1. 八百影评
《八佰》讲述淞了沪会战末期谢晋元所率524团第一营死守上海最后一块阵地的历史故事。影片让我们感受到了华夏热血儿郎的家国情怀!
何香凝先生的一句“国人皆如此,倭寇何敢”印象最为深刻!其中最感人的一幕是,战士们做好准备,将炸弹绑在自己身上,一个接着一个报着自己的名字和家乡,往下跳的那一幕,眼泪就止不住的流。太惨烈了,他们血肉唤醒的不止是苏州河对岸的国人。
还有银幕前的观众,国难当头民族气节显得尤为重要。电影拍出的战争临场感带来的最直观的震撼尤为强烈,很难想象自己身处这样环境下的时候,能不能做出这种牺牲自己的决定!看完以后久久不能平复自己的心情。
看看这安逸的社会,都是血与泪保卫而来的!中国崛起!人民团结!珍惜生活!勇敢面对!我敬佩的是在这个国家一盘散沙时每一颗冲上去粉身碎骨的沙子。牢记历史,勿忘国耻,爱我中华!
(1)电影八佰的影评英文扩展阅读
《八佰》取材1937年淞沪会战最后一役,彼时,这场中日首次正面交锋已持续近三个月,上海濒临沦陷。第88师262旅524团团副谢晋元率420余人,奉命死守最后的防线——四行仓库。为迷惑日军、壮大声势,谢晋元对外宣称有800人,这便是“八百壮士”的由来。
预告呈现了震撼的战争场面,日寇从地面到空中轮番进犯,4天4夜战火硝烟弥漫不休。在武器装备、参战人数均处于明显劣势的情况下,四行孤军明知获胜希望渺茫,仍选择正面迎战。
为了最真实还原抗日战场的残酷,据烟火指导尹星云透露,本片仅地面子弹点便设置近5万个,超过10部大型战争剧集的总和;每个战斗场景,一般也会设置60个以上炸点。
而为了将这一切以最好的视觉效果呈现在银幕上,摄影指导曹郁使用了业内最顶尖的ALEXA IMAX摄影机,本片也成为亚洲首部全程使用IMAX摄影机拍摄的商业电影。
2. 求八百字左右的英语影评范文
我是学渣,这是之前在知米背单词(http://shouji..com/software/item?docid=6683750&from=as)交流群找别人求的。望采纳。
星球大战的影评
What made this the hugely successful triumph it was? Was it casting, music, imagination, ingenuity, or luck?
I remember opening day at the theaters. I was old enough to remember every scene, every character, every nuance of this film; having committed it to memory forever, as if I would never again be able to see this beloved, instantly loved masterpiece.
I also remember that the HIT factor of this movie was so unexpected that you had to wait literal MONTHS to get the action figures promised on the cereal boxes. The pieces were still in the manufacturing process and we had to settle for coupons promising our toys in a few months. I wound up seeing this in the theaters a grand total of 36 times; much to my mother's dismay. She loved the movie as I did, but felt I was obsessed. Today, thirty years later, sitting here writing this review, I realize how right she was. I'm still obsessed with this movie, and with the subsequent movies which followed. I wait in great anticipation for Episode 3. I'm a fan, and I don't care what other people say about Episodes 1 & 2. I don't even mind the "prequel" factor, as the situation at the time, dictated to Lucas which movies he would do first.
See, I remember the studios saying to him that he had to choose from the three central climactic books, and trash the rest, or just trash the whole idea. He didn't exactly "sell out," he did what he had to do to get his movie...his vision...out there for us to see and experience. I admired his decision then, and I admire it now. Episodes 1-3 are being filmed now, because Lucas had the clout, the money, and the patience to give us his vision...his complete vision and not just the three center books of a 9-book series. I realize that now, there are dozens of books, but at the time, there were nine. And while most of us were happy with Episodes 4-6 and would not have missed 1-3 and 7-9, I personally am so very glad he has taken it upon himself to give us his full vision. I have enjoyed each and every installment with the same sense of awe and joy as I did this one.
The casting was the first triumph for this cinematic milestone. Ford is a charismatic and magnetic personality and portrayed Han with a professionalism that you'd expect from more seasoned actors. Sir Alec Guiness is an absolute joy as Obi Wan. His casting was precise and excellent in that part. Carrie Fisher portrayed Leia in a way that, up until then, had never been experienced. Most "princess" types before her were whining, whimpering, little snots who were incapable of anything beyond tripping and twisting their ankle in times of peril, while Fisher portrayed her character as a bold, brazen, yet sophisticated and ecated woman who was aware of her surroundings and capable of defending herself and her realm with the utmost authority.
And Mark Hamil. He was perfectly cast as the whining little boy who wanted more, but was afraid to reach for it. He grows up quite well on film in these three installments, and endears himself to the audience so much the more for it. But a cast member who is almost always left out of these reviews is Peter Mayhew. Chewbacca. His character, as a supporting character to Han's, was exemplary. It's not easy portraying a walking carpet, yet holding the attention, admiration, and love of virtual millions. I am VERY happy about his being cast as Chewy in Episode 3. Couldn't happen to a more deserving...or capable...fellow. Bravo! And James Earl Jones's voice being used as the voice of Darth Vader, was pure genius. His commanding voice haunted the dreams of countless thousands of star-struck children for generations to come. I also have to say that this movie would not have had the charm it does had it not been for Anthony Daniels' C3P0. He is a gift and a joy.
The musical score by John Williams featured in this masterpiece was one of the contributing factors. But honestly, this movie's success was such a total surprise to everyone, including Lucas, that nothing could prepare the world for the aftermath of having witnessed this bona fide legend, first hand.
The story itself; replete with sub-plot after sub-plot, rich in dialog and detail, was beyond anyone's greatest expectations. Everyone, including Lucas, expected this movie to fail. It is a timeless classic, which I will not repeat here. There are too many movie reviews giving full details of the plot, and I won't be rendant beyond what I have already said.
However, that being said, there are a few points I would like to make concerning the symbolism of this endeavor. The Force is a metaphor for the psychic abilities with which we are all born. It was also a metaphor for hope and faith, dedication and commitment to the greater state of being. The Empire is said to have been a metaphor for the Germanic Nazi "storm troopers." While the Rebellion is said to have been symbolic of (what would later become) the NATO forces who defeated them.
And then there are the effects. The effects were, in 1977, so awesome; so creative; so ahead of their time, as to ensure this movie's vast success for the next forty years. George Lucas enjoys an almost god-like status among sci-fi/fantasy fans worldwide.
This movie does not rate a rating. Usually, when I say that, it is because the movie is so bad, or disappointing that I don't have the heart to rate it.
3. 《八佰》影评怎么写
写该影评时可以先简要概括一下故事内容,然后分析一下人物形象,然后挑一个你最喜欢的人物或者片段进行细写,然后再升华主题。
以下是《八佰》的相关介绍:
《八佰》是由华谊兄弟电影有限公司、北京七印象文化传媒有限公司出品,管虎执导,黄志忠、欧豪、王千源、姜武、张译、杜淳、魏晨、李晨、俞灏明等主演的战争题材影片。
该片取材于1937年淞沪会战,讲述了被称作“八百壮士”的中国国民革命军第三战区88师524团的一个加强营,固守苏州河畔的四行仓库、阻击日军的故事。该片于2020年8月21日在中国内地上映。
塑造立体的人,是《八佰》的立意与野心所在。以往战争片的主角,要么是正面迎敌的战士,要么是深入敌营的卧底。而该片却从一群逃兵的身上展开,《八佰》能在国产战争片中越众而出,恰恰是因为它“敢拍人性的真,甚至丑”。该片拓宽了我们认识英雄的维度,他们在舍生取义前,也有过平凡的,甚至苟且的懦弱与挣扎。
以上资料参考网络——《八佰》
4. 写一篇介绍电影的英语作文
写作思路:从文章的写作目的、中心主旨入手,以使文章中心思想鲜明、深刻地表现出来。
正文:
Going to the movie is an affair of recreation, I like in the movie theater to go to the movie, because movie theater in of that kind of the atmosphere is what home can't own
看电影是一件消遣的事情,我喜欢在电影院里去看电影,因为电影院里的那种氛围是家里不能拥有的。
but the condition of now, we usually will go to the movie in the home, few go to movie theater
但是现在的情况,我们通常会在家里看电影,很少有人去电影院。
usually see foreign movie at ordinary times, the really local movie still has a certain margin, the movie of now comes close the modern living method more, the thinking of now
平时通常看外国电影,真正的本土电影还有一定的差距,现在的电影更接近现代生活方式,现在的思考。
classic movie many meeting bodies now traditional pleasant impression, however as long as is a good movie, I will like
经典电影很多会体现现在传统的美感,不过只要是好电影,我都会喜欢。
If is a book change of movie, I feel this have no intentional viewpoint, if the movie draws on a person enough, I think the original book that may see the bottom movie, if is a good book
如果是一本书换电影,我觉得这是没有目的的观点,如果电影足够吸引人,我想可以看底层电影的原著,如果是一本好书.
I certainly think it can clap movie, see the oneself like of the person image move a screen up, can the better comprehension appreciate
我当然认为它可以拍电影,看到自己喜欢的人形象搬上屏幕,能更好的理解欣赏吗?
5. 《八佰》这部剧的影评怎么样看过的人都是怎么评价的
这部剧在豆瓣影评目前打到了7.7分,有超过百分之七十以上的人打了四星及以上,目前看过的人都说好。
《八佰》作为一部民族电影还是值得去电影院一看。
哭到窒息,这个世界的安定是多少人的生命换来的,我们生活的这片热土,有多少先人的热血,我们这个伟大的民族,经历了那么多的磨难,吾辈必须强大。
吾辈当自强,为中华之崛起而努力!看完之后,最大的感受就是,我们这一代人真的信服,没有经历过战争的残酷,我们这一代的人必须要自强,要守住前辈们用血肉换来的和平,好好的读书,让中国强大以来,只有自己强大起来,我们才对得起他们用生命换来的太平盛世。
7. 八百电影评价
对于很少进影院和果粉这些非资深非主流观众来说,《八佰》前半段的激战和中场的护旗,足以成为犒赏他们视觉和情绪的饕餮盛宴。
作为有一定艺术审美基础,有个人独立思考,和对历史有一定知识储备的观众,比如我,对影片则是感到失望。
工业化技术度方面是华语电影绝对一流水准,曹郁的摄影也完全有实力问鼎甚至是横扫明年三金奖杯。
最糟的恰恰是导演编剧管虎,是他把一个难得的好题材拍成了一桶半熟的爆米花。将战斗场面升级做夸大渲染,并不为过。射杀战俘,也是华语电影里珍贵的一次血性飞扬,不必理会圣母婊的聒噪,这样处理既真实也理所应当。你死我活的战场,杀敌就该理直气壮。
真正的错误是价值观的混乱和缺失,没有对历史的尊重和负责之心,反而让人看出其中有点卑劣的商业算计。
首先,珍惜生命不等于贪生怕死。对懦弱的逃兵新兵着墨太多,此类人物会有但绝非战场主流,电影里对姜武、张译、包括欧豪和那个小湖北的怯战描写太多太过,也是创作者人文意识的泛滥与意淫。
其次,八百壮士四行仓库保卫战的来龙去脉,被编导做了个人喜好化的骟割。以怯战小兵视角,切入这个历史事件也可以接受。但是,撤退到租界和其后孤军营生活以及谢将军的结局,不应该有个如实的表现吗?这不是八佰这个集体和这场战斗完完整整不可缺少的一部分吗?
这才是真实的历史,这才是给观众负责任的讲述自己要说的历史。截取事件一段高光时刻,掐头去尾夸大煽情之余,又以畏死来曲解反战的含义,离佳作和史诗的门槛实在是百步之遥。
第三,在艺术手法上总体写意,局部写实的比例,明显不适合表现历史战争题材,尤其是华语电影创作和观赏环境,也与影片宣传定位相悖。
银幕上那匹白马,就是管虎创作上的一颗私心。我不是讲述历史,是自己说书。谢将军和日本将领骑白马相见,说为各自的荣誉而战时,这电影已经彻底垮了,那座四行仓库已经轰然崩塌成废墟了。
如果不做商业计算的煽情,楼顶护旗一场和前半段接近写实的战斗拍摄风格一样,情绪的冲击和情感的升华只会更真实深刻。而不是现在这般强行煽情无休无止,让人感到疲劳尴尬。
可能导演只怕观众不知道,我这电影就因为这场戏而审查受阻的。毋庸讳言,审查真的不尽人意。但有些导演的本事和脑子,还真不一定是审查这口锅给砸坏的。
自己屁股坐歪了,摔倒了不能怨椅子。
《八佰》电影最大的价值和意义就是它的上映,能让一些年轻人知道了哪怕是十分轻浅的历史事件和爱国感情,也是一件功德之举。至于电影的艺术品质,那就另当别论,真的不谈也
8. 八佰的观后感
一条苏州河,一边是天堂,一边是地狱。四行仓库这边是刀枪火海的浴血奋战,对面是纸醉金迷的十里洋场。这就是电影《八佰》呈现的画面,影片一经上映票房就破亿,它所带来的并不仅仅是绝望与希望相缠绕所呈现出的一种震撼。更是民族的耻辱与自豪相交杂的心灵撞击。
《八佰》中的人物并不是单单纯纯的非黑即白,而是掺杂许许多多的灰色地带——租界的民众、起先想要逃跑无意抗战的士兵、开赌场的大姐等等。他们不是纯粹的“黑”,也不是纯粹的“白”,他们是等待被“唤醒”的一个个“灰色”的灵魂。他们的“黑”在于放弃抵抗沉迷于眼前的美好幻景,他们的“白”在于愿意为八佰壮士捐物资,在于企盼出现一个崭新的中国。
“我不能死,我娘还等着我回家呢。”这是剧中的一个人物端午说过的一句话。由此可见,他们所令人愤怒的“黑”其实是由每个人对团圆尽孝这一期望的“白”所产生的。每个人都有恐惧,每个人的无畏都需要被唤醒。
影片中的苏州河(吴淞江进入上海市区后被上海人称为苏州河)隔开了租界和四行仓库,隔开了浮于表面的繁华与令人战栗的荒芜。影片中的人物也曾说过:“那边是天堂,这边就是地狱。”河的这岸是“满目萧然”,河的那岸却是“商女不知亡国恨,隔江犹唱《后庭花》”,这一反差的确让人心酸与愤怒。“天堂”充斥着愚昧与麻木,“地狱”充满了不屈与坚守。“天堂”是精神上的地狱,而“地狱”承载的却是我们这一民族的脊梁。
当主动请缨的壮士们一个一个从楼顶无畏跃下引爆自己时,那接连不断的爆炸声真正炸醒了河对岸愚昧无知而又麻木不仁的民众。“国人皆如此,倭寇何敢。”何香凝的这一句台词被深深地印在了每一个人的心底。当国旗被升起国民欢呼叫好时,当一双双国人的手伸出时,中国人的家国情怀是真正被唤醒了。
电影中还有一个小细节,那就是日本军官和谢晋元团长的会面。身骑黑马的日本军官和身骑白驹的谢团座无疑是影片中一大冲击波,黑暗和光明、绝望和希望被巧妙地转化成日本军官的黑马以及八佰壮士的白驹。而当河对岸租界的民众们看到奔驰的白驹时的兴奋,既是新奇而更多的则是对希望的渴望,对光明的向往,对中华民族会重新站起来的坚定。
而影片最后在废墟中踏出的带着血红色的伤口的白驹,则意味着中华民族遭受重重磨难,早已千疮百孔却仍然充满希望仍大步昂扬地向未来驰骋而去的中华民族的脊梁。
那匹白驹,它是希望,也是影片中灰暗天空下最耀眼的曙光,和四行仓库的八佰壮士一起,重新燃起中华民族的自豪,塑起中华民族永不屈折的脊梁!
9. 电影《八佰》影评是什么
《八佰》影评如下:
该片取材于1937年淞沪会战,讲述了被称作“八百壮士”的中国国民革命军第三战区88师524团的一个加强营,固守苏州河畔的四行仓库、阻击日军的故事。该片于2020年8月21日在中国内地上映。
塑造立体的人,是《八佰》的立意与野心所在。以往战争片的主角,要么是正面迎敌的战士,要么是深入敌营的卧底。
而该片却从一群逃兵的身上展开,《八佰》能在国产战争片中越众而出,恰恰是因为它“敢拍人性的真,甚至丑”。该片拓宽了我们认识英雄的维度,他们在舍生取义前,也有过平凡的,甚至苟且的懦弱与挣扎。
相关简介
《八佰》是由华谊兄弟电影有限公司、北京七印象文化传媒有限公司出品,管虎执导,黄志忠、欧豪、王千源、姜武、张译、杜淳、魏晨、李晨、俞灏明等主演的战争题材影片。
该片取材于1937年淞沪会战,讲述了被称作“八百壮士”的中国国民革命军第三战区88师524团的一个加强营,固守苏州河畔的四行仓库、阻击日军的故事。该片于2020年8月21日在中国内地上映。
10. 八佰影评
《八佰》是一部拥有超越其电影本身意义的作品,甚至借由“戏”的意象引出了对电影本质的思考,拓宽到观众对电影态度的边界,观看和目光所蓄积而突破荧幕内外的潜在价值,荧幕前的观众也参与其中,将要继续完成这场戏最后一个环扣。
《八佰》也许不会在世界影史上留名,但相信在中国的战争电影中是可以拥有很大分量的。追根究底,《八佰》从来没有放弃作为它作为电影的存在,这也是近年来的主旋律电影大多只能供国人自我高潮的原因。
首先,从过硬的技术上看,《八佰》的摄影师曹郁对两岸的落差氛围是有很明确清晰的把控的,南岸的灯红酒绿人的衣着皆是高饱和度,而北岸却是灰淡黄绿的末世降临。作为亚洲首部全程使用IMAX摄影机拍摄的片子也达到了其追求的宏大质感。
除了上述“戏”的意象之外,白马的出现也贡献了很多神性的瞬间,它几乎伴随也代表了那一群守在四行仓库中的人们。从初始的惊慌失措妄图逃窜,到顺从本性开始奔跑,想要逃脱又不愿离去,成全了自己,但最后又重新被拉回既定的路线,判断不了的未来。
比较令人感动的细节是影片对个人结果的呈现方式。与此相辅的是演员的阵容都是老熟人了,因此当观众陷入对主角光环的信任中,而陈树生的自爆,端午的死亡,老铁的破相......他们受到的伤害清脆又不可置信。
影片也从不吝于给早走的英雄戏份。包括最后选出来的敢死队的结局也在被日本兵发现时戛然而止,冲刺过桥的人们下场又如何呢,历史早已给我们更残酷的解答。