A. 形容很老練,資格很老 是哪個單詞
experienced [ik'spiəriənst]
vt.experience的變形
adj.
1. 有經驗的，經驗豐富的
2. 游刃有餘的，熟練的，老練的；有見識的
3. 遭受到的；感受到的；體驗到的，親身經歷的
B. 英語：把下面的句子寫成一個復合句
1,The dean issued a bulletin which said the library would remain open on weekends.2, He returned to his hometown where he had been away for twelve years and he looked in vain for the familiar landmarks.3,Though We have made some progress,we still have a long way to go. 4 ,About one third of those who over two hundred passengers were on board the plane were </b>foreigners.5,She appeared on the stage with a stormy applause breaking forth.6, The new workers who are eager to learn from the veteran workers are young and </b>inexperienced. Just have a try.Hope will help u.
C. 老兵 THE VETERAN怎麼樣
從畫面以及表演等方面來講，這是一部相當不錯的電影，特別是對越南戰爭中回憶鏡頭的描述，與那些經典的越戰電影也相差無幾。不過最令人失望的是電影中現實的部分，總覺得劇情有點牽強，很多地方看不明白。電影講述的一個越戰中的老兵回到越南尋找舊時情人，卻在旅館中與一名舊時的戰友遭遇，對立的兩人劍拔弩張，而其中又牽涉進政府在當時的一些見不得人的勾當。不過，看玩全片，我始終沒搞明白那個老兵為什麼一開始要拿槍指著另一… []
D. 寓言小故事三個金人的英語翻譯
Three Golden statuettes
There was once a small country offering tributes to a large country.The tributes were three golden statuettes,shining all around,making the king in high spirits.But the emissary from the small country asked a question,worrying everybody.That was which one of the three statuettes was most valuable?
The king asked the jeweler to check them by weighing the weigh,cheching the hand-made skills.Everything of them was all the same.What could we do?The emissary was waiting for the answer.In such a big country,how couldn't we finish the task!
Finally,a veteran who was going to retire said he got an idea.So the king invited the veteran to the hall and the veteran put three straw into the golden statuettes' ears.Then we saw that the straw came out from the first one's ear on the other side.The second straw come out from the second statuette's mouth.Only the third straw went right into the statuette's stomach with nothing out.The veteran said that the third one is the most valuable one!The emissary nodded his head and said the answer was correct.
自譯不易啊,
E. 有關英語語法的問題
三個表達都是正確的。The new workers are young and inexperienced. They are eager to learn from the veteran workers. 這是使用了兩個獨立的句子表達
Young and inexperienced, the new workers are eager to learn from the veteran workers.
這個裡面的「Young and inexperienced 」是形容詞做定語，定語前置，修飾主語the new workers
The new workers, who are young and inexperienced, are eager to learn from the veteran workers.這個句子裡面使用了一個定語從句
以上三句的意思一樣
F. 尋求翻譯
中國花樣滑冰選手申雪、趙宏博幾年後重回，於周一在溫哥華的冬奧會上奪得中國雙人滑奧運第一塊金牌。
他們的勝利象一個美麗的傳說故事，這個故事不象在現實，而象是好萊塢大片。
「退役」的夫婦二人為了最後的金牌一搏而復出，他們於2002和2006分別奪得銅牌。
36歲的趙宏博和31歲的申雪與體育傳統挑戰，戰勝了花樣滑冰世界裡的年輕高手。為得到夢想你必需付出很多。 通常這樣的年歲不應再上場拼博，更不用說拿到金牌。
更具戲劇性的是他們一度是由於長期不滑而排名分最低。
但他們還是在周日的比賽上克服了重重困難，在短節目分上取得全勝，盡管在周一的自由滑上還存在一佔小失誤。
激動的趙宏博說，這么多年了，終於得到這塊金牌，太激動了，這么多年都在做這個夢。
趙宏博和申雪未來又會怎麼樣呢？他們將在下一個比賽繼續拼博嗎？
申雪表示他們或許有另外的打算，再繼續滑太困難了，也許是要個孩子的時候了。
G. 幫忙翻譯一下
通常讓在這樣一個時代的夫婦不應該在國際賽事上的競爭僅捧回奧運金牌。
他們的勝利來作為結局的故事，更像是現實生活好萊塢電影似乎童話。
中國花樣滑冰運動員申雪，趙轟般回滾年贏得2010年溫哥華冬季奧運會今天中國的首面金牌。
在老夫妻二人被引誘了一個退休的奧運會金牌的最後打擊，在此前贏得了2002年和2006年冬季奧運會銅牌。
在36歲和31分別照轟箔申雪與蔑視運動克服數字公約滑冰世界青年whippersnappers。
它需要許多艱苦的工作，實現你的夢想
通常讓在這樣一個時代的夫婦不應該在國際賽事上的競爭僅捧回奧運金牌。
添加到兩人一直是排名最低的競爭者的競爭，因為它們從冰長期不在去戲劇。
情感趙啟正說，「這是這么多年 - 最終得到這個黃金是如此令人興奮。因此，多年來一直致力於這個夢想。」
但是，克服重重困難，他們精湛的短節目得分，從星期天就足以看到他們勝利，盡管在周一的自由滑事件一些小錯誤的整體競爭。
中國已經贏得了溫哥華奧運會3枚獎牌 - 1金，1銀，1銅的王北星在女子500米速度滑冰。
那麼，下一個趙，沉？他們將捍衛自己在下屆比賽獎牌？
那麼，沉國放表示，夫妻倆可能有其他計劃
H. 英語翻譯
前排佔座翻譯
故事本身可能有些誇張，但它直擊歷史實，被記錄在了美國傳教士明尼梅特林的個人旅行日誌中。這個傳教士從日本侵略者無情的魔爪下拯救了許多中國難民。
紐約時報電影評論員麥克霍爾，寫道：「這種做作的嬌柔，因為張先生的喜愛而在電影里被累加，多次重現。這些笑著的妓女以一種極緩的步子穿過教堂墓地，似乎忘記了最終的悲劇結局。是的，這是一個悲劇，雖然它不明顯。
一些中國博客人從美國的出版物中摘取了一些評論，把他們和對張藝謀的批評放在一起對比。結果不僅顯示了差異，還有顯著的矛盾。可以肯定的說美國人不熱衷於大屠殺體裁，就像他們自己不喜歡屠殺一樣。他們認識到自己根本對張藝謀的電影沒有興趣。
經驗豐富的導演不會在藝術上持不同意見。不然他們會因此常常被媒體抨擊。
但是，張藝謀導演糟糕的，缺少藝術性的作品過分政治化了這部電影的大眾認同結果，尤其是把電影和一些日本政客對大屠殺的否認聯系在了一起
I. 高分跪求肖申克救贖英文影評！
1，播放音樂
片中，瑞德曾這樣說道：「體制化是這樣一種東西，一開始你排斥它，後來你習慣它，直到最後你離不開它。想想看，我們的身體已經有多大一部分被體制化了？ 」
看看老布。重獲自由後，他失去了監獄安穩的生活和周圍犯人的尊重，又遲遲無法融入新的環境，只能選擇結束自己的生命。自殺前，他飽含深情的放飛了自己飼養多年的烏鴉，他的自由，也只能在高飛而去的鳥兒身上延續，因為，他已經被鯊堡高度體制化了。甚至瑞德，也若隱若現地走在體制化的邊緣。這，不能不說是一種悲哀。
安迪，只有他安迪，找到了對抗體制化的辦法，那就是始終不放棄對窗外自由的追求，哪怕這種追求是多麼的危險。為此，他付出了太多。當安迪將監獄喇叭放上《費加羅的婚禮》，安詳的半躺在在廣播室的椅子上，掩目微笑時，他得到了短暫的自由，雖然代價是一周的禁閉，但是，解除禁閉，他又微笑的走了出來。
安迪終於重獲自由，在那個雷雨交加的夜晚。他從污泥中艱難地站了起來，仰頭深深的呼吸——他一定聞到了自由的味道。那一刻，一道閃電劃破天空，籠罩他整整十九年的，那所有的冤屈和壓抑，全然釋放！
「上帝地審判比預料來得快！」這是典獄長辦公室牆上掛的聖經刺綉。他的審判，也來得比預料得快，但那卻不是上帝帶來的，而源自一個越獄犯人的舉報。
2，喝啤酒
至今記得，瑞德與安迪的一段關於希望的對白，並奉為經典。
安迪：你應該繼續吹(指口琴)就不會忘記了。
瑞德：忘記什麼？
安迪：忘記在這世界上，還有這用高牆柵欄圍起來的地方，還有你自己心裡的，他們拿不走、碰不到的東西，屬於你自己的東西。
瑞德：你指什麼？
安迪：希望！
瑞德：希望？聽我說一句老朋友，希望是很危險的，它會讓你發瘋，在這種地方，千萬不要有這種念頭。
顯然，瑞德已經認同了典獄長的話：把信仰交給上帝，把身體交給我。
但是，安迪卻答之以一個淡定的微笑。
無論是什麼，都關不住希望，一切皆因希望起，世間無數的拼搏、付出，以及百折不回，就正是為了內心的希望嗎？有了希望，肖申克監獄不過形同虛設，有了希望，一把小小的錘子便可以救贖生命、救贖自由，甚至救贖鯊堡（肖申克監獄）。有了希望，安迪便可在無盡的等待與提心吊膽中盡情享受每一個小小的樂趣，並將這樂趣傳播開來，將希望播種在每個人心裡。希望是關不住的，鎖不牢的，是有翅膀的鳥，是流動的空氣，是息息尚存的呼吸，是永遠無法遏制的，是任何黑暗都無法染指的。有了希望就有了一切，有了希望就一切皆有可能。
瑞德心中早已沒有了希望，那圖書館管理員老布，居然會對希望充滿恐懼，而安迪卻始終心懷希望，那怕 「用這樣的小錘挖洞，至少需要600年。」安迪最能打動人心的品質，恰恰是這種看似對眼前現實平和接受，而心中希望卻永不不磨滅的精神。
關於自由
一頭是系在小小鶴嘴鋤上的自由，這種自由的追求要面對頻繁的查房和重重的高牆；一頭是監獄里悠然自得地生活，這種生活看起來既不空洞又擁有尊重。安迪毫不憂郁的選擇了前者，那怕風險是那樣的大，哪怕安全僅僅來源於一張麗塔.海華絲的海報（海報後面就是安迪用錘子挖的洞）……
一個人能夠在十九年痛苦的牢獄生活里，不放棄對自由的嚮往，這是一種怎樣的精神力量？這其間又要付出多麼大的代價？當凶惡的獄警將安迪推向死亡的邊緣，他仍然面不改色，口若懸河。最後，他第一次在監獄里贏得了自由，雖然這自由，只是在完工的屋頂喝上一口啤酒。
3，體制化
「體制化是這樣一種東西，一開始你排斥它，後來你習慣它，直到最後你離不開它。」這是其中的一句台詞,但說的不正是我們嘛,當我們被人為劃定的圈子的固步自封,以為這就是我們所希望的生活,就象電影中的BROOKS,在監獄待了50年,入獄前就只見過一次汽車,出獄後面對熙熙攘攘的車流,那種茫然,那種無所適從,心裡唯一的想法竟然是回到那個萬惡的監獄,長期的沒有希望的生活已讓他失去了面對新生活的勇氣,他最後也選擇了自殺,也只能是他唯一的結局.記得那句刻在木廊上的字嘛?"BROOKS WAS HERE."
"hope is a good thing,maybe the best thing！Busy for living or busyfor death！"Andy在獄中對Read說的一句話,換來了Read詫異的目光,在他看來自己已經在監獄待了40年,已經"習慣"這里的一切,談希望未免太可笑.他已經習慣了體制化的生活,若不是遇見Andy,他的下場應該是與Brooks是一樣的,出來後看著陌生的世界，也就只有一死了之.所以在監獄里,Andy並不是進行的自我救贖,而是感染了身邊的一切,也就是帶來了希望,導演把 Andy戲耍典獄長的情節一筆代過，並沒有著重描述，其實憑借他的才能，有這樣的結果是可以預見的，雖然有點出乎意料，但讓在可以接受的范圍內．但對於Read,影片中曾不只一次的突出的敘述他對這種生活的滿意以及對未來自由生活的膽怯，在他心裡，現在這種狀態才是最好的。Andy改變了他，與其說是改變，不如說在生死關頭給他指引了一條生路，給他帶來了勇氣與希望．當看到Read拿起那把小刀，心裡為之一震，還好，他在Brooks刻字的旁邊寫下了這么一句：」Me too."同樣的遭遇，同樣的地點，不一樣的結局，這就是Andy出現多帶來的改變．
Shawshank redeems Hollywood
Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must approach it in a most meticulous manner, e to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareness of each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artist's opus. Though already well known amongst his colleagues for his notable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.
The story begins with the trial of a young banker, Andy Dufrense, victimized by circumstantial evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of parole. He exists in this prison only in appearance, keeping his mind free from the drab walls around him. His ability to do this results in the gaining of respect from his fellow inmates, but most of all from Ellis Redding. Ellis, commonly referred to as Red, finds gainful use of his entrepreneurial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. Andy's demeanor and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. Andy proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.
By creating the film's firm foundation, the meticulously chiseled screenplay paved the way for this film's success. Frank Darabont outdoes himself with the phenomenal adaptation of Stephen King's equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still create a marvelous piece of modern literature. Though the film mirrors the novella in many ways, Darabont illustrates a focused objective of improving upon the areas where the novella came up short, resulting in one of the best book to film transitions ever.
While maintaining some of the poetic and moving dialogue of the novella, Darabont also proves that a film's score can generate a great deal of emotional response from its audience, as dialogue does. He employs the cunning Thomas Newman, son of the legendary Hollywood composer, Alfred Newman. Darabont shows recognition for the film's needs by employing Newman, who makes the gentle piano chords whisper softly to the viewer, as if a part of the scripted dialogue. Newman lends himself to indivialism and tends to drive more towards the unique in the realm of score composition. His effort in Shawshank did not go unnoticed, as his score received an Oscar nomination in 1995. While unique and independent, Newman's score never once intrudes on your concentration or distracts from the film.
With work from vast array of talented scene designers, costume designers, composers, cinematographers, and various other Hollywood artists, the cast of The Shawshank Redemption had a strong foundation to work with. The marvelous cast of this film will dazzle you with some of the most convincing performances you will witness in a film. While both Tim Robbins and Morgan Freeman shine as Andy and Red, respectively, the true spectacle of acting lies within the plethora of amazing supporting actors who easily disappear into their roles. Most noticeable of these, the veteran film star James Whitmore, who portrays the elderly Brooks Hatlen. Brooks, a man incarcerated for an unmentioned crime for so long that he finds himself attached to the Shawshank and the daily life he has lead. Each of these actors show a true dedication to their art, and a focused purpose in their motivations, creating a convincing setting that never once caters to anything unbelievable.
With all of the aesthetic touches and attention to cinematic detail, the most beautiful part of the film lies within its thematic material, such as its focus on the human desires for the most abstract concepts, like hope and freedom. These themes, which concern things the human spirit undoubtedly yearns for, seem so intricately woven into the plot that it easily draws its audience in to its story. Though full of hardened criminals, your heart will go out to these men as they display the most basic of human emotions, and deliver some of the most quotable lines in a film to date. Like a great novel, this film manages to succeed at greater things than simply entertaining an audience. Darabont tells his story most masterfully, illustrating principles and inspiring his audience to think. He leaves us a poignant film with a powerful message of hope, and redemption, something we all seek.
This film manages to redeem Hollywood in the eyes of people who feared it long lost in a dark sea of clichés and predictability. Darabont shows us that artists still work in the Hollywood studios and proction facilities. These artists show their capability to proce art; real art that inspires you to look at the deeper aspects of life and the world around you. The Shawshank Redemption delivers much-needed breath of fresh air for anyone who realizes the capability of film. It proves that masters of the craft still live on this earth, and still bless us with timeless masterpieces that we will never forget.