小人物nobody電影觀後感

⑴ 英語作文200字20篇電影觀後感

e warm winds blew gently. I was very tired and lay down to rest for a little while. Very soon I went into a state of dreaming.
A little girl sleeps in a corner of the garden. She cries and cries until her sound is broken. Suddenly a bright figure appears before the child. A beautiful fairy stands in front of her. She had a wand in her hand. 「Why do you cry? What』s the trouble? Perhaps I can help you」, the fairy says. 「My mother is dead. I am lonely, and nobody loves me」, answers the girl. 「I am a fairy, my home is in the moon. Do you see the light of the moon? How pleasant it is. Would you like to live with me in the moon?」
「Thank you, dear fairy, I want to go with you」.
The fairy leads the girl into a wood where there are many dwarfs. They look very busy. Every one of them has to dig the soil. They are trying to find varieties of seeds. They cultivate the fields with their hands. All day long though they are exhausted, yet they are forced to work on. Otherwise they will be whipped to death. I made up my mind to save all of those dwarfs. The sound of the bell suddenly came to my ears. I had to wake up.
Oh! This is no other than a dream. I will not let it trouble my mind. (264 words)

考試作文2: Title: A Visit to My Uncle (Grandfather,… )
Time Limit: 30 minutes
Word Limit: No less than 120 words
參考範文

⑵ 無姓之人電影是什麼意思

《無姓之人》是由雅克·范·多梅爾執導的科幻愛情片，傑瑞德·萊托，薩拉·波莉，黛安·克魯格等主演。

劇情簡介：

在2092年的未來，火星已成了地球人熱衷的度假勝地。118歲高齡的尼莫諾巴蒂（傑瑞德·萊托Jared Leto 飾）是最後一位仍未死亡的自然人。記憶混亂的他在一次次的催眠及采訪之中不斷回憶自己的童年，卻在每個人生分岔點都衍生出完全不同的人生。

在這些不同的版本中，有母親（娜塔莎·雷托 Natasha Little 飾）和父親（瑞斯·伊凡斯Rhys Ifans 飾）離婚後再婚而變成了尼莫「妹妹」的安娜（黛安·克魯格Diane Kruger 飾）；

有身患抑鬱症婚後情緒不穩的埃莉斯（薩拉·波莉Sarah Polley 飾），還有與他育有三名子女的亞洲女孩吉恩（范林丹 Linh Dan Pham 飾）。

(2)小人物nobody電影觀後感擴展閱讀：

幕後花絮：

主角的名字叫尼莫·諾巴蒂Nemo Nobody，Nobody不僅僅是主人的姓，而且還有「小人物、沒有人」的意思。

影片中安娜一角原本是由愛娃·格林來扮演的，後來換成了黛安·克魯格。

為了趕去參加戛納電影節，多梅爾剪出了一個「參賽版本」，不過最後沒能趕上末班車，多梅爾帶著電影轉 參 加了威尼斯電影節。不過導演表示，「戛納版」和「威尼斯版」是一樣的。

⑶ 高分！幫忙寫個電影的英語觀後感

The Curious Case Of Benjamin Button review

"The Curious Case of Benjamin Button" is a splendidly made film based on a profoundly mistaken premise. It tells the story of a man who is old when he is born and an infant when he dies. All those around him, everyone he knows and loves, grow older in the usual way, and he passes them on the way down. As I watched the film, I became consumed by a conviction that this was simply wrong.

Let me paraphrase the oldest story I know: In the beginning, there was nothing, and then God said, "Let there be light." Everything comes after the beginning, and we all seem to share this awareness of the direction of time's arrow. There is a famous line by e.e. cummings that might seem to apply to Benjamin Button: and down he forgot as up he grew. But no, it involves the process of forgetting our youth as we grow older.

We begin a movie or novel and assume it will tell a story in chronological time. Flashbacks and flash-forwards, we understand. If it moves backward through a story (Harold Pinter's "Betrayal"), its scenes reflect a chronology seen out of order. If a day repeats itself (Harold Ramis' "Groundhog Day"), each new day begins with the hero awakening and moving forward. If time is fractured into branching paths ("Synecdoche, New York"), it is about how we attempt to control our lives. Even time-travel stories always depend on the inexorable direction of time.

Yes, you say, but Benjamin Button's story is a fantasy. I realize that. It can invent as much as it pleases. But the film's admirers speak of how deeply they were touched, what meditations it invoked. I felt instead: Life doesn't work this way. We are an observer of our passage, and so are others. It has been proposed that one reason people marry is because they desire a witness to their lives. How could we perform that act of love if we were aging in opposite directions?

The movie's premise devalues any relationship, makes futile any friendship or romance, and spits, not into the face of destiny, but backward into the maw of time. It even undermines the charm of compound interest. In the film, Benjamin (Brad Pitt) as an older man is enchanted by a younger girl (Cate Blanchett). Later in the film, when he is younger and she is older, they make love. This is presumably meant to be the emotional high point. I shuddered. No! No! What are they thinking ring sex? What fantasies apply? Does he remember her as a girl? Does she picture the old man she loved?

Pitt will of course be nominated for best actor and may deserve it because of his heroic struggle in the performance. Yes, he had to undergo much makeup, create body language and perform physically to be manipulated by computers. He portrays the Ages of Man with much skill. That goes with the territory. But how did he prepare emotionally? What exercises would the Method suggest? You can't go through life waving goodbye. He is born looking like a baby with all the infirmities old age. He grows younger, until he resembles Brad Pitt, and then a younger Brad Pitt, and then -- we do not follow him all the way as he recedes into the temporal distance.

The film was directed by David Fincher, no stranger to labyrinths ("Zodiac," "Fight Club"). The screenplay is by Eric Roth, who wrote "Forrest Gump" and reprises the same approach, by having his hero's condition determine his life experience. To say, however, that Roth "adapted" the original short story by F. Scott Fitzgerald would be putting it mildly. Fitzgerald wrote a comic farce, which Roth has made a forlorn elegy. Roth's approach makes Benjamin the size of a baby at birth. Fitzgerald sardonically but consistently goes the other way: The child is born as an old man, and grows smaller and shorter until he is finally a bottle-fed baby. Not much is said about Benjamin's mother, which is a pity, because he is 5-feet-8 at birth, and I wonder how much pushing that required.

I said the film is well-made, and so it is. The actors are the best: Taraji P. Henson, Julia Ormond, Elias Koteas, Tilda Swinton. Given the resources and talent here, quite a movie might have resulted. But it's so hard to care about this story. There is no lesson to be learned. No catharsis is possible. In Fitzgerald's version, even Benjamin himself fails to comprehend his fate. He's born as a man with a waist-length beard who can read the encyclopedia, but in childhood, plays with toys and throws temper tantrums, has to be spanked and then disappears into a wordless reverie. "Benjamin" rejects these logical consequences because, I suspect, an audience wouldn't sit still for them.

According to the oddsmakers at MovieCityNews, "The Curious Case of Benjamin Button" is third among the top five favorites for best picture. It may very well win. It expends Oscar-worthy talents on an off-putting gimmick. I can't imagine many people wanting to see the movie twice. There was another film this year that isn't in the "top five," or listed among the front-runners at all, and it's a profound consideration of the process of living and aging. That's Charlie Kaufman's "Synecdoche, New York." It will be viewed and valued decades from now. You mark my words.

有些長,你可以刪減一下吧,希望能為你所用

⑷ 求一部英文電影的英文觀後感

《勇敢的心》
一個勇敢的男人，一個嚮往自由，渴望愛情的心。用黨內的話來講，他真可以算作為了民族的事業，為了不滅的愛情，拋頭顱撒熱血了。佛羅伊德說過人的三大慾望，生的慾望，愛的慾望，被尊重的慾望，這個男人被負著沉重的負擔，挺起寬闊的胸膛，去證實自己的存在。拋棄個人英雄主意不談，慾望是原動力，愛情是導火索，最終嚮往自由的口號把整個行為推向了新的高度，華萊士僅僅是個符號，自由在引導人民。
華萊士兩次深深受到傷害時的舉動猶如電擊般觸動我的心。一幕是在心愛的女人慘遭毒手後，自己已經無力回天，他那有如閃電一樣的目光，義憤填膺，氣勢有如滔滔江水，一發而不可收拾。另一幕出現在盟友背叛他的那一刻，孤獨，無助，失望而沒有絕望，他拋掉幻想，重新拿起武器，進行著一個人的戰斗，向世界討回自己的公道。

A brave man, a longing for freedom, love hearts desire. Terms of use, then the party, he can be counted as the cause for the nation, in order to immortal love, shed blood of Caesar. Floyd said that three people desire, raw desire, the desire for love, the desire to be respected, the man was a heavy burden of negative, broad chest stood to confirm their existence. Not abandon the idea of personal heroism, the desire is the driving force, love is the fuse, yearning for freedom eventually put the whole conct of the slogan to a new height, Wallace is just the symbol, the people freely in the guide.
Wallace deeply hurt when the two act as if the electric shock-like touch my heart. Favorite scene in the hands of the women were after, have been unable to return to their own days, his eyes like lightning, like, filled with indignation, as the momentum rolling river, far out of control. Another screen appears in the betrayal of his allies at the moment, loneliness, helplessness, despair, disappointed but not that he throw away the illusion, to take up arms again to carry out a people fighting to get their fair world.

⑸ 求 小人物 Nobody 百度雲免費在線觀看資源

《小人物 Nobody 》網路網盤高清資源免費在線觀看

鏈接: https://pan..com/s/1K1cnKJlHb630lwlhj9k-WQ

一天晚上，Hutch（鮑勃·奧登科克BobOdenkirk飾）位於郊區的家中遭兩名小偷闖入。為了避免暴力沖突，Hutch沒有為自己或是家人反擊。他的兒子Blake（蓋奇·芒羅GageMunroe飾）對他感到很失望，他的老婆Becca（康妮·尼爾森ConnieNielsen飾）似乎也因此更加疏遠他。這起事件激發了Hutch心中壓抑許久的情緒和本能，促使他走上殘酷的道路，將揭露他黑暗的秘密和致命的能力。在拳頭、槍彈和急速行駛的車陣中，Hutch必須從危險的敵人（阿列克謝·謝列布里亞科夫AlexeySerebryakov飾）手中救出自己的家人，並確保別人不會再把他視作無名小卒。

⑹ 《小人物》(《nobody》)里的插曲有哪些

有：《Nobody》、《Suburban Disruption》、《I'm Gonna Fuck You Up》、《We Need a Cat》、《They Know, I Know, You Know》、《Everyone Dies》、《The Obshak》。

影片講述一天晚上，哈奇·曼塞爾位於郊區的家中遭兩名小偷闖入。為了避免暴力沖突，哈奇沒有為自己或是家人反擊。他的兒子布萊克·曼塞爾對他感到很失望，他的老婆貝卡·曼塞爾似乎也因此更加疏遠他。

這起事件激發了哈奇心中壓抑許久的情緒和本能，促使他走上殘酷的道路，將揭露他黑暗的秘密和致命的能力。在拳頭、槍彈和急速行駛的車陣中，哈奇必須從危險的敵人利安手中救出自己的家人，並確保別人不會再把他視作無名小卒。

哈奇·曼塞爾，在退役後他的生活想一談死水，工作毫無挑戰，他與自己的妻子也早就沒有了激情，兒子對他愛答不理，只有女兒和他最親近。一天，他發現自己女兒的手鐲被搶了，於是開啟了他的復仇模式，最後還和黑幫進行對抗。

⑺ 一個人坐在輪椅上，說了一句，who said we can't Nobody!這個人是誰。

答：這個人應該是坐輪椅人的對方啊！

⑻ 跪求小人物/殺神NOBODY2021年由 鮑勃·奧登科克主演的百度雲資源

《小人物 殺神NOBODY 2021》網路網盤高清資源免費在線觀看；
鏈接:

一天晚上，Hutch（鮑勃·奧登科克BobOdenkirk飾）位於郊區的家中遭兩名小偷闖入。為了避免暴力沖突，Hutch沒有為自己或是家人反擊。他的兒子Blake（蓋奇·芒羅GageMunroe飾）對他感到很失望，他的老婆Becca（康妮·尼爾森ConnieNielsen飾）似乎也因此更加疏遠他。這起事件激發了Hutch心中壓抑許久的情緒和本能，促使他走上殘酷的道路，將揭露他黑暗的秘密和致命的能力。在拳頭、槍彈和急速行駛的車陣中，Hutch必須從危險的敵人（阿列克謝·謝列布里亞科夫AlexeySerebryakov飾）手中救出自己的家人，並確保別人不會再把他視作無名小卒。

⑼ 小人物 Nobody講的什麼故事(張宏偉趙竑)

一位幫助了被黑幫分子侵擾的女子的路人不料成為了毒梟的報復對象。

⑽ 只因女兒貓被偷懦夫父親滅整個黑幫什麼電影

《小 人 物》是一部由鮑勃·奧登科克主演的電影。於2021年2月26日在北美上映。
影片講述一個住在郊區的父親平平無奇，毫不引人注意。但隨後兩個賊 闖入他家，引起了他內心的無 名怒火，喚醒了他奮力想遺忘的舊日暗 黑秘密。