Ⅰ 簡愛英文讀後感
希望對你有幫助：An Analysis of Jane Eyre
The novel is rich in poetry, symbolism and metaphor. It does not fit easily into a definite pattern, being neither a novel of "manners" in the tradition of Austen, or a straightforward Gothic Romance in the style of Mrs Radcliffe. What Charlotte Bronte did was to create a work which cleverly blends elements of the two styles, and which remains uniquely independent of them at the same time, since it addresses issues which were at the time rather controversial.
The novel is written in the first person, and thus magnifies the central character - the reader enters the world of Jane Eyre and is transported through her experiences at first hand. This at once makes the work subjective, especially since we know that Charlottes Brontes own life and experiences were so closely interwoven with the heroine's. As well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with Rochester - thus the narrative is RETROSPECTIVE (looking back). CB is clever in blending the narrative so that at times Jane seems to be speaking as an alt with alt hindsight , while at others she she is "in the middle" of them, as a child or young woman. The indecision which is a central issue in the book, is heightened by this device. We never know, as readers, whether to be entirely trustful of Janes actions and thoughts, because we are never sure wheher she is speaking impulsively or maturely.
This intensifies the readers dilemma as to what is "right" and "wrong" in the dramatic relationships which are part of JE's life. Can we believe what the heroine says, or is she deceiving herself? The novel is primarily a love story and a "romance" where wishes come true but only after trials and suffering. The supernatural has its place, as do dreams, portents and prophesies. The heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.
The romantic element is present in two forms in Jane Eyre; the "family" aspect is dealt with in the Gateshead, Lowood and Moor House episodes, which involve the exchanging of the wicked Reed family for the benevolent Rivers one; and the Love romance is dealt with in the Thornfield and Ferndean episodes. Both aspects are, of course linked and interwoven throughout the novel.
There is also a strong element of realism in the novel, which, married to the romantic aspect, enhances the novel's strength.The sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story, in a series of vivid deive passages. The central characters are also realistic and their confrontations and sufferings change them in a believable way.
Even the unlikely is made plausible, with a unique blend of high drama and perceptive low comedy (the attack on Mason, for instance)
The more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences, are balanced by the realism, and this is of course a major strength.
The Gothic influence cannot be ignored, although CB has refined the technique considerably from the "authentic" Gothic of the 1790's. In the original genre, the heroine would typically be abcted and threatened with section, or worse!. There would be a lover - a respectable, well-bred young man - who would endeavor to rescue the heroine and would succeed after many trial. the secer would be a brigand "Know that I adore Corsairs!" and he would lock the girl up in a remote castle.
There was little freedom for middle class women ring the period of the Gothic novel, and this was still the case in the time of CB. Marriage especially was often a bargain, whereby fortunes were secured by using the female as a pawn. A woman's value largely depended therefore on her sexual purity and she was guarded and secured as a result. Men, on the contrary, were potent and free; lovers and mistresses were common. Ironically the women who provided their services were social outcasts as a result.
In Jane Eyre we see elements of the Gothic romance, in that Thornfield Hall and Rochester are described very much in the brigand/castle style BUT Jane Eyre is not abcted by R. On the contrary she chooses to go there of her own free will. AND she is clear in her determination to have Rochester as a husband. Neither is there a gentleman rescuer; St John Rivers may look like a Greek God, but he is neither kind nor benevolent; driving Jane back to Ferndean, not rescuing her from it.
The trials which the hero is supposed to undergo in a Gothic romance are in fact undergone by the heroine in Jane Eyre. The bandit Rochester is only skin-deep. Underneath the brooding exterior is a sensitive soul, which a WOMAN frees. In this way we see that CB created rather a daring departure from conventional fiction, although there are still many aspects of the novel which remain true to Victorian convention.!
Ⅱ 簡愛的英文影評
Jane Eyre — A Beautiful Soul
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It』s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.
We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God』s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.
We also remember her striving for life, her toughness and her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.
Actually, she wasn』t pretty, and of course, the ordinary appearance didn』t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than 『the plain and ugly governess』. But as the little governess had said: 『Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!』 This is the idea of equality in Jane Eyre』s mind. God hadn』t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.
In my mind, though a person』s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn』t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it』s not true, they will like the person no more. For a long time, only a person』s great virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that 『Beauty is a heart enflamed and a soul enchanted』. I can feel that how beauty really is, as we are all fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.
影評沒找到，這個是讀後感，好像還不太全，參考一下吧~~~~~~~~
Ⅲ 觀簡愛電影觀後感英文版80-120個詞
觀簡愛電影觀後感英文版，見附件。
如果看不到附件，請用電腦訪問。
Ⅳ 簡愛英文讀後感 100字的 最好5篇 謝謝。
我在此談談讀巨著《簡愛》的讀後感，當我合上簡愛這本書之後，我深深的被Jane Erye（簡愛）所打動，她是如此善良而優秀的女人。Eyre夫人有一顆金子般的心。她真愛著她身旁的每個人，並且真誠的給予他們幫助，她自重，並且做每件事都很優秀，我非常喜歡她。她不僅僅是我的老師還是我的摯友，每當我迷惘的時候，我就會想到她，想到她如果是此時的我將會怎麼做，為什麼不去讀我的朋友《簡愛》！
Let me tell what I feel after reading the great work Jane Erye.I was really move by Jane Erye after closing the book.What a kind and good woman!Mrs Eyre had a heart of gold.She really loved everyone around her,and gave others help sincerely(真誠地).She respected(尊重) herself and did her best to do everything.I really love her.She are both a great teacher and a good friend of mine.Sometimes when I am confuse(迷惑的),I will think of her.I will imagine what will she do if she is I.Why not read Jane Erye my friends!
小說設計了一個很光明的結尾.羅徹斯特的庄園毀了,他本人也成了一個殘廢..在這樣的情況下,簡愛不再在尊嚴和愛之間矛盾.而同時獲得滿足-------她和羅徹斯特的結婚是有尊嚴的,同時也是有愛的. 小說告訴我們,人們最美好的生活就是尊嚴加愛.小說的結局按排的這是這樣一種生活.雖然我覺得這樣的結局過於完美,這樣的完美有點浮淺..但我依然尊重作者對這種生活的美好理想.就是-------尊嚴加愛/ The novel tells us that the best people to increase the dignity of life is love. Novels by the end of the row that this is such a life. Although I think this kind of outcome is too perfect, so perfect .. a little superficial, but I still respect this author The ideal of a better kind of life. ------- Is to increase the dignity of love / In modern society, few people will like Jane Eyre, for the love for the character and abandon all, and without looking back.'s Whole-hearted pursuit of pay, and pure like a glass of ice water .......
Jane eyre
English: Jane eyre is a novel color autobiography, it explains the theme: people's value = dignity + love.
Jane. Love living in a parents, sponsor, grew up under the environment of treatment with peers, aunt abandon, cousin contempt, cousin insults and beating of a child... this is the dignity of the ruthless trample, but perhaps because it all, Jane. Love and faith of infinite indomitable spirit, a kind of inner personality can win.
In rochester, she never because he is a teacher and the family status meanness, but that they feel inferior is equal. Should not because she is a servant, but not respected by others. Also because of her integrity, noble and pure heart, no pollution, secular society for the shock, and rochester her as a spiritual and equality in the conversation, and slowly and deeply in love with her.
Jane eyre itself to us is a kind of simplified, is a fanpiaoguizhen, is a kind of pursuit of whole heart feeling, is a kind of simplified feelings and neglected, it is like a cup of water, purify every reader's heart, also cause readers, especially female readers
簡愛》
中文：《簡愛》是一部帶有自傳色彩的長篇小說，它闡釋了這樣一個主題：人的價值＝尊嚴＋愛。
簡。愛生存在一個父母雙亡，寄人籬下的環境，從小就承受著與同齡人不一樣的待遇，姨媽的嫌棄，表姐的蔑視，表哥的侮辱和毒打……這是對一個孩子的尊嚴的無情踐踏，但也許正是因為這一切，換回了簡。愛無限的信心和堅強不屈的精神，一種可戰勝的內在人格力量。
在羅切斯特的面前，她從不因為自己是一個地位低賤的家庭教師而感到自卑，反而認為他們是平等的。不應該因為她是僕人，而不能受到別人的尊重。也正因為她的正直，高尚，純潔，心靈沒有受到世俗社會的污染，使得羅切斯特為之震撼,並把她看做了一個可以和自己在精神上平等交談的人，並且慢慢地深深愛上了她。
《簡愛》所展現給我們的正是一種化繁為簡，是一種返樸歸真，是一種追求全心付出的感覺，是一種不計得失的簡化的感情，它猶如一杯冰水，凈化每一個讀者的心靈，同時引起讀者，特別是女性讀者的共鳴。
Ⅳ 簡愛電影的英文影評。
A fast hour and a half
of psychological doom and gloom, and glimmers of happiness through true
love trounced by the realities of 1840 England. It's all pretty amazing
stuff, and you have to see it to believe it, those dark clouds and
sprawling stone buildings.
Yes, Orson Welles is the lead male here, Mr. Rochester, and he's a
physical presence, for sure, but a stiff one. As just one slightly
unfair comparison, watch how Lawrence Olivier handles being lead male
in a similar era (1939) Bronte film, Wuthering Heights. It's unfair
because this earlier movie, directed by William Wyler, is even better
than Jane Eyre. But here we have an actress who wowed the world in the
masterful Rebecca in 1940, and with Olivier himself, and if you see
this Hitchcock movie, based on a Daphne Maurier book, you'll see a
weirdly too similar echo of Charlotte Bronte's plot, complete with
mysterious master of the house and a big fire at the end.
This big mix and match is meant only to say that this kind of movie,
this kind of plot, reached a fever pitch in the early 1940s and
proced three masterpieces. You should see them all, and see the
influences back and front and sideways. Great stuff, with Jane Eyre the
third in line, made by the lesser known British director Robert
Stevenson (who had this one early success and then the other one, Mary
Poppins, of all things). But it was based on an Orson Welles radio
version of the story, which you can feel in the narrated lines with
Joan Fontaine's voice. You sense Welles had a hand in the whole feel of
the movie, the camera angles in the early scenes (looking up or down at
the child), and the overall Gothic excess and fog.
Great stuff to just feel and absorb.
Ⅵ 簡愛 英文讀後感
人教版語文八年級下冊課後「讀一讀、寫一寫」歸納第一課《藤野先生》緋紅fēihóng：深紅色。標致biāo：漂亮。這里是反語，用來諷刺。（外表、風度等接近完美或理想境界,喚起美感上的極大享受的。）落第luòdì：原指科舉時代應試不中。這里指考試不及格。不遜bùxùn：無禮。遜，謙遜。（不恭敬,沒有禮貌;驕橫。）詰責jiézé： 質問並責備。托詞,托辭tuōcí,tuōcí： 找借口。油光可鑒yóuguāngkějiàn文中是說頭上抹油，梳得很光亮，像鏡子一樣可以照人。鑒，照。(油光，形容特別光滑亮澤。可鑒，清澈得可以照見人。鑒,這里是照的意思。)抑揚頓挫yìyáng-dùncuò：高低起伏,停頓轉折。形容音樂悅耳動聽或文章或詩文可讀性強,朗朗上口,音調鏗鏘有韻。深惡痛疾，深惡痛絕shēnwù-tòngjué：極端厭惡和痛恨。也作「深惡痛疾」。第二課《我的母親》翳yì：指引起黑睛(角膜)混濁或潰陷的外障眼病以及病變愈後遺留於黑睛的疤痕。凡眼內、外障眼病所生遮蔽視線影響視力的症狀皆可稱翳。責罰zéfá：處罰;懲處。氣量qìliàng:胸懷,度量。質問zhìwèn：根據事實提出疑問;責問。廣漠guǎngmò：廣大空曠。管束guǎnshù：遏制自由行動或言論;約束,使不越軌。寬恕kuānshù：寬容饒恕。文縐縐wénzhōuzhōu：形容人言談、舉止文雅的樣子。第三課《我的第一本書》幽默yōumò：詼諧風趣而又意味深長。凄慘qīcǎn：凄涼悲慘。奧秘àomì：深奧莫測的秘密;奧妙;隱秘。翻來覆去fānlái-fùqù∶指睡不著覺來回翻身。比喻事情一再重復。第四課《列夫 托爾斯泰》黝黑yǒuhēi∶皮膚暴露在太陽光下而曬成的青黑色。顏色深黑。滯留zhìliú： 停留不動。愚鈍yúdùn：愚笨;遲鈍。器宇qìyǔ(指人的胸襟和度量)氣概，風度。禁錮jìngù束縛，限制。軒昂xuānáng：形容精神飽滿，氣度不凡。犀利xīlì： 堅固銳利。又形容語言、文辭、感覺、目光等的尖銳鋒利。侏儒zhūrú：身材異常矮小的人;矮子。形容個子矮小。酒肆jiǔsì：酒店。尷尬gāngà：處於兩難境地無法擺脫。行為、態度不正常的。鬼鬼祟祟,不正派。粗製濫造cūzhì-lànzào：質地不精而又過量製造。藏污納垢cángwū-nàgòuwū比喻包容壞人壞事。藏垢納污cánggòu-nàwū： 比喻包容骯臟丑惡的人和事。也作「藏污納垢」。鬱郁寡歡yùyù-guǎhuān：指不愉快,心中憋氣。鶴立雞群hèlì-jīqún： 比喻一個人的才能或儀表在一群人里頭顯得很突出。正襟危坐zhèngjīnwēizuò：整理好衣襟端端正正坐著。形容嚴肅莊重的樣子。頷首低眉dīméihànshǒu低著頭顯得很謙卑恭順的樣子。誠惶誠恐chénghuáng-chéngkǒng：原是封建社會中臣子向皇帝上奏章時所用的套語,現在常用來形容小心謹慎,惶恐不安的樣子。無可置疑wúkě-zhìyí： 大可不必持懷疑態度。形容證據確鑿,事情明擺著。黯然失色ànránshīsè∶黯然，陰暗的樣子。失色，因驚恐而面色變白。廣袤無垠guǎngmàowúyín：廣闊無邊。古代以東西長度為「廣」，南北長度為「袤」。第五課《再塑生命》搓捻cuōniǎn企盼qǐpàn：盼望;希望。繁衍fányǎn：繁殖衍生;逐漸增多。遷徙qiānxǐ∶遷移;搬家。變易;更改。為了覓食或繁殖周期性地從一地區或氣候區遷移到另一地區或氣候區。被征發而遠途服役。覓食mìshí：指鳥獸到處搜尋食物吃。油然而生yóuránérshēng∶形容思想感情自然而然地產生。花團錦簇huātuán-jǐncù： 形容五彩繽紛、景象十分華麗。也比喻花色繁多,華美艷麗。美不勝收měibùshèngshōu：美景多得看不過來;藝術品太美而目不睱接。繁花似錦fánhuāsìjǐn： （盛開的花;）各種各樣的花鮮艷華美。風雲突變fēngyún-tūbiàn： 比喻局勢突然發生巨大變化。不可名狀bùkě-míngzhuàng： 不可用言語來形容(名:說出)。落英繽紛luòyīng bīnfēn：落紅;落花繁多而雜亂。冥思遐想míngsīxiáxiǎng冥思(空想) 超越現實作高遠的想像。期期艾艾qīqīàiài形容口吃。漢代周昌口吃，又一次與漢高祖爭論事情，說：「臣口不能言，然臣期期知其不可。」又三國魏鄧艾亦口吃，說到自己時連說「艾艾」。第六課《雪》博識bóshí：學識淵博,見多識廣。美艷měiyàn：美好艷麗。消釋xiāoshì： 消除、處理、解除。褪盡tuìjìn：消退盡。凜冽lǐnliè： 寒冷刺骨。升騰shēngténg∶升入天空;往上升。脂粉奩zhīfěnlián∶裝胭脂和香粉的盒子。第七課《雷電頌》睥睨pìnì∶眼睛斜著看,形容高傲的樣子。污穢wūhuì∶骯臟的;不潔凈的。不幹凈的物體。犀利xīlì： 堅固銳利。又形容語言、文辭、感覺、目光等的尖銳鋒利。迸射bèngshè： 四散噴射。播弄bōnong∶挑撥玩弄。擺布;支配。虐待nüèdài：用狠毒殘忍的手段對待人。雷霆léitíng∶疾雷。比喻人的盛怒或聲威極大。躊躇chóuchú∶猶豫不決。鞭撻biāntà： 鞭打;驅使。祈禱qídǎo;向神祝告求福。罪孽zuìniè∶佛教語。指應當受到報應的惡行。苦難。拖泥帶水tuōní-dàishuǐ：形容在泥濘道路上行走的狀貌。比喻辦事拖沓不爽快或語言不簡明扼要。第八課《短文兩篇》《日》《月》第九課《海燕》蒼茫cāngmáng：空曠遼遠。膽怯dǎnqiè:膽量小;畏縮;害怕。翡翠fěicuì∶一種單斜晶系的硅酸鈉鋁組成的礦物,加工後即成為有價值的玉器。動物名。又名赤翡翠。屬脊椎動物亞門,鳥綱,佛法僧目。精靈jīnglíng∶鬼怪;神靈。機靈;聰明機智。蜿蜒wānyán∶蛇類曲折爬行的樣子。曲折延伸。第十課《組歌（節選）》《浪之歌》《雨之歌》執拗zhíniù：堅持己見,固執任性。憔悴qiáocuì：黃瘦;瘦損.枯萎;凋零.困頓.煩惱。饋贈kuìzèng：贈送,也指贈送的東西、禮品。真諦zhēndì：真切的理論和精義;奧妙所在。璀璨cuǐcàn：形容光彩奪目。鑲嵌xiāngqiàn：以物嵌入,作為裝飾。酷肖kùxiào：極其相似。海誓山盟hǎishì-shānméng：男女之間發誓永遠相愛的話。又說「山盟海誓」。長吁短嘆chángxū-ǎntàn： 不停地唉聲嘆氣。千山萬壑qiānshān-wànhè∶無數的高山和深溝。路途遙遠險阻。盛氣凌人shèngqì-língrén： 以驕橫傲慢的氣勢壓人。第十一課《敬畏自然》蓬蒿péng hāo：（方）茼蒿。飛蓬和蒿子，借指野草。咫尺zhǐchǐ∶比喻相距很近。狼藉lángjí：亂七八糟;散亂、零散。也作「狼籍」。吶喊nàhǎn：大聲呼喊;尤指士兵在戰斗或追擊時大聲叫喊助威。不自量力bùzìliànglì自不量力zìbùliànglì：量:衡量,估計。不衡量自己的能力。形容對自己估計太高,多指做力不能及的事。相形見絀xiāngxíng-jiànchù：互相比較之下,一方顯得很遜色。精巧jīngqiǎo juélún：精細巧妙，沒有可以相比的。美味佳餚měiwèi-jiāyáo∶上等的、第一流的食品。精緻可口的飯菜。味道鮮美的食品。第十二課《羅布泊，消逝的仙湖》蕭瑟xiāosè∶草木被秋風吹襲的聲音.寂寞凄涼。和煦héxù： 溫暖的。乾涸gānhé： 河流、池塘等乾枯無水。沒有水的。吞噬tūnshì∶吞吃;吞咽。整個地吞下去。吞沒。裸露luǒlù：露在外頭;沒有東西遮蓋。戈壁灘gēbìtān：蒙語中稱沙漠,不同於一般沙漠,這種地區盡是沙子和石塊,地面上缺水,植物稀少。滄海桑田cānghǎi-sāngtián：大海變成了種桑樹的田地,種桑樹的田地變成了大海。比喻世事多變,人生無常;或喻世事變化的巨大迅速——略稱滄桑。第十三課《旅鼠之謎》媲美pìměi：美好的程度可以相比;比美。挑釁tiǎoxìn：故意挑起事端、企圖引起沖突的行動或過程。鼠目寸光shǔmù-cùnguāng：比喻目光短淺,缺乏遠見。相輔相成xiāngfǔxiāngchéng：互相補充，互相配合。第十四課《大雁歸來》緘默jiānmò： 閉口不言。窺視kuīshì： 暗中觀察;偷看。狩獵shòuliè：捕殺或獵取野生動物。顧忌gùjì：因某種顧慮而不願直言徑行。凋零diāolíng：草木凋謝零落。衰敗,不振。用來喻人的死傷離散。滑翔huáxiáng：指物體不依靠動力,只利用空氣的浮力在空中飄行。目空一切mùkōng-yīqiè：狂妄自大,蔑視一切的。第十五課《喂——出來》哂笑shěn xiào ：微笑。哂笑 shēnxiào：a.譏笑；b.微笑。拍板pāibǎn∶打拍子。舊時商行拍賣貨物成交時用拍打木板來表示。比喻主事的人作出某種決定。打擊樂器,用來打拍子,用幾片木板做成。也叫鼓板。牟取móuqǔ： 謀取,尤指以不正當的或非法的手段取得金錢。黑咕隆咚hēigulōngdōng∶很黑暗。漆黑的。顫顫巍巍chànchànwēiwēi：震顫而動作不準確的樣子。莫衷一是mòzhōngyīshì：意見分歧,難有一致的定論。胸有成竹xiōngyǒu-chéngzhú：胸有成算。比喻作事之先已有成算在胸。不容置疑bùróngzhìyí：不容許有什麼懷疑，指真實可信。慷慨大方kāngkǎidàfāng：對於財物不計較、不吝嗇。一視同仁yīshì-tóngrén：不加區別;相同對待。任勞任怨rènláo-rènyuàn： 工作不辭勞苦,不怕受埋怨。第十六課《雲南的歌會》蹲踞dūnjù：蹲坐。酬和chóuhè：酬對奉和;用詩詞應答。熹微xīwēi：微明,光未盛的樣子。譬喻pìyù∶比喻,例如。勸說。淳樸chúnpǔ：敦厚質朴。即物起興jíwùqǐxìng看見眼前事物引起興致、興趣。引經據典yǐnjīng-jùdiǎn《後漢書·荀爽傳》:「引據大義,正之經典。」指引用經典著作中的語句或故事。也說「引經據古」悠遊自在yōu yóu zìzài：快活的樣子。龍吟鳳噦lóng yín fèng huì第十七課《端午的鴨蛋》腌、腌yān ：形聲。從肉,奄聲。本義:用鹽浸漬食物。門楣ménméi∶門框上部的橫梁。門第。莧菜xiàncài：一年生草本植物,分布較廣泛,有細而長的莖和暗紫色或綠色的橢圓形的葉子,開綠白色花,結黑色種子。葉和莖常作蔬菜食用。籍貫jíguàn：祖居或本人出生的地方。城隍廟chénghuáng miào∶城隍，道教指城池的守護神。古時供奉城池的守護神的處所。肅然起敬sùrán-qǐjìng：形容由於受感動而產生的恭敬和欽佩。囊螢映雪nángyíngyìngxuě（囊螢，晉車胤家貧,夏夜讀書,以囊盛螢火照明。映雪，晉時孫康家貧,常映雪讀書。）囊螢和映雪分別指晉朝車胤和孫康利用螢火蟲的光和雪的反光刻苦讀書的故事。第十八課《吆喝》囿yòu：拘泥。鈸、鈸bó打擊樂器。銅質圓形的樂器,中心鼓起,兩片相擊作聲 [cymbals]。古稱「銅鈸」、「銅盤」。初流行西域,南北朝時傳至內地。招徠zhāolái：招攬。鐵鉉tiěxuàn餑餑bōbo [方]∶糕點或用雜糧面製成的塊狀食物。饅頭。秫秸稈shújiēgǎn：摘了穗的高粱桿。隨機應變suíjīyìngbiàn：跟著情況的變化，掌握時機，靈活應付。合轍押韻hézhéyāyùn：文中指押韻。油嘴滑舌yóuzuǐ-huáshé∶用花言巧語討好。現在常用來形容一個人輕浮、油滑、善於迎合(有貶義)。第十九課《春酒》家醅jiāpēi：自家釀的酒。醅，這里泛指酒。一馬當先yīmǎ-dāngxiān：形容帶頭,領先,作榜樣。顧名思義gùmíng-sīyì： 觀其名稱就可推想其含義。第二十課《俗世奇人》《泥人張》《好嘴楊巴》怵chù摳kōu逢場作戲féngchǎng-zuòxì：原指賣藝人遇到合適的演出場地,就開場表演。後用作隨俗應酬,湊熱鬧的意思。八面玲瓏bāmiàn-línglóng:原指窗戶寬敞明亮,後形容待人處事機巧圓滑,各方面都敷衍周到,誰也不得罪.看風使舵kànfēng-shǐò: 看著風向掌握船舵。比喻隨著形勢轉變方向,調整對策.左右逢源zuǒyòu-féngyuán∶比喻做事情得心應手。比喻辦事圓滑。孤陋寡聞gūlòu-guǎwén： 比喻學識淺薄、見聞貧乏。人情練達rénqíngliàndá:熟悉人情世故。練達，指閱歷豐富，通曉世故人情。
Ⅶ 《簡愛》的英文影評
A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the screen. Joan Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects; there is surprising chemistry between them. At times, Welles is a downright "sexy" leading man! The script (credited to John Houseman and Aldous Huxley) captures the right "tone" of Victorian cruelty and repression.
Under Robert Stevenson's direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention. A strong supporting cast. There are brief though memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as "young" Jane.
George Barnes' camera captures appropriately stark images of Ross Dowd and Thomas Little's sets. Charlotte Bronte's grim novel is well suited to the excellent B/W, cinematography: a memorable scene early in the film has young Jane being punished by being forced to stand on a stool that is nearly in the center of a fan of shadows cast by the stair railing, It is almost reminiscent of expressionist German films of the Weimar years.
The film manages to entertain as well as inform. Purists may object to the last 3 lines of the film which hint at a slightly happier denouement than the book offered. In spite of that, Jane Eyre is still a nearly flawless film.
Ⅷ 急需一篇《簡 愛》的英文讀後感
英文讀後感----《簡愛》As Jane Eyre, in her plainness and solitude, walks to and fro in the Thornfield Hall, her unfortunate childhood, conflicting love, and religious forbiddance all cannot stop her seeking a better life and cherishing the human nature. She broke loose the chains that jailed her spirit, and through her struggles she overcame the poverty, customs, social standards, and piety which all blocked her from her dream of happiness, and finally became the master of herself! It could be said that Jane's life was earned through retaliation and pursuit, that she fought tooth and nail until the sunlight was won. The sunlight now in her palm, shines brightly unto her!
In fact, one has endless thoughts for the most effulgent sunbeam that shines after the storm. I always think in a difficult situation, if and when the hardships of this life is done, if and when the road of time no longer curves, if and when I try my best to walk to the end, will I be able to see the blinding sunlight? For the most important meaning in life is that, struggling through your trials you realize the value of your life, while taking away all the bitter misfortunes. Only then will we see the true radiance of the golden sun...
Trekking through storms
Running towards the future
Luminence of the sun
Shines brightliest in the dark
Let the difficult journey
Feel like a luxury
The sun in my hand
Fuels my arous heart
My will to fight is strong
Facing even the most unattainable heights
The sun in my hand
Even if only after storms
Mustering all of its heat
Projects towards me
The warmest radiance
Ⅸ 簡愛英文版觀後感
Jane Eyre — A Beautiful Soul Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think: We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past. We remember her pursuit of justice. It』s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side. We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God』s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality. We also remember her striving for life, her toughness and her confidence… When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality. Actually, she wasn』t pretty, and of course, the ordinary appearance didn』t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than 『the plain and ugly governess』. But as the little governess had said: 『Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!』 This is the idea of equality in Jane Eyre』s mind. God hadn』t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body. In my mind, though a person』s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn』t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it』s not true, they will like the person no more. For a long time, only a person』s GREat virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that 『Beauty is a heart enflamed and a soul enchanted』. I can feel that how beauty really is, as we are all fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Ⅹ 在哪可以看到英國電影簡愛的英文影評
英國作家Charlotte Brinte的傳世經典，自問世以來不斷地被搬上舞台和熒屏。電影人對這個故事頗為熱衷，從早年的奧遜·威爾斯 Orson Welles（《公民凱恩》）版本到近期的威廉.赫特（《大寒》）版本，在歷時半個多世紀以來，伴隨著7、8個版本簡愛影片的誕生，不同的電影人在各自的作品中用自己的角度闡述對作品的理解，同時也推動了這部經典名著在全球的普及。
1970年的George C. Scott飾演的版本歷來被認為是所有版本中改編得最恰到好處的－－既忠實於原著精神，且故事結構更為緊湊，愛情主題更加突出。蒼涼靜謐的英國荒原，神秘詭異的古堡，陰郁迷離的氣氛，加上「老戲骨"George C. Scott的表演，將一個維多利亞時代歌特式的愛情故事演繹得凄美動人。George C. Scott的表演無疑是本片的一大看點，他的激情演繹使其他版本的Rochester黯然失色，其鋒芒直逼早年的Orson Welles。而Susannah York外表沉靜，含蓄內斂的風格也被評為最接近原著簡愛的精神氣質。本片的主題音樂更是大手筆，它出自著名音樂人約翰.威廉姆斯之手，這一主題曲把本片的愛情主題推向高潮，更成為該版本的標簽，至今仍在不同的音樂會上被演奏。
對於中國觀眾，這一版本的意義尤為特殊——它被無數次地製成錄音剪輯，在全國各地的電台一播再播：它被製成各種版本的錄音帶，被「聽迷」們爭相購買，聽這部電影著迷的人甚至比有機會看這部電影的觀眾還要多。對於出產了無數配音電影精品的上海電影譯制廠，《簡愛》堪稱精品中的精品。在觀眾每一次選出的配音作品中，《簡愛》無不位列三甲。它從台詞翻譯到演員表演，無不成就了一種典範。這是配音大師邱岳峰與李梓的顛峰之作，他們用聲音拓展了新的表現空間，豐富了電影這一「視聽」的藝術在聽覺上的美好體驗。邱岳峰塑造的羅切斯特，或憤懣，或柔情，或倦怠，或狂暴，無不讓人動容。而李梓演繹的簡愛在不慍不火的聲調里展現出細膩的情感變化，或溫婉，或堅定，也在更深層次上豐富了簡愛人物的形象。他們的聲音有表情，有形象，有情感，一寸一寸都是鮮活的。
本片是20世紀70年代初拍攝的小成本電視電影，雖然由明星喬治·斯科特擔綱主演，但國外觀眾對其評價不高，在國外電影市場基本上沒有什麼影響力，是上海電影譯制廠表演藝術家們的精湛技藝使得她面貌煥然一新，成為觀眾心目中外國電影經典之作。經過邱岳峰和李梓主配之後，多少觀眾為之傾倒，甚至有人在寒冷的冬夜剛看完這部片子步出影院，便滿懷激情吟誦起羅切斯特和簡愛的對白來。簡愛的愛情觀、價值觀、人生觀對不少女性產生了巨大的影響，孕育了一批中國式的女權主義者。大夥欣賞之餘，還找來原著細細品讀、比較 。
這是一部特殊的電影，觀眾可以閉上眼睛，傾聽這來自靈魂的聲音。
如果問譯製片里有哪部影片可以稱得上是「聖經」的話，那一定就是她了。