luther電影觀後感

⑴ 絕對權力的電影劇情

手段高超的竊賊盧瑟打算大做一票之後就金盆洗手，這次的目標是大富豪沙利文的巨宅。在確認宅主夫婦已經遠行在外之後，他成功潛入裝滿珠寶的房間。正當他為自己慶幸時，卻從一扇單向窺視鏡中看到主卧室里走進來沙利文太太。跟著她的竟然是現任美國總統里士曼。如果兩人只是偷情作愛倒也罷了，但接下來發生的竟然是一場砍殺：男傷女死。此事曝光後，盧瑟成為警方懷疑對象，因為全國能從沙利文這樣的豪宅盜走珠寶的只有六人，而在當晚，人在華盛頓的只有盧瑟一個。本想一走了之的盧瑟在電視上目睹總統的偽善，再加上警方開始打擾他的女兒，他下定決心，敲開了沙利文的房間。
神偷Luther打算在退休之前做一筆「大買賣」，他趁主人外出之際潛入豪宅，准備撈個盆滿缽滿。正要大功告成，Luther無意中看到一對醉醺醺的男女走進卧室欲行雲雨。其中男主角不是別人，正是當今美國總統Allan Richman。Luther目睹了兩人從口角到扭打的全過程，最終以Allan Richman槍殺Sullivan太太收場，而Sullivan先生是總統最大的支持者之一。調查此案的警方很快找到Luther——畢竟有能力盜竊Sullivan家豪宅的賊，全國也沒幾個。Luther也知道捲入這件事的後果不堪設想，決定潛逃國外。臨走前，他最牽掛的是女兒Kate，在Kate長大成人的過程中，Luther卻在牢獄里無法陪伴她，因此父女關系甚為疏遠。在機場，Luther偶然看到總統冠冕堂皇地作反暴力主題的演講，憤怒的Luther在一瞬間決定留下來，為正義而戰，然而事情的背後並不像他想的那麼簡單…

⑵ smallville老LUTHER 和LEX是怎麼死的（死了沒）

Chloe會不會死？
chloe從來沒有出現在DC漫畫和電影中出現過，不知道編劇最後會怎樣安排這個角色的去向。
盡管我很喜歡chloe，但感覺她死的可能性很大，這樣也許可以刺激超人和lois走入每日星球報社，或者超人可以從新認識自己的使命。
老luther會不會死？
這個老傢伙應該是死定了，就等著看以何種方式死了，joe EL可能最後還要利用一下老luther來啟發超人「能力越大，責任越大」的含義，促進ck最後走向超人的關鍵人物。
電視中，ac和復仇天使，以及那個聖誕老人的出現都在刺激超人明白自己身上擔負的責任，相信這個轉變快到了，你看ck經常身上穿的藍T恤紅夾克，就感覺他已為日後的超人戰衣做適應。
正義聯盟中的漫畫人物已經出來兩個了，不知道會不會有第三個出來，不過，我認為蝙蝠俠是決不會在電視版中出現的，這么一個重量級人物wb只會留在電影版中，會不會有第六季，也要看今夏的電影版反映如何了。
ps：如果chloe不死，在電影版里可能會有解釋，真希望如此，太喜歡chloe了！！！
brainiac這個超人最大的敵人可能還會在後面幾集中出現，幫助luther父子一塊來刺激超人那純朴的心靈。
lana將走向何處？真沒有想到編劇會讓lana去學天文學，按照電影版的的設定，lana一隻會留在smallville，並且嫁給一個叫bob（好像是這名）的傢伙，不過三年後她丈夫就掛了。在電視版里lana後面幾集里可能會與lex走到一起，但當明白超人的身份（漫畫里超人告訴了lana自己的秘密）和lex的黑暗後將會孤獨離去。
再看smallville前面幾季時，非常感興趣的是lex會換幾輛車，法拉利、保時捷、美洲虎、賓士和蘭博基尼都開過來了，不過最近一隻開的是保時捷，可能是劇組再借不到新款車了。
隕石已經有紅、綠、黑、銀色了，據說還有一種金色的，不知道會不會出現了
那隻叫shelby的狗不知道是不是漫畫里的superdog，因為那隻superdog叫krypto超人最開始給shelby起的名字
最後祝賀一下allison（chloe的扮演者）獲得土星獎的提名

⑶ 光榮之路（喬什盧卡斯主演的）的觀後感 800字

最近看了《Glory Road》（為了不和那部偉大的戰爭片重名，我就不寫譯名了，反正也容易懂）。啊，好喜歡那張海報。

近期無精打采，所以要看些積極向上的片子。上網看Josh Lucas的簡歷，看到《Glory Road》，是大名鼎鼎的Disney出品，同樣大名鼎鼎的Jerry Bruckheimer Films製作，再加上是Jush Lucas主演，也是豪華陣容了吧，當下決定看看。

結果開始看之後我就端正態度老老實實的了。這是部不容輕視的影片，很有張力和激情，極富感染力。

那是我所不曾了解的歷史，關於美國籃球史乃至種族史的偉大人物——Don Haskins。

兩度奧克拉荷馬州籃球運動員，大學期間得到全額籃球獎學金，全州最好大學球隊的隊長，NCAA的MVP，高超的球技讓他聲名顯赫。當他膝蓋受傷之後，選擇和大多數退役運動員一樣，做教練。他率領的高中球隊在198場比賽中贏了157場。這些足以讓他進入名人堂。但是他被人們尊敬和愛戴，卻遠遠不只這些原因。

他在做了成功的女籃教練之後，受聘於寂寂無名的西德州聯隊(Texas Western)。默默無聞的小型高校，簡陋的男生宿舍住房，他都能忍受。但是隊中的五名白人球員看不起他們教過女籃的新教練，而且技術一塌糊塗。而挑剔的贊助者拒絕提供引援預算。於是他找來七個天賦極高的黑人新球員。請注意，那是在60年代的美國，種族歧視仍然肆虐整個北美大地，他背負了巨大的壓力而毫不退縮。

之後自然是狀況連連。黑人球員之間 黑白球員之間，充滿了陌生和隔閡；青春萌動的少年，總不安分；不適宜激烈運動的心臟疾病；出戰必須過關的學業考試；隨意缺勤全隊集訓……Haskins還要讓這些年輕氣盛 心高氣傲的孩子貫徹他重視基礎和紀律的籃球哲學，進行魔鬼訓練。他對那個垂著頭的孩子說：if you quit now， you quit every day for the rest of your life、

最難的，當然是全隊上下一起面對鋪天蓋地的種族歧視，白人成員也不能倖免。這些歧視，來自觀眾，來自對手，來自校方，來自贊助商，來自他們所到之處的旁人……球場的咒罵和垃圾投擲物，洗手間的群歐，房間的噴漆詛咒和被劃破的行李，家人收到的恐嚇信，白人輕蔑的眼神和嘲弄的言語……球員們也曾經畏懼，曾經失去信任如一盤散沙……Haskins的一句話重新讓他們抬起頭，驕傲地像大眾證明自己：Your dignity is inside you,nobody takes it away if you don't give them。

球隊在磕磕碰碰中逐漸融合 成長。在總決賽那天，Haskins決定以全部黑人陣容迎戰全部白人陣容的對手。當他們終於取得1966 NCAA籃球比賽總冠軍的時候，美國籃球世界也掀開了新的時代帷幕，這是歷史性的勝利，關乎籃球，關乎追求，關乎信念，關乎種族，關乎Martin Luther King Jr的夢想……而Texas Western在Haskins的率領下贏球場次總數占據歷史第四名、甚至獲得了11次季後賽冠軍。

影片的比賽畫面拍的酣暢淋漓而激情四射。看總決賽那段的時候，弟弟說；會不會誇張了一點啊？後來看片尾的紀實錄像，確實精彩紛呈，只是電影有點藝術加工，這也在所難免。

強烈推薦末尾的後記以及字幕時的原型訪談和比賽錄像。那些人和事在黑白映象中散發歷史深厚的力量，一點點滲入你的感官。

忍不住向Don Haskins先生致敬。

還有更多 樓主這里找http://www.douban.com/subject/1457219/reviews
這里也有很多條http://movie.xiaonei.com/commentlist.do?d=init&mid=26742
呵呵實在太長很難貼出來 就給樓主鏈接了 (*^__^*)

⑷ Driving Miss Daisy 的英語影評

Driving Miss Daisy 為戴茜小姐開車 英語影評

Adapting plays to the movies is always an iffy prospect. If the story is "opened up" too much, with extra characters and locations, it can lose its intimacy. If the story remains too close to its stagebound roots it can become cinematically ll.

But every now and then a stage adaptation comes along that manages to be faithful to the play's best interests and yet open it up just enough to make for a cinematic treat, and such is "Driving Miss Daisy."

Led by riveting performances from Morgan Freeman and Jessica Tandy, this Pulitzer Prize-winning comedy-drama is utterly enthralling, though also quite spare and intimate.

Director Bruce Beresford, an Australian who seemed right at home in America's South with "Tender Mercies" and "Crimes of the Heart," has returned triumphantly to that area in creating this wonderfully delicate masterpiece, largely through the fine performances of his stars.

Tandy is the title character, a wealthy 72-year-old Southern matron, a Jewish woman in the Christian Bible Belt of 1948 as the film begins. After an accident with her car, she is nagged into allowing a driver to be hired by her protective son Boolie (Dan Aykroyd, who is also convincing and never resorts to any of the shtick you might expect).

Boolie hires Hoke (Freeman), a black 60-ish widower and chauffeur whose patience seemingly knows no limits. At first Miss Daisy wants nothing to do with Hoke. She is a stern, stiffnecked woman with pride as big as all outdoors, and she's humiliated by her inability to drive herself. Not one to give up easily, however, Hoke, after sitting around the house with nothing to do for his first week of employment, follows her in the car as she walks to the store one day. Embarrassed, she reluctantly climbs into the back seat.

Thus begins a tenuous relationship that will span the next 25 years in the changing South. And they will change with it.

But this isn't a movie about people who make some remarkable lifestyle switch in the last five minutes. Rather, Alfred Uhry's touching and very funny screenplay, based on his own play, shows the graal change that creeps inside these characters.

Miss Daisy, though she considers herself a liberal Southerner, exclaiming repeatedly, "I am not prejudiced," hangs on to longtime traditions. When she thinks Hoke has taken something from her she says, "These people are always stealing things." And when she has an extra ticket to a dinner honoring Martin Luther King, she doesn't even consider that Hoke might like to attend. During the latter scene she comments that she's glad to see things change. But Hoke mutters, "Things haven't changed all that much."

Needless to say, Morgan Freeman, who continues to grow as one of the American movies' finest actors, and Jessica Tandy, who is certainly one of our national treasures, will be remembered come Oscar nomination time. And Aykroyd will surprise you as a character who ages 25 years in a very natural and realistic manner.

"Driving Miss Daisy," which is rated PG for a single profanity uttered by Aykroyd, is an extremely moving film with some hilarious moments. And though the screenplay obviously offers the humor, it is the actors' inflections and twists on words that give the comedy its real impact.

Beresford has also managed an incredibly authentic look to his period piece. It's fascinating, for example, to notice in the background ring a scene on an old country road that old-style cars are driving by while Hoke and Miss Daisy exchange casual dialogue in the foreground. It would have been much easier to keep all traffic out of the shot, but Beresford goes the extra mile here, as he does throughout the film.

It's easy to see why "Driving Miss Daisy" is on so many national critics' top 10 lists, those who saw the film before 1989 came to a close. This is indeed among the year's very best pictures.

⑸ 肖恩康納利主演的無意中碰見總統殺人的電影

不是肖恩康納利主演的，是克林特·伊斯特伍德
片名：絕對權力
又名：一級滅口
英文片名：Absolute Power
國家/地區：美國
類型：驚悚 犯罪
導演：克林特·伊斯特伍德Clint Eastwood
主演：克林特·伊斯特伍德Clint Eastwood 艾德·哈里斯Ed Harris 勞拉·琳妮Laura Linney
分級：美國R
上映時間：1997年2月14日
詳細劇情
神偷Luther打算在退休之前做一筆「大買賣」，他趁主人外出之際潛入豪宅，准備撈個盆滿缽滿。正要大功告成，Luther無意中看到一對醉醺醺的男女走進卧室欲行雲雨。其中男主角不是別人，正是當今美國總統Allan Richman。Luther目睹了兩人從口角到扭打的全過程，最終以Allan Richman槍殺Sullivan太太收場，而Sullivan先生是總統最大的支持者之一。調查此案的警方很快找到Luther——畢竟有能力盜竊Sullivan家豪宅的賊，全國也沒幾個。Luther也知道捲入這件事的後果不堪設想，決定潛逃國外。臨走前，他最牽掛的是女兒Kate，在Kate長大成人的過程中，Luther卻在牢獄里無法陪伴她，因此父女關系甚為疏遠。在機場，Luther偶然看到總統冠冕堂皇地作反暴力主題的演講，憤怒的Luther在一瞬間決定留下來，為正義而戰，然而事情的背後並不像他想的那麼簡單……

⑹ 馬丁.路德.金的《我有一個夢想》 寫英語讀書報告（即讀後感） 必須是英文的，500字

NOT JUST A DREAM
Martin Luther King is best known for being an iconic figure in the advancement of civil rights in the United States and around the world, using nonviolent methods following the teachings of Mahatma Gandhi.
We all know about Dr King』s civil rights work, and his I HAVE A DREAM speech. But did we all know that he had two other dreams? WHERE DO WE COME FROM HERE? that explains Dr King』s vision for the end of poverty has been out of print 40 years. He not only focused on Civil Rights, but illustrated a sort of socialist vision for an integrated society. We could have ended poverty a decade ago, except we choose to attach Iraq and blow up a trillion dollars doing it instead of ending poverty. Dr. King provided a snapshot of where Americans were in 1967. Two turning points had been reached. First, his program of nonviolent direct action was clearly winning the struggle against old fashioned southern segregation, and Dr. King was looking toward the next step. He believed that the next logical step toward setting people free was a massive government program addressing the problem of poverty. Second, within the civil rights movement, a "black power" mentality was gaining prominence. Some argued that whites should be excluded from the civil rights movement, and that nonviolence should be abandoned. Dr. King insisted that this approach would only balkanize our country, having disastrous effect, especially on blacks.
He brings us to the question of what African-Americans should do with their new, dearly fought for freedoms found in laws such as the Voting Rights Act of 1965. All Americans black and white must unite in order to fight poverty and create a new equality of opportunity. King is neither a Marxist nor a doctrinaire socialist; he instead advocates for a united social movement that would act within both the Republican and Democratic parties.
He rightly concluded the riots of 1966 and thereafter was "uprisings" against the awful reality that African American equality must a go along with adequate wages, quality schools, and decent houses. All initial aims of the Johnson
1/2
administration. African Americans were impossible without meaningful creation of jobs, quality ecation, and a radical change of the forms and vigorous confrontation with and the elimination over time of American racism. King asserts that capitalism itself would have be hugely revamped so it is more inclusive, and, lastly, American militarism is not only brutal to American y

⑺ 求<白教堂血案><路德><神探夏洛克>三部英劇的高清種子.是電視劇不是電影哦. [email protected]

鏈接：https://pan..com/s/1rqVo9yc2LaFM9RUxwfOFhA

IdrisElba回歸BBC一台Luther受到觀眾熱烈歡迎。這部電視劇在國內好評如潮—這部驚險的犯罪系列劇取景華麗，情節跌宕起伏，人物個性鮮明以及刺激的心理懸疑揭秘讓觀眾大呼過癮。

因妻子的死而萎靡不振的JohnLuther回到了警務工作。原來的部門撤銷了，他被調到了一個新設立的部門。該部門負責調查重大和連環案件，由前任警局投訴科主任MartinSchenk(DermotCrowley—曾出演『通天塔』，『荒涼山莊』)領導。

Luther很快地聚集了他的團隊，將他的老搭檔警探JustinRipley(WarrenBrown—曾出演『佔領』，『無恥之徒』)從**中解脫出來。

不久他們就接到了第一個案件。一個戴面具的男人徘徊於倫敦的街頭，在歷史遺址中進行了一場類似祭祀的謀殺，竭力使他的方式成為一個最後的傑作...

在接下來的兩個新的特輯中，觀眾會看到Luther冒著更大的風險並且面臨著更艱巨的挑戰。

IdrisElba憑借Luther一角獲得金球獎的提名並榮獲第42屆全國有色人種協進獎電視電影、迷你劇或特別戲劇的最佳男演員獎。

第二季還可以看到AliceMorgan（RuthWilson）和MarkNorth（PaulMcGann）的回歸，而且他們新增加了一個角色CarolineJones，由KierstonWareing飾演。

⑻ 求電影碟中諜2英文影評

什麼觀點都行哈？
A good romantic action-adventure movie

In writing a story to fit the action in "Mission: Impossible 2", Screenwriter Robert Towne brought nuance, complexity and irony to the human interaction and to the characters… So greed is the animating force…

Being an amazing filmmaker, John Woo wanted "Mission Impossible 2" to have a lot more emotion and romance… A romantic interest that can engage the hero emotionally, pushing him to exercise his skills… In this case, he's trying to save the life of someone he cares for and loves…The story revolves around three characters… The good guy and the bad guy in love with the same girl…

John Woo's sequences were highly developed, completely mind-blowing, dangerous and exciting… Woo really pushed his elements to the edge, designing action that people have never seen…

Tom Cruise and Thandie Newton looked very charming, proving to have a great chemistry with each other… They also looked very natural… I loved the scene when they meet, and how they meet… The opening scene came from Robert Wise's "West Side Story"… It is boy meets girl, girl looks at boy… No story telling was needed… With high speed and the judicious muting of sound, Woo made it a love-at-first-sight moment, isolating our two heroes in a very lovely way…

Tom's character was a new kind of a hero… A person who really cares about people, and enjoys life… He has a great passion about nature, about love, about everything…

Thandie's romantic life was very busy… She is involved with the character played by Dougray Scott, Ambrose who's the key for the Mission team… He is the one with the information which Thandie's character has to win back… Dougray was a really interesting bad guy, as complex a bad guy as you can get and with an impossible mission...

Dougray's Ambrose becomes disillusioned with being in Ethan's shadow… In deciding to have more power, he turns to the other side… He forms a renegade band of ex-Special Forces people… But Ambrose couldn't even be himself… He includes his identity into Hunt's, when Ethan was not available… So if he needed to be something, he had to be Ethan Hunt…

Ving Rhames' Luther was a balance in the team… He's a computer expert who brought the charm to his character… Outside of Ethan Hunt, he is the only returning member of the IMF team…

"Mission: Impossible 2" gave John Woo the ability to really use his filming style, which is the slow motion on key moments… You can see Cruise slow-motion flipping through the air, walking through flames with a white dove sending a message to the evil, running and jumping out of a hole, climbing dangerous scary high cliff, jousting on a motorcycle, trapped in a gun battle, Kick boxing, and having a really sharp and pointy knife in the eye…