❶ 05版《傲慢與偏見》電影,英語影評,400字左右,不要轉載、粘貼,要原創,謝謝
2005版《傲慢與偏見》這是一部根據簡•奧斯汀的同名小說改編,由Joe Wright導演的影片,影片主要講述了美麗的伊麗莎白因為達西先生傲慢的態度而對他產生了偏見。經過種種波折,終於冰釋前嫌,走到一起的故事。影片是圍繞貝內特一家人展開的,展示了在當時那個以金錢為婚姻的主要參考的社會下,女主人公獨到的愛情觀。同時,在影片中,還有伊麗莎白姐妹以及朋友的婚姻,作為陪襯,更加突出了影片主旨。「唯有愛情才能讓我走進婚姻的殿堂」這是影片中伊麗莎白的一句至理名言。
達西和伊麗莎白山窮水復的愛情故事,作為英國文化中一個經典的浪漫符號,卻永遠純潔的不染塵埃。我極喜歡伊麗莎白佇立湖畔的身影伶俐,有所思而又無所待,「我已亭亭,無憂亦無懼」的那種對待愛情的勇氣,一旦明白了自己的心意,再無所畏懼,在達西的姨媽的蠻橫無禮對比下,更加突出了的伊麗莎白的堅持,她讓我感動。
[取景]
個人認為這部戲的取景導演可謂煞費苦心,影片在英國郊外取景,山色青翠,風光旖旎,可以說湖光山色美不勝收,配合浪漫的愛情故事,和優雅的古典衣裙,那真是唯美浪漫的極致。影片的開頭,未見畫面耳邊就響起鳥兒歡快的啾啾聲,然後是一幅太陽初升時候山林村莊靜謐美好的畫面,然後畫面開始明亮,左上角橙色如蛋黃般的太陽緩緩升起,片刻間,小山村就被籠罩在一片溫和的金色之中——無需過多的言語,也沒有瑣碎的鏡頭剪接,短短幾秒就讓屏幕前的觀眾心情平靜下來,妨若身臨其境。接著我們的女主人公出現,美麗的姑娘手捧著書邊看邊走在這清晨的小路上,金色的太陽襯在她身後,金色的柔光打在她身上——又是短短幾秒鍾,就把她的清新美麗、優雅知性體現了出來。跟著她的步伐,鏡頭里出現了結隊而過的豬、嘎嘎的大白鵝和雞鴨、晾曬於庭院的白色衣物、彈奏鋼琴的少女……這是一組很自然的長鏡頭畫面,成功地塑造了這個地方的生趣和鄉下輕快的生活形態,充滿了生活的情趣。喜歡這部影片,就是從喜歡這個開頭開始的。可能是城市生活太久,擁擠的人群和雜亂的交通已經讓我們不堪其擾,看到成群結伴的鴨鵝,高聳入雲的樹木,波光粼粼的湖面和矮矮短短的小木橋,青青翠翠的草,我們能夠從內心感到寧靜。從貝奈特家到賓利家到達西家,從最普通的英式農家小院到上層社會豪華貴族般的庄園,處處體現著19世紀英格蘭紳士般的優雅和從容。
[服裝]
小談了取景就不得不提服裝,敝人認為古典的英國淑女裝非常能夠體現女性的優雅和柔美,寬大的領口突出了女性頸部線條,而且更起了揚長避短的功效,不論你頸部是長是短,這樣的領口設計都會讓你看起來頸部纖細迷人,還有這種長裙的腰身設計也能突出女性腰細腿長的身材,加上及踝的長裙,讓女性走路都體現了貴族般的高貴。我特別喜歡伊麗莎白穿的墨綠色的長裙,優雅迷人。男士的長靴配馬褲和白色襯衫長外套把紳士派頭發揮到了極點,這特現在最後達西先生由遠及近走來的長鏡頭中最為瀟灑更是風度翩翩。
[表演]女主角的飾演者凱拉•奈特利(Keira Knightley)在《傲慢與偏見》中的表現非常優秀,具有靈氣,活潑可愛又把伊麗莎白的堅韌自我表現得恰到好處。。
馬修•麥克法登(Matthew Macfadyen),據說這位以舞台劇起家的演員很有特點很有才華,我也能夠體會。他的那雙眼睛,湛藍的眼睛,看著伊麗莎白時總是含情脈脈,清澈又復雜,總是給人一種默默的沉靜,開始有些淡淡的自負,後來在對伊麗莎白表白被拒的不解和傷感,再到靜靜凝視伊麗莎白時的憂郁,到最後伊麗莎白接受他時的喜悅,他的眼神很美很乾凈很復雜。
[書與影片]
把一部小說改編成電視劇是件難事,再濃縮成2個小時的電影就更要取其精華還要讓故事情節流暢,05版《傲》看來故事發展還是有些迅速,有些地方銜接得有些生硬,有些人物的交待還是不夠明朗,不過,這些都不是問題,這些都不可避免,整體來說還是非常流暢節奏緊湊速度適中的,在改變的幾個場景上我覺得還有過之而無不及。比如達西先生第一次向伊麗莎白求婚,小說是在房間里,而電影改到了一個戶外的雨天,一來電影為了情節發展不得不作調整,二來調整後的場景更具表現力,更符合現代人的口味。求婚這種浪漫的事,在一個死板板的客廳總不如在雨天里古樸的建築下來的動人吧。大概也是導演了解到現代都市生活已經讓我們對灰濛蒙的摩天高樓,黑壓壓的人潮攢動失去了興趣,於是更加突出了英國郊外恬靜的山水風光,很多浪漫的場景都發生在一片湖光山色中,而英國常見的雨也起了很大的作用,觀眾能從雨後的鏡頭中感受到清新和自然的芬芳。最後的場景達西先生又一片雲霧中走來,天一點一點的變亮,影影綽綽的達西先生也逐漸變得清晰,一切有種夢幻般的感覺,這都是導演在鏡頭運用上塑造的美感,而沒領略過這類景緻單純讀書的讀者們就無法體會這種詩一般的美麗了。
這部影片讓人感觸良多,無論是關於愛情的思考,還是影片本身帶給我們的愉悅,抑或是引發我們對於享受閑暇舒適的生活美麗清新的大自然的嚮往。無論貧窮與富貴,每個人在精神上都是平等的,真正的愛戀應該建立在同樣高貴的靈魂的基礎上,而非相當的家世。
❷ 求Pride and prejudice(傲慢與偏見)英文評價。。最好是名家的。。謝謝
What I present is inevitably fallible since it is authentically original.
With both its sensible and courageous heroine's denial of courtship vaccum of mutual respect and reciprocal love and the fulfilling end indicating the matrimony based on genuine love, Pride and Prejudice has long been my favourite novel since my early teenhood. It is true that "Pride and Prejudice" enjoys universal favor, it is ture that it's acknowledged as one of the greatest novels in the 19th century and its author, Jane Austen, has been respected as one of the most distinguished female writer in history.
Yet the re-reading of "P&P" had offered me a new way of understanding and evaluating this classical masterpiece. Elizabeth was once my role model since she shows genuine interests in books and she should know what she wants in marriage. Lizzie is the prototype of a daring princess--she had the mind of her own and would never throw herself to wealthy men; she has good command of skills to argue and to refuse; she undertook the responsibility to protect her youger sister when her much-withdrawing father shuned it; she was not suppressed by her mother like her poor father and nor was she ruined by her mother like her younger sisters; she denied being submissive as Mr Collins offered an courtship. As a young girl who had read too much fairytales in which princesses marry princes the first time they meet without knowing their personalities, and whose conceptions about matrimony was nothing more than a happily-ever-after, I entirely regarded Lizzie as a princess to whom the god had offered a bonus of bravery and ingenuity to challenge the othordoxy.
It is some seven years later and here I am reading P&P and judging the protagonists again. My criteria has changed, though. As I get to know about the patriarchal society in which Lizzie and her sisters and her mothers lived, and as I grow into my early womanhood and become increasingly capable of sympathizing the pressure and fear and social expectations that they had to respond to, I start to associate Lizzie with not a princess, but a sensible lady.
The nineteenth century witnessed a harsh oppression upon women who rely wholy on their male relatives for financial support and social positions. Marriage provides the only salvation if any women wants to improve her social status and living standard. In another work, Jane Austin has pointed out that single women have dreadful propensity for being poor--which is one very strong argument in favor of matrimony. Such was the situation for women, no wonder that the overall conventions could be so suffocating and so maddening that that it had victimized a lot of women. Mrs. Bennet and Miss. Bingley fell into the same category of women who either try every deceitful, evil means to marry a man of higher social ladder for her own sake or wanted her daughters have benefiting marriages. Miss Lucas, who had no choice but to have a marriage without reciprocal love for personal security, is another type. Lydia and Kitty were women who's been ruined by the society that value women only by physical attractiveness and family background. They functioned as selfless, fun-seeking girls who don't have values inside. Lady Catherine DeBurgh represents the proud Aristocrat who despise people from lower classes regardless of their possible good quality. With the recognition of women of these less-respectful types, I become more impressed by Lizzie's well-developed capability of judgements and willfully-preserved pursuits of love in matrimony. Her proud characteristics still reveals
strongly, but it is more justified.
Indeed Lizzie was a proud creature. Her dislike of Mr.Darcy soly resulted from his early offence to her. Darcy's manners of pride and aloofness had actually humiliated Lizzie's pride. Some time before Darcy found his attention being increasingly drawn to her, Lizzie had already decided, out of her pride and the harm done to her pride and her suffering of her tortured and tangled pride, not to like him in the least bit. Her pride was largely originated from her fear of being contempted and being mistakenly regarded as merely the same as her foolish mother and younger sisters, for she probably knew that she has something different--that discrepancy between Lizzie and her mother and sisters had given her a lot more to bear. Her sensitive character gives her the awareness of the existence of the prejudice and disfavourable sentiments against her and her family and her class, and from her defence and defiance and denial of such sentiments, she had formed her own prejudice and disfavourable sentiments against the upper class. It had been, then, a lot of misunderstanding and misjudgements before the defensive pride and prejudice that blinded Lizzie got entirely demolished.
A man of large fortune is surely desirable to single ladies. Yet to a woman of a Lizzie's type, who do, despite the universal of the importance of fortune, value genuine happiness and reciprocal love in a marital relationship, he cannot himself be a form of salvation for her since she defenitely expects more.
When I am reading this book at a second time as a sophomore year assignment, I see clearly how my criteria of judgement alters as my understanding of the world, the relations between men and women and the purpose and reality of marriage advances. Lizzie is no longer that shiny princess who dares to say "no". The original Lizzie that the authoress intended to dicpict becomes more authentic and more vivid, as if I am observing her three-dimentionally.
Lizzie's final fulfilling marriage is no longer a bed-time nice-dream fairytale, but an documentary illustration of managing matrimony with a balancing compromise. Matrimony has long been intrepretted as either the unity of two people who could implant all meaning of life into each other or the only means of practicality of women to acquire an economically better life. Through Lizzie, Jane Austin intended to reveal,with her 19th-century romanticism and her pro-feminist critical judgement, that matrimony is the combination of both.
This, I contend, is the real Austin's voice.
❸ 傲慢與偏見影評英文
《傲慢與偏見》電影的英文觀後感:
Elizabeth Bennett (Keira Knightley) is the second of five daughters, all single and young. When a new man moves into the neighborhood, all of the girls take notice. Mr. Bingley is quite rich and handsome enough, after all. At the first large party for area folks, Mr. Bingley comes to the festivity with his sister and the proud Mr. Darcy in toe. Bingley has his eye on Elizabeth's beautiful sister Jane while Mr. Darcy neither dances or talks to anyone. Although unacknowledged, however, Mr. Darcy is transfixed by Elizabeth and she is strangely drawn to him. Through a series of town meetings, country visits, and more, Elizabeth and Darcy meet again...and again. There is something stirring. Is is disgust or is it love?
This classic story could not be presented better than it is this film. It is utterly lovely in every aspect, every way. The performers are just outstanding, with Knightley giving Elizabeth the fire, the mind, the sensitivity that make her such an appealing person. Mr. McF is to sigh and cry over as his Darcy is handsome, in possession of a arresting voice, and provides a display of the great depth of his own sensitive nature. The costumes and scenery are colossally stunning, as is the editing, the script (most of it is Austen's own words), and anything else that makes a movie this beautiful. Do not let another day go by before you buy a ticket or arrange any other method to watch this film.
❹ 電影《傲慢與偏見》英文簡介
電影《傲慢與偏見》英文簡介:
Elizabeth Bennet (Keira Knightley) and her sister Jane Bennet (Rosamand Parker), sister Mary Bennet (Dalula Lely), Katie Bennet (Kerry Mulligan) and Lydia Bennet (Gina Malone) are all sisters from small landlord families. Mrs. Bennet's greatest goal in life is to find the right man for all five of her daughters. Unfortunately, the second daughter, Elizabeth, can always find out 100 reasons for refusing to marry her mother.
When Mrs. Bennet heard that the neighbouring manor was rented by a wealthy bachelor and would come to spend the summer with his distinguished friends, she excitedly decided that it was a blessing for her daughters. The suitor was on the verge of coming, and things were going as she had expected.
The monotonous and slightly quiet life of the five sisters was accompanied by the arrival of wealthy single Handacy (Matthew McFadden) and his friend Gray, two young men. A beautiful love story full of pride and Prejudice unfolded after the healthy and upward Gray and the wealthy Darcy met the five golden flowers of the Bennet family in the town.
Elizabeth (Keira Knightley) is the most diligent of the five sisters. She is also a talented college student. She never considered marriage before graation. But when she met the handsome, cynical Gray and the wise businessman Darcy (Matthew McFadden), her judgment began to be tested. Because the wealthy son Darcy soon fell deeply in love with the beautiful Elizabeth after a brief exchange.
Moreover, Darcy bravely proposed to her regardless of the family and wealth gap, but because of Elizabeth's misunderstanding and prejudice against him, he was relentlessly refused. The reason why Elizabeth misunderstood and prejudiced him was that Darcy, a wealthy man, often showed immortal arrogance, which made the honest and kind Elizabeth disgusted. Because Darcy's arrogance is actually a reflection of status differences, so long as there is such arrogance, there can be no common thoughts and feelings between him and Elizabeth, nor can there be an ideal marriage.
But after a period of time, graally, Elizabeth found and witnessed a qualitative change in Darcy's way of dealing with people and a series of actions. Especially his past proud and conceited manner disappeared completely, so Elizabeth's misunderstanding and prejudice towards him graally disappeared, and a happy marriage finally achieved. Her sisters also got the sweet life they wanted.
中文對照:
伊麗莎白·班納特(凱拉·奈特莉飾)和姐姐珍·班納特(羅莎曼德·派克飾)、妹妹瑪麗·班納特(妲露拉·萊莉飾)、凱蒂·班納特(凱瑞·穆麗根飾)以及麗迪亞·班納特(吉娜·馬隆飾)這5個出身於小地主家庭的姐妹個個如花似玉。班納特太太(布蘭達·布萊斯飾)最大的人生目標就是給她的這5個女兒都找到如意的郎君。可惜天不從人願,二女兒伊麗莎白總能找出100個不願結婚的理由拒絕母親。
當班納特太太聽說鄰近的庄園被一個富有的單身漢租下,並且會帶著他那些有身份的朋友們前來消夏時,她興奮地認定這是女兒們的福分,求婚的人眼看著就要上門了,而事情也正如她預想的那樣發展開來。
姐妹5人原本單調且略顯平靜的生活伴隨著富有的單身漢達西(馬修·麥克費登飾)和他的好友格萊兩個年輕小夥子的到來而泛起了波瀾。健康向上的格萊和富家子達西這對要好的朋友在結識了鎮上班納特家的這五朵金花之後,一段美麗而飽含傲慢與偏見的愛情故事就此展開。
伊麗莎白(凱拉·奈特莉飾)是5個姐妹中最勤勉的一個,她還是個有才智的大學生,在畢業之前她從沒有考慮過談婚論嫁。但是當她遇到英俊瀟灑,玩世不恭的格萊和理智的商人達西(馬修·麥克費登飾)後,她的判斷力開始接受考驗。因為富豪子弟達西在短暫的交往後很快便深深地愛上了美麗的伊麗莎白。
並且,達西不顧門第和財富的差距,勇敢地向她求婚,但卻因為伊麗莎白對他存有的誤會和偏見,而遭到了無情的拒絕。伊麗莎白對他存有誤會和偏見的原因是,出身富貴的達西經常表現出不可一世的傲慢,這令正直善良的伊麗莎白討厭不已。因為達西的這種傲慢實際上是地位差異的反映,只要存在這種傲慢,他與伊麗莎白之間就不可能有共同的思想和感情,也不可能有理想的婚姻。
但經過了一段時間之後,漸漸地,伊麗莎白發現並親眼看到了同樣善良的達西在為人處世和一系列所作所為上有了質的改變。特別是他過去那種驕傲自負的神態完全不見了蹤影,於是伊麗莎白對他的誤會和偏見也逐漸消失,一段美滿的姻緣也就此最終成就。她的姐妹們也各自得到了想要的甜蜜生活。
1、《傲慢與偏見》是根據簡·奧斯汀同名小說改編,由焦點電影公司發行的一部愛情片,由喬·懷特執導,凱拉·奈特利、馬修·麥克費登、唐納德·薩瑟蘭等聯合主演。該片於2005年9月16日在英國上映。
該片講述了19世紀初期英國的鄉紳之女伊麗莎白·班內特五姐妹的愛情與擇偶的故事。
2、影片評價:
《傲慢與偏見》溫暖人心、令人愉悅、浪漫,美國影評界對這部名著改編作品絲毫不吝惜溢美之辭。凱拉·奈特利的表演光芒四射(《亞特蘭大憲報》 評論)。
該片最大限度地保留了原著的精華,在傳承經典的同時又巧妙地融合了許多現代元素,好看且耐人回味,是一部難得的改編力作。(台海網 評論)。
該片畫面精緻,從鏡頭的轉換到原聲音樂表現,清新,養眼的俊男美女與悅目的英國鄉村風光更符合一部新世紀電影的感覺。(新浪網評論)。
❺ 跪求《傲慢與偏見》的英語影評啊!!!200字就行了、各位大哥大姐幫幫忙啊。。。。
熱心網友 Pride and Prejudice is a film that is stunning on several levels: the performances are excellent, the soundtrack is amazing, and the cinematography is beyond comparison.The performances were stellar. The entire cast was great, and it's interesting to note that, among the "stars" that made up the cast, there are several lesser known actors; this was the first movie credit for both Carey Mulligan (Kitty) and Tamzin Merchant (Georgiana).It's not a word-for-word adaptation of the book, and cannot be considered a replacement for it. Speaking as someone who loved both the book and the movie, I can honestly say that it's a very satisfying and charming film.
❻ 傲慢與偏見的英文影評
Recently, I read through 「Pride and Prejudice」 which written by a well-known English writer----Jane Austen.
Austen was born in the countryside, so she didn』t go to any normal schools. But she really read widely instructed by her father who was the local parson.
During that period of time, Austen was regarded as the first author to realistically describe the common characters in common life. Her works, to some extent, reflect the comedy in the middle-class of England and also got rid of the fixed tradition in the 18th century by analyzing the personalities of the characters artfully.
「It is a truth well known to all the world that an unmarried man in possession of a large fortune must be in need of a wife.」 With these lines, a classical novel about the value of the love begins.
This writing pictures four marriages in Bennet』s family, and the primary one was between Elizabeth and Darcy.
Darcy who was a single man of a large fortune fell in love with Elizabeth after only a transitory intercourse. And later on, Darcy proposed to her with regardlessness to the gap of the wealth and class. But Elizabeth unmercifully refused him by misunderstanding his represented extreme pride which was just a reflection of the high-class. After a long-term observation of his behaviors, Elizabeth was finally loyal to her own heart.
「Pride and prejudice」 was superficially a love comedy. But it actually explained that only by action and introspection can have the hope and the true love; and also the dignity of a person which was as well built up by action and introspection was not inherent.
Just as Austen herself said, this novel was sculpted on the two-inch ivory, which exquisitely reflects the conservative life in England of these days.
This writing, to some extent, expresses the author』s marriage view: It is wrong to get married for the property, money and position as well; and also it is foolish if you do not consider the above-mentioned factures. So she objected to getting married for money as well as regarding it as something unimportant. She emphasized the importance of the ideal marriage and regarded the true love as its foundation stone.
Pride and prejudice were two weaknesses in our humanity which was easily distorted. And in the way of pursuing love, we should not be controlled by these shortages, but to keep our own faiths and feelings.
Whether the marriage is a happiness one depended on whether they truly love and know each other. Falling in love at first sight is indeed more romantic than the long-term love. But we can not deny the fact the long-term coexistence will surely bring both of you to a better understanding and a deeper affection.
So now, as for us to do is to strive for the hope with correct attitude towards pride and prejudice.
❼ 能不能給我一篇《傲慢與偏見》的英文影評
The feeling of 《Pride And Prejudice》
Then man treat great event in one's life with punishing, Demonstrate different attitudes to the love question of the marriage of young girl of the family origin of middle class of villages and towns, Thus reflected authors oneself's marriage view: It is wrong to get married for the property, money and position; Get married and does not consider that above-mentioned factors are unwise too . So, she objects to getting married for money , objecting to regarding the marriage as a trifling matter . She emphasizes the importance of the ideal marriage , and regard men and women's emotion as the foundation stone which concludes the ideal marriage .
The woman protagonist in the book Elizabeth comes from the little landlord's family, reaches the west to have deep love for for the rich and powerful people sons and younger brothers. Reach the disparity of ignoring family status and wealth of the west, propose to her, but is refused. Elizabeth's misunderstanding and prejudice to him are a reason, but a main one is the arrogance that she dislikes him. Reach the thes of the west in fact status' the reflections of difference, exist this kind arrogant, Not having common thoughts and feelings between he and Elizabeth, the marriage that can not have lofty ideals . Elizabeth watches concting oneself in society and a series of behavior of reaching the west personally afterwards, See he change the proud conceited expressions of passing by, dispel misunderstanding and prejudice to him, Thus concluded the happy marriage with him.
❽ 求傲慢與偏見100-150字英文影評。。急。。
Pride and Prejudice is a film that is stunning on several levels: the performances are excellent, the soundtrack is amazing, and the cinematography is beyond comparison.
The performances were stellar. The entire cast was great, and it's interesting to note that, among the "stars" that made up the cast, there are several lesser known actors; this was the first movie credit for both Carey Mulligan (Kitty) and Tamzin Merchant (Georgiana).
It's not a word-for-word adaptation of the book, and cannot be considered a replacement for it. Speaking as someone who loved both the book and the movie, I can honestly say that it's a very satisfying and charming film.
❾ 誰有關於電影《傲慢與偏見》的感想,要英文的,400個單詞左右
很抱歉,我的英文不太好,但我非常喜歡《傲慢與偏見》,因故用中文略表一下感想,電影也看了幾個版本的,記得從剛上班起就開始讀了,那時的閱歷尚淺,也正是情竇初開的時候,對書中描寫的華麗場面以及美好的愛情嚮往不已,常常幻想自己就是伊麗莎白,而我的愛人就是達西,住在冠壓皇宮的彭伯里庄園,駕著四輪馬車徜徉在青山綠水間,也不用辛苦掙錢,天天享受吃飯、跳舞、彈鋼琴、遊玩的生活,愛人雖然傲慢但卻心地善良,雖然傲慢但卻痴心一片,雖然傲慢但卻金錢多多,總之所有的好事都被我攤上了,那會是什麼生活啊!所以此書深深進入我的心房,漸漸大了,心也就跟著世故了,現實了,可對此書的感受卻沒變,畢竟這個夢對我來說是多麼的美呀!看了電影以後,書中美好的印象快消失怠盡了,本人才疏學淺理解不夠深刻,可電影卻讓我更加迷茫了。伊麗莎白本應是個中產階級小姐,美麗活潑有主見並小有才氣,舉止大方,平易近人,從不刻意裝出傲慢或與人為敵的樣子。而劇中的伊麗莎白卻故意裝出一副管你是誰我才不稀罕的樣子,你傷了我的自尊就不行,依著小姐的性子任由發展,一點兒也不象我想像中的那個聰明、明理的伊麗莎白。達西是個農場主,是那種多金又英俊的王老五,家境殷富外加本性淡漠,使人覺得他很傲慢,其實他心地善良,對感情一心一意。劇中的達西過於死板,完全沒有農場主那種威嚴的神態,表情過於冷漠,即使是對他最心愛的伊麗莎白表達愛意的時候,眼神也是空洞沒有激情的,讓人看了很不真實,美麗的彭伯里大廈是達西的家,也是他們兩人重生的地方,這應該是本劇的高潮,一切美的東西都要出來了。可我想像的那一片一望無際的森林,典雅中看的住宅,錯落有致的湖水,肆意奔跑的馬車,像英國湖區那樣美麗的景色在劇中表現寥寥,失望之餘只好寄託結局的美好,卻也只不過是清晨的早上,透著陽光的兩人彼此的接吻,就像完成公式的,看不到兩人眼裡的深情,找不到愛情帶給人的幸福,有點兒失望,本文純屬個人心得。 偶然看到一版95年英國BBC拍的六級短劇,本人感覺比較接近原著,給YOU提供個網址:http://v.youku.com/v_playlist/f1378115.html。以資共享!
❿ 傲慢與偏見的英語影評
Recently,
I
read
through
「Pride
and
Prejudice」
which
written
by
a
well-known
English
writer-Jane
Austen.
Austen
was
born
in
the
countryside,