英文电影演戏赏析

㈠ 那里有英文电影赏析

给你来一篇《怪物史莱克》的影评吧。

Green Power

"Shrek" is fun. People who haven't seen this movie, and are wary of seeing what's popular, should give it a try. It's worth watching, and will probably win you over.

Taking a Fractured Fairy Tale approach to a "Beauty And The Beast"-type plot, throwing in a few mild profanities, flatulence jokes, and Michael Myers' over-the-top faux-Scots accent, "Shrek" shows off a very snarky humor, full of jokes that will likely go over the heads of a cartoon's target audience while registering with their parents. 'Sure it's big enough, but look at the location,' Shrek observes upon seeing a giant castle in the middle of nowhere. The kids, though, will love 'Shrek' every bit as much. It's impossible not to be carried along by its merry madness.

Myers, as the title character, is certainly easier to take than he was in his last Austin Powers movie, his voice work registering real tenderness as well as the expected laughs as a misunderstood ogre who would rather tell a group of frightened villagers about the cruelties he will inflict on them and their dead bodies than cause those villagers any genuine harm. He's a bit of a softie, actually, and scared to let anyone know it.

Cameron Diaz is as beautiful to listen to hear as she is to look at in her other films. Her character, Princess Fiona, doesn't have as much room to shine as Shrek (the balance turns out better in the sequel) but she does well with what she's given.

The comic highpoints in terms of voice characterization is Eddie Murphy as Shrek's donkey companion and John Lithgow as nasty Lord Farquaad, who wants to rid his domain of Duloc of all fairy tale creatures. Murphy never stops being funny even as he helps set up key plot moments; in fact he's never been this funny since the first "Beverly Hills Cop" movie. "We can stay up late, swapping manly stories, and in the morning, I'm making waffles," the donkey tells a much put-upon Shrek, and you still laugh the fifth time you hear it. Lithgow just makes you smile whenever he opens his mouth, like when he grills a hapless gingerbread man in such a convoluted way it turns into a nursery-rhyme recitation.

Why exactly Farquaad is grilling this gingerbread man so closely isn't clear, and there are similar plot holes throughout the movie. Shrek may be too tame a character; we never really feel any worry around him. The donkey falls into a relationship with a dragon that screams "plot convenience," and there are strange little bits of cruelty, like turning a frog and snake into balloons, which just is thrown out there and let be.

But the central story, about how Shrek and Fiona struggle to overcome the odds and find true love, is really sweet and well-rendered. The animation is spectacular, a revolution for the eyes in its deep-dish panoramas and remarkable attention to textures. And the jokes keep flying, the major ones as well as hilarious bits of filigree you won't notice the first or second time but reward you for paying attention.

This is not a Disney movie, something "Shrek" makes very clear not only with its PG-13 humor but its knocks at Disney characters like Snow White and at the Magic Kingdom in the form of Duloc, where an array of "It's A Small World"-type dolls lecture Shrek and Donkey on all the things NOT to do. Frankly, "Shrek" could use a little injection of Disney heart, but Disney could use some of this picture's freshness as well. A very charming movie worth your time.

㈡ 急！！！！！一篇英文的影视作品鉴赏的论文 3000--5000

<< perfume>>的影评

Tom Tykwer adapts Patrick Süskind's bestselling novel about an 18th century French psychopath with a superhuman sense of smell
A German director, adapting a German novel set in France, with actors speaking English, plus extensive voice-over and a near-mute protagonist who spends a lot of his time sniffing. It doesn't exactly sound like a recipe for cinematic success. Remarkably, Tom Tykwer (Run Lola Run, Heaven) has pulled it off, creating a film that overcomes its more awkward elements to be a visually impressive, highly unusual period thriller.

If you've read Patrick Süskind's 1985 novel, doubtless you'll recollect its opening pages, where the profound stink of eighteenth century Europe is described and the protagonist, Jean-Baptiste Grenouille is born to his fish vendor mother, amid the guts and heads of a Paris fish market, "the most putrid spot in all the kingdom". Tykwer doesn't immediately take us to this scenario, but after a short prologue showing the grown-up Grenouille in chains and on his way to the scaffold, he unleashes the full glory of a splendidly yucky cinematic realisation of said birth scene. In the light of the usual tone of period dramas, it's refreshingly foul.

The first half of the film is defined by this grot as Jean-Baptiste is sent to an orphanage, where he grows up an odd child who unnerves the other children - as we're informed in the extensive narration provided by John Hurt. If you're of the school of thought that insists a good movie shouldn't use voice over, perhaps Perfume isn't for you, as much of the film relies on it, in part e to Grenouille not being much of a talker. Instead, he sniffs his way around the world, his sense of smell so acute he can identify pretty much any creature or substance within a large vicinity. After being sold to a tanner, he grows up into the appropriately wiry Ben Winshaw, who gives a gripping performance even if his delivery is a tad bious. Grenouille discovers the full panoply of scents on his first trip into the centre of Paris. He's drawn to a perfumer's shop, but then lured away by the scent of a beautiful young girl (Herfurth) selling plums. She becomes his first kill, almost by accident, and his lifelong obsession - the scent of her body is the most intoxicating he's experienced.

When happenstance brings him into contact with the once famous but faded perfumier Baldini (Hoffman, doing the film's only American accent), Grenouille so impresses him with his uncanny skills, he takes him on as an apprentice. This leads to him travelling to the perfume capital of Grasse in Provence, where he learns other techniques, which he then starts to exploit in his attempts to capture the elusive ideal scent of feminine youth and beauty. So begins his serial killing, and a new, ongoing mania for another beauty - Laura (Hurd-Wood), the daughter of a rich merchant, Richis (Rickman).

In the process, we learn some fascinating details about the proction of perfumes - which involve notes and chords, like music. We're also introced to a fabulous bit of psychopathology - Grenouille is half super-canine, half-superhuman nutter, whose powers enable him to manipulate people, though he's entirely without moral constraint or purpose. As such, he's a force, a power. The film closes in 1766, and it would be nice to read the culmination of his ambitions as in some way having an influence on French society, then starting to ferment and build towards revolution. It's probably reaching, but either way, the prior scenes of him manipulating a mob in the most extreme ways are an example of his remarkable abilities. The film plays around nicely with conventions, so when Grenouille first follows the plum seller, the musical cues are pure romance. However, it's not love for the girl our weird antihero feels, it's love for her smell. The whole endeavour is like a grotesque romance, as his obsessions move him on to his infatuation with Laura. Tykwer slyly shoots it as if she's gazing at him, or moving towards him, but he's actually hidden, and while she's oblivious, he's savouring her scent.

The film does suffer from some pacing issues ring its 140 minute running time. However, even when the story is dragging, the film is so visually rich, it retains a pull. The $50 million budget is certainly up there on the screen, with wonderful proction design, and cinematography by Tykwer's regular collaborator Frank Griebe. The first hour is amazing for its visions of old bridges packed with decrepit buildings and streets paved with filth. Grasse, on the other hand, introces a blaze of colour, with lavender fields and the town itself lit by the Provencal sun. It's a beautiful, bright backdrop for Grenouille's dark activities, which have him experimenting with elaborate equipment like some odour-oriented Dr Frankenstein.
Verdict
It's touch and go at times whether Tykwer will be able to sustain his drama about a sniffing psycho for two-and-half hours, but with the aid of notable visuals and Süskind's unique premise he does. Marvellous.

还有阿刚正传的 这个短一点 Forrest Gump who is unfortunately to be born with a lower IQ and the muscle problem, usually, people always think this kind of person can't be successful in doing anything. But, instead, this unlucky man has achieved lots of incredible success, he is a football star, a war hero, and later a millionaire!
In the contention of the best picture of the 67th Oscar Award in 1995, film Forrest Gump Have got six Grand Prixes , such as the best picture , the best actor , the best achievement in directing , adapting drama , the best achievement in film editing and the best visual effect bestly ,etc. at one blow . The film was passed to a intellectual disturbance person the description of life has reflected every aspect of U.S.A.'s life, important incident of social political life make and represent to these decades such as U.S.A. from one unique angle. Film adapt Winston · novel of the same name of Groom since. Only the original work is that one is full of fantastic novels with a satiric flavour, but the film modifies and beautifies the story. Have abandoned the absurdity of the original work and revealed that satirizes meaning , have added a kind of tender feeling for the film. This undoubtedly makes the film suit audience and judging panel's taste even more, but has sacrificed the struggle spirit of the rebel of the original work , make the film become one kind and idealize ethical symbol .
Forrest Gump mould incarnation of virtue is honest keeping one's word , conscientiously , brave paying attention to emotioning among film. In the film, Forrest Gump is a very pure image, but Jenny has become the degenerate symbol . And write the great discrepancy originally in this. To all that narrated, since beginning all behave with a kind of tender feeling and well-meaning attitude after all for the film, having even joined poesy composition, this makes the film seem soft and have no injury. The film advocates to traditional moral concept and embodiment. Make film apt to accept by people, director superb lay out skill and film application of language make the film very attractive too. Success with commercial for film content of the film has given security, and the treatment on director's art makes the film more excellent, this is reason that the film succeeds. It was the box-office hits the most in that year to become U.S.A. in Forrest Gump.
Tom · Hanks very much sincere naturally performance having among film. He has obtained the laurel of the best actor of Oscar for the behavior in this film. This second movie emperor's money already whom he obtained in succession looks like. Success of Forrest Gump, make Tom Hanks become one of the most popular movie stars in Hollywood too. To Tom Hanks, those two years are the luckiest period of time in his performing art careers.

㈢ 英文影视赏析对于英语学习有哪些积极影响

（一）看英文电影有助于我们听力水平的提高
根据很多英语学习者的反应，通过观看原汁原味的英文电影，他们的英语听力成绩有了很好地提高，同时他们也在观看电影中掌握了大量地道准确的英语表达方式。原声英文电影中含有在听力考试中经常出现的社会经济文学等知识，更有来自不用种族，不同宗教信仰，不同性别，不同家庭背景和工作种类以及社会地位的人物之间的对话。这些对话源于生活所以显得真实而自然，经过重新整合后更生动贴切的语言表达，再衬以对话的环境及会话人物的神情、姿态等便产生一种人身临其境的效果。所以，通过原汁原味的英文电影来学习英语和练习英语听力着实是一个有效和灵活的方式。

(二)看英文电影有助于我们地道的口语表达
任何一门语言的基础和精髓在于它语音语调丰富的变化。只要在学习语言时发音正确才能更好的掌握一门语言。英语中的语音不单单只包括单词发音，它还包括生活实际运用中所常用的表达以及习语的连续、失爆、弱化、重音等的许多的音变的形式。而语言的节奏则是英语表达的润滑剂，如果你没有很好地机会去接触英语国家的人进行对话，那种语音语调在对话中带来的思想和心灵的冲击与震撼你就很难去体验到了。语言是文化的载体，用词和表达的正确可以体现你对异国文化的理解。那么我们则可以说观看英语电影是一个非常好的学习英语的方式。从生动地道的表达中，可以慢慢来模仿人物间的发音。通过长时间有效地模仿，会发现的单词的发音将会得到大大的提高，以至于趋近标准地道的发音。通过模仿他们人物之间的对话，即便没有机会跟老外练习口语，口语水平也能通过这一个途径得到很好地提升。
英语电影有利于让学习者掌握标准的、口语化的英语的表达。英语电影可以让英语学习者有身临其境的感觉，通过课堂上老师进一步的点评和强调，学习者就会很快地习得。通常来说，要表示某件事物很好，我们常用的表达是：“It’s very good.”但是通过观看很大量的英文电影，我们掌握到他们常用“perfect”来表示做的非常好。这种表达既简单又明确，从而达到了很好地表情达意的效果。对于英语学习者来说，在声像并茂的情况下，注意力比较集中，就更容易地记住电影中出现的口语表达，从而使这一学习过程变得生动而高效。

(三)看英文电影有助于我们学习词汇和语法知识
学生在课堂上接受的教 师教授的词汇和语法知识是不灵活的、是比较呆板的传统教学法，是强压在学生的脑子里的，而通过看英文电影了解的词汇和语法知识则是潜移默化的、深入人心的，我们都知道英文电影中含有大量的句子和词汇，而我们中的大多数却经常会在影片中遇到生词和怪句。观看英文电影不仅可以帮我们巩固我们熟悉的词，还帮我们记住一些怪词，这就培养了我们的推理能力。但是如何进行推理呢？我们会依据当时的语言环境以及一系列的有机的逻辑推理及主观判断才得出与原文相近的意义。如影片《阿甘正传》中的对白：‘Forrest:
I thought I was going back to Vietnam， but instead they decided the best way for me to fight the communists was to play ping-pong. So I was in the special services, traveling around the country, cheering up those entire wounded veterans and showing how to play ping-pong.’中的“veterans”一词是生词，有些同学是这样猜词义的;首先结合当时的历史背景，得知从越南战争中归来的人又是wounded，所以大意应该是伤兵或者是退伍兵。这样就不仅熟悉了词汇还会锻炼我们的推理能力。
在英文电影中，我们会遇到很多含有英语语法的句子，我们也不用刻意地去记忆语法点，一个句子就是一个语法。当我们看得多了，自然而然地记住了，比起在课堂上死记硬背语法点，在英文电影中学习句子掌握语法确实是一种更为有效地方法。总而言之，看英文电影有助于我们对词汇、语法的学习。

(四)英文电影促进学生对中西方文化差异的理解
学习一种语言, 不仅要掌握一些语法知识, 培养基本的语言技能, 而且更重要的是要了解所学语言的文化背景。在跨文化交际过程中, 语法错误不是大问题, 但因文化差异而导致的文化冲突却是大多数外国人难以容忍的, 往往会引起误解, 阻碍了交际的顺利进行。电影是一面镜子, 是一个国家和民族的社会文化和生活的最直观、最生动的反映。它包括了社会生活的方方面面, 反映了最突出的社会问题。电影故事本身和演员每一句台词的设置都在展现和传达着各种文化信息, 包括这些国家的生活方式、风俗习惯、价值取向和思维方式等。通过欣赏原版英文电影, 学生可以拓宽视野,更好地了解中西方文化的差异, 加深对英语语言的理解, 从而减少文化冲突。

㈣ 经典英文电影赏析的介绍

《经典英文电影赏析》是2009年国防工业出版社出版的图书。

㈤ 欧美经典电影 英文赏析

这个是 中国影视库 http://www.mdbchina.com/
电影 海报 影人什么的简介图片都比较齐全 有利于你做幻灯片时候用

这个是 世界经典电影荟萃 自己选一部最爱的经典电影做为主题吧，然后寻找一下你想要的电影的资料 再从网上搜些英文对白 自己编辑一下 http://www.tianyabook.com/qita/jddy/

希望你能一切顺利 ~~

㈥ 经典英文电影赏析的内容简介

《经典英文电影赏析》由10个章节组成。每一章节包括电影背景、故事简介、主要演员阵容及导演介绍、精彩部分节选、对影片的评论及注释五大部分。相信许多读者会在观赏优美电影或阅读《经典英文电影赏析》的过程中重温自己过去的电影体验，获得新的感悟和理解。
英汉对照是《经典英文电影赏析》的一大特点。《经典英文电影赏析》既有英文原文，也提供了中文翻译，有助于英语爱好者能更好地理解书中的内容。同时，《经典英文电影赏析》还提供了注释，为读者的自学提供了参考。

㈦ 经典英文电影对白赏析

经典英文电影对白网上都有
我是这样赏析的，仅供参考：
“
I
wish
I
could
be
more
like
you.
我要像你一样就好了。”
这儿用虚拟语气。我觉得“more”用得很好，符合人物斯嘉丽的性格，既表现出一种羡慕，但又带了点虚荣。

㈧ 急求一篇1000字的英文电影观后感或者影视赏析

乱世佳人的影评
"GONE WITH THE WIND" was a mad dream in procer David Selznick's brain and he turned it into one of the great soap operas of cinema history. The last re-release celebrated the film's 50th anniversary in 1989. This time, the three-hour and 42-minute epic has been remastered in digital sound and the color has been tinkered with to bring back the original Technicolor glory.

The movie plays its role in movie history, becoming one of the great box-office performers in the pre-Steven Spielberg and George Lucas days. The search to find Selznick's ideal Scarlett O'Hara, the willful Southern belle who would destroy several Southern gentlemen in pursuit of the man she loved but who didn't love her, was the talk of Hollywood.

Bette Davis, Paulette Goddard, Jennifer Jones, Katharine Hepburn and many others failed to capture the showcase role that would go to British stage actress and girlfriend of Laurence Olivier, Vivien Leigh.

The sexual tension and humorous byplay between Leigh and co-star Clark Gable, in the role of gentleman rogue Rhett Butler, was riveting. And so was Leigh's portrayal of a viper trying to consume the good-hearted Ashley Wilkes, embodied by the fine-boned Hungarian-turned-British actor, Leslie Howard.

Victor Fleming was the accredited director of the picture, and he won the best-director Academy Award for it, but George Cukor worked on "Gone With the Wind" (he was fired after 10 days into filming), and so did many others. Selznick was as hands-on a procer as ever there was, so his imprint is seared in the final proct. Selznick is said to have used 15 writers but to have written and directed key scenes himself.

Although the picture is responsible for fostering many unpleasant racial biases in its depiction of the slaves working at Tara, the O'Hara estate, and Twelve Oaks, the Wilkes' place, the movie also has the virtue of featuring some of the great black performers of the time, including the memorable Hattie McDaniel.

Some of the wonderful scenes to look for include Scarlett's throwing herself at the polite Ashley and then learning that Rhett has heard the whole embarrassing thing, the burning of Atlanta, the sequence leading to the birth of Melanie's child and Scarlett's plucky seamstress work with the drapes.

If you've never seen this on the big screen, you are in for a treat.

㈨ 英语电影赏析，请教高手，急。。。。。。。。。。。

转载别人的，4和10我做了改动，供你参考。
4. What did Joe Bradley decide to do when he recognized that Ann was a princess in F7?
when he recognized that，he decided to write a report, so he tracked Ann and took many valuable photos with his photogragher friend.

5. Do you think Captain Von Trap is a patriotic man in F5？
Yes, he is. V Trapp is a widowed ex-naval capt who lost his job when Austria lost its coast after the Treaty of Versailles. He is a proud nationalist and is worried about the rise of the far right in neighbouring Germany and talk of a union. V Trapp runs his household like a ship because he knows no other way and is in deep grieving for his wife. So he is a patriotic man.

6.Why didn’t Grace’s mother stay with Tom in F6?
she was Robert's wife. She was a hard woman with her family and with her job. She always did what she wanted to do. She tried to help Grace by searching Tom. But we think she was an evil woman with her family, an harpyTom was a very friendly and kind person, but he did some strange things. He tried to be loyal, but he fell in a deep love with Grace’s mother, the beautiful Annie. But when Annie wanted to leave Robert, he refused, so we think he wasn't too bad. He was a learned man about horses and about life

7 How did Joe stay one day with the princess in F7?
Bradley immediately realizes who he has in his apartment and gets the editor to agree to pay $5,000 if he can get a real interview with the princess. On the way out Bradley contacts a photographer friend, Irving Radovich (Albert) and arranges for him to met him later with his camera for a big scoop.
Returning to his apartment, Bradley picks up the princess for their planned tour of the city. Bradley's real aim is to get the pictures and story he promised his editor. But the innocent charm of the princess softens him and the two start to fall in love. They end up having a good time and some comical adventures. Bradley conceals the fact that he is a reporter who knows who she really is and she doesn't tell him that that she is a royal princess. But in the end the truth comes out and the princess realizes that her ty to her country and family come first and she reluctantly returns to her official role.

8. What is your impression of F8?
The story may sound simple, but the truth behind the words is remarkable. When I heard the name of the film first time, I considered the Shawshank to be a man’ name, but in face it is a jail——a hell in the world. Not only for the inhumanity of the jailors——they behaved brutally; but also for the jail gnawed at people’ heart by keeping them waiting and waiting as life passed. It seemed that only those utterly worthless people who gave up everything could survive. That’s where the story happened.
The part impressed me most is when Andy got out of the jai. He extended his arms in front of him in the heavy rain as if he were welcoming the fresh air and the freedom. At that moment, I saw the faith win the darkness, discharging light dazzling the eyes in the dark blue sky. Under the light, I could feel my recreant innermost being shivering as his voice said: “Remember, Hope is a good thing, maybe the best of things and no good thing ever dies!”
That’s why I like this film: it encourages people to fight to preserve the dignity of human beings, to appreciate the beauty of life, and the most important is to keep hope forever. He once that is born, that is die. Everyone is the same. The only difference is whether busy living or busy dying. The film tells me even a man can live once, but if he keeps faith, keeps hope and works his life right, then once is enough. The faith is the bird that feels the light when the dawn is still dark, the hope is the chief happiness that this world affords, and the life should be full of the singing of the bird and the happiness hope brings. " What’s that do you think? It’s the trembling of the heart, the singing of the mind, the flying of the soul and the hope to be free.”

9. Why did Maggie change her mind to cooperate with Ike (in F4)?
After Ike forces Maggie to face her fears, the two find themselves becoming more and more attracted to each other.

10. Why does Captain Von Trap treat his children like in an army (in F5)?
Because he is in deep grieving for his wife and he doesn't know how to show his love to his children. He believes to treat his children like in the army is the only right way to teach or discipline his chilren.