幸福終點站電影影評英文

D. 電影《幸福終點站》的英文劇情簡介和英文讀後感

電影《幸福終點站》的英文劇情簡介:

Viktor Navorski, a man from an Eastern European country arrives in New York. However after he left his country war broke out. Suddenly Navorski is a man without a country - or one that the U.S. cannot recognize, thus he is denied entrance to the U.S. However, he also can't be deported so he is told by the Security Manager that he has to remain in the airport until his status can be fixed. And also Navorski doesn't speak English very well, so he cannot talk to or understand anyone. But he somehow adapts and sets up residence in the airport, which makes the man who placed him there unhappy, as it seems he is in line for a promotion but Navroski's presence might complicate that. So he tries to get Navorski to leave but Navorski remains where he is. Navorski makes friends with some of the people who work in the airport and is attracted to a flight attendant he runs into whenever she comes in.

英文讀後感543篇:
http://www.imdb.com/title/tt0362227/usercomments

E. 幸福終點站英語影評

給你點提示，自己寫吧：

1、主人公因為國家失控、語言不通，因此滯留在機場。

2、正因為語言不通，主人公無法良好地自我表達，他的自我價值便只能體現在自己的行為上。

3、主人公正是通過自己真誠、智慧的行為，贏得了他人的理解、尊重，並進而獲得他人真誠的幫助。

4、主人公擁有執著的信念。正是這種信念，令他身陷困境，但不失信心與樂觀，並且樂於助人。

5、這部影片是一部現代都市童話，但也告訴我們一個道理：不要讓歧視和偏見使我們失去公允之心、理智之思和善良之行。

F. 幸福終點站英文影評

If you can get past the fact Tom Hanks』 character learns English at an incredibly accelerated rate and if you can overlook the lack of chemistry between Catherine Zeta-Jones and Hanks, then you』ll be able to get some enjoyment out of 「The Terminal.」
「The Terminal」 is the story of Viktor Navorski (Hanks), a traveler who』s stranded at John F. Kennedy International Airport after a coup topples the leadership of his homeland, the fictional Krakoa. The new rulers aren』t recognized by the United States, so Viktor finds himself stuck between a rock and a hard place, unable to enter the U.S. and unable to fly home because his passport is no longer valid. He』s told 『America is closed』 and is forced to wait out the war in the international terminal, passing the time learning English, hanging out with a few sympathetic airport workers, falling for a stewardess, and trying to avoid causing further problems for the airport』s homeland security official (played by Stanley Tucci).

「The Terminal」 benefits from the artistically uncomplicated meshing of good buddies Tom Hanks and Steven Spielberg (「Saving Private Ryan,」 「Band of Brothers」 and 「Catch Me If You Can」) but really misses the mark when it incorporates an ill-conceived love story between Hanks and Catherine Zeta-Jones into the plot. As Viktor, Hanks is genuine and appealing, making it near impossible not to have sympathy for his plight. But throw Zeta-Jones into the frame as a stewardess who admits to always getting involved with the wrong men, and the movie becomes a muddled mess. Zeta-Jones does nothing to make audiences empathize with her character』s inability to find true love. Pairing her with Hanks, as likeable as his character is, sends the movie off on a tangent that almost – but, thankfully, not quite - kills the film. And let』s just be brutally honest: Catherine Zeta-Jones is gorgeous. Even if you don』t admire her acting talent, you have to admit she』s a very beautiful woman. Not to knock Hanks, but come on, he』s not exactly in the same league as Zeta-Jones. If you plop them outside the movie world and into reality, would someone like Zeta-Jones instantly fall for this weird guy who stalks her in an airport? I don't think so. I didn』t believe the quick pairing of these two in the movie, and sadly, the love story is an unnecessary distraction in an otherwise entertaining and moving film.

「The Terminal」 does provide an answer to the perplexing question of what happens to all the items lost in an airport. And the cast of characters who interact with Hanks – Diego Luna, Zoe Saldana, Stanley Tucci, Chi McBride, Barry Shabaka Henley, and especially Kumar Pallana – all add a lot of humanity and charm to the picture. If only Spielberg had erased the romance from the script and added in a little more time with each member of the interesting ensemble of actors who portray the airport workers, then 「The Terminal」 would have really achieved something special. But with the love story in place, 「The Terminal」 stretches the limits of believability beyond what I was willing to forgive.

G. 關於電影《幸福終點站》的感想、評論

湯姆·漢克斯的片，真的部部經典，《幸福終點站》其實以前已經看過了，剛好看到有人提供下載，就再看一次。

納沃斯基為了圓父親的夢想，希望獲取一個爵士樂手的簽名而來到紐約，不幸卻因為本國政變而成為沒有國家的公民，只能在機場內四處游盪。不過，納沃斯基卻很幸運，也很努力，在紐約機場的大廳里生存了9個月。在這九個月里，他幾乎得到了一切，差點包括一個女朋友艾米利亞。

不過故事的結局卻並不如想像的那樣完美，納沃斯基似乎已經做到了一切艾米利亞能感動的事情，不過，艾米利亞還是選擇了「命運(destiny)」，並沒有跟納沃斯基一起，而是與那個有老婆孩子的男人走了，他的印度清潔工朋友也被抓了，而跟他作對的機場官員卻依然升職了。

每個人都在等待，每個人等待的事情都不一樣，有人得到了，有人失去了，有人堅持了，有人放棄了。艾米利亞等了20年，最後獲得了不知道是不是幸福的選擇，納沃斯基的父親等待了40年，卻沒有等到心願了卻的那一天。等待不一定總是美麗的，等待是一門藝術。博弈的過程，就是你願意花多少時間去等待你認為值多少的事情，有的人堅持等待，卻沒有結果，有的人放棄等待，獲得了更好的結果，這些或許可以說上天註定。不過，等待卻是一種犧牲的過程，人為什麼等待？是因為對方讓你覺得有了等待的機會與價值，而正是這種「覺得」，有時卻可能害了一個人，等待，有時候也是一種上當的過程。反過來講，當你都沒有想讓別人等待時，不妨斬釘截鐵一些，而不是編造一些冠冕堂皇的理由。

一個人在機場大廳生活了9個月，總歸還是有很好的學習的地方，我大概總結了下面幾點：

1、生存的能力，不懂英文，甚至連最基本的交流都不會，沒有錢甚至連免費餐券都丟了，還受到了各種白眼，但是納沃斯基首先想到的是生存，而不是在機場吵鬧。在九個月時間里，還要忍受那個BT的機場官員迪克遜的百般刁難。如果一個人，在美國這么一個地方，沒有錢，也不懂英文，經過九個月還能生存下來真是奇跡，普通人可能都變成了乞丐了。

2、樂觀的心態，什麼人有樂觀的心態？人品好的人，只有好人品的人才不會有那麼多小腸子，做人才能大度，納沃斯基人品是好的，沒有想過害人，首先想到的是解決問題，人品好也為他贏得了很多機會，防人之心不可無害人之心不可有。在無聊的時候，他沒有自暴自棄，而是選擇了幫助別人，幫助別人的同時也為自己獲得了生存的空間。在他被以朋友的工作來威脅必須走人時，他幾乎好不憂郁選擇了走人。

3、堅持，迪克遜通過各種手段「引誘」納沃斯基走出機場大門，甚至已經出了最後的殺手鐧，試圖把納沃斯基變成難民，不過，納沃斯基卻回了一句，我愛我的祖國，我怎麼會討厭自己的國家。甚至納沃斯基在受到美女的引誘出去吃義大利餐也沒有動搖。當然，你可以說納沃斯基比較傻，不知道原來可以這樣走，但是從另外一個角度來說，他是一個堅持的人。

4、學習的能力，不懂英文，怎麼辦？通過機場的多語言小冊子，學習到英文，然後再進行一些溝通，進而提升自己的「眼睛」，在國外，看不懂就基本上屬於瞎子，如果聽不懂就屬於聾子，而不會說，就屬於啞巴，只能通過學習來擺脫其中的一種，才能有生存的空間。

5、人際關系處理。每個人，面對新的入侵者都會有戒心，所以當納沃斯基面對掃地的、送貨的等等對他的刁難時，並沒有進行硬碰硬，因為這肯定沒用，還會加重對方的不滿，納沃斯基至少人品是好的，他沒有想通過特殊的手段來做到什麼，而是通過一些事情，跟這些人交流，至少取消了「FBI」的帽子。在一個新的環境，處理人際關系還真是一門學問。

6、抓住機會，很多人都說，給我機會，我能怎麼樣，很多人也說，機會是自己爭取的，其實，我倒覺得，機會需要爭取，機會也需要別人給的，不過最重要的是能否抓住機會。為了吃飯，納沃斯基發現了收行李車可以賺錢，為了吃飯，他日復一日跑簽證，僅僅是為了幫那個西班牙人泡妞，不過，卻換得了吃飯的機會，為了吃飯，他做了裝修工人，不過，很明顯，機會有些是自己爭取的，有些是抓住了機會，因為他有能力。

H. 求～哪裡有《幸福終點站》（The Terminal）的英文簡介或者影評

英文簡介(來源於
imdb)：
viktor
navorski,
a
man
from
an
eastern
european
country
arrives
in
new
york.
however
after
he
left
his
country
war
broke
out.
suddenly
navorski
is
a
man
without
a
country
-
or
one
that
the
u.s.
cannot
recognize,
thus
he
is
denied
entrance
to
the
u.s.
however,
he
also
can't
be
deported
so
he
is
told
by
the
security
manager
that
he
has
to
remain
in
the
airport
until
his
status
can
be
fixed.
and
also
navorski
doesn't
speak
english
very
well,
so
he
cannot
talk
to
or
understand
anyone.
but
he
somehow
adapts
and
sets
up
residence
in
the
airport,
which
makes
the
man
who
placed
him
there
unhappy,
as
it
seems
he
is
in
line
for
a
promotion
but
navroski's
presence
might
complicate
that.
so
he
tries
to
get
navorski
to
leave
but
navorski
remains
where
he
is.
navorski
makes
friends
with
some
of
the
people
who
work
in
the
airport
and
is
attracted
to
a
flight
attendant
he
runs
into
whenever
she
comes
in.
英文影評見附件。如果看不到附件，請用電腦訪問。

I. 求英文幸福終點站的評論

PARIS –
As far as Steven Spielberg's new blockbuster, "The Terminal," is concerned, the experience of being trapped inside an airport for a year can lead to friendship, comic high jinks, and even romance.

But it's hard to see the life of Mehran Karimi Nasseri through Spielberg-colored glasses. Mr. Nasseri is the inspiration for the movie - a real-life Iranian refugee who arrived at Paris's Charles de Gaulle Airport in 1988 without a passport and without papers to enter another country. He's been stuck in Terminal One ever since. Like a lost and battered suitcase, he has been claimed by no one.

Related stories

06/18/04

Behind 'The Terminal,' a true story

Get all the Monitor's headlines by e-mail.
Subscribe for free.

E-mail a friend
Print this
Letter to the Editor
Republish
ShareThis
E-mail newsletters
RSS

"The Terminal," which opened Friday in the United States, recounts the hardships of Viktor Navorski (Tom Hanks), a fictitious Balkan traveler stranded at New York's JFK Airport. His homeland erupts into civil war and his passport becomes void. He can't officially enter the US, but neither can he return to Eastern Europe. So he lives for months in the hermetically sealed microcosm of an airport concourse.

Some of Navorski's survival tactics are similar to Nasseri's, like bathing in the washroom, setting up a living area on a bench, and accepting food vouchers from airport workers. But where the movie has embellished the story with madcap adventures and a fling with a flight attendant played by Catherine Zeta-Jones, Nasseri's life consists mostly of reading. His most recent book is Hillary Clinton's autobiography. "Maybe I don't do it like Tom Hanks does it," he says. "My day is just like inside a library. Silence."

Lately, though, he's had more visitors than usual. This urban legend is already the subject of three other films, two of them documentaries. Reporters and tourists visit and talk with him all day at his makeshift press lounge. "Is this public entertainment?" Nasseri asks with a pained grimace. Yet, at the same time, "Alfred," as he is also known, seems to relish his celebrity.

"He is known throughout the world and people come to see him," says Valérie Chevillot, who can see Nasseri's encampment of assorted boxes, bags, and suitcases through the window of her Phénix clothing boutique. "But no one really knows him."

The original crisis began when Nasseri tried to travel to England from Belgium via France. But he lost papers declaring his status as an Iranian refugee. It's been confirmed that he was expelled from Iran in the 1970s, but the famous squatter has since rejected his heritage - even denied he can speak Farsi - under the belief that his Iranian background is the cause of cause of his troubles. No family members have ever contacted him. "Police say they don't live," he says cryptically.

Summarizing the details of Alfred's bureaucratic nightmare since then isn't easy. Nasseri waited at Charles de Gaulle while Britain, France, and Belgium played a shell game with his case for years. At one point, in a classic Catch-22, Belgian authorities said they had proof of his original refugee papers, but insisted he pick them up in person - yet wouldn't let him into the country. He has been jailed several times, and technically could be removed from the airport at any time.

After a lengthy legal battle waged by his lawyer, the French government finally gave him the necessary documents to reside in France and legally travel.

But he refuses to use them.

Nasseri is convinced he has no official identity. If he leaves France, he says, "There are soldiers there who shoot you dead." So he won't venture further than the first floor of the terminal. "I stay until I obtain my origin identity," he often repeats.

Airport shopkeepers don't seem bothered by the fuss over their famous neighbor. The cleaning staff warn that he'll charge a few euros if you take his picture. But otherwise, "he never asks anything of anyone," says Mossaoid Ben, who runs the Coccimarket next door.

Mr. Ben hypothesizes why Nasseri has remained in the dreary cocoon of the Charles de Gaulle building, a kind of doughnut-shaped, concrete UFO stranded out on the tarmac. "He'll have to pay rent elsewhere. Maybe that's why he's here."

Other theories abound as to why Nasseri persists with his self-imposed exile. "In my opinion, Alfred needs professional help to get him adapted to the outside world," says Alexis Kouros, an Iranian documentary filmmaker and doctor, who tried to help him leave for Brussels while making his film, "Waiting for Godot at de Gaulle," in 2000. "He used to be a normal person. By spending 15 years in that place, he has become institutionalized," says Mr. Kouros, who worries Alfred's mental health is worsening.

Nasseri, a pale and listless man, spends much of his day writing on sheets of blank white paper that have become a journal of his self-imposed captivity. "I write about what I hear on the news," he says. "Ray Charles dead; the elections in France." His reams of papers and books fill some dozen Lufthansa cargo boxes. "The only problem is I need a portable TV," he says.

In theory, he has plenty of money to buy one. DreamWorks, the company that made "The Terminal," paid Nasseri for the use of his story. But he doesn't have a bank account, so he can't access checks reportedly sent to his lawyer.

Nevertheless, he's enjoying the renewed burst of attention. "Gives me something more to read. It's better to read than about war, Iraq, terrorism," he says.

There's also a hint of optimism in Nasseri's voice. He talks wistfully of how he hopes to move to the United States or Canada. "I expect some change by October," he says. "In the end I will be happy."

J. 電影 幸福終點站 英文觀後感300字 速度啊~~~

Tom had just read. Hanks in "Terminal happiness," which I Xinweicucu Yan. Big films, as described: pure love, the complexity of human nature, and there are a large number of variables life. I think that, in addition to the things between men and women, the film also showed a more profound theme: that is our commitment that the father and son reflect the situation. Recently flies Yongyongliuliu, often alternative to the game thinking, and thus are rarely touched. But, after all, there has not been a pure reality of the destruction, to see beautiful things, there will be breathtaking heartbeat of times.