A. 《木乃伊歸來》
最初安蘇娜不是還為了伊莫頓自殺了嗎？所以我們可以理解為：那個女的並不完全是安蘇娜，借屍還魂。另外主角的偉光正形象總要有反派來襯托，所以編劇就...
B. 跪求<木乃伊歸來2 >的英文影評
Mummy Returns,
The United States, 2001
U.S. Release Date: 5/4/01 (wide)
Running Length: 2:08
MPAA Classification: PG-13 (Violence)
Theatrical Aspect Ratio: 2.35:1
Seen at: UA Riverview, Philadelphia
Cast: Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo, Adewale Akinnuoye-Agbaje, Freddie Boath, Oded Fehr, The Rock, Patricia Velazquez
Director: Stephen Sommers
Procers: Sean Daniel, James Jacks
Screenplay: Stephen Sommers
Cinematography: Adrian Biddle
Music: Alan Silvestri
U.S. Distributor: Universal Pictures
The 1999 remake of the horror classic The Mummy surprised Universal Pictures with its box office success. The studio had expected it to be profitable, but not that profitable. However, long before the worldwide gross crept close to $400 million, Universal had already put two additional Mummy films into the hopper, awarding the series the "franchise" label. The Mummy Returns, which re-unites nearly the entire cast from the 1999 movie, is the first of these two proctions. The other, a prequel called The Scorpion King, will be released either later this year or next year, depending on how Universal arranges its release schele.
Stephen Sommers' 1999 feature was an enjoyable, if overlong, romp recounting the struggles of an adventurer and his companions to stop the apocalyptic agenda of an ancient Egyptian priest. While not entirely successful, The Mummy nevertheless boasted an infectious blend of high adventure, low-scare horror, and special effects that transformed it into a crowd-pleaser capable of sating the early summer audience until The Phantom Menace came along a few weeks later. Now, Rick O'Connell (Brendan Fraser), Evie O'Connell (Rachel Weisz), Jonathan Carnahan (John Hannah), Ardeth Bay (Oded Fehr), and (of course) Im-Ho-Tep (Arnold Vosloo) are all back. Joining them are a couple of notable newcomers: Rick and Evie's son, Alex (Freddie Boath), and the dreaded Scorpion King (WWF mainstay, The Rock).
The story for The Mummy Returns is a meager and muddled affair peppered with deus ex machina contrivances. A cult of power-mad Egyptologists (is there another kind?) have concocted a plan by which they can obtain world domination. First, they must resurrect Im-Ho-Tep, the mummy from the first film. Since they are being led by the ancient priest's re-incarnated girlfriend, Anck-Su-Namun (Patricia Velazquez), this proves to be surprisingly easy. Then, with his powers restored, Im-Ho-Tep heads off to do battle with the mythical Scorpion King, whose tomb lies in a pyramid at the center of a hidden oasis. In order to find that oasis, Im-Ho-Tep needs an artifact which happens to be in the possession of Alex O'Connell. And, when the boy is kidnapped, that brings his parents, his uncle Jonathan, and their old friend, Ardeth Bay, into the conflict. This results in a lot of chasing around the globe and a climax that features a special effects-laden battle between a large force of humans and an army of decaying, dog-faced creatures.
The fundamental problem underlying The Mummy Returns is the reason that the movie exists in the first place. This is not the byproct of the creative process; it's an off-shoot of Universal Pictures' greed. The sequel was made not because the filmmakers had a compelling story to tell, but because The Mummy made so much money that a second installment became mandatory. This thought process results in countless pointless and derivative sequels - a class in which The Mummy Returns unquestionably belongs. The plot is just a flimsy excuse to bring back old friends and stick them in a series of cliffhangers. It's low-rent Raiders of the Lost Ark, with high-quality special effects filling in for character development and intelligible storytelling.
Some of the action sequences in The Mummy Returns are fun and the visual effects are more polished and less noticably "fake" than in the previous film. Unfortunately, all of this can't obscure the fact that there is basically no plot. The clash of armies at the end has no purpose beyond showing off the effects mavens' skills at the computer. (In terms of style, it's reminiscent of the war in The Phantom Menace, albeit without the same strong story motivation.) The Mummy Returns has opportunities to do interesting things (at one point, there's a chance to force Im-Ho-Tep and Rick into an uneasy alliance, but that is neatly bypassed). Like the Indiana Jones movies, The Mummy Returns tries to blend low-key humor with a non-stop series of cliffhangers. However, while some of the jokes are funny, the action sequences are only sporadically satisfying, owing primarily to their often preposterous resolutions. And, while Rick possesses a certain charm, he's no Indiana Jones.
Brendan Fraser and Rachel Weisz rekindle the cute chemistry that existed between their characters in The Mummy. Freddie Boath makes an effective addition to the cast, primarily because he's not as annoying as most movie kids. John Hannah is back as the fatuous Jonathan. Arnold Vosloo's Im-Ho-Tep is subtly diminished, perhaps because he now has to share the spotlight with two other villains. Patricia Velazquez has an expanded role here from the one she essayed in the first film. And the part of The Scorpion King doesn't challenge The Rock's thespian abilities - all he has to do is snarl and look tough - things he is familiar with from his day job.
The Mummy Returns offers one surprise - an unexpectedly poignant dramatic moment in which we feel a surge of sympathy for one of the characters. Unfortunately, it's for one of the bad guys, which makes the ending a downer. Overall, the film probably offers what fans of The Mummy are expecting. The thinner, unnecessarily long storyline notwithstanding, this is essentially more of the same. It's hollow, lightweight entertaininment - not unpleasant, but far from the summer's definitive action/adventure flick.
C. 談談你對<木乃伊歸來>的感受如何
LZ看得比我仔細多了，我也喜歡古埃及文化，對18，19王朝了解比較多，但對印賀特普就知之甚少了，呵呵
當時看這部片子就覺得編劇導演完全沒有古埃及的相關知識，根本在瞎掰，看得我一頭霧水，強烈鄙視
D. 電影木乃伊歸來看的前後順序
1。木乃伊
2。木乃伊歸來
3。木乃伊：龍之詛咒
蠍子王是木乃伊歸來的前傳，講的是那個蠍子王的事情，跟另3部沒什麼關系，主演也不是Brendan Freser，不看也沒影響，因為蠍子王的事木乃伊歸來開頭會有講到
E. 電影木乃伊劇情介紹
一共兩部《木乃伊》《木乃伊歸來》
還有沒太大關系的前傳《蠍子王》，這不算第三部
第一部
故事發生的時間是一九二一年，一支探險隊在埃及發現了古埃及王子因霍特的木乃伊，因霍特因為受到法老的詛咒，因而被作為祭品而活活埋葬。與此同時，在因霍特的墓穴中，也發現了特霍斯的神秘卷軸，據說這種卷軸能夠重新賦予死去的人以生命。一天晚上，探險隊中得一位年輕隊員無意中大聲朗讀了這份卷軸，然後突然發起狂來，他突然意識到他的這種行為將把因霍特變成活人。十年之後，這個木乃伊假扮為一個現代埃及人，試圖重新與他失去的愛人團聚。他的愛人也是一名年輕美貌的再生的古埃及公主。
F. 木乃伊歸來的五百字觀後感
木乃伊歸來觀後感
今天，我終於有時間有心情有耐性來看這部叫做木乃伊歸來的電影-----
我發現我不喜歡這部電影；
不是因為電影不夠好看，
而是，在這里我喜歡的木乃伊開始變得猥瑣；
在第一部里，無論伊莫頓和安蘇娜犯的是什麼錯誤都是可以被人理解的；
因為，愛是無敵的，沒有人能全勝；
可是，在木乃伊歸來的時候......
既然已經相聚為什麼要征服世界呢？
看到魔蠍大帝的時候居然說自己是僕人，我以為那隻是班尼的專利；
安蘇娜可以為他死，轉世以後還能這樣的尋找他，說不想失去他第二次，可是居然不去救他......
難道說3000年以後忽然在面對死亡的一刻發現了自己不愛了么？
原本不過兩個男人各自為了心愛的女人活下來而不得不成為敵人、不得不消滅對方；
忽然之間，有了善與惡......好人、壞人 一眼可以分出-----
我以為木乃伊不是童話；
我以為木乃伊是現實的；
我以為應該是成年人的樣子，沒有絕對的錯和對 、沒有真正的善良和邪惡；
可是，我錯了；
是編劇的選擇，還是愛原本就不具有任何力量；
隨時可以為了愛情死亡；
也隨時可以為了愛情背叛？
G. 木乃伊歸來電影
一共三部，第三部就是蠍子王傳奇
http://www.gougou.com/search?search=%E6%9C%A8%E4%B9%83%E4%BC%8A%E5%BD%92%E6%9D%A5&id=0
H. 木乃伊歸來讀後感
木乃伊歸來觀後感
今天，我終於有時間有心情有耐性來看這部叫做木乃伊歸來的電影-----
我發現我不喜歡這部電影；
不是因為電影不夠好看，
而是，在這里我喜歡的木乃伊開始變得猥瑣；
在第一部里，無論伊莫頓和安蘇娜犯的是什麼錯誤都是可以被人理解的；
因為，愛是無敵的，沒有人能全勝；
可是，在木乃伊歸來的時候......
既然已經相聚為什麼要征服世界呢？
I. 如何評價電影《木乃伊》和《木乃伊歸來》
故事發生的時間是一九二一年，一支探險隊在埃及發現了古埃及王子因霍特的木乃伊，因霍特因為受到法老的詛咒，因而被作為祭品而活活埋葬。與此同時，在因霍特的墓穴中，也發現了特霍斯的神秘卷軸，據說這種卷軸能夠重新賦予死去的人以生命。一天晚上，探險隊中得一位年輕隊員無意中大聲朗讀了這份卷軸，然後突然發起狂來，他突然意識到他的這種行為將把因霍特變成活人。十年之後，這個木乃伊假扮為一個現代埃及人，試圖重新與他失去的愛人團聚。他的愛人也是一名年輕美貌的再生的古埃及公主
J. 關於電影《木乃伊歸來》里的內容。
木乃伊系列第三部的背景當時設定不是埃及了，最初是瑪雅文明，後來改為了中國。編劇畢竟制定了這么一個劇本，看來要為埃及片畫上句號。
麻煩採納，謝謝!