電影冰河世紀2觀後感英文

① 冰河世紀英文電影讀後感

很少這么認真的看一部動畫電影，但冰河世紀給了我太多感動。
人類在這部電影里多少扮演著一個殘酷的角色，給所有的動物們都帶來了痛苦，無論是善良的長毛象曼弗瑞德，還是扮演了大反派的劍齒虎，他們都因人類失去了同伴。
在這短短的旅程里，這些動物給了我太多感動。
因為人類失去家人的曼弗瑞德是那麼疼愛小嬰兒，在他的眼裡我從未讀到任何仇恨，而無論對於希德、還是迪亞戈，在危險的時候他總會挺身而出，雖然大多時候他總是在抱怨他們是麻煩。
樹獺希德絕對是一個搞笑的角色，他總是不停的說，惹麻煩，出狀況。但在強瓜是，當他看到小嬰兒的期盼的目光時，那搞笑的功夫片段，卻觸動了我。
至於迪亞戈絕對是我最愛的角色，尤其是他為救曼弗瑞德受傷以後，對曼弗瑞德說「這就是團隊」後，慢慢閉上眼，我真的以為他死了，眼淚唰的一下就流了出來，怎麼也止不住。而當在最後一刻，出現在大家面前時，我不知道該用什麼話來形容我那一刻的心情。
這是一部在冰河時期的電影，但我感覺不到任何寒冷，這里充滿了溫暖，一點一點的融化了所有的冰雪。

② 冰河世紀英文影評

20th Century Fox's film, a cartoon, in the 2000 exhibition of investment and issue 5 million dollars in 1000 cartoon "frozen planet AE (Titan AE)." The film lost in a rigidly playing stereotypical myth of the heroic old routines, whether it is the story or script style screen, "Frozen planet AE" failed to keep up with a new era, the box office only Qianqiancancan more than 1,000 2 million. This almost makes Fox the same period were a number of large proction of a new style cartoon film distribution companies, such as Disney, DreamWorks and SONY, completely expelled from the millennium cartoon film market.

But 20th Century Fox is not fuel-efficient lights. Two years of meticulous planning, "Ice Age" will be in March 2002, leading the company to return to Fox Lung Poon Huju cartoon film market. In order to not repeat the "frozen planet AE" mistake at the same time, avoid overcharging floating in the stunt effects, 20th Century Fox drastic rection in the "frozen planet AE" unsatisfactory performance of the Fox CG proction group, in turn won 99 opening of the Academy Awards best cartoon film director Chris--(Chris Wedge), and its outstanding proction team - blue sky studio (Blue Sky Studios). Such great abolition of its own subsidiaries, the Fox It is a "burn his bridges, and determined to win."

July 2000, "Ice Age" major animation proction in New York, started work indoors. July 2001 "Ice Age" trailers to the release of the film become the focus of Hollywood films. In this short notice for a few seconds the screen, showing an appearance not cheap to the strange squirrel to a hiding in the ice on the pineal, has led to the avalanche tragedy, in the face of icicle and ice bombarded RUF murder and folders thrilling scenes, the strange squirrel bring it had not forgotten the pineal fled, Enron is not easy landing, as it ran Jiaotu Mammoth to be a giant foot pressure top! Although this film trailers and the story has nothing to do with the main theme, but one vivid cartoon image exaggerated by the greatly appreciated. Trailers success proves that director Chris. Wei blue sky with the success of the proction group portfolio, but also to Fox once again become the focus of observers, strengthened them to return cartoon market confidence. The integration of the proction team, its strength should not be denied small
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更好的翻譯建議

感謝您為 Google 翻譯提供翻譯建議。我們會利用您的建議在將來更新我們的系統時提高翻譯質量。 20th Century Fox's film, a cartoon, in the 2000 exhibition of investment and issue 5 million dollars in 1000 cartoon "frozen planet AE (Titan AE)." The film lost in a rigidly playing stereotypical myth of the heroic old routines, whether it is the story or script style screen, "Frozen planet AE" failed to keep up with a new era, the box office only Qianqiancancan more than 1,000 2 million. This almost makes Fox the same period were a number of large proction of a new style cartoon film distribution companies, such as Disney, DreamWorks and SONY, completely expelled from the millennium cartoon film market.

But 20th Century Fox is not fuel-efficient lights. Two years of meticulous planning, "Ice Age" will be in March 2002, leading the company to return to Fox Lung Poon Huju cartoon film market. In order to not repeat the "frozen planet AE" mistake at the same time, avoid overcharging floating in the stunt effects, 20th Century Fox drastic rection in the "frozen planet AE" unsatisfactory performance of the Fox CG proction group, in turn won 99 opening of the Academy Awards best cartoon film director Chris--(Chris Wedge), and its outstanding proction team - blue sky studio (Blue Sky Studios). Such great abolition of its own subsidiaries, the Fox It is a "burn his bridges, and determined to win."

July 2000, "Ice Age" major animation proction in New York, started work indoors. July 2001 "Ice Age" trailers to the release of the film become the focus of Hollywood films. In this short notice for a few seconds the screen, showing an appearance not cheap to the strange squirrel to a hiding in the ice on the pineal, has led to the avalanche tragedy, in the face of icicle and ice bombarded RUF murder and folders thrilling scenes, the strange squirrel bring it had not forgotten the pineal fled, Enron is not easy landing, as it ran Jiaotu Mammoth to be a giant foot pressure top! Although this film trailers and the story has nothing to do with the main theme, but one vivid cartoon image exaggerated by the greatly appreciated. Trailers success proves that director Chris. Wei blue sky with the success of the proction group portfolio, but also to Fox once again become the focus of observers, strengthened them to return cartoon market confidence. The integration of the proction team, its strength should not be denied small

③ 冰河世紀2的讀後感

忘記過去才能更好地擁抱未來－－-再談「冰河世紀2」
幾周前抱著陪太子讀書的心態看了「冰河世紀2」。
沒有期待的時候往往卻能收獲意外的驚喜，這是影片結束後的第一感受。
早就想寫篇觀後感，因為懶，拖到現在。昨日偶然看到山海一色轉貼的關於此片的評論，決定狗尾續貂，加個小夜班，再談點個人感受。

看的是碟片，麒麟出品的DVD9，畫質清晰，效果良好，唯一的遺憾是中文字幕翻譯得稍有出入，有些甚至是低級錯誤。如欲收藏此片，建議還是再等些時日吧。

「冰河世紀2」是繼「獅子王1」，「怪物史瑞克1」後的又一部後現代動畫佳片。整部片子輕松愉快，浪漫溫馨而又不缺乏劇情張力，關乎生命，信念，友情，愛情甚至尊嚴與死亡，適合下到6歲上到60歲的所有觀眾。尤其精彩的是劇中人物的對白，詼諧幽默，充滿睿智，在笑聲的同時會有感悟和感動，極好地兼顧了好影片應該具有的娛樂性及思想性。
電影主角，據說是延續了「冰河世紀1」（很慚愧，1還沒看過，找時間補上這一課），依然是毛象MANNY，樹獺SID和劍齒虎DIEGO，當然不能忘了那隻執著的小松鼠，2中還加入了更有趣的3個新人物，兩只對生活充滿激情，頑皮且桀驁不遜的小地鼠，一頭一直以為自己是地鼠的母毛象ELLIE。
電影情節很簡單，一個正在融化的冰川將引發大的洪水，淹沒動物們生活的山谷。在洪水來臨前，動物們必須離開山谷，逃往諾亞方舟以求自保。電影就圍繞著逃離過程中發生在幾位主角身上的故事展開和深入。

看完電影，甚至更認為這是部哲理片，反映了不同的人性，不過是借了動物的可愛外型。
MANNY，看似是世界上最後一頭毛象，有著典型的男人心態和處世方式。因為唯一，所以倍感孤獨，強烈渴望著群體歸宿感，無比嚮往的就是他口中的「ONE BIG HAPPY FAMILY」。
而ELLIE，這頭從小被地鼠媽媽收養，和地鼠生活在一起，從而堅定主觀地認定自己也是地鼠的母毛象，身上集中體現了女人的口是心非與難以琢磨。
在逃離中，從這兩個傢伙的巧遇，到爭吵沖突，互相不能忍受，無法理解直至最後盡釋前嫌，攜鼻同行，整個過程絕對是青澀男女的經典愛情寫照，讓人莞爾的同時或許會對流逝的青春歲月憑添些感傷。
當危險已過，ELLIE打算跟著大群突然出現的毛象們一同前行的時候，MANNY想挽留，在ELLIE的注視下，囁囁嚅嚅說出的卻是「I HOPE YOU FIND WHAT YOU ARE LOOKING FOR」。ELLIE失望地轉身，MANNY惆悵地回頭，似乎看到兩個有情人因矜持與含蓄從此將天各一方。
峰迴路轉，在睿智的SID的鼓勵下，MANNY放下了「男人」的面子，拔足狂奔，追趕上ELLIE，鼓足勇氣說「I STAY WITH YOU NOT BECAUSE I HAVE TO， BUT BECAUSE I WANT TO「。
WANT TO 與HAVE TO，一詞之差，卻也可誤盡天下戀愛中的蒼生。建議戀愛中的男人們觀看此片，仔細領會，以便能真正了解WHAT WOMAN REALLY WANTS，呵呵。

SID，這只饒舌的樹獺，是劇中我最喜愛的一個角色。話雖多且好管閑事，卻開朗，睿智，熱心，幽默還深諳鼓勵之道，絕對是一個集體中不可或缺的人物。
起初因自覺沒受到大家應有的尊重，企圖以跳冰崖來證明自己的勇敢，從而獲取群體的認同。在後來逃離山谷的一路中，他以自己的人格魅力和凝聚力受到了大家的承認和尊重。
這裡面涉及到了一個哲學問題，人作為獨立個體，是否有絕對的尊嚴。
人的尊嚴來源於自我認識及自我肯定。雖然作為獨立個體，可人是社會動物，人對自己的認識和肯定其實很大程度是受其所處的外界環境的影響。他人對自己的評價和判斷極大地影響了人的自我感受，應該說人沒有絕對的尊嚴，人的尊嚴來源於認同和肯定。
這一問題我在SID身上得到了比較明確的答案。
DIEGO，這只有些自大的，由於不會游泳從而對水有巨大心理障礙的劍齒虎，在劇中並沒有太多出彩的表現。不過和SID有關害怕感覺的那段對話讓我記憶深刻。
SID認為害怕並非不良反應，它與生俱來，是天性，是NATURE。而DIEGO卻堅持害怕僅是為獵物，為弱者所備，JUST FOR PREY。他是只老虎，是捕捉者，強者，不會也不應該懂得什麼叫害怕。SID對次的回答很妙，「如果你不會游泳，你就會成為水的獵物」，話外之意不言而喻。
在SID生命的緊急關頭，面對滔滔洪水，DIEGO的害怕和恐懼畢露無疑，慶幸的是，他克服了，從中學會了游泳，換來雙贏的結果。
本性的東西，比如恐懼，又比如慾望，需要迴避還是面對？需要壓抑還是宣洩？我們的傳統文化似乎更願意選擇避而不談，似乎不談不想不面對就意味著不存在。這樣的掩耳盜鈴和自欺欺人在最近的李銀河事件中更是表現得淋漓盡致。其實，本性就是本性，與生俱來！非要扯上道德，誰又比誰更高？！
最後說說給我感觸最深的人物，那隻執著追尋松果的小松鼠。
電影的開篇與結尾均放在了這只松鼠身上。在所有動物逃命的過程中還間插了不少小松鼠置自己性命與不顧，堅忍不拔，嘔心瀝血追尋那顆松果的情節，滑稽可笑，卻讓我倍感心酸。
有多少人會像這只松鼠一樣，一輩子堅持自己的夢想，即使微不足道如一顆松果，無論何種變故，無論他人的眼光，矢志不渝，永不言放棄？
淡忘了曾經有過的夢想，在現實中妥協，在選擇中放棄。
那些有堅定夢想，窮畢生追求夢想的人將是我膜拜的圖騰。即使只是只松鼠，我依然自慚形穢，自覺卑微。

松鼠為抓住那顆松果從萬丈冰崖上墜落。瀕臨死亡的時刻，看到了天堂。金色的大門，門中間鑲嵌著松果形狀的飾物，天使在一旁唱著聖歌，天堂里，滿地松果，讓他喜不自勝，一個個拿起，擁入懷中，滿足狂喜陶醉，歷經生死後的獲得。畫面華麗，感人至深。再抬頭，空中掛著一顆巨大的松果，閃著金光，彷彿是上帝對那些窮一生追求一個夢想而不得的人所給予的安慰與酬勞。
他伸手企及，指尖即將觸碰之際，被一股無名的巨大力量生生拖開，死死抓住天堂的門，手指萬般無奈下還是一個個松開。彼時畫面的視覺沖擊力直穿心臟。
松鼠獲救了，被熱心的SID救回人間。天堂的美妙，重返人間的懊惱，讓那隻可憐的小松鼠熱血上涌，跳起來追著SID一頓亂打。
配合著片中出現過的動感十足的非洲鼓聲，影片在這樣滑稽而出人意料的場面中落下了帷幕。

對於那些堅持夢想的人而言，人間也許真如地獄？嚮往的是否總在天堂？
而瀕臨死亡的體驗是否真如法國那些「敗德知識分子」所說般美妙無比，人希望追求的極致快樂是否真在不斷的死亡體驗中才能得以實現？
這些問題也許在影片中都能找到答案。

隨心所欲，用SID對MANNY說的那句話作為結束語吧，忘記過去才能更好地擁抱未來！

④ 冰河世紀觀後感英文30詞內

冰河世紀觀後感英文如下：

The movie was totally funny and the graphics was superb.Especially,Sid the Sloth was the funniest of all and his voice was also funny.

My favorite characters were Diego and Soto because of their Saber tooth and they were so superb in the movie.Manny and Scrat were also funny.

All the Scrat scenes were so funny.The last scene was also cool.The baby was very cute and that is also favorite character.

翻譯：

這部電影非常有趣，畫面也非常棒。尤其是樹懶希德是最有趣的，他的聲音也很有趣。

我最喜歡的角色是迭戈和索托，因為他們的劍齒虎，他們在電影中表現得非常出色。曼尼和斯克拉特也很有趣。

所有的場景都很有趣。最後一幕也很酷。這個嬰兒非常可愛，這也是他最喜歡的角色。

⑤ 急需一篇冰河世紀的觀後感（英文）

《冰河時代3》的成功是流水生產線的必然結果——觀後感
和第二集相比，《冰河時代3》雖然在觀賞性上有所提高，但這個系列電影總體質量上還是呈下滑的趨勢，希望製作方就此打住，還是另外進行新的創意吧，不過人家肯定不會聽我的，圈錢運動還會如火如荼地進行的。拋開電影本身主題思想的優劣和劇情安排的合理與否，單從技術層面上講，人家這錢賺得叫人心服口服。可以說以《冰河時代3》為代表的一大批好萊塢動畫電影所創造的光怪陸離色彩紛呈的童話世界用「嘆為觀止」形容一點都不過分，但是我看《冰河時代3》最大的感觸不僅在此，我更折服於好萊塢動畫電影的製作理念，在強大的技術支持下這種理念幾乎達到了化境。

由於動畫電影普遍具有擬人化和奇幻色彩，在創作上幾乎不受時間、空間、角色的限制，地球上甚至宇宙間的任何物種都可以進入動畫電影中，並且開口說話，進行人類所能進行的一切活動。從這個角度上講，動畫電影的取材無比寬泛，相對於真人電影，人們對其劇情合理性的要求也寬松很多。但是這並不意味著編導們就可以胡說八道，人家不胡來，基本上還要給你把故事講圓滿了，叫你看了笑了輕鬆了，人家把錢拿走，完事。《冰河時代3》令人很直觀地看到好萊塢動畫編導們講故事的幾大法寶，說白了，就是一條製作流水線，按照這個套路生產基本上沒跑，差也差不到哪裡去。

法寶一：角色的成人性
《冰河時代》系列都以對堅果無比執著的松鼠作為影片的一個重要線索，這幾乎成了這個系列電影的一個招牌，《冰河時代3》也不例外，只不過又安排進了一個雌性松鼠。首先，在這只母松鼠的造型上，我們看到的是一個成熟美女的形態，雄松鼠看雌松鼠那色迷迷的神情，以及兩只松鼠的結合和矛盾的產生，無不是按照成人的思想和生活演進的。這樣的創作手法，在好萊塢的動畫電影中幾乎隨處可見。動畫電影本來的主要觀眾是兒童，但是正因為在這些「兒童形象」中加入了成人的表現要素，在形式與內容的巨大反差下，產生了很強的娛樂趣味，因而影片也變得老少咸宜了。反觀我們的動畫電影，在很大程度上，都局限在兒童的世界裡，不敢大膽地引進成人思維，使得我們的動畫片看起來都很「弱智」，只適合兒童觀看，大人們要是成天盯著《海爾兄弟》看，恐怕要被人當「弱智」了。當然這種情況近年來有所改觀，但是還是放不開手腳。

法寶二：題材的廣泛性
好萊塢的那幫大仙們，憑著天馬行空的想像力，幾乎把世間萬物都納入了他們的創作之中，小到《霍頓與無名氏》中的微生物，大到《冰河時代》中的恐龍猛獁象，從《尋找尼姆》中的深海汪洋到《WALL-E》中的浩瀚宇宙，從《馬達加斯加》中美國紐約中央公園到《獅子王》中廣袤的非洲草原，從阿拉伯傳說《阿拉丁》到中國故事《花木蘭》等等，可以說只要你能想到的領域，幾乎都被好萊塢動畫涉及。這樣一來，只要技術許可，好萊塢動畫的題材就無窮無盡，而技術保障又恰恰是最不是問題的問題。正是這種題材創造上的廣泛性，保證了好萊塢動畫電影永遠充滿了神奇，永遠都有你想不到的故事出現，而且這些題材的廣泛性足以包容全球文化，這個咱就得佩服美國文化的軟實力和其背後強大的技術支持了。而我們國內的動畫電影總是逃不出傳統的題材，一部《大鬧天空》幾十年來一直成為一個難以逾越的高峰，這不是榮耀，而恰恰是悲哀。有人會說我們的動漫技術不成熟，這個是事實，那麼我們在3D領域沒有優勢，在平面動畫方面技術上應該不成問題了吧？日本的好多優秀動畫電影都是平面的，可見內容永遠大於形式。《灰太狼與喜洋洋》似乎叫我們看到了一絲曙光，但願這不是曇花一現。

法寶三：內容的娛樂性
當然好萊塢動畫最大的賣點就是它娛樂性。就拿《冰河時代3》中的樹獺希德來講，這是一個油嘴滑舌、見風使舵但有一顆善良的心靈的市井小混混形象，他幾乎就是《冰河時代》系列的靈魂人物，也是這個系列的最大的娛樂點。他有著普通人類的一切弱點，但是又有著普通人類的基本人性，正是這種草根性，保證了影片整體上的親民性，所以人們再怎麼給電影挑刺，你看完了都得笑一笑，你一笑，錢沒了，那電影就算成功了。有意思的幾乎好萊塢所有的動畫電影中都有一兩個類似希德的角色，比如《史萊克》系列中的驢子、《花木蘭》系列裡的木須龍、《獅子王》系列中的大猩猩和後來出現的那個那兩個活寶——丁滿和彭彭，這些角色的出現極大的增強了影片的娛樂色彩，有的甚至反客為主，成為人們心目中印象極深的「主角」。這就要歸功於好萊塢動畫製作者善於製造和販賣娛樂的能力了，這種能力幾乎已經工業化，形成了生產流水線。角色的基本套路已經確定，只要創造一個角色按照這個套路走，基本就成功了。只要逗樂了大家，你還能說什麼？你看得不就是一個樂呵嗎？

法寶四：情節的擬人性
個人覺得這一點幾乎是動畫電影的靈魂，擬人化這個工作做好了，出來的東西就可能是精品。《冰河時代3》中出現了一個類似於堂吉訶德式的人物——鼬鼠巴克，這個角色身上體現的是人類身上更深層次的東西，那就是一種追求，一種具有自我犧牲精神的追求，雖然角色荒誕，但是我們又不能不承認這種精神確實在人類身上可以找到。好萊塢動畫最值得稱道地方在於，能把某些道理在嬉笑怒罵的娛樂之中講出來，叫你笑過之後，還得回味，而不是機械地說教。叫我至今印象深刻的地方是在《獅子王》中，刀疤望著逃離的小辛巴的影子，陰沉地對土狼（如果我沒記錯的話）說：「殺了他！」——這一情景活脫脫地是一副動畫版的黑社會老大的樣子，叫人玩味無窮。在《霍頓與無名氏》中，最後的結局表明真理往往是掌握在少數人手上，片中的宏觀世界和微觀世界最終歸於美好，但是現實中卻往往難以達到這樣一種皆大歡喜的結果，因此使得影片整體上的內涵更加深刻。《WALL-E》中更是把人類的末世情節和對愛的渴望淋漓盡致地運用到了機器人的身上，觀看本片幾乎成了一次心靈升華的過程。反觀我國的動畫電影，總是免不了說教，更可笑的是我們進行傳統文化教育、品德情操教育、愛國主義教育也往往是臨時的說教，而不懂得潛移默化寓教於樂才是王道。

除此之外就是在動畫技術上的領先性，這個是有目共睹的，無需再說。

《冰河時代3》不能算一部經典的動畫片，但它有著好萊塢動畫電影的所有特點，動畫效果逼真、老少咸宜、溫情脈脈、娛樂十足。可以說好萊塢動畫電影產業已經形成流水線作業規模，只要劇本搞定，技術保障是毫無問題的。近幾年來好萊塢的動畫電影，盡管質量上有高低，但幾乎鮮有徹底失敗的例子。因為從流水線上出來的東西，都具備上述幾個為人們所認可的特點，只是在這幾個特點的整合上有高低之分，但這足以保證未出場已經穩操勝券了，剩下的不過是賺錢多少的問題了。

因此《冰河時代3》拍得未必多成功，但賺錢賺得高明，這種高明之處需要中國動畫電影人多多學習。

"Ice Age 3" and the inevitable result of success is the assembly line - Feedback

And compared to Episode II, "Ice Age 3" In the view of somewhat improved, but the overall quality of this series of films on the downward trend is still hope that procers stop there, or another bar for new ideas, but the people will certainly not listen to me, means for misappropriating campaign will be carried out in full swing. Cast aside the theme of the film itself, the merits and the plot arrangements, reasonable or not, just from the technical level, painfully convinced people that make money. It can be said of "Ice Age 3" is represented by a large number of Hollywood animated film created by the bizarre color scene of the fairy tale world of "amazing" to describe is not at too much, but I see "Ice Age 3" the greatest feeling, not only in Here, I am more impressed by the Hollywood animated film proction concepts with strong technical support of this concept has almost reached Transformation. As animated films generally have anthropomorphic and fantasy colors, almost from the creation time, space, role constraints, Earth and even the universe can be of any species into the animated film, and to speak, human beings can be carried out in all its activities. From this point of view, extremely broad drawn animated films, as opposed to live-action film, it is reasonable for its story demands much more relaxed. But this does not mean that they can be written and directed nonsense, others do not mess things up, basically you should be given to the successful stories in, and tell you to read the laugh easily, and people put money away, bin. "Ice Age 3" It is very intuitive to see that the Hollywood animated story books written and directed several major magic weapon, put it plainly, is a proction line, according to the routine proction, virtually no run, where the poor are poor not to go. Magic one: the role of alt sexual

, "Ice Age" series are extremely persistent in pairs of squirrel nuts, as the film an important clue, which is almost become a sign of this series of films, "Ice Age 3" is no exception, but also arranged into a female squirrel. First of all, only on the mother squirrel shape, we see is a mature form of beauty, male squirrel to see female squirrel that Indecent expression, as well as the combination of two squirrels and contradictions of having no not according to alt the evolution of thought and life. This creative approach, in the Hollywood animated film almost everywhere. Animated films have been the main audience is children, but precisely because of these "image of the child," which incorporates elements of the alt's performance, in the form and content of great contrast given rise to a strong entertainment tastes, and thus film has become young and old salt Yi had. In contrast to our animated feature films, to a large extent, are confined to the children's world, not daring to introce alt thinking, makes our animation looks very "mental handicap" and is only suitable for children, alts all day long if staring at "Haier Brothers" Look, I am afraid we have to be as "mental handicap" had. Of course, this situation has improved in recent years, but still can not relax hands and feet. Magic 2: the broad themes

Hollywood's gang marching were that, with unrestrained imagination, almost all worldly things into their creation among small, "Horton and Anonymous" in the micro-organisms, large "ice age" in the dinosaur mammoth Like, from the "In Search of Nimes" in the deep ocean to the "WALL-E" in the vastness of the universe, from the "Madagascar" in New York's Central Park to "The Lion King" in the vast grasslands of Africa, from the Arabic legend "Aladdin" China Story "Mulan" and so on, can be said that as long as you can think of the area, almost all were involved in Hollywood animation. As a result, as long as technology licensing, Hollywood animation on the endless subject matter, while the technical support is exactly the problem the most is not an issue. It is this breadth of subject matter to create on the guarantee of the Hollywood animated film is forever full of magic, you can not think of the story will always occur, and these topics sufficient to accommodate the breadth of global culture, this let's get the soft admire American culture The underlying strength and strong technical support. And our domestic animated film is always escape from the traditional subject matter, a "row sky" for decades, has always been an insurmountable peak, it is not glory, but rather sad. Some people will say that our animation technology, immature, this is true, then we are not in the 3D field advantage in the plane animation technology should not be a problem, right? Japan's a lot of good animated films are flat, showing that the content is always greater than the form. "Gray Wolf and the radiant" seems to tell us a ray of hope, I hope this is not a flash in the pan. Magic 3: Content of entertaining

Of course, Hollywood's biggest selling point is its animated entertainment. Take the "Ice Age 3" in the sloth Sid, this is a slick, both ways, but there is a kind-hearted soul Ichii little bully image, he almost is "Ice Age" series, the heart and soul is this series the largest entertainment spots. He has all the weaknesses of ordinary human beings, but it is ordinary human beings with basic human nature, it is this grass-roots nature of the film as a whole to ensure the PFP, which is why people find fault no matter how to film, you had to laugh after reading the smile, you smile, the money did not, and that even if the film a success. Interestingly, almost all of the animated Hollywood film has one or two similar to the role of Sid, such as "Shrek" series in the ass, "Mulan" in the series of wood to be long, "The Lion King" series of gorillas and Later, it emerged that the two clown - Ding Man and Peng Peng, the emergence of these roles greatly enhanced the film's fun colors, and some have even become masters, to be perceived as extremely impressed with the "hero." This would be good thanks to Hollywood animation procers the ability to manufacture and trafficking in entertainment, and this ability is almost instrialization, forming a proction line. The role of the basic routines have been identified, as long as the role of the creation of a walk according to this routine, basic to success. As long as amused everyone can you say? You do not see is a Lehe do? Magic four: the plot to be human

Personally think that this is almost the soul of animated films, personification of this work well, and out of something, it could be fine. "Ice Age 3" and there was a Don Quixote-like figure similar toMagic 2: the broad themes

Hollywood's gang marching were that, with unrestrained imagination, almost all worldly things into their creation among small, "Horton and Anonymous" in the micro-organisms, large "ice age" in the dinosaur mammoth Like, from the "In Search of Nimes" in the deep ocean to the "WALL-E" in the vastness of the universe, from the "Madagascar" in New York's Central Park to "The Lion King" in the vast grasslands of Africa, from the Arabic legend "Aladdin" China Story "Mulan" and so on, can be said that as long as you can think of the area, almost all were involved in Hollywood animation. As a result, as long as technology licensing, Hollywood animation on the endless subject matter, while the technical support is exactly the problem the most is not an issue. It is this breadth of subject matter to create on the guarantee of the Hollywood animated film is forever full of magic, you can not think of the story will always occur, and these topics sufficient to accommodate the breadth of global culture, this let's get the soft admire American culture The underlying strength and strong technical support. And our domestic animated film is always escape from the traditional subject matter, a "row sky" for decades, has always been an insurmountable peak, it is not glory, but rather sad. Some people will say that our animation technology, immature, this is true, then we are not in the 3D field advantage in the plane animation technology should not be a problem, right? Japan's a lot of good animated films are flat, showing that the content is always greater than the form. "Gray Wolf and the radiant" seems to tell us a ray of hope, I hope this is not a flash in the pan. Magic 3: Content of entertaining

Of course, Hollywood's biggest selling point is its animated entertainment. Take the "Ice Age 3" in the sloth Sid, this is a slick, both ways, but there is a kind-hearted soul Ichii little bully image, he almost is "Ice Age" series, the heart and soul is this series the largest entertainment spots. He has all the weaknesses of ordinary human beings, but it is ordinary human beings with basic human nature, it is this grass-roots nature of the film as a whole to ensure the PFP, which is why people find fault no matter how to film, you had to laugh after reading the smile, you smile, the money did not, and that even if the film a success. Interestingly, almost all of the animated Hollywood film has one or two similar to the role of Sid, such as "Shrek" series in the ass, "Mulan" in the series of wood to be long, "The Lion King" series of gorillas and Later, it emerged that the two clown - Ding Man and Peng Peng, the emergence of these roles greatly enhanced the film's fun colors, and some have even become masters, to be perceived as extremely impressed with the "hero." This would be good thanks to Hollywood animation procers the ability to manufacture and trafficking in entertainment, and this ability is almost instrialization, forming a proction line. The role of the basic routines have been identified, as long as the role of the creation of a walk according to this routine, basic to success. As long as amused everyone can you say? You do not see is a Lehe do? Magic four: the plot to be human

Personally think that this is almost the soul of animated films, personification of this work well, and out of something, it could be fine. "Ice Age 3" and there was a similar to the Don Quixote-like figure - weasel Buck, this role is to embody a deeper level of what the human body, it is a pursuit, a kind of self-sacrifice the spirit of the pursuit, although the role of absurd, but we must admit that this spirit can be found in humans did. The most commendable parts of Hollywood animation is able to in the subject of ridicule in some token of entertainment among the speak out, tell you to laugh over later, have to aftertaste, rather than mechanically preaching. Impressed me so far are found in "The Lion King", the Scar Simba looking to escape the shadow of a small, murky against coyotes (if I remember correctly) said: "Kill him!" -- This scenario is an animated version of Huo Tuotuo to underworld boss looks like and tells the people pondering infinity. In "Horton and Anonymous", the final outcome shows that truth is often rests in the hands of the few in the film world and the micro-macro eventually attributed to a better world, but in reality are often difficult to achieve such a happy outcome, thus making video more profound meaning as a whole. "WALL-E" has even more in the end of the world of human desire for love plot and vividly applied to the robot's shoulders, watching film seems to have become a spiritual sublimation process. In contrast China's animated films, were always going to preach, even more ridiculous is that we have the traditional culture and ecation, moral sentiments of ecation, patriotic ecation is often temporary preaching, rather than know how to nurture learning fun, is kingly. In addition is the leading technology of animation, this is for all to see, no talk. "Ice Age 3" can not be considered an animated classic, but it has all the characteristics of the Hollywood animated films, animation realistic, young and old, sentimental, entertainment full. Can be said that the Hollywood animated film instry has formed the scale of pipeline operations, as long as the script without getting technical support is without question. In recent years, Hollywood's animated films, even though there are high or low quality, but almost a complete failure few examples. Because out of things on the line, all with a few of the above-mentioned characteristics of the people recognized only in the integration of these features have a level of points, but it is not sufficient to guarantee that appeared certain to win, and the rest is just profit how much money a problem. Therefore, "Ice Age 3" They are not necessarily more successful, but the money earned clever, this genius of animated film, the Chinese people need to learn as much as

⑥ 冰河世紀2觀後感100字

《冰河世紀2》是一部很有趣的電影，說的是生活在冰河世紀里的動物們在逃難過程中發生的又驚險又有趣的事情。
樹獺希德、猛獁象曼尼、劍齒虎迪哥，它們是好朋友，愉快地和動物們生活在一起。希德因自卑想自殺，曼尼和迪哥救了希德。它們看到冰川開始融化了，要淹沒陸地，便告訴動物們，兀鷹也給了一些提示，動物們開始逃難了。
曼尼三人走進森林後遇見猛獁象愛利，可愛利從小就和負鼠一起生活，認為它也是一隻負鼠。在一次海洋生物攻擊中，愛利終於知道自己是一隻猛獁象。這時候發生了火山噴發，經過決定，愛利繞著走。曼尼三人直走，經過重重困難過了火山地帶，它們到處找愛利，卻沒人知道愛利在哪裡。負鼠告訴曼尼愛利被困在洞穴里了，曼尼趕緊去救它，可是打不開洞穴。這時，攻擊它們的海洋生物來了，曼尼用智慧打敗了海洋生物並救出了愛利，但它們沒法趕上船。它們互相幫助，互相鼓勵，終於到達了安全的地方。
這部電影讓我學會了：別人有困難時要學會幫助別人，與朋友互相幫助，團結友愛。並從中得出：要愛護我們的地球，保護環境，不要讓真的冰河世紀來到地球上。

在周五的班會課上，我們看了一部名叫《冰河世紀》的動畫電影，這部片幽默風趣、十分搞笑。這部片講了猛獁象曼尼、樹獺席德和劍齒虎迭哥拯救動物們的故事。讓我給大家講講吧！
當動物們正高興的迎來溫暖的日子時，長毛象曼尼、樹獺席德和劍齒虎迭哥卻發現了一個重大的問題——冰川正在大面積的融化，冰山正在崩塌，一切都在融化之中。於是，得知了這個消息的動物們都紛紛逃離那裡。在途中，自稱是世界上最後一頭長毛象曼尼居然碰到了一頭名叫愛麗的母長毛象，但是她卻一致認為自己是一隻負鼠，再加上她那胡攪蠻纏的活寶負鼠兄弟，他們們開始了艱辛的旅程，一路沿著危險的地表和惡劣的天氣，終於成功的活了下來。
這部片十分好看。我看完了以後笑了半天。尤其是那隻拿著松果的松鼠，太搞笑了。而且還令我十分感動，電影中的那隻劍齒虎原本是不敢碰水的，當他的朋友遇難時，他鼓起了勇氣救了他們，他的勇氣，來自於他的友情，他的友情使他變得勇敢，這讓我深深的體會到了友情的力量。
這部片十分經典，希望大家都來看一下！

⑦ 冰河世紀1觀後感英文 初二100詞

具體如下：

《冰川時代》是一部2002年藍天動畫工作室製作的完全數字化的動畫電影，由20世紀福克斯電影公司發行，是《冰川時代》系列中的第一部，由克里斯·韋奇與卡洛斯·沙爾丹哈聯袂執導。

該片描述在冰河紀這個充滿驚喜與危險的蠻荒時代，因為一名突如其來的人類棄嬰，讓三隻性格迥異的動物不得不湊在一起，尖酸刻薄的長毛象，粗野無禮的巨型樹獺，以及詭計多端的劍齒虎，這三隻史前動物不但要充當小寶寶的保姆，還要歷經冰河與冰山各種千驚萬險護送他回家。

電影由奧斯卡最佳動畫得主克里斯·韋奇與卡洛斯·沙丹哈聯袂執導，克里斯·韋奇是藍天動畫工作室的創始人之一，卡洛斯也是工作室的核心主創人員。藍天工作室一流的設備和技術創造了許多生動活潑的角色，例如電影《兔子》和《冰原歷險記》都是這個工作室的得意作品。

克里斯·韋奇以《兔子》一片獲得2000年的奧斯卡金像獎最佳動畫短片，電影所呈現的逼真的光影效果，使該片在視覺、氛圍和真實感上都令人耳目一新。卡洛斯·沙丹哈也曾為多部電影及電視劇擔任動畫監制，電影《搏擊俱樂部》的動畫監制就由他擔任，其中血肉橫飛的數碼特效被影迷推為經典。

電影最初打算由福克斯動畫工作室製作2D動畫，並由唐·布羅斯和加里高德曼執導。但是隨著CGI動畫的興起，與電影《泰坦A.E》票房上的慘敗，福克斯傳統上的動畫部門幾乎解散，因此CGI動畫部門的克里斯·威居和卡洛斯，接替了他們倆的工作，開始了新的創作。

⑧ 《冰河世紀2》英文版

下載的網站：http://221.7.128.134/nnvod220060407/冰河世紀II融解.rm