A. 形容很老练,资格很老 是哪个单词
experienced [ik'spiəriənst]
vt.experience的变形
adj.
1. 有经验的，经验丰富的
2. 游刃有余的，熟练的，老练的；有见识的
3. 遭受到的；感受到的；体验到的，亲身经历的
B. 英语：把下面的句子写成一个复合句
1,The dean issued a bulletin which said the library would remain open on weekends.2, He returned to his hometown where he had been away for twelve years and he looked in vain for the familiar landmarks.3,Though We have made some progress,we still have a long way to go. 4 ,About one third of those who over two hundred passengers were on board the plane were </b>foreigners.5,She appeared on the stage with a stormy applause breaking forth.6, The new workers who are eager to learn from the veteran workers are young and </b>inexperienced. Just have a try.Hope will help u.
C. 老兵 THE VETERAN怎么样
从画面以及表演等方面来讲，这是一部相当不错的电影，特别是对越南战争中回忆镜头的描述，与那些经典的越战电影也相差无几。不过最令人失望的是电影中现实的部分，总觉得剧情有点牵强，很多地方看不明白。电影讲述的一个越战中的老兵回到越南寻找旧时情人，却在旅馆中与一名旧时的战友遭遇，对立的两人剑拔弩张，而其中又牵涉进政府在当时的一些见不得人的勾当。不过，看玩全片，我始终没搞明白那个老兵为什么一开始要拿枪指着另一… []
D. 寓言小故事三个金人的英语翻译
Three Golden statuettes
There was once a small country offering tributes to a large country.The tributes were three golden statuettes,shining all around,making the king in high spirits.But the emissary from the small country asked a question,worrying everybody.That was which one of the three statuettes was most valuable?
The king asked the jeweler to check them by weighing the weigh,cheching the hand-made skills.Everything of them was all the same.What could we do?The emissary was waiting for the answer.In such a big country,how couldn't we finish the task!
Finally,a veteran who was going to retire said he got an idea.So the king invited the veteran to the hall and the veteran put three straw into the golden statuettes' ears.Then we saw that the straw came out from the first one's ear on the other side.The second straw come out from the second statuette's mouth.Only the third straw went right into the statuette's stomach with nothing out.The veteran said that the third one is the most valuable one!The emissary nodded his head and said the answer was correct.
自译不易啊,
E. 有关英语语法的问题
三个表达都是正确的。The new workers are young and inexperienced. They are eager to learn from the veteran workers. 这是使用了两个独立的句子表达
Young and inexperienced, the new workers are eager to learn from the veteran workers.
这个里面的“Young and inexperienced ”是形容词做定语，定语前置，修饰主语the new workers
The new workers, who are young and inexperienced, are eager to learn from the veteran workers.这个句子里面使用了一个定语从句
以上三句的意思一样
F. 寻求翻译
中国花样滑冰选手申雪、赵宏博几年后重回，于周一在温哥华的冬奥会上夺得中国双人滑奥运第一块金牌。
他们的胜利象一个美丽的传说故事，这个故事不象在现实，而象是好莱坞大片。
“退役”的夫妇二人为了最后的金牌一搏而复出，他们于2002和2006分别夺得铜牌。
36岁的赵宏博和31岁的申雪与体育传统挑战，战胜了花样滑冰世界里的年轻高手。为得到梦想你必需付出很多。 通常这样的年岁不应再上场拼博，更不用说拿到金牌。
更具戏剧性的是他们一度是由于长期不滑而排名分最低。
但他们还是在周日的比赛上克服了重重困难，在短节目分上取得全胜，尽管在周一的自由滑上还存在一占小失误。
激动的赵宏博说，这么多年了，终于得到这块金牌，太激动了，这么多年都在做这个梦。
赵宏博和申雪未来又会怎么样呢？他们将在下一个比赛继续拼博吗？
申雪表示他们或许有另外的打算，再继续滑太困难了，也许是要个孩子的时候了。
G. 帮忙翻译一下
通常让在这样一个时代的夫妇不应该在国际赛事上的竞争仅捧回奥运金牌。
他们的胜利来作为结局的故事，更像是现实生活好莱坞电影似乎童话。
中国花样滑冰运动员申雪，赵轰般回滚年赢得2010年温哥华冬季奥运会今天中国的首面金牌。
在老夫妻二人被引诱了一个退休的奥运会金牌的最后打击，在此前赢得了2002年和2006年冬季奥运会铜牌。
在36岁和31分别照轰箔申雪与蔑视运动克服数字公约滑冰世界青年whippersnappers。
它需要许多艰苦的工作，实现你的梦想
通常让在这样一个时代的夫妇不应该在国际赛事上的竞争仅捧回奥运金牌。
添加到两人一直是排名最低的竞争者的竞争，因为它们从冰长期不在去戏剧。
情感赵启正说，“这是这么多年 - 最终得到这个黄金是如此令人兴奋。因此，多年来一直致力于这个梦想。”
但是，克服重重困难，他们精湛的短节目得分，从星期天就足以看到他们胜利，尽管在周一的自由滑事件一些小错误的整体竞争。
中国已经赢得了温哥华奥运会3枚奖牌 - 1金，1银，1铜的王北星在女子500米速度滑冰。
那么，下一个赵，沉？他们将捍卫自己在下届比赛奖牌？
那么，沉国放表示，夫妻俩可能有其他计划
H. 英语翻译
前排占座翻译
故事本身可能有些夸张，但它直击历史实，被记录在了美国传教士明尼梅特林的个人旅行日志中。这个传教士从日本侵略者无情的魔爪下拯救了许多中国难民。
纽约时报电影评论员麦克霍尔，写道：“这种做作的娇柔，因为张先生的喜爱而在电影里被累加，多次重现。这些笑着的妓女以一种极缓的步子穿过教堂墓地，似乎忘记了最终的悲剧结局。是的，这是一个悲剧，虽然它不明显。
一些中国博客人从美国的出版物中摘取了一些评论，把他们和对张艺谋的批评放在一起对比。结果不仅显示了差异，还有显著的矛盾。可以肯定的说美国人不热衷于大屠杀体裁，就像他们自己不喜欢屠杀一样。他们认识到自己根本对张艺谋的电影没有兴趣。
经验丰富的导演不会在艺术上持不同意见。不然他们会因此常常被媒体抨击。
但是，张艺谋导演糟糕的，缺少艺术性的作品过分政治化了这部电影的大众认同结果，尤其是把电影和一些日本政客对大屠杀的否认联系在了一起
I. 高分跪求肖申克救赎英文影评！
1，播放音乐
片中，瑞德曾这样说道：“体制化是这样一种东西，一开始你排斥它，后来你习惯它，直到最后你离不开它。想想看，我们的身体已经有多大一部分被体制化了？ ”
看看老布。重获自由后，他失去了监狱安稳的生活和周围犯人的尊重，又迟迟无法融入新的环境，只能选择结束自己的生命。自杀前，他饱含深情的放飞了自己饲养多年的乌鸦，他的自由，也只能在高飞而去的鸟儿身上延续，因为，他已经被鲨堡高度体制化了。甚至瑞德，也若隐若现地走在体制化的边缘。这，不能不说是一种悲哀。
安迪，只有他安迪，找到了对抗体制化的办法，那就是始终不放弃对窗外自由的追求，哪怕这种追求是多么的危险。为此，他付出了太多。当安迪将监狱喇叭放上《费加罗的婚礼》，安详的半躺在在广播室的椅子上，掩目微笑时，他得到了短暂的自由，虽然代价是一周的禁闭，但是，解除禁闭，他又微笑的走了出来。
安迪终于重获自由，在那个雷雨交加的夜晚。他从污泥中艰难地站了起来，仰头深深的呼吸——他一定闻到了自由的味道。那一刻，一道闪电划破天空，笼罩他整整十九年的，那所有的冤屈和压抑，全然释放！
“上帝地审判比预料来得快！”这是典狱长办公室墙上挂的圣经刺绣。他的审判，也来得比预料得快，但那却不是上帝带来的，而源自一个越狱犯人的举报。
2，喝啤酒
至今记得，瑞德与安迪的一段关于希望的对白，并奉为经典。
安迪：你应该继续吹(指口琴)就不会忘记了。
瑞德：忘记什么？
安迪：忘记在这世界上，还有这用高墙栅栏围起来的地方，还有你自己心里的，他们拿不走、碰不到的东西，属于你自己的东西。
瑞德：你指什么？
安迪：希望！
瑞德：希望？听我说一句老朋友，希望是很危险的，它会让你发疯，在这种地方，千万不要有这种念头。
显然，瑞德已经认同了典狱长的话：把信仰交给上帝，把身体交给我。
但是，安迪却答之以一个淡定的微笑。
无论是什么，都关不住希望，一切皆因希望起，世间无数的拼搏、付出，以及百折不回，就正是为了内心的希望吗？有了希望，肖申克监狱不过形同虚设，有了希望，一把小小的锤子便可以救赎生命、救赎自由，甚至救赎鲨堡（肖申克监狱）。有了希望，安迪便可在无尽的等待与提心吊胆中尽情享受每一个小小的乐趣，并将这乐趣传播开来，将希望播种在每个人心里。希望是关不住的，锁不牢的，是有翅膀的鸟，是流动的空气，是息息尚存的呼吸，是永远无法遏制的，是任何黑暗都无法染指的。有了希望就有了一切，有了希望就一切皆有可能。
瑞德心中早已没有了希望，那图书馆管理员老布，居然会对希望充满恐惧，而安迪却始终心怀希望，那怕 “用这样的小锤挖洞，至少需要600年。”安迪最能打动人心的品质，恰恰是这种看似对眼前现实平和接受，而心中希望却永不不磨灭的精神。
关于自由
一头是系在小小鹤嘴锄上的自由，这种自由的追求要面对频繁的查房和重重的高墙；一头是监狱里悠然自得地生活，这种生活看起来既不空洞又拥有尊重。安迪毫不忧郁的选择了前者，那怕风险是那样的大，哪怕安全仅仅来源于一张丽塔.海华丝的海报（海报后面就是安迪用锤子挖的洞）……
一个人能够在十九年痛苦的牢狱生活里，不放弃对自由的向往，这是一种怎样的精神力量？这其间又要付出多么大的代价？当凶恶的狱警将安迪推向死亡的边缘，他仍然面不改色，口若悬河。最后，他第一次在监狱里赢得了自由，虽然这自由，只是在完工的屋顶喝上一口啤酒。
3，体制化
“体制化是这样一种东西，一开始你排斥它，后来你习惯它，直到最后你离不开它。”这是其中的一句台词,但说的不正是我们嘛,当我们被人为划定的圈子的固步自封,以为这就是我们所希望的生活,就象电影中的BROOKS,在监狱待了50年,入狱前就只见过一次汽车,出狱后面对熙熙攘攘的车流,那种茫然,那种无所适从,心里唯一的想法竟然是回到那个万恶的监狱,长期的没有希望的生活已让他失去了面对新生活的勇气,他最后也选择了自杀,也只能是他唯一的结局.记得那句刻在木廊上的字嘛?"BROOKS WAS HERE."
"hope is a good thing,maybe the best thing！Busy for living or busyfor death！"Andy在狱中对Read说的一句话,换来了Read诧异的目光,在他看来自己已经在监狱待了40年,已经"习惯"这里的一切,谈希望未免太可笑.他已经习惯了体制化的生活,若不是遇见Andy,他的下场应该是与Brooks是一样的,出来后看着陌生的世界，也就只有一死了之.所以在监狱里,Andy并不是进行的自我救赎,而是感染了身边的一切,也就是带来了希望,导演把 Andy戏耍典狱长的情节一笔代过，并没有着重描述，其实凭借他的才能，有这样的结果是可以预见的，虽然有点出乎意料，但让在可以接受的范围内．但对于Read,影片中曾不只一次的突出的叙述他对这种生活的满意以及对未来自由生活的胆怯，在他心里，现在这种状态才是最好的。Andy改变了他，与其说是改变，不如说在生死关头给他指引了一条生路，给他带来了勇气与希望．当看到Read拿起那把小刀，心里为之一震，还好，他在Brooks刻字的旁边写下了这么一句：”Me too."同样的遭遇，同样的地点，不一样的结局，这就是Andy出现多带来的改变．
Shawshank redeems Hollywood
Can Hollywood, usually creating things for entertainment purposes only, create art? To create something of this nature, a director must approach it in a most meticulous manner, e to the delicacy of the process. Such a daunting task requires an extremely capable artist with an undeniable managerial capacity and an acutely developed awareness of each element of art in their films, the most prominent; music, visuals, script, and acting. These elements, each equally important, must succeed independently, yet still form a harmonious union, because this mixture determines the fate of the artist's opus. Though already well known amongst his colleagues for his notable skills at writing and directing, Frank Darabont emerges with his feature film directorial debut, The Shawshank Redemption. Proving himself already a master of the craft, Darabont managed to create one of the most recognizable independent releases in the history of Hollywood. The Shawshank Redemption defines a genre, defies the odds, compels the emotions, and brings an era of artistically influential films back to Hollywood.
The story begins with the trial of a young banker, Andy Dufrense, victimized by circumstantial evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of parole. He exists in this prison only in appearance, keeping his mind free from the drab walls around him. His ability to do this results in the gaining of respect from his fellow inmates, but most of all from Ellis Redding. Ellis, commonly referred to as Red, finds gainful use of his entrepreneurial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the confines of prison. Andy's demeanor and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. Andy proves to Red and the other inmates that in the conventional walls of Shawshank prison convention will find no home in his lifestyle.
By creating the film's firm foundation, the meticulously chiseled screenplay paved the way for this film's success. Frank Darabont outdoes himself with the phenomenal adaptation of Stephen King's equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still create a marvelous piece of modern literature. Though the film mirrors the novella in many ways, Darabont illustrates a focused objective of improving upon the areas where the novella came up short, resulting in one of the best book to film transitions ever.
While maintaining some of the poetic and moving dialogue of the novella, Darabont also proves that a film's score can generate a great deal of emotional response from its audience, as dialogue does. He employs the cunning Thomas Newman, son of the legendary Hollywood composer, Alfred Newman. Darabont shows recognition for the film's needs by employing Newman, who makes the gentle piano chords whisper softly to the viewer, as if a part of the scripted dialogue. Newman lends himself to indivialism and tends to drive more towards the unique in the realm of score composition. His effort in Shawshank did not go unnoticed, as his score received an Oscar nomination in 1995. While unique and independent, Newman's score never once intrudes on your concentration or distracts from the film.
With work from vast array of talented scene designers, costume designers, composers, cinematographers, and various other Hollywood artists, the cast of The Shawshank Redemption had a strong foundation to work with. The marvelous cast of this film will dazzle you with some of the most convincing performances you will witness in a film. While both Tim Robbins and Morgan Freeman shine as Andy and Red, respectively, the true spectacle of acting lies within the plethora of amazing supporting actors who easily disappear into their roles. Most noticeable of these, the veteran film star James Whitmore, who portrays the elderly Brooks Hatlen. Brooks, a man incarcerated for an unmentioned crime for so long that he finds himself attached to the Shawshank and the daily life he has lead. Each of these actors show a true dedication to their art, and a focused purpose in their motivations, creating a convincing setting that never once caters to anything unbelievable.
With all of the aesthetic touches and attention to cinematic detail, the most beautiful part of the film lies within its thematic material, such as its focus on the human desires for the most abstract concepts, like hope and freedom. These themes, which concern things the human spirit undoubtedly yearns for, seem so intricately woven into the plot that it easily draws its audience in to its story. Though full of hardened criminals, your heart will go out to these men as they display the most basic of human emotions, and deliver some of the most quotable lines in a film to date. Like a great novel, this film manages to succeed at greater things than simply entertaining an audience. Darabont tells his story most masterfully, illustrating principles and inspiring his audience to think. He leaves us a poignant film with a powerful message of hope, and redemption, something we all seek.
This film manages to redeem Hollywood in the eyes of people who feared it long lost in a dark sea of clichés and predictability. Darabont shows us that artists still work in the Hollywood studios and proction facilities. These artists show their capability to proce art; real art that inspires you to look at the deeper aspects of life and the world around you. The Shawshank Redemption delivers much-needed breath of fresh air for anyone who realizes the capability of film. It proves that masters of the craft still live on this earth, and still bless us with timeless masterpieces that we will never forget.