這些電影英語

❶ 電影英文怎麼說

電影英文：Movie（美式） 或 Film（英式）。

電影是19世紀美國國家生活水平上升大眾產生新需求的娛樂產物。電影根據視覺暫留原理，運用照相（以及錄音）手段把外界事物的影像（以及聲音）攝錄在膠片上，通過放映（同時還原聲音），用電的方式將活動影像投射到銀幕上（以及同步聲音）以表現一定內容的現代技術。

電影是一種視覺及聽覺藝術，利用膠卷、錄像帶或數位媒體將影像和聲音捕捉，再加上後期的編輯工作而成。

電影是一種綜合的現代藝術，亦正如藝術本身，有著復雜而繁多的科系。電影有很多類型，也有多種分類方法。

電影從有聲電影開始發展，目前已經到了電影的特技時代了。運用大量的電腦特技製作出來的電影，受廣大中年以下的朋友歡迎。

國外電影廣告在美國和英國的電影廣告中，有這樣八種標記：

（1）美國X——禁止未成年者觀看的影片，G——所有觀眾可看片，R——十七歲以下禁止觀看，PG——一般觀眾可看。

（2）英國U——內容正派片，A——一般觀眾可看片，X——18歲以下青少年禁看片，AA——少年兒童禁看的兇殺片。

(1)這些電影英語擴展閱讀

中國最早放映的電影——1896年8月11日法國商人在上海徐園「又一村」茶樓內放映的「西洋影戲」。

中國第一部電影是戲曲片京劇《定軍山》，內有《請纓》、《舞刀》等片斷，1905年（清光緒三十一年），由北京豐泰照相館攝制。無聲片，長約半小時。

中國第一部短故事片是《難夫難妻》（又名《洞房花燭》），1913年在上海拍攝，無聲片，鄭正秋編劇，鄭正秋和張石川聯合導演。此片是由亞細亞影戲公司開張後的第一部作品，首開家庭倫理劇之先河。

中國第一部長故事片——1921年中國影戲研究社在上海拍攝第一部長故事片《閻瑞生》。

中國現存最早的一部可放映電影——1922年由張石川導演的《勞工之愛情》又名《擲果緣》，是現存尚可放映的最早的一部中國電影，也是中國現存最早的故事片。

中國第一部有聲電影是《歌女紅牡丹》，明星影片公司1931年攝制，該片採用的是蠟盤配音的技術。

中國第一部開創電影奇跡的影片《破艙》，是完全一個人攝制的、零成本、即興創作（先拍攝後寫劇本）的電影長片，2013年楊誠俊導演電影。

中國第一部獲得國際大獎的影片是20世紀30年代由蔡楚生導演的《漁光曲》，它在1935年莫斯科國際電影節上獲「榮譽獎」。

❷ 我要這些電影的英語名

樓主您好，
貓和老鼠
Tom
and
Jerry
阿甘正傳
Forrest
Gump
威尼斯水怪
Venice
Monster
龍騎士
Dragon
Knight
賽車總動員
Racing
Story
玩具總動員
Toy
Story
漢江水怪
Han
River
Monster
此外你能相信它嗎？是：Do
you
believe
it?

❸ 這些電影用英語怎麼說

鴉片戰爭 The Opium War
荊柯刺秦王 The Emperor and Assassination
黃金甲 The Curse of Golden Flowers
少年黃飛鴻 Wong Fai Hong: The Informative Years
英雄 Heroes

❹ 介紹幾部經典英語電影

我是樓上的"天天快樂" 還有一些經典英語電影對白 《肖申克的救贖》 It takes a strong man to save himself, and a great man to save another. 堅強的人只能救贖自己，偉大的人才能拯救他人。 Remember, Hope is a good thing, maybe the best of things and no good thing ever dies! 記著，希望是件好東西，沒准兒是件最好的東西，而且從沒有一樣好東西會消逝！ Get busy living, Or get busy dying. 忙活，或者等死 《亂世佳人》：After all,tomorrow is another day! 不管怎樣，明天是新的一天! We become the most familiar strangers. 我們變成了世上最熟悉的陌生人。 Later,respectively,wander and suffer sorrow. 今後各自曲折，各自悲哀 1．《阿甘正傳》： Life is like a box of chocolate, you never know what you will go to get to me ,I'll never forget this ! I wish I could have been there with you. Your were Jenny, I am not a smart man, but I know what is love. ---Forrest Gump. "Death is a part of life" ---阿甘母親在臨終前對兒子說的話。 "where is my jenny?"---FORREST GUMP 當阿甘喊出這句話，讓我不能控制的掉下眼淚。 至今仍然忘不了。 在這個社會，誰能象阿甘一樣去愛。 2．《亂世佳人》： Tara! Home! I『ll go home, and I『ll think of some way to get him back. After all, tomorrow is another day. ——《亂世佳人》 3．《Titanic》：《Titanic》中Jack死亡前的對白： Jack: Listen, Rose. You're going to get out of here. You're going to go on. You're going to make lots of babies, and you're going to watch them grow. You' re going to die and old, an old lady in her warm bed, not here, not this night, not like this. Do you understand me? Rose: I can't feel my body. Jack: Winning that ticket (for Titanic at a poker game) Rose, was the best thing that ever happened to me. It brought me to you, and I'm thankful (crying) you must (shivering) ...you must ... do me this honor. Promise me that you'll survive, that you won't give up, no matter what happens, no matter how hopeless. Promise me, now, Rose, and never let go of that promise, never let go. Rose: I'll never let go, Jack. I'll never let go, I promise. -《Titanic》 4．《兄弟連》： I remember my grandson asked me the other day, he said: "Grandpa, were you a hero in the great war?" "No," I replied,」 But I served in a company of heroes." 有一天我的小孫子問我"爺爺，你是大戰中的英雄嗎？我回答：不....但我與英雄 們一同服役。" 5．《勇敢的心》： WILLIAM WALLACE："Fight, and you may die. Run, and you'll live at least a while. And dying in your beds many years from now. Would you be willing to trade? All the days from this day to that, for one chance, just one chance, to come back here and tell our enemies that they may take our lives, but they'll never take our Freedom! Freedom——" 威廉華萊士："是啊，如果戰斗，可能會死。如果逃跑，至少還能活。年復一年，直 到壽終正寢。你們！願不願意用這么多苟活的日子去換一個機會，就一個機會！那就是回 來，告訴敵人，他們也許能奪走我們的生命，但是，他們永遠奪不走我們的自由！" "我們的自由！！ 6．《偷天陷阱》經典對白： Believe me, I was prepared for everything ,except you ---Entrapment(偷天陷阱） 7．《四個婚禮和一個葬禮》： I thought that love would last forever: I was wrong. 8．《大話西遊》大話西遊經典對白英文版 ：once I let a true love slip away before my eyes, only to find myself regretting when it was too late, nothing in the world can be as painful as this, if the god wound give a chance ,I wound tell the girl I love the girl ,if our love have to be settled a time limit ,I wish it wound be ten hounds of years!

❺ 我需要這些電影的英文簡介!

1 a space odyssey
Director:Stanley Kubrick
Writers:Stanley Kubrick (screenplay) &
Arthur C. Clarke (screenplay)
more
Release Date:6 April 1968 (USA) more
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller ... Mission controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar shuttle captain (as Edward Bishop)

Glenn Beck ... Astronaut
Alan Gifford ... Poole's father
Ann Gillis ... Poole's mother
英文評論
Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.

2 a clockwork orange

Director:Stanley Kubrick

Writers:Stanley Kubrick (screenplay)
Anthony Burgess (novel)

Release Date:2 February 1972 (USA) more
Genre:Crime | Drama | Thriller more

Malcolm McDowell ... Alex
Patrick Magee ... Mr. Alexander
Michael Bates ... Chief Guard
Warren Clarke ... Dim
John Clive ... Stage Actor
Adrienne Corri ... Mrs. Alexander
Carl Duering ... Dr. Brodsky
Paul Farrell ... Tramp
Clive Francis ... Lodger
Michael Gover ... Prison Governor
Miriam Karlin ... Catlady
James Marcus ... Georgie

Aubrey Morris ... Deltoid
Godfrey Quigley ... Prison Chaplain
英文評論
Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.

3 annie hall

Director:Woody Allen

Writers:Woody Allen (written by) and
Marshall Brickman (written by)

Release Date:20 April 1977 (USA) more
Genre:Comedy | Romance more

Woody Allen ... Alvy Singer

Diane Keaton ... Annie Hall
Tony Roberts ... Rob

Carol Kane ... Allison
Paul Simon ... Tony Lacey

Shelley Duvall ... Pam
Janet Margolin ... Robin
Colleen Dewhurst ... Mrs. Hall

Christopher Walken ... Duane Hall (as Christopher Wlaken)
Donald Symington ... Mr. Hall
Helen Ludlam ... Grammy Hall

Mordecai Lawner ... Mr. Singer

評論
Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.

4 bonnie and clyde
Arthur Penn

Writers:David Newman (written by) &
Robert Benton (written by)
more
Release Date:13 August 1967 (USA) more
Genre:Action | Biography | Crime | Drama | Romance more

Warren Beatty ... Clyde Barrow

Faye Dunaway ... Bonnie Parker

Michael J. Pollard ... C.W. Moss

Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans ... Velma Davis

Gene Wilder ... Eugene Grizzard

評論
First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."

That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.

The story is of two Texas young alts who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the o goes down into history.

Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.

Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.

But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.

Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.

The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two indivials whose works and existence could not be tolerated by the powers that be.

The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.

Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless indivials who only want to ruin Bonnie and Clyde's fun.

In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.

10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre

5 brief encounger

Director:David Lean

Writers:more
Release Date:24 August 1946 (USA) more
Genre:Romance | Drama more

Celia Johnson ... Laura Jesson
Trevor Howard ... Dr. Alec Harvey
Stanley Holloway ... Albert Godby
Joyce Carey ... Myrtle Bagot
Cyril Raymond ... Fred Jesson
Everley Gregg ... Dolly Messiter
Marjorie Mars ... Mary Norton
Margaret Barton ... Beryl Walters, Tea Room

評論
There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.

Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed – that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away – to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her ll, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.

Noel Coward proced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his lcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little – a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be alterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.

6 chariotes of fire

Hugh Hudson

Writer:Colin Welland (original screenplay)

Release Date:9 October 1981 (USA) more
Genre:Drama | History | Sport more
Nicholas Farrell ... Aubrey Montague
Nigel Havers ... Lord Andrew Lindsay
Ian Charleson ... Eric Liddell

Ben Cross ... Harold Abrahams

Daniel Gerroll ... Henry Stallard

Ian Holm ... Sam Mussabini

John Gielgud ... Master of Trinity (as Sir John Gielgud)
Lindsay Anderson ... Master of Caius
Nigel Davenport ... Lord Birkenhead
Cheryl Campbell ... Jennie Liddell
Alice Krige ... Sybil Gordon
Dennis Christopher ... Charles Paddock
評論
I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.

The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.

The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
he races are riveting - partly e to the music and sound effects.
So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introction there (as there was for Liddell). It's small but seems quite real.
As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the proct of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.

Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.

Do watch it - it's very fine, very moving, very exciting.

字數太多，可去網站上自己查詢

❻ 好看的英文電影有哪些

提到英文電影，我在腦海中快速檢索後閃過的第一部電影是——《社交網路》。

所以看到「英文電影」這種問題時我的第一反應就是這部《社交網路》——因為在這部電影里，你將聽到超過其他電影三倍以上的英文台詞！

❼ 這些電影里有哪些常用英語口語句子

《美食總動員》：Great cooking is not for the faint of heart. 膽小的人做不出精湛的美食。
You must be imaginative, strong hearted. 你必須要有想像力，還要有決心
《玩具總動員》：
Woody: Buzz! You're flying!
胡迪：巴斯!你在飛!

Buzz: This isn't flying. This is falling with style!
巴斯：這不是飛，這是有型有款地下墜!

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Buzz: Years of Academy training wasted.
巴斯：多年的專業訓練都被浪費了。

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Buzz: This is no time to panic.
巴斯：已經沒有時間來恐慌了。

Woody: This is a perfect time to panic!
胡迪：這正是恐慌的最佳時間！

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Woody: Hey, look, everybody! It's the *real* Buzz Lightyear!
胡迪：嗨，大家看，這就是真正的巴斯光年！

Buzz: You're mocking me, aren't you?
巴斯：你在取笑我，是么？

Woody: Oh no, no no no, no. - Buzz look, an alien!
胡迪：哦不，我沒有，沒沒。巴斯，看，一個外星人！

Buzz: Where?
巴斯：在哪？

Woody: (slaps knee and laughs hoarsely)
胡迪：（拍腿大笑）

--------------------------------------------------------------------------------

Alien: I have been chosen. Farewell, my friends. I go to a better place.
外星人：我被選中了。再見了我的朋友們，我要去一個更好的地方了。

望採納

❽ 30部必看經典英文電影，看完口語、聽力大幅提升！你到底看過哪些

一、經典電影（人生篇）

1、《肖申克的救贖》

《肖申克的救贖》（The Shawshank Redemption）取自斯蒂芬·金《不同的季節》中收錄的《麗塔·海華絲及蕭山克監獄的救贖》而改編成的《肖申克的救贖》劇本，並由弗蘭克·達拉邦特執導，蒂姆·羅賓斯、摩根·弗里曼等主演。

2、《百萬金嬰》又名《百萬寶貝》

《百萬寶貝》（Million Dollar Baby）是一部勵志劇情電影。影片由克林特·伊斯特伍德執導，克林特·伊斯特伍德、希拉里·斯萬克、摩根·弗里曼等主演。

影片講述了一位有名的拳擊教練法蘭基因為太過於投身與拳擊事業而陷入了長期的自我封閉和壓抑，一位學徒麥琪堅毅的決心軟化了法蘭基並成出色的女拳擊手。

3、《悲慘世界》1958年版

《悲慘世界》是法國作家維克多·雨果於1862年所發表的一部長篇小說。是十九世紀最著名的小說之一。

小說涵蓋了拿破崙戰爭和之後的十幾年的時間。故事的主線圍繞主人公獲釋罪犯冉阿讓(Jean Valjean)試圖贖罪的歷程，融進了法國的歷史、建築、政治、道德哲學、法律、正義、宗教信仰。1958年法國導演讓.保羅·李塞諾拍攝過同名電影，2006年日本出品了根據原著改編的動畫片《悲慘世界少女珂塞特》。

二、經典電影（愛情篇）

1、《羅馬假日》

《羅馬假日》是1953年美國推出的一部經典浪漫愛情片，由道爾頓·庄柏編劇，威廉·惠勒導演。格利高里·派克和奧黛麗·赫本聯袂主演。

故事講述了一位歐洲某公國的皇室公主與一個美國平凡記者之間在義大利首都羅馬一天之內發生的浪漫故事。

2、《泰坦尼克號》

《泰坦尼克號》是美國20世紀福克斯公司和派拉蒙影業公司共同出資，於1994年拍攝的一部浪漫的愛情災難電影，由詹姆斯·卡梅隆創作、編輯、製作、導演及監制，萊昂納多·迪卡普里奧、凱特·溫斯萊特主演。

影片以1912年泰坦尼克號郵輪在其處女啟航時觸礁冰山而沉沒的事件為背景，描述了處於不同階層的兩個人——窮畫家傑克和貴族女露絲拋棄世俗的偏見墜入愛河，最終傑克把生命的機會讓給了露絲的感人故事。

3、《卡薩布蘭卡》

《卡薩布蘭卡》是由華納兄弟影片公司出品的愛情電影，由邁克爾·柯蒂斯執導，亨弗萊·鮑嘉、英格麗·褒曼、克勞德·雷恩斯、保羅·亨雷德等主演。

影片講述了二戰時期，商人里克手持寶貴的通行證，反納粹人士維克多和妻子伊爾莎的到來使得里克與伊爾莎的舊情復燃，兩人面對感情和政治的矛盾難以抉擇的故事。

三、經典電影（戰爭篇）

1、《巴頓將軍》

《巴頓將軍》是由弗蘭克林·斯凡那導演，1970年2月4日在美國首映，影片主要介紹了一九四三年在北非，英美盟軍遭到綽號叫「沙漠之狐」隆美爾元帥率領的德軍反擊，展開了一場大規模的戰斗，結果美軍遭到慘敗。陷入了困境。

2、《拯救大兵瑞恩》

影片《拯救大兵瑞恩》是夢工廠1998年出品的一部戰爭電影，由史蒂文·斯皮爾伯格執導，湯姆·漢克斯、湯姆·塞茲摩爾和馬特·達蒙等聯袂出演。影片於1998年7月24日在美國上映。

電影描述諾曼底登陸後，瑞恩家4名於前線參戰的兒子中，除了隸屬101空降師的小兒子二等兵詹姆斯·瑞恩仍下落不明外，其他3個兒子皆已於兩周內陸續在各地戰死。美國陸軍參謀長馬歇爾上將得知此事後出於人道考量，特令前線組織一支8人小隊，在人海茫茫、槍林彈雨中找出生死未卜的二等兵詹姆斯·瑞恩，並將其平安送回後方。

3、《現代啟示錄》

《現代啟示錄》是由弗朗西斯·福特·科波拉執導，馬丁·辛、馬龍·白蘭度、羅伯特·杜瓦主演的戰爭片。

影片講述了越戰期間，美軍情報官員威爾德上尉奉命除掉庫爾茲上校。接到命令後，威爾德率領小分隊，冒險乘小艇深入柬埔寨。

4、《戰爭與和平》

《戰爭與和平》是由金·維多執導的劇情片，亨利·方達、奧黛麗·赫本參加演出。

該片講述了在拿破崙指揮軍隊進攻俄國時，發生在大動盪年代中的一段經典愛情故事。

(8)這些電影英語擴展閱讀

《經典英文電影賞析》是2009年5月1日國防工業出版社出版的圖書。本書主要收錄了10部精選優秀經典英文電影作品。

《經典英文電影賞析》由10個章節組成。每一章節包括電影背景、故事簡介、主要演員陣容及導演介紹、精彩部分節選、對影片的評論及注釋五大部分。相信許多讀者會在觀賞優美電影或閱讀《經典英文電影賞析》的過程中重溫自己過去的電影體驗，獲得新的感悟和理解。

英漢對照是《經典英文電影賞析》的一大特點。《經典英文電影賞析》既有英文原文，也提供了中文翻譯，有助於英語愛好者能更好地理解書中的內容。同時，《經典英文電影賞析》還提供了注釋，為讀者的自學提供了參考。

❾ 有那些英語電影

英語電影比較好看的，有《肖申克的救贖》、《這個殺手不太冷》、《阿甘正傳》、《泰坦尼克號 3D版》、《十二怒漢》、《盜夢空間》、《海上鋼琴師》、《當幸福來敲門》等等。

❿ 有那些英語電影

中學生的話
建議你去看《音樂之聲》/《The Sound of Music》，美國的，雖然是黑白片但是很好看，獲過奧斯卡獎，你可以看帶中文字幕的，很練英語聽力，裡面的歌很好聽，故事情節也是愛國為主題，比較向上。
《綠野仙蹤》/《The Wizard of OZ》，美國的，童話歌舞片，本片榮獲第12屆奧斯卡最佳音樂、最佳歌曲2項金像獎
《小公主》，很可愛的童星秀蘭·鄧波演的
《霧都孤兒》根據狄更斯的同名小說改編的，我覺得很好看，獲過奧斯卡獎
另外現在正火的《哈里·波特》看看也很不錯
好的電影有很多，適合中學生看的我就說這些吧