❶ 求電影《剪刀手愛德華》英語影評
Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling – Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.
The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.
Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason – the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.
The movie is decidedly odd but in a good way – the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish – arguably his most story-oriented film of his career – was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally "feel" the vibe of this picture, its heart pulsing black blood.
The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident – it's clear that he takes this entire project very seriously.
The acting is marvelous – Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle – a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.
Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold – the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichés and becomes quite a unique film in its own little world.
這個評的很全面完整，語言也很到位
❷ 剪刀手愛德華觀後感123
很好的一部影片，愛德華是一個未完成的機器人，意外地被佩格帶回家，可是他根本就不適應這個繁華的人世，他那畏畏縮縮的身體，四處躲避的眼神，透露出他對這個世界的未知和害怕，當他第一眼看到佩格的女兒，從他的眼神中可以看出他喜歡這個女孩，也正因為這份喜歡，或者說是愛吧，最終讓他們都痛苦，愛德華一直默默地為金（佩格的女兒）付出，即使知道別人要他去偷東西，他還是硬著頭皮去了，只是為了她，而後當他逃回城堡，金的前男友想要殺死他，他只是一味忍讓，沒有還手，金的前男友打了金，此時的他不再容忍，殺死了金的前男友，自此故事差不多結束了，以後愛德華一直住在古堡里，每年他都會製造出雪花，以此表達他對金的愛，一個無法收到回報的愛，當兩個不同世界的人相愛了，分開也是難免的。
電影結束時飄落的雪花，讓人無限遐想，也讓我為那份愛而感動。
片中Jonny Deep的眼神讓人難忘，太傳神了。
❸ 剪刀手愛德華 英文影評50字
剪刀手愛德華的簡短英文影評，見附件。
如果看不到附件，請用電腦訪問。
❹ 《剪刀手愛德華》觀後感 作文
大家知道約翰·德尼普嗎？當然，大家肯定對他不陌生，他就是《查理與巧克力工廠》中，大型巧克力工廠的主人----威利旺卡的扮演者。如果大家認識約翰·德尼普的話，那就一定不會對《剪刀手愛德華》這部影片感到陌生吧。
我覺得，《剪刀手愛德華》這部影片可以說是我看過的電影中看過的最感人的一部作品了。《剪刀手愛德華》講述的是一個名字叫愛德華的機器人，他的父親是一位偉大的發明家，他發明了許多東西。有一天，他突發奇想，要造一個機器人來當自己的兒子，很顯然，機器人被成功發明出來了，但是，由於時間關系，發明家暫時沒有造出愛德華的手，所以就用剪刀七湊八湊，湊成了一雙剪刀手，發明家還給這個機器人起了一個好聽的名字，愛德華，這位發明家用自己的三分之二的壽命來研製並教會愛德華如何做好一個人，就在聖誕節那一天，這個發明家終於把這雙正常的手研製出來了，不巧的是，就在發明家要為愛德華裝上這雙手的時候，發明家就老死了，就這樣，愛德華擁有了一雙不同尋常的剪刀手。在許多年過後，愛德華居住的古堡被世人發現了，一位名字叫做佩格的雅芳銷售代表誤入了愛德華的古堡，而佩格就把愛德華接到自己的家裡，本來，愛德華應該享受一個平凡的生活，但是，因為自己擁有一雙剪刀手，所以，許多佩格的鄰居經常光顧自己的家裡……
剩下的我就不說了，有待大家去找電影看去。
❺ 關於《剪刀手愛德華》的英語影評，
Once upon a time, an inventor lived in an old castle isolated on top of a hill. He created many ingenious devices and one day, he decided to create a man whom he call Edward. The good-natured scientist took care of him like if he was his own son, but he was old and died before he could complete him. Left all alone with scissors instead of human hands, Edward remains in the castle until he is befriended by Peg, a woman from the neighbouring town who feels pity for his loneliness and decides to bring him to her home. His difference quickly becomes an obstacle which prevent him from being fully accepted as a member of society. Soon, the unsuspecting Edward, becomes the focus of much gossip and awakes either curiosity, hilarity, anger or fear amongst the whole neighbourhood. Also, his innocence and good nature make him an easy victim for the unscrupulous. His artistic talent are exploited by all. And as he falls in love with Peg's daughter, she abuses his kindness and tricks him into helping her and her boyfriend burglar a house. His initial naivety leaves place to feelings of frustration, reject and revolt at people's ways. Edward also comes to realise, that he can be dangerous to others, that he is unable to even touch others without inadvertently harming them because of the sharpness of the blades he has instead of hands. Soon false rumours start spreading. People begin to fear him and wish him away. This is a wonderful tale about love and kindness, but also about rejection and estrangement. It shows the limits of people's tolerance for what is different from them and how strangers, those who stray from the norm, commonly named 'misfits', awake mockery or fear from a society which will use them and ultimately reject them, thus breaking their innocence and goodness. Though a harsh satire of people's vices, such as deceit, gossip, jealousy, hypocrisy, as well as a tragic witness to the pain and frustration linked to being unable to be accepted as one is by others, the tone is still infused with an ever constant sweetness, gentleness and innocence. The acting is impeccable. Depp's performance as Edward is truly touching and Keaton and Price's characters are full of gentleness. Their good-nature shows humanity at its best while some other characters efficiently show its least pleasant aspects. The photography is quite beautiful and is thematically based on a strong contrast between Edward's universe, the dark noiseless castle, strongly influenced by the gothic visual style, with the town, filled with bright colours and voices. The apparently gloomy castle is in fact a shelter from the seemingly happy outside world, which is in fact, much darker and sinister underneath its bright colours. The music is simply great, Danny Elfman being one of the most talented contemporary composer. His style is at times moving, soft, wild, silly, weird and crazy. He has worked on many musical soundtracks since, but this one is probably the most beautiful he ever created.
❻ 剪刀手愛德華觀後感
最可憐的莫過不可以擁抱心愛的人，哪怕是牽手都不可以。
❼ 剪刀手愛德華影評 英文版
取你看的懂得部分寫吧……
Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling – Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.
The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.
Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason – the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.
The movie is decidedly odd but in a good way – the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish – arguably his most story-oriented film of his career – was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally "feel" the vibe of this picture, its heart pulsing black blood.
The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident – it's clear that he takes this entire project very seriously.
The acting is marvelous – Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle – a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.
Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold – the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichés and becomes quite a unique film in its own little world.
❽ 剪刀手愛德華英文版影評
一次心靈之旅——觀《剪刀手愛德華》
看完這個故事，很震撼，還有一點心痛。
這應該是部很老很老的片子了，但對於我，卻是第一次完整地看。它講述了一個離奇而又感人的愛情故事，讓我們一起走進這個故事。
影片在大雪紛飛中開始了，一位老奶奶給小孫女講故事，由此引出了我們的主人公——愛德華。愛德華並沒有直接登場，接下來出場的是派格—— 一位雅芳推銷員，在她推銷商品連續吃了四次閉門羹後，車子反光鏡映出了古堡，於是她造訪了古堡並發現了孤獨生活在此的愛德華，出於對他的同情，派格把他帶回了自己的家。
你一定會奇怪愛德華怎麼會有一雙剪刀手呢？影片逐步為我們揭開答案。實際上愛德華並不是真正意義上的人類，它是由獨居在古堡的類似於科學怪人發明家製造而成的具備一切人類功能的模擬人，剪刀手只是沒裝手前的代替，但也正可悲在這一點，就在發明家要給愛德華安裝手的那一刻，發明家卻突然去世了，只留下了仍然帶著剪刀手的愛德華……不禁想起魯迅的那句名言：悲劇就是把美毀給別人看。
這個故事的大框架和《泰坦尼克號》很像，都是由年老後的女主角講述她年輕時候的愛情，並且都是很感人但結局並不完美的愛情故事，也正由於這不完美，才使得愛情本身變得那麼刻骨銘心。
讓我們繼續著愛德華在派格家的生活。不適應，那是肯定的。穿衣吃飯那些對我們再簡單不過的事對愛德華而言卻是那麼困難，他總是會不小心剪破衣服或者怎麼努力也不能把食物送入口中，還有水床，當他的「手」碰到床時一株水噴射而出時他驚慌的樣子讓人感到很好笑，同時也不免覺得辛酸。讓我高興的是，愛德華的剪刀手在修剪方面有著驚人的魔力，修剪樹木、為狗狗剪毛甚至為人理發，它是如此的神奇。於是愛德華以靈巧異常的剪刀手和溫和的性格博得了人們的歡迎。
在來說說愛德華的愛情。從來到派格家的第一天，愛德華就不由自主地愛上了照片中的漂亮女孩，也就是派格的女兒金。他們的見面是以驚嚇作為開始，然後是愛德華心甘情願的被所愛的人利用去偷東西從而引發了噩運並使愛德華最終不得不返回古堡與愛人分離。而金也在生活中逐漸愛上了善良的愛德華。但這本是一個不能成就的愛情。在偷盜事件之後，在愛德華被金的男友欺負邊走邊發泄之後，這里的居民終於了修女的話：他不是天使，而是個魔鬼，他們再也容不下他了。
愛德華在享受愛情的同時是無比痛苦的，他甚至不能擁抱自己所愛的人，他的剪刀手使他總是在救人時傷害人。影片的結尾，愛德華在冰雪紛飛中用一樽鞭打愛意的冰雕獻給他深愛的女孩。
當女主角依然老去，我們仍然願意相信愛德華還活著，因為漫天的雪就是最好的見證。
或許，沒有結局的結尾是最好的。
該片由Johnny Depp和Winona Ryder主演，獲第四十五屆英國電影學院獎最佳製片導演獎。
我非常喜歡演愛德華的演員，他是個天才！我意外的是，他居然是那個「加勒比海盜」。
感謝該片讓我經歷了一場心靈之旅。
❾ 剪刀手愛德華影評英文 600字 最好有中英文對照，原創，謝謝啦，很急，下禮拜就要交了
這是一個悲傷的電影，從一開始就註定是一個悲劇。我並不常常喜歡用註定這個詞，或者是be destined
to.但是你看，自從Edward走出古堡，一切就只能以悲劇收場。一切都充滿隱喻，直到我看到最後Edward用剪子剪碎身上的衣服，這多像一個完滿的隱喻。
我不知道導演想要表達的是什麼，但是我在裡面看到的是滿眼的蒼涼，好像一整片荒漠一樣的世界。容不下一個簡單的純粹的Edward。
Edward有一個熱鬧的到來，眾人的目光，熱切而灼人。Edward為別人修整莊園，為別人剪出可種不可思議的發型，他不收錢，他也從來都不為了什麼，他只是單純的喜歡，只是單純的想要這樣做而已，用他的剪刀手，好像這就應該是他生來的使命。
熱鬧的聚會，排隊等候的人群，他以為自己就這樣讓所有的人開心，所有的人滿意，讓所有的人接受自己了。當他聽著各種各樣的恭維或諷刺，當他的剪刀手上穿著各種各樣的蔬菜站在燒烤架旁邊，當他在人群里勉強的裝出很燦爛的微笑。陽光很燦爛，天空很藍。他以為一切都很美好。
可是大家是不能理解的，在這個世界上生活得太久的我們只會以我們的自以為是去看他，把他當作一個天才或者一個怪胎，可是不是的，他什麼名號也當不起，他只是一個最最純凈的靈魂而已。
他不懂得人世間的利害關系，也不懂得人世間的親情友情愛情，他不知道該怎樣愛該怎樣關懷，當他舉著自己明晃晃的剪刀手的時候，他的無助和慌亂，我也只能在屏幕前心疼得不知所措而已。
這就是他的愛，被劃傷的Kevin，被劃傷的Kim，傷痕累累的自己。
他不知道什麼是愛。他只是知道Peggy如果有一個專櫃的話一定會很開心，他只是知道輕輕地對Kim說Because you asked me
to.眼神清澈。
這就是一切了，他還能怎樣呢？他沒有資本愛，沒有未來，他能說的不是I love you, too.而只是，I
can』t.只能是一句goodbye.
It』s reality.
現實就是這樣了，有些東西是註定不能在這樣的社會里生存下去的。Edward能怎樣呢？他還不是只能怯畏的舉起自己的剪刀手。他能見剪出漂亮的發型，剪出精美的園藝，剪掉自己身上的衣服，可是他卻始終剪不掉，剪不掉別人對他的誤解，剪不掉和這整個世界的格格不入，剪不出夢想的形狀。
Edward在電視里接受采訪的時候，有觀眾問if you had regular hands, you
would be like anyone else. Peggy幫他回答說，No matter what, Edward will always be
special.
但是我想也許不是的，Edward is
special只是因為他有一雙丟不掉的剪刀手，而我們在成長的過程中往往這樣輕易的放棄，放棄自己曾經傻傻地執著的堅持的東西，放棄童年的夢想，丟掉自己的不被世人接受的剪刀手，然後再也剪不出那些神奇的形狀。
所以沒有剪刀手的Edward就不再是Edward 了。
我想Edward自己也是知道的，不然在聽到這樣的問題的時候，if you had
regular hands, you would be like anyone else.這樣被認定為尖銳的問題的時候，他不會只是淡淡地說一句Yes, I
know.
我們每一個人，都曾經是一個小小的Edward，有一雙大大的剪刀手，它不常常受我們的控制，它笨拙得不能握手，它有時會傷害別人，可是它也是一雙神奇的剪刀手，它剪得出這世界上最美的形狀，剪得出大雪紛飛。
後來呢？
後來我們在流言蜚語里成長，穿上襯衫，穿上褲子，穿上別人的期望。我們裝模作樣的成長，丟掉自己的剪刀手，為了生存，和大家變得一樣。
我們有了一雙真的手，我們用這雙手和自己不喜歡的人握手擁抱，玩弄各種各樣我們新學會的花樣。不用顧忌，不用謙恭的小心翼翼，不用溫順的微笑。
成長真是一個疼痛的社會化過程。
可是你還記得自己曾經的那個Edward嗎？他小小的脆弱的身子，他不小心劃在自己身上的傷痕，他安靜的眉眼，他的簡單倔強，橫沖直撞，他率性而為，他有時不小心傷害別人，他常常懵懂又無助。
你還記得嗎？你心裡還有一點點他的影子嗎？
結局只能是這樣，要不然就像我們一樣，丟掉自己的剪刀手，丟掉那一部分不能被人接受的自我，要不然，就像Edward，用自己的剪刀手剪碎身上的衣服，扔掉所有的光環和傷害，剪掉這個世界強加給你的與自己格格不入的一切外殼，然後逃走。
你還記得自己心中的那個小小的Edward嗎？陽光的背後，你的腳下Edward小小的怯懦的影子就這樣一點一點被吞沒了。
❿ 剪刀手愛德華讀後感，英文版，80詞左右，要自己寫的，差不多初一的水平就好，只限今天，好的有懸賞
Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling – Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.
The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.
Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason – the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.
The movie is decidedly odd but in a good way – the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish – arguably his most story-oriented film of his career – was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally "feel" the vibe of this picture, its heart pulsing black blood.
The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident – it's clear that he takes this entire project very seriously.
The acting is marvelous – Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle – a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.
Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold – the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichés and becomes quite a unique film in its own little world. 取你看的懂的..純手打.求採納.謝謝- -