Ⅰ 如何成为电影导演
首先要告诉你的是，导演分为很多种，电影导演只是其中之一！第二，导演不一定要上专门的学校，但是不上专门学校成为导演的概率很低！现在回答你的具体问题！第一，电影导演目前国内北电是最专业的，但是你需要明白，这个学校事实上比清华和北大都难考，关键就是专业考试！第二，学艺术类可以让你尽早的了解这个行业，并接受专业训练，除非是天赋极高的人，一般都最好是经过这种训练！第三，考导演不需要专门学习美术，但是要有几个基本能力，1艺术感知能力，2光线鉴别能力3构图能力4结构能力！第四，建议你至少拿到一份今年的招生简章，知道考些什么，最好请老师辅导，但是这个很矛盾，既要找到知道怎么考电影学院的老师，又要注意自己平时的积累，很矛盾，不展开了。第五，晚不晚的看你的天赋。第六，文化分成绩400左右就行，但是要注意，专业成绩很重要！最后告诉你，你可能选择了一个非常非常非常难的职业和梦想，你参见我的其他回答！
Ⅱ 中央六套以前有个采访导演的节目叫什么
求中央六套播过的一部电影！
悬赏分：20 -
解决时间：2008-10-27 22:33
以前中央六套播过的一部电影，大体是讲一个女的很有钱，后来失忆了，流落到一个很穷苦的人家，一个男的领养着好几个孩子，那个女的是个娇生惯养的小姐，一开始什么都不会，后来他们生活在一起，她和那个男的也相爱了，后来她回复了记忆，也回到了自己以前的生活，最后就大团圆结局了。。。大概是这么个意思，是个外国的，好像是美国。。。有木有同学知道叫什么吖？
中文名称：小迷糊表错情
英文名称：Overboard
资源类型：DVDRip
发行时间：2000年12月07日
电影导演：加里·马歇尔 Garry Marshall
电影演员：戈尔迪·霍恩 Goldie Hawn
库尔特·拉塞尔 Kurt Russell
哈克特·埃利桑多 Hector Elizondo
凯瑟琳·赫尔蒙德 Katherine Helmond
地区：美国
语言：英语
简介：
◎译 名 小迷糊表错情
◎片 名 Overboard
◎年 代 1987
◎地 区 美国
◎类 别 喜剧 爱情
◎语 言 英语
◎字 幕 暂无
◎ctrl1评分 6.1/10 (6,417 votes)
◎分 级 阿根廷：Atp 瑞典：Btl 英国：PG 美国：PG 智利：TE 芬兰：K-10 西德：12
◎片 长 106 Min
◎导 演 Garry Marshall
◎编 剧 Leslie Dixon
◎主 演 Goldie Hawn .... Joanna Stayton/Annie Proffitt
Kurt Russell .... Dean Proffitt
Edward Herrmann .... Grant Stayton III
Katherine Helmond .... Edith Mintz
Michael G. Hagerty .... Billy Pratt (as Michael Hagerty)
Roddy McDowall .... Andrew
Jared Rushton .... Charlie Proffitt
Jeffrey Wiseman .... Joey Proffitt
Brian Price .... Travis Proffitt
Jamie Wild .... Greg Proffitt
Frank Campanella .... Captain Karl
Henry Alan Miller .... Dr. Norman Korman
Frank Buxton .... Wilbur Budd (Elk Cove)
Carol Williard .... Rose Budd (Elk Cove)
Doris Hess .... Adele Burbridge (Elk Cove)
◎文件格式 DivX + AC3
◎视频尺寸 656 x 352
◎文件大小 1CD 1 x 20 x 35MB
编辑本段剧情简介
本片是「麻雀变凤凰」导演加里·马歇尔于1987年所执导的电影，由戈尔迪·霍恩以及库尔特·拉塞尔所主演。据说当时两人就是因为这部电影而开始相恋的，影片叙述了一个身为四个孩子的单身父亲迪恩（库尔特·拉塞尔），他的职业是个木匠，一天他接到一个工作，到一艘豪华游艇上帮该艇的女主人乔安娜（戈尔迪·霍恩）扩建鞋柜，这个富家少妇因为有钱所以相当的势利，对于迪恩的工作成品极尽挑剔之能事，又因和迪恩言语上起了冲突，所以在未付他薪资的情况下居然把迪恩给踢下船，让迪恩气急败坏。 后来乔安娜为了捡拾掉落在甲板上的戒指而意外的落海，经人救起之后却意外的丧失了记忆，在电视报导播出之后，乔安娜的风流先生一来受不了她的娇纵个性，二来自己想去风流快活，居然在医院中否认乔安娜是他的妻子，而迪恩在看到电视转播之后，马上认出乔安娜就是那位踢他下海，又没付钱的势利女主人，在没有人去医院指认她的情况之下，迪恩灵机一动，跑到医院表示乔安娜就是他的老婆，而迪恩的目的就是要带乔安娜回家，帮忙照顾那四位没有保母愿意照顾的顽皮儿子，顺便一报当初乔安娜给他的羞辱。 本片的趣味性就在于
Ⅲ 如何联系导演拍电影
如果你是单纯的投资，你可以找一些比较有资历的影视工作室合作
如果你自己有剧本话，就更OK
如果你是当演员的话，那就不好说，
做为你想当演员，你可以去找些刚刚起步的影视工作室
免费的当演员，先学习学习，慢慢找机会吧
Ⅳ 急急急急急急急急急急急急急！！！！！需要采访一位导演，需要采访稿一份~！！问题越多越深奥越好~！！
网络上资料少的导演，应该不是很出色吧
Ⅳ 怎样认识导演。可以去拍电影
真有意思，我认识张艺谋要不要给你答个线
Ⅵ 中国导演访谈录怎么样
易立竞的文章喜欢很久了，每期《南方人物周刊》上都要留心看，对导演的访谈已经太多了，但是易立竞的采访永远有自己的风格，你能感觉到她的采访里有她自己的思维和智慧。好的采访里，即使这个记者全身而退，专心的呈现别人，她的逻辑，她想问题的方式也还是会留下来。那些聪明的问题，对于任何一个学新闻的人来说都是一种教益。 一个下午看完了这本书，采访有很多种风格，有的学院派，专业而务求深刻，有的嘻哈玩闹，轻松而无养分。但是易立竞的采访，看完之后给人这样一种感觉——清晰，松弛，明媚，开合自如。她对谈话有一种控制力，她的对话里有一种自然的魅力——好的记者，永远不是技巧这两个字能完全概括的。
Ⅶ 采访导演要提的问题
请问制作一片电影需要多少资金？
Ⅷ 如何采访导演
拿话筒
Ⅸ 求一篇对明星。演员或者导演的采访。
看你这么急我只能现在发了-------不长，见谅。
时代周刊记者采访著名导演Spike Lee ：S是Spike Lee ，T:记者
题目：Spike Lee Remembers Michael Jackson
背景简介：In 1996, Spike Lee — director of films from Do the Right Thing to Malcolm X to the recent documentary Kobe Doin' Work — traveled to Brazil with Michael Jackson to proce the music video for his controversial song "They Don't Care About Us." He talked to TIME about his experiences, Michael Jackson's legacy and having the Gloved One as a houseguest.
T:What's your favorite Michael Jackson song?
S:I was born in 1957; he was born in 1958. And so I grew up, literally, with Michael Jackson. We both reached adolescence at the same time. And I had a big Afro like he did, and I hoped that the girls would like me the way they liked Michael — but that wasn't happening. And you know, I loved him as a solo artist, but I have a special place in my heart for the stuff he did with the Jackson 5: "I'll Be There."
T:Do you remember the first time you heard it?
S:No. My memory's shot. I'm in Cannes, France, for a conference; I left dinner last night, got home, I turned on CNN and there it was — him being rushed to the hospital. I didn't go to bed the whole night. I just kept watching CNN. So it's a big, big, big, big loss for the world. And I'd like to make this comment: I've seen too many people talking about Michael like they knew exactly what he did. Let's celebrate his genius, his musicality, his gift, his talent, and leave the other stuff at least till he gets buried. Let's celebrate his life now. That's the way I feel.
T:I can hear Michael Jackson in the background right now.
S:Yeah, my friend is driving me to Monaco for dinner, and I went out to this store and bought Michael Jackson's greatest hits. So, as we got in the car I said, "This is our driving music!" Going from Cannes to Monaco, listening to the greatest hits of Michael.
T:What was he like when you worked with him on the video for "They Don't Care About Us?"
S:Michael was great. He had a sense of humor. He worked hard. People talk about how hard Kobe Bryant works; he didn't work harder than Michael Jackson. This is what I've come to learn. You know, I did a documentary on Kobe, I know him; Michael Jordan, I worked with him a little; Michael Jackson — when you love what you do that much, it's not work. So you can go longer and harder and faster and quicker because it's not a burden. You love what you're doing.
T:And did you talk to him on the set? Was he accessible?
S:Oh yeah! Michael was a citizen of the world. I said, "Mike, let's go to Brazil to do this." And he said, "Let's go, Spike!" And it's great when you work with people who say stuff like that — it's not a matter of budget. He wanted to do it? We were going!
T:Had you met him previous to that?
S:Yeah, I met him at dinners and stuff like that, but that was the most intimate time I had been with him. Can I tell you a quick story? Michael Jackson called me up and said, "Spike, I want meet you, I'm coming to New York." I said, "Well where you want to meet?" He says, "I want to come to your house." I live in Brooklyn! He wants to come to my house! So, Michael Jackson came to my house in Brooklyn, New York — this was when I was living in Fort Greene. And he said, I want you to direct a video for me. My new album's coming out, pick a song. So we listened to all the songs and I picked "Stranger in Moscow." And he said, I don't want you to do that one. And I said, "Michael, just tell me which one you want me to do! Why ask me to pick one?" And he laughed and he said he wanted me to do "They Don't Care About Us." That's how it happened.
T:How did he like Brooklyn?
S:Well, I nno if he'd ever been there before. We spent like two or three hours just talking. I mean, we're the same age. I'm less than a year older than him. To be honest, I dominated the conversation, because I was trying to really tell him how much impact he had on my life. And I could just not believe that Michael Jackson was sitting in my living room in Brooklyn, New York. It was amazing.
T:I just want to get back quickly to "I'll Be There." What sort of associations did you have with that song? What did it mean to you?
S:I just remember being young, loving that song, starting to get interested in girls; it was just that period of time. And here's the thing that I remember: growing up, as far as girls, everybody didn't like Michael. They liked Tito, they liked Jackie, they liked Jermaine — it was like the Beatles, the girls had their favorites. It was not always Michael, Michael, Michael.
T:Was he always your favorite Jackson?
S:Oh yeah. But I wasn't a girl though.
Ⅹ 怎样才能做电影导演
在中国做导演有四条路,一是科班毕业,即北京电影学院 中央戏剧学院 上海戏剧学院等艺术院校导演系毕业,毕业后有机会进入电影厂工作成为专职导演.二是通过关系或自己的勤奋努力,从剧务开始做起直至成为导演的助手,凭借关系抓住机会导一部片子.三是你拥有很多很多的钱,将电影作为爱好自己导着玩.四就是你必须是名演员名摄影师或明制片人,这样也有机会导戏的.无论你走哪种途径,都必须得找到投资方.
拍一部电影的成本是很大的,即使拿普通dv拍二十分钟左右的短片也要在三万元左右.电影器材一般都是租用的或借用单位器材,如果你非常非常非常非常有钱,不介意你去买.
判断一部电影的好坏并不是仅仅通过镜头角度来区分,那是摄影师的工作.电影艺术是由画面 声音 剪辑组成的.创造性思想性和艺术性才是衡量一部电影好坏的标准.
"而且有很多剧情很好的电影我认为都在拍摄的角度上和时间上有很大的缺陷……"这话说不通,可见你根本不懂什么是电影.建议你多读一些关于电影的书籍作品.依你目前的情况最好从"电影馆"系列读起.至于电影符号学等理论性著作最好不要涉猎.拍摄角度无非就是平仰俯,镜头的运动也就是推拉摇移跟.不知道你还想怎么玩摄影机,期待中^
把影视业带到高峰?我估计你可能是小孩子,我不知道你所认为的高峰是什么样子的,但电影不是靠一两个发展起来的,它需要几代电影人的共同努力.
北京电影学院的导演系是电影导演专业中最好的.当然,中戏也不错,但它的导演系主要是戏剧方向.北电的导演专业考试一般在每年三月份进行,根据当年不同的专业方向,其考试内容也会不同.不过试卷基本会涵盖电影常识 文学作品常识 智力题 影评或社会评论 散文,面试一般则是小品表演 故事编讲 音乐美术作品分析等等 导演专业一般分为记录片方向 剪辑方向 故事片方向等等,可是具体的专业方向需要看你的老师怎么教.即使你很幸运的考进去也不要太乐观,因为导演专业的毕业生就业率非常不好!如果你有关系有钱那无所谓了.不然等到毕业的那天起你就要考虑改行的问题了.
等到你明白电影是什么,并且做好时刻失业的准备后,再来探讨导演这一工作吧.