions and beginning to withdraw from the far corners of its empire. That leaves Arthur risking his neck without much support from the folks at home, and perhaps he will cast his lot with England. In the traditional legends he became king at 15, and went on to conquer Scotland, Ireland, Iceland -- and Orkney, which was flattered to find itself in such company.
The movie ends with a pitched battle that's heavy on swords and maces and stabbings and skewerings, and in which countless enemies fall while nobody that we know ever dies except for those whose deaths are prefigured by prescient dialogue or the requirements of fate. I have at this point seen about enough swashbuckling, I think, although procer Jerry Bruckheimer hasn't, since this project follows right on the heels of his "Pirates of the Caribbean." I would have liked to see deeper characterizations and more complex dialogue, as in movies like "Braveheart" or "Rob Roy," but today's multiplex audience, once it has digested a word like Sarmatia, feels its day's work is done.
That the movie works is because of the considerable proction qualities and the charisma of the actors, who bring more interest to the characters than they deserve. There is a kind of direct, unadorned conviction to the acting of Clive Owen and the others; raised on Shakespeare, trained for swordfights, with an idea of Arthurian legend in their heads since childhood, they don't seem out of time and place like the cast of "Troy." They get on with it.
9. 人教版八年级英语上册中“看电影的英语
刚刚查了下字典
the movies=cinema
10. 要电影的英文点评。
你好！
《亚瑟王》点评，短点的：
Excellent Movie, 27 December 2004
Author: Gomezy3k from United States
I loved this movie. It is closer to the truth than any other movie about King Arthur. Yes there was some literary license but for the most part I found it more real and believable than any "Knight in Shining Armor fantasy" about King Arthur that has been put out in the last Century... I liked it because it made the knights more like real humans instead of the perfect Chivalry living Holy Warriors of the Fantasy stories. I also liked the way it portrayed the Church as a bunch of conniving lowlife scumbags which they were. There should be no holy cups, lances, 16th century ceremonial armor and Saxons/Vikings in horned helmets. To me the time period at the end of the Roman Conquest of Britain is much more interesting than the later time period when the fantasy Arthur was supposed to have lived. I would recommend this movie to anyone.
长点的：
这是《芝加哥时报》著名影评人Roger Ebert对《亚瑟王》的评论：
For centuries, countless tales have been told of the legend of King Arthur. But the only story you've never heard ... is the true story that inspired the legend. -- Trailer for "King Arthur"
Uh, huh. And in the true story, Arthur traveled to Rome, became a Christian and a soldier, and was assigned to lead a group of yurt-dwelling warriors from Sarmatia on a 15-year tour of ty in England, where Guinevere is a fierce woman warrior of the Woads. His knights team up with the Woads to battle the Saxons. In this version, Guinevere and Lancelot are not lovers, although they exchange significant glances; Arthur is Guinevere's lover. So much for all those legends we learned from Thomas Malory's immortal Le Morte d'Arthur (1470) and the less immortal "Knights of the Round Table" (1953).
This new "King Arthur" tells a story with uncanny parallels to current events in Iraq. The imperialists from Rome enter England intent on overthrowing the tyrannical Saxons, and find allies in the brave Woads. "You -- all of you -- were free from your first breath!" Arthur informs his charges and future subjects, anticipating by a millennium or so the notion that all men are born free, and overlooking the detail that his knights have been pressed into involuntary servitude. Later he comes across a Roman torture chamber, although with Geneva and its Convention safely in the future, he doesn’t believe that Romans do not do such things.
The movie is darker and the weather chillier than in the usual Arthurian movie. There is a round table, but the knights scarcely find time to sit down at it. Guinevere is not a damsel in potential distress, but seems to have been cloned from Brigitte Nielsen in "Red Sonja." And everybody speaks idiomatic English -- even the knights, who as natives of Sarmatia might be expected to converse in an early version of Uzbek, and the Woads, whose accents get a free pass because not even the Oxford English Dictionary has heard of a Woad. To the line "Last night was a mistake" in "Troy," we can now add, in our anthology of unlikely statements in history, Lancelot's line to Guinevere as seven warriors prepare to do battle on a frozen lake with hundreds if not thousands of Saxons: "There are a lot of lonely men over there." (Her reply: "Don't worry. I won't let them rape you," also seems somewhat non-historical.)
Despite these objections, "King Arthur" is not a bad movie, although it could have been better. It isn't flat-out silly like "Troy," its actors look at home as their characters, and director Antoine Fuqua curtails the use of computer effects in the battle scenes, which involve mostly real people. There is a sense of place here, and although the costumes bespeak a thriving trade in tailoring somewhere beyond the mead, the film's locations look rough, ready and green (it was filmed in Ireland).
Clive Owen, who has been on the edge of stardom for a decade, makes an Arthur who seems more like a drill instructor, less like a fairy-tale prince, than most of the Arthurs we've seen. Lean, dark and angular, he takes the character to the edge of anti-hero status. Keira Knightley, who was the best friend in "Bend It Like Beckham," here looks simultaneously sexy and muddy, which is a necessity in this movie, and fits right into the current appetite for women action heroes who are essentially honorary men, all except for the squishy parts. The cast is filled with dependable actors with great faces, such as Ray Winstone as a tough-as-nails knight who inexplicably but perhaps appropriately anticipates the Cockney accent, and Stephen Dillane as Merlin, leader of the Woads and more of a psychic and sorcerer than a magician who does David Copperfield material.
The plot involves Rome's desire to defend its English colony against the invading Saxons, and its decision to back the local Woads in their long struggle against the barbarians. But Rome, declining and falling right on schele, is losing its territorial ambitions and beginning to withdraw from the far corners of its empire. That leaves Arthur risking his neck without much support from the folks at home, and perhaps he will cast his lot with England. In the traditional legends he became king at 15, and went on to conquer Scotland, Ireland, Iceland -- and Orkney, which was flattered to find itself in such company.
The movie ends with a pitched battle that's heavy on swords and maces and stabbings and skewerings, and in which countless enemies fall while nobody that we know ever dies except for those whose deaths are prefigured by prescient dialogue or the requirements of fate. I have at this point seen about enough swashbuckling, I think, although procer Jerry Bruckheimer hasn't, since this project follows right on the heels of his "Pirates of the Caribbean." I would have liked to see deeper characterizations and more complex dialogue, as in movies like "Braveheart" or "Rob Roy," but today's multiplex audience, once it has digested a word like Sarmatia, feels its day's work is done.
That the movie works is because of the considerable proction qualities and the charisma of the actors, who bring more interest to the characters than they deserve. There is a kind of direct, unadorned conviction to the acting of Clive Owen and the others; raised on Shakespeare, trained for swordfights, with an idea of Arthurian legend in their heads since childhood, they don't seem out of time and place like the cast of "Troy." They get on with it.