電影鐵拳男人的觀後感運動角度

A. 美國的勵志電影《鐵拳男人》，到底講了一個怎樣的故事

男人的剛毅與責任可以撐起一片天。至少鐵拳男人給我們的感覺是如此。鐵拳是一種信念，一種責任，有了這種信念和責任，男人無往而不勝。

B. 電影《鐵拳男人》中的詹姆斯布洛克確有此人嗎

本片是根據真實故事改編的，講述30年代美國經濟大蕭條時期，一個男人為了生計參加拳擊比賽，以獲得獎金，最終竟獲得了拳王稱號的故事。影片匯集了眾多大牌，特別是導演朗·霍華德與主演拉塞爾·克勞繼奧斯卡大贏家《美麗心靈》之後再一次聯手，成為影片最大看點。此次能吸引這位金像導演再次觸及人物傳記題材，是由於影片劇本深深地吸引了他：「詹姆斯·布洛克的傳奇即使在多年之後仍然鼓動人心，因為它向我們展示了愛的神奇力量和人性非凡的的忍耐力。《鐵拳男人》再現了一段真實的美國歷史，一段令人不堪回首的辛酸時光。主人公面對每天生活的困境，為了能全家不受飢餓折磨而奮力地拼搏，這就是我所感興趣的故事，一個在導演角度上永遠吸引我的題材。」朗·霍華德說道。

在本片中，影帝拉塞爾·克勞飾演這位具有傳奇色彩的拳王。為了更好的探索和挖掘詹姆斯·布洛克的人物特性，克勞接受了大量的體能和專業拳擊訓練，以達到令觀眾信服，刻畫出一個不但具有勇氣，而且體能和拳擊技巧上也十分優越的拳擊手。他日日沉浸在詹姆斯全盛期時拳擊的照片和錄影帶中，並花費大量時間耐心研究他的每個動作和在擂台上的面部表情，分解其不可思議的鬥志和驅動力。為了使每一個動作都達到專業水準，克勞特別邀請教練安吉洛·鄧迪對他進行專業訓練，鄧迪曾經是歷史上最偉大的拳王--阿里長達21年的教練。有這樣一位名師指點，想必克勞在片中的拳擊表演必然是有模有樣。此外，鄧迪還找來了另一位教練--前奧林匹克冠軍韋恩·哥頓，設計了一套訓練方案，包括皮艇、游泳、跑步、自行車、登山、跳繩等多方面運動，以便打造一個更加具有力量和韌性的強壯體形……

我記得片尾有一段寫他經歷的字幕

C. 鐵拳男人完整版電影

布洛克終於決定重上拳擊台，這是他可以挽救家人的唯一辦法。他的復出引來了民眾的關注，成為了人們心中的平民英雄。他在比賽中英勇揮拳，為了男人的尊嚴，為了家人的生存。--《鐵拳男人》

D. 電影鐵拳觀後感，隨便寫個幾百字就好。最好是自己寫的。有人回答我會追加懸賞的

鐵拳男人，講述的是詹姆斯 布洛克（James J Braddock)的傳奇拳擊生涯。一個打了80場專業賽卻從未被打敗的男人，在與Jonh Henry Lewis的一場比賽中右手不幸得骨折了。Braddock拖著受傷的右手，在烏雲般的經濟大蕭條籠罩的美國社會中，游盪在一個傷殘人士絕對找不到工作的碼頭，總是遺憾的兩手空空得回到家。 但Braddock的臉上從來沒有沮喪，只有一個男人的不屈的微笑，他的安定，他的信念，已經無形之中告訴觀影者，這個男人會成功。
然而我更敬佩這個男人的責任心，我更羨慕他和他妻子之間的愛。Braddock溫柔而堅毅的聲音，微笑著的臉，實實在在的擁抱，飽含愛的吻，是每一個男人都應該學習的氣質。他對兒子的愛與尊重，他對朋友的寬容，他對妻子的深情，打動了命運。
終於，Braddock抓住了一個千載難逢的機會，挑戰制重量級選手，經過艱難周旋，贏得了比賽。此後愈戰愈勇，不僅打敗了Lewis，而且挑戰當年世界冠軍Mak。
當時外界一致認為，Braddock與Mak實力懸殊，Braddock一定堅持不了兩回合。Braddock的妻子非常擔心他的生命安全，對她來說，只要Braddock活著比什麼都好，畢竟Mak已經在台上打死幾個人了。然而Braddock只是微微一笑，深情一吻，然後坐車轉向拳場。Braddock的妻子忐忑不安得來到教堂給丈夫祈禱，卻驚奇地發現，教堂里坐滿了窮苦的人，來給Braddock祈禱的窮苦的人。那一刻，她才明白，丈夫不是一個人在戰斗，他是經濟大蕭條下美國人民的英雄，人們對生活變得美好的希望就寄託在他戰勝Mak的希望上。這場比賽是一個象徵。
勇敢的Braddock的最終打敗了Mak

E. 電影鐵拳男人最後結局

男主人公苦戰後，贏了比賽，似乎和貝爾和解。（怎麼沒打死他）
兩年後，他接受了喬路易斯的挑戰，第一回合就將其打倒，可還是輸了比賽。喬路易斯一直都說，布達克是他見過最勇敢的拳手。（這樣告別拳壇大概是因為沒有了那種信念）
第二次世界大戰中，布達克英勇參戰。後來在大蕭條時工作的碼頭經營重機械公司，在1960年初期參與韋拉扎諾大橋的興建工程。
他用拳王爭霸賽的酬金，在新澤西州買了一棟房子，在那裡撫育孩子長大，安享晚年。（沒有說到忠實支持布達克的喬的結局，我倒是希望說說他的事）

F. 鐵拳男人好看嗎 鐵拳男人怎麼樣

男人的剛毅與責任可以撐起一片天。電影鐵拳男人給我們的感覺是如此。曾嘗試從另一種角度去看這個男人，實際上他並非狂熱的拳擊手，大部分情況是被生活所逼，他所處的年代和社會迫使他不得不用自己的生命去搏鬥生命。說到男人的剛毅，布洛克似乎只有一次接近於掉眼淚，當他走進拳擊委託管委會，那種對於渴望得到幫助和用軟帽接收饋贈時復雜的表情，恰巧襯托這一個男人剛毅堅強的一面。他對自己有充分的自信，他有區別於常人的感召力，他真誠，平和，似乎還很睿智，這樣一個男人最終成為普通民眾心目中的Hero，在美國這樣一個社會中並不奇怪。盡管他的生活從一個巔峰走向另一個巔峰，似乎從來沒有一帆風順的日子，只不過任何時候的困難、酸甜苦辣並不曾將他擊倒。不是中國人在社會動盪時期面臨無米無炊的境地，身處自由國度美國的底層民眾同樣面臨生活的問題，只不過，在必需的時候可以申領社會救濟。當辦事員在疑惑中給予布洛克有限的救濟金時，那種對社會的感恩我們是可以從布洛克眼睛裡讀出來的，因此當邁克受傷時他並沒有產生對哪個制度的仇恨與無奈。他退還的那一卷救濟金，不正是表明導演對這個自由國度的留戀？！對於社會的回饋以及從社會獲得回饋是相互的，最終我們還是要依靠自己的努力，堅守自己的信念。男人可以通過自己的努力哺育家庭、回報社會，而不是懦弱的認為被社會所拋棄。布洛克與叱吒拳壇的貝爾有本質的區別，他始終保持一種低調的姿態，他是三個孩子的父親，一個美麗女士的丈夫，他有他的責任，這種責任從他取出鞋油偽裝自己斷肢的那一刻起，始終貫穿整部影片。教堂前與邁克的沖突，完全體現出兩類人對於貧窮截然不同的態度，無疑布洛克是保持樂觀和開朗的心態，害怕貧窮和憎恨貧窮對於個人本身並沒有什麼好處，懦弱的人在牧師的祈禱下是進入不到天堂的，只會給生者帶來無限的哀思。在與貝爾的對決中，布洛克差一點要放棄，但那閃現的邁克妻子悲傷的墓地穿越正是給他以家庭責任的無限動能。

我們不能忽略喬伊這個看來似乎是吸血鬼的經紀，我很佩服他對於布洛克有前瞻性的眼光，也羨慕他們兩個在平淡中建立起來的友情。喬伊幾乎傾家盪產的做法，通過兩個女人的對話，突出顯示家庭成員對於他們堅定信念的重要性。這雖然是一部暴力芭蕾穿刺其間的電影，但我不得不這樣認為，這其實還是一部充滿愛的溫情電影。鐵拳是一種信念，一種責任，有了這種信念和責任，男人無往而不勝。

G. 鐵拳男人的觀後感

這是一部以上世紀30年代美國經濟大蕭條為背景的影片！內容很讓人感動，感覺打在他身上的每一拳同時也打在了我的身上！影片始終貫穿著一個主題，那就是每個人心中都要有堅定的信念和追求的目標！有了信念和目標一切困難都可以克服！也讓每個人都明白，你並不僅僅是為了自己而活著！
同時他也反映了親情是偉大的！無可戰勝的！塑造了一個為了家庭而不惜一切，責任感很強的男人！
但是可以通過表面看到其背後的發人深思的東西！那就是弱肉強食！男主角是值得人們同情的！而被他打敗的人呢？也許他們的境遇更加悲慘！
總體來說這是一部很好的影片！值得推薦！大家都去欣賞吧！

H. 鐵拳男人的英文觀後感

1
Ron Howard believes in America. His faith in the whole package of democratic ideals and family values smooths out the wrinkles in films (the Oscar-winning A Beautiful Mind, the immigrant saga Far and Away) that would be better off with their creases unpressed. Howard is fifty-one, but the image of the freckle-faced kid he was on TV as Opie and Richie still sticks to him as a gift and a curse. Darkness (Backdraft, The Missing) does not become him. His flair for comedy (Splash, Night Shift) can turn cornball (Parenthood) or crass (How the Grinch Stole Christmas). Yet at those times when Howard takes on a tough subject -- old age (Cocoon), a failed space mission (Apollo 13) -- and doesn't bland out, he can do wonders.
This is one of those times. Not only is Cinderella Man Howard's best movie, it is also his most personal and deeply felt. The true story of James J. Braddock, played with blazing brilliance by Russell Crowe, hits Howard where he lives. Irishman Braddock was a washed-up boxer from New Jersey who could barely support his wife and three kids ring the Depression. But the powerful left hand he developed by working on the Hoboken waterfront helped him score a comeback that put the nation in his corner and prompted legendary sportswriter Damon Runyon to b this two-legged pugilistic Seabiscuit the Cinderella Man.

The expertly crafted script by Cliff Hollingsworth and Akiva Goldsman takes its lead from a famous line in John Ford's 1962 western The Man Who Shot Liberty Valance: "When the legend becomes fact, print the legend." Howard gives the film the resonant power of myth. And Wynn Thomas' proction design, lit with a poet's eye by camera whiz Salvatore Totino, evokes the period of bread lines with rare artistry.

Of course, a film with no gray on its palette can lack human dimension. Enter a cast of miracle workers. Crowe is jaw-droppingly good, a movie star with a true actor's subtlety and grace. He plays Braddock not as a gladiator but as a family man who boxes to feed his wife and kids. But he'd rather face an opponent's deadly blow than poverty: "At least I can see who I'm fighting," he says. Crowe finds the sadness in Braddock when he must rely on government assistance to support his family. But he also reveals a rugged resilience. Braddock is a simple man with complicated emotions, and Crowe lets us inside his secret heart.

As Joe Gould, Braddock's can-do manager and trainer, Paul Giamatti is a dynamite package of brash humor and scrappy tenderness. He delivers a tour de force. Bet on this consummate pro (Sideways, American Splendor) to win the Oscar race for Best Supporting Actor.

Renee Zellweger brings backbone to Mae, the long-suffering Mrs. Braddock. She shows that sexual attraction is a major bond in their marriage, providing welcome heat and heart in her scenes with Crowe. Mae has one rule: She will not watch her husband take hits in the ring.

It's hard to blame her. The fight scenes may lack the surreal grandeur of Raging Bull and the tragic underpinnings of Million Dollar Baby, but Howard -- working with editors Mike Hill and Dan Hanley -- creates fireworks in the ring, using real boxers such as Art Binkowski, Troy Amos-Ross and Mark Simmons to take on Crowe.

All of which leads to the main event. Time: June 13th, 1935. Place: New York's Madison Square Garden. It's Braddock against playboy, actor and clown Max Baer (Craig Bierko), the heavyweight champ who brags about having killed two opponents by dislocating their brains. Baer is the villain of the piece, but the remarkable Bierko adds a vulnerability not in the script. It's a sective and scary performance that should put this versatile actor -- he sang his way to a Tony nod in Broadway's The Music Man -- on the movie map.

Watching Baer and Braddock go a punishing fifteen rounds ends Cinderella Man on a note of riveting suspense. But the film stays focused on the human drama. It's the classic American tale of the family man triumphant, and Howard makes sure that it hits you right in the heart.

2
Consider Cinderella Man to be a Depression era Rocky. While that may at first seem like a glib way to describe Ron Howard's rags-to-riches boxing drama, a careful examination of the storyline reveals numerous similarities between this drama and Sylvester Stallone's Oscar winner. Perhaps that's because the formula associated with boxing movies demands a sameness. Whatever the reason, the specter of Rocky hovers over Cinderella Man like a restless thing. During the concluding moments, if you close your eyes, you can almost hear Apollo Creed gasping, "No rematch!"

This is based on a true story, although, thankfully, Howard doesn't come right out and say it. The opening caption references a quote by Damon Runyon, but that's as close as the director comes to saying that the movie is a bio-pic. From the accounts of Jim J. Braddock's career I can find, Cinderella Man offers a reasonably accurate portrayal of what happened in the ring. I can't speak to how correct the depictions of Braddock's home life are. Although the movie is entertaining and succeeds in its goal as a feel-good experience, it does not rank in the top echelon of Howard's films. Overlong and unevenly paced, Cinderella Man hits stretches (especially between bouts) when it threatens to lose its audience.

The movie opens in November 1928. The "Bulldog of Bergen," Jim J. Braddock (Russell Crowe), is an up-and-coming light heavyweight fighter who is on his way to becoming a challenger for the championship. After every fight, his loving wife, Mae (Renée Zellweger), waits for him at the front door to their house, since she can't bear to watch him in the ring. Following this brief introctory section, Cinderella Man jumps ahead five years. The country is mired in the Great Depression, and Jim's fortunes haven't been better than those of the country in general. He is a has-been who only gets a few dollars a night for participating in second-rate bouts. When he breaks his hand, his career appears to be over, and he goes to work as a longshoreman. However, with day jobs being unreliable and low-paying, he and Mae soon lose the electricity in their apartment, a situation that endangers the health of their children. A chance at redemption occurs when his former manager, Joe Gould (Paul Giamatti), offers him $250 to fight on short notice with a heavyweight contender. Jim is expected to lose, and lose badly, but he confounds the experts, and his June victory over Corn Griffith propels him on the fast lane to a shot at the title against a ferocious and heavily-favored opponent, Max Baer (who has previously killed two inferior boxers).

Borrowing liberally from Martin Scorsese (Raging Bull), Howard creates boxing sequences that are as brutal as they are compelling. When Jim is in the ring, Cinderella Man is never boring. Unfortunately, the same cannot be said of all the connective material which is intended to form the movie's backbone. The scenes that show Jim as a loving husband and father, and depict him as a good friend to his equally down-on-his-luck pal, Mike (Paddy Considine), are trite. Instead of developing the main character into a fully three-dimensional indivial, they serve only to drag out the running time. Cinderella Man is a decent 105-minute movie that has been stretched to fill nearly 2 1/2 hours.

One non-boxing scene stands out as being worth the celluloid it was printed on. When he reaches rock bottom, Jim faces the possibility of having to send his children to stay with relatives. Yet he has promised his oldest son, Jay (Connor Price), that he would not do this. So, in order to raise the money to re-connect the electricity, he goes to a club frequented by his old boxing confederates, many of whom are high-rollers. With hat in hand (literally), he asks for donations. It's a moving sequence that brings home some of the hard reality of life in the 1930s.

There's nothing wrong with the acting, although most of the participants have done more impressive work in the past. Russell Crowe, working with the director for the first time since A Beautiful Mind, is effective as Jim both inside and out of the ring. Renée Zellweger, who has already looked "frumpy" as Bridget Jones, tries on "mousy" for this role. A spark of energy comes from Paul Giamatti, who has a solid chance of being nominated for an Oscar for his portrayal of Joe Gould (if only because the Academy will feel that they owe him for 2004's Sideways snubbing).

The period details are impeccable. Howard goes to great pains to convince us that we're back in the Depression. From his re-creation of the old Madison Square Garden to the infamous "Hooverville," this feels like the 1930s. Unfortunately, the by-the-numbers script, which hits every boxing cliché with far less effectiveness than other contenders (such as the aforementioned Rocky), doesn't do the other aspects of the proction justice. True story or not, Cinderella Man seems like the uncomplicated fairy tale its title hints at. This is 2005's Seabiscuit, an inspirational, "alt" drama thrown into theaters in the midst of the summer's blockbusters. As counter-programming, it may be successful, but as entertainment, it's on the bubble. To use a boxing metaphor, it lands a few solid punches, but never achieves anything close to a knock-out.

3
Russell Crowe reunited with Ron Howard and my first reaction is 「Hmm, somebody』s definitely fishing for more awards.」 After the success of A Beautiful Mind, who could blame them? When the early marketing focused too much on the past success of Howard and Crowe, my doubt about the Jim movie began to grow. Isn』t it nice when your doubts are unfounded? While possibly not on the same level of Mind in the critic world, Cinderella Man delivers another knockout hit for the Crowe/Howard tandem.

Despite being an unlikable fellow in reality, Russell Crowe keeps churning out outstanding roles that draw me to the theatre. Crowe』s portrayal of a sports legend continues his streak of powerful cinematic performances. Cinderella Man is the story of James J. Braddock, a rising star in the light heavyweight boxing ring ring the late 1920s. His rise up the ranks is coldly halted as the stock market crash of 1929 cripples the American economy. With a string of losses, injuries, and the end of his big paydays, Braddock suffers the same fate that thousands of other Americans felt ring the Great Depression.

After losing his personal fortune, Braddock struggles to provide for his wife (Zelweger) and children while never fully giving up his dream of returning to boxing. Due to a last minute cancellation and a recommendation by his old manager (Giamatti), Braddock gets one last chance at glory and cements his place in boxing history.

It is Crowe』s portrayal of Braddock that keeps Cinderella Man from slipping into the clichéd territory of Rocky. Braddock fights, not for glory, but to provide for his family. Along the way, Braddock becomes a hero and gives hope to other people struggling to survive the times.

Come on; hope being a central theme of a movie? Hasn』t that been done to death? Yet, I found myself falling for it completely. Crowe』s accent and look is a perfect capsule of the time and his boxing style is a perfect of Braddock』s. Did it take me this long to finally mention the boxing matches? Don』t think this is some boring historical crap starring Brendan Gleeson (Seriously, that guy is in all of em). The boxing matches in Cinderella Man are hands down the best ever replicated on the big screen. The Braddock fights are for folks who grew up with Rocky but now require realistic boxing and not to mention better acting in their films. The film's stunning cinematography draws you into the ring, and leaves you feeling like you're sitting there in person. I』m not even a boxing fan, but I found myself completely thrilled by the action.

Besides Crowe and the boxing scenes, the other bright spot in this film is Paul Giamatti』s portrayal of manager Joe Gould. Some will question Giamatti playing the comedic wise ass in yet another movie, but it』s a good move for him. Fresh off critical praise for Sideways, Giamatti can cash in with a blockbuster that will be seen by a much larger audience. Unlike other roles he』s had in, Giamatti』s character is more than just punch lines; he does an outstanding job of showing the heart of Joe Gould. Zellweger is adequate enough as Braddock』s wife, I can think of dozens of actresses who I』d prefer to see in a movie, but at least she isn』t as annoying as normal. That』s high praise from me considering the sight of those cheeks usually causes me to suffer an uncontrollable eye twitch. Oh come on, you were thinking it!

Director Ron Howard has a knack for heartwarming tales that while sometimes dangerously close to falling into the 「sappy」 territory, always manage to build a bond between the viewer and the characters. A great example of this is his other 「based on a true story」 epic, Apollo 13. I cheered for the astronauts when the came back home and my heart raced as Braddock battled in the ring. If history bores you, see this for the fights. If you aren』t a boxing fan, you』ll be fascinated by the story and the acting. Cinderella Man, while it appeals to a wide audience, doesn』t compromise; a quality Mr. Braddock would be proud of.

I. 如何評價電影《鐵拳男人》

該片再現了一段真實的美國歷史，一段令人不堪回首的辛酸歲月。電影中的詹姆斯-布洛克可以說是整個美國的縮影，他是象徵了整個美國社會在低谷中的崛起。

J. 鐵拳男人的介紹

《鐵拳男人》是博偉國際公司於2005年發行的動作電影，該片由朗·霍華德執導，拉塞爾·克勞、蕾妮·齊薇格等主演。該片講述了三十年代的美國工業大蕭條時期，經濟狀況跌落谷底、民不聊生時，一個為家庭而爭取第二次機會拼搏的男人受到了大批民眾的擁戴。