豆瓣英文经典电影

『壹』 好莱坞经典电影英文短影评

以下是《2012》的影评The world is ending in a matter of hours, yet justice and humanity don’t penetrate through the brain-shells of politicians. In order to save their own lives, the government officials keep the secret from the rest of human kind and also lets the man whose knowledge saves their lives die. This is the premise of 2012.But if the viewer is a Tibetan or someone who is aware of the Tibetan culture and the sensitivities of Tibetan issue, one could feel that the justice and humanity are not occurred in the director’s thought either.There is a scene long enough to mention that takes place in Tibet. In fact the last human beings die there and the new seed of the future human race starts at the neck of Mount Everest, “The People’s Republic of China” the movie calls it. Perhaps what no movie reviewer noticed or saw the importance of mentioning is that the prophetic fictitious story of the movie not only makes a statement that Tibet is completely a part of China, but also it totally misrepresents the core culture of Tibetan people. A Tibetan woman killing animals in Tibet is taboo, it never happened except ring the Cultural Revolution when some women were forced to do so. Women killing chickens in the Chinese market is an everyday event, but a Tibetan woman killing a CHICKEN reflects the director’s cultural ignorance and it makes the movie even more ridiculous.And in real life ethically speaking, Mr. Emmerich failed to hire Tibetan actors who can speak their own language. All the actors who play Tibetan characters are Chinese very poorly pretending to be Tibetans. Their Tibetan is hundred times worse than Zhang Yi’s memorized English or Leonardo DiCaprio’s Swahili (well I can imagine!).

『贰』 推荐英文电影

..
推荐电影我喜欢，我可是非常喜欢电影的。恐怖的我也不喜欢，别的都喜欢呢，听你说喜欢威尔史密斯的，有一部感觉不错，不知看过没《我是传奇》，挺好看，而且有两个结局。
说到他我就有点想说几个他的电影，个人觉得好的，虽然你可能看过。
《当幸福来敲门》
《我，机器人》
《黑超特警组》1~2
《汉考克》
算了，不说了，这些你一定看过。
我还是推荐点别的吧。
我喜欢看原音的电影，推荐你几个剧情的先：
《天使爱美丽》
《漫长的婚约》
《一个人的奥林匹克》
《火柴人》
《十一罗汉》
《十二罗汉》
《十三罗汉》
《苦儿流浪记》
《天气预报员》
《战争之王》
《海上钢琴师》
《肖申克的救赎》
《救赎》
《天堂电影院》
《音乐之声》
《楚门的世界》
然后是那个科幻的，动作的，中外都有，虽然你说要英文电影…可是我真的觉得好，才会推荐你。
《加勒比海盗》1~3
《决战中的较量》
《未知死亡》
《丛林奇兵》
《虎胆龙威》1~4
《极限特工》
《石破天惊》
太科幻的就不推荐了。
噢，对了，你说的经典动画片也可以，嘿嘿，我很喜欢。
《莹火虫之墓》
《听见涛声》
《料理鼠王》
《泰若星球》
《幽灵公主》
《狮子王》
虽然动画片很多，我还是只推荐我认为经典的，。
说了这么多，祝你看的开心就好了。绝对不是我复制的，我可是用手机上网回答的。算了，不说这些题外话。
最后说一句，你在问题里说的那电影我还没看过呢。

『叁』 好看的英文电影有哪些能不能推荐几部

好看的英文电影有《本杰明·巴顿奇事》、《寻梦环游记》、《廊桥遗梦》、《怦然心动》、《绿皮书》、《水形物语》等。

1、《本杰明·巴顿奇事》

是一部启发人思考，值得品味的经典之作。由大卫·芬奇执导，凯特·布兰切特和布拉德·皮特主演，讲述了一个返老还童的逆生长奇异故事。影片拍摄手法和叙述方式和《阿甘正传》有异曲同工之妙。通过不断的回忆展现了主人公传奇的一生，探讨生死和爱情这两大永恒的主题。

6、《水形物语》

影片的背景设置在冷战时期，注定了它整体的灰色基调。女主艾丽莎是个平凡的哑女，遇到了被关在实验室里的半人半鱼怪异生物。两个孤独的生命随着时间推移产生了奇妙的感情，彼此救赎。

『肆』 你觉着有哪些值得看多遍的英文电影

《猫鼠游戏》Catch Me If You Can，影片是真实事件改编，故事主角是FBI有史以来最小的头号通缉犯。

从1964年到1966年之间弗兰克通过乔装医生、律师、飞行员骗取了高达几百万的金额，在全美各地几乎都留下他的犯罪足迹,FBI探员卡尔屡次被弗兰克这个黄毛小子捉弄，一次次有惊无险的逃脱，上演一场精彩绝伦的猫鼠游戏...

影片在视觉表现力上非同一般，普拉达的华服，蒂凡尼的珠宝，一场场繁华缤纷的派对，给人以极尽奢靡之感。但在人们沉沦在纸醉金迷中，却难掩其冷漠、喧闹、虚假。神秘富豪盖茨比终究也只是成了时代的牺牲品。

『伍』 好看的英文电影

歌舞青春（共四部）您可以放最后看 因为四部毕竟有点多！我怕影响到您采纳的心情，不过说真的 是很好看

查理曼大地密码（是寻宝的 蛮推荐）特好看。

要说感人的了：
我虽然是个男的 但是这两部电影让我哭的 泪如雨下。餐巾纸起码1包
第一部：十个约定
第二部：心动奇迹（一共两步）

答毕 望楼主采纳。。

对了对了 别忘记咱的 加菲猫

这绝对不是我复制的，只是以前我回答过此类问题。

『陆』 豆瓣经典电影排名榜是怎样的

《肖申克的救赎》 豆瓣：9.6分、《霸王别姬》豆瓣：9.6分、《这个杀手不太冷》豆瓣：9.4分、《美丽人生》豆瓣：9.5分。

《美丽人生》是一部意大利电影，讲述了纳粹时期的故事，影片的背景在历史上非常悲惨，但电影却为我们呈现了悲惨世界里的希望。整个电影氛围很称重，但是又透露出为了希望和自由不愿意放弃，生活中的小爱更是大爱。

『柒』 寻一部比较新或比较经典的英文电影，然后我要的是一篇该电影120词左右的英文影评。只要是自己现在原创

Roman Holiday is a 1953 American romantic comedydirected and proced by William Wyler. It is a classic romantic comedy.It is talk about princess Anne and reporter Joe love story.Princess Anne met Joe,but she is dizzy at that time,so Joe takes her back to his house.Joe know that she is the princess and he want to hide his real information to Anne,since he want to take some private pictures of her.However he fall in love with Anne,so he give up his job and take the princess travel around Europe.The movie teach us that if you love someone truly,you should be honest to him or her,never hide the truth.

『捌』 豆瓣排行前十的英文电影

2012,我是传奇,初恋的回忆,冰上公主,人生摇控器,暮光之城,歌舞青春系列,当幸福来敲门,海神号.

『玖』 求三部英文电影影评，尽量短！网上找的都好长...

2012 is a 2009 disaster film directed by Roland Emmerich. The film stars John Cusack, Chiwetel Ejiofor, Amanda Peet, Oliver Platt, Danny Glover, Thandie Newton and Woody Harrelson. It was distributed by Columbia Pictures. Filming began in August 2008 in Vancouver.
The film briefly references Mayanism, the Mesoamerican Long Count calendar, and the 2012 phenomenon in its portrayal of cataclysmic events unfolding in the year 2012. Because of solar flare bombardment the Earth's core begins heating up at an unprecedented rate, eventually causing crustal displacement. This results in an onslaught of Doomsday event scenarios plunging the world into chaos, ranging from California falling into the Pacific Ocean, the eruption of the Yellowstone National Park caldera, massive earthquakes, and Megatsunami impacts along every coast line on the Earth. The film centers around an ensemble cast of characters as they narrowly escape multiple catastrophes in an effort to reach ships in the Himalayas, along with scientists and governments of the world who are attempting to save as many lives as they can before the disasters ensue.
I think,it will be, for its audiences, one of the most satisfactory films of the year and it really can be called the "mother of all disaster movies".
《蜘蛛侠2》英语影评

『拾』 求经典外国电影影评---要英文版本的

珍珠港的影评

pearl harbour film review

Pearl Harbor consists of three incongruous acts, mashed together into an ungainly whole. It appears to be more interested in reprocing the success of Titanic, which also set a fictional love story amidst a tragic historical event, than it is in telling the story of the men and women who fought and died in the attack on Pearl Harbor.
Titanic worked because the central characters were interesting, the story was cohesive, the historical events were handled respectfully and with the proper dramatic tone, and underneath it all was an intelligent reflection on the human failings that permitted such a tragedy in the first place.

Pearl Harbor reces the historical backdrop into a series of action set pieces. Instead of exploring ideas inherent in the events, it extracts them, recing the reason for Japan's attack to something inexplicable at best, and having utterly nothing to say about why the attack happened, how it was carried out, or how we responded. The film is dedicated to the men who died at Pearl Harbor, but what does it dedicate to them? It does not seem very interested in them except as a tool for dramatic imagery. Consider, for example, a scene in which we learn that men are trapped in a sunken ship in the harbor. We learn this to emphasize the brutality of the attack, as if such emphasis were needed. Then the film forgets this point entirely, providing the fates of those men in a narrated line just before the closing credits. Why wasn't the third act of the film about those men, instead of a rushed covering of the Doolittle raid on Tokyo, complete with overblown crash landings and an improbable engagement with Japanese soldiers?

If you want to see a real movie about Pearl Harbor or the Doolittle Raid, one that paints a deep and accurate picture of what it was like, one you can learn from, one that pays tribute to our veterans, or even just one that functions as convincing entertainment, there is no shortage of options. Tora! Tora! Tora! chronicles the events before, ring, and after the attack from both the American and Japanese sides. Thirty Seconds Over Tokyo is as thorough a chronicle of the Doolittle Raid as is probably possible in a feature film, while also following the personal stories of a few indivials involved (any one of which is more interesting than the personal story in Pearl Harbor). The Purple Heart, one of the most heartbreaking movies I've ever seen, tells the story of Americans captured by the Japanese after the raid.

Writing off the historical aspects of the film, I am left with the love triangle that makes up the entire first act and pervades the rest of it. It is wholly uninteresting. This same story has been told better, countless times before. Not one of the three characters is fleshed out into an indivial: they are bland stereotypes, dolled up to look pretty and given trite lines that they recite to convey the illusion of genuine emotion. It's telling that it doesn't much matter to us how the love triangle is resolved. Unless they both die, she'll get one of them, and who cares which? Neither of the men are personable, and we surely suspect early on that her decision will be based more on fate than her own volition anyway. (In plots like this, it's survival of the survivors.) And so, alas, we are denied even the most basic of all elements of storytelling, namely, characters making actual decisions