电影铁拳男人的观后感运动角度

A. 美国的励志电影《铁拳男人》，到底讲了一个怎样的故事

男人的刚毅与责任可以撑起一片天。至少铁拳男人给我们的感觉是如此。铁拳是一种信念，一种责任，有了这种信念和责任，男人无往而不胜。

B. 电影《铁拳男人》中的詹姆斯布洛克确有此人吗

本片是根据真实故事改编的，讲述30年代美国经济大萧条时期，一个男人为了生计参加拳击比赛，以获得奖金，最终竟获得了拳王称号的故事。影片汇集了众多大牌，特别是导演朗·霍华德与主演拉塞尔·克劳继奥斯卡大赢家《美丽心灵》之后再一次联手，成为影片最大看点。此次能吸引这位金像导演再次触及人物传记题材，是由于影片剧本深深地吸引了他：“詹姆斯·布洛克的传奇即使在多年之后仍然鼓动人心，因为它向我们展示了爱的神奇力量和人性非凡的的忍耐力。《铁拳男人》再现了一段真实的美国历史，一段令人不堪回首的辛酸时光。主人公面对每天生活的困境，为了能全家不受饥饿折磨而奋力地拼搏，这就是我所感兴趣的故事，一个在导演角度上永远吸引我的题材。”朗·霍华德说道。

在本片中，影帝拉塞尔·克劳饰演这位具有传奇色彩的拳王。为了更好的探索和挖掘詹姆斯·布洛克的人物特性，克劳接受了大量的体能和专业拳击训练，以达到令观众信服，刻画出一个不但具有勇气，而且体能和拳击技巧上也十分优越的拳击手。他日日沉浸在詹姆斯全盛期时拳击的照片和录影带中，并花费大量时间耐心研究他的每个动作和在擂台上的面部表情，分解其不可思议的斗志和驱动力。为了使每一个动作都达到专业水准，克劳特别邀请教练安吉洛·邓迪对他进行专业训练，邓迪曾经是历史上最伟大的拳王--阿里长达21年的教练。有这样一位名师指点，想必克劳在片中的拳击表演必然是有模有样。此外，邓迪还找来了另一位教练--前奥林匹克冠军韦恩·哥顿，设计了一套训练方案，包括皮艇、游泳、跑步、自行车、登山、跳绳等多方面运动，以便打造一个更加具有力量和韧性的强壮体形……

我记得片尾有一段写他经历的字幕

C. 铁拳男人完整版电影

布洛克终于决定重上拳击台，这是他可以挽救家人的唯一办法。他的复出引来了民众的关注，成为了人们心中的平民英雄。他在比赛中英勇挥拳，为了男人的尊严，为了家人的生存。--《铁拳男人》

D. 电影铁拳观后感，随便写个几百字就好。最好是自己写的。有人回答我会追加悬赏的

铁拳男人，讲述的是詹姆斯 布洛克（James J Braddock)的传奇拳击生涯。一个打了80场专业赛却从未被打败的男人，在与Jonh Henry Lewis的一场比赛中右手不幸得骨折了。Braddock拖着受伤的右手，在乌云般的经济大萧条笼罩的美国社会中，游荡在一个伤残人士绝对找不到工作的码头，总是遗憾的两手空空得回到家。 但Braddock的脸上从来没有沮丧，只有一个男人的不屈的微笑，他的安定，他的信念，已经无形之中告诉观影者，这个男人会成功。
然而我更敬佩这个男人的责任心，我更羡慕他和他妻子之间的爱。Braddock温柔而坚毅的声音，微笑着的脸，实实在在的拥抱，饱含爱的吻，是每一个男人都应该学习的气质。他对儿子的爱与尊重，他对朋友的宽容，他对妻子的深情，打动了命运。
终于，Braddock抓住了一个千载难逢的机会，挑战制重量级选手，经过艰难周旋，赢得了比赛。此后愈战愈勇，不仅打败了Lewis，而且挑战当年世界冠军Mak。
当时外界一致认为，Braddock与Mak实力悬殊，Braddock一定坚持不了两回合。Braddock的妻子非常担心他的生命安全，对她来说，只要Braddock活着比什么都好，毕竟Mak已经在台上打死几个人了。然而Braddock只是微微一笑，深情一吻，然后坐车转向拳场。Braddock的妻子忐忑不安得来到教堂给丈夫祈祷，却惊奇地发现，教堂里坐满了穷苦的人，来给Braddock祈祷的穷苦的人。那一刻，她才明白，丈夫不是一个人在战斗，他是经济大萧条下美国人民的英雄，人们对生活变得美好的希望就寄托在他战胜Mak的希望上。这场比赛是一个象征。
勇敢的Braddock的最终打败了Mak

E. 电影铁拳男人最后结局

男主人公苦战后，赢了比赛，似乎和贝尔和解。（怎么没打死他）
两年后，他接受了乔路易斯的挑战，第一回合就将其打倒，可还是输了比赛。乔路易斯一直都说，布达克是他见过最勇敢的拳手。（这样告别拳坛大概是因为没有了那种信念）
第二次世界大战中，布达克英勇参战。后来在大萧条时工作的码头经营重机械公司，在1960年初期参与韦拉扎诺大桥的兴建工程。
他用拳王争霸赛的酬金，在新泽西州买了一栋房子，在那里抚育孩子长大，安享晚年。（没有说到忠实支持布达克的乔的结局，我倒是希望说说他的事）

F. 铁拳男人好看吗 铁拳男人怎么样

男人的刚毅与责任可以撑起一片天。电影铁拳男人给我们的感觉是如此。曾尝试从另一种角度去看这个男人，实际上他并非狂热的拳击手，大部分情况是被生活所逼，他所处的年代和社会迫使他不得不用自己的生命去搏斗生命。说到男人的刚毅，布洛克似乎只有一次接近于掉眼泪，当他走进拳击委托管委会，那种对于渴望得到帮助和用软帽接收馈赠时复杂的表情，恰巧衬托这一个男人刚毅坚强的一面。他对自己有充分的自信，他有区别于常人的感召力，他真诚，平和，似乎还很睿智，这样一个男人最终成为普通民众心目中的Hero，在美国这样一个社会中并不奇怪。尽管他的生活从一个巅峰走向另一个巅峰，似乎从来没有一帆风顺的日子，只不过任何时候的困难、酸甜苦辣并不曾将他击倒。不是中国人在社会动荡时期面临无米无炊的境地，身处自由国度美国的底层民众同样面临生活的问题，只不过，在必需的时候可以申领社会救济。当办事员在疑惑中给予布洛克有限的救济金时，那种对社会的感恩我们是可以从布洛克眼睛里读出来的，因此当迈克受伤时他并没有产生对哪个制度的仇恨与无奈。他退还的那一卷救济金，不正是表明导演对这个自由国度的留恋？！对于社会的回馈以及从社会获得回馈是相互的，最终我们还是要依靠自己的努力，坚守自己的信念。男人可以通过自己的努力哺育家庭、回报社会，而不是懦弱的认为被社会所抛弃。布洛克与叱咤拳坛的贝尔有本质的区别，他始终保持一种低调的姿态，他是三个孩子的父亲，一个美丽女士的丈夫，他有他的责任，这种责任从他取出鞋油伪装自己断肢的那一刻起，始终贯穿整部影片。教堂前与迈克的冲突，完全体现出两类人对于贫穷截然不同的态度，无疑布洛克是保持乐观和开朗的心态，害怕贫穷和憎恨贫穷对于个人本身并没有什么好处，懦弱的人在牧师的祈祷下是进入不到天堂的，只会给生者带来无限的哀思。在与贝尔的对决中，布洛克差一点要放弃，但那闪现的迈克妻子悲伤的墓地穿越正是给他以家庭责任的无限动能。

我们不能忽略乔伊这个看来似乎是吸血鬼的经纪，我很佩服他对于布洛克有前瞻性的眼光，也羡慕他们两个在平淡中建立起来的友情。乔伊几乎倾家荡产的做法，通过两个女人的对话，突出显示家庭成员对于他们坚定信念的重要性。这虽然是一部暴力芭蕾穿刺其间的电影，但我不得不这样认为，这其实还是一部充满爱的温情电影。铁拳是一种信念，一种责任，有了这种信念和责任，男人无往而不胜。

G. 铁拳男人的观后感

这是一部以上世纪30年代美国经济大萧条为背景的影片！内容很让人感动，感觉打在他身上的每一拳同时也打在了我的身上！影片始终贯穿着一个主题，那就是每个人心中都要有坚定的信念和追求的目标！有了信念和目标一切困难都可以克服！也让每个人都明白，你并不仅仅是为了自己而活着！
同时他也反映了亲情是伟大的！无可战胜的！塑造了一个为了家庭而不惜一切，责任感很强的男人！
但是可以通过表面看到其背后的发人深思的东西！那就是弱肉强食！男主角是值得人们同情的！而被他打败的人呢？也许他们的境遇更加悲惨！
总体来说这是一部很好的影片！值得推荐！大家都去欣赏吧！

H. 铁拳男人的英文观后感

1
Ron Howard believes in America. His faith in the whole package of democratic ideals and family values smooths out the wrinkles in films (the Oscar-winning A Beautiful Mind, the immigrant saga Far and Away) that would be better off with their creases unpressed. Howard is fifty-one, but the image of the freckle-faced kid he was on TV as Opie and Richie still sticks to him as a gift and a curse. Darkness (Backdraft, The Missing) does not become him. His flair for comedy (Splash, Night Shift) can turn cornball (Parenthood) or crass (How the Grinch Stole Christmas). Yet at those times when Howard takes on a tough subject -- old age (Cocoon), a failed space mission (Apollo 13) -- and doesn't bland out, he can do wonders.
This is one of those times. Not only is Cinderella Man Howard's best movie, it is also his most personal and deeply felt. The true story of James J. Braddock, played with blazing brilliance by Russell Crowe, hits Howard where he lives. Irishman Braddock was a washed-up boxer from New Jersey who could barely support his wife and three kids ring the Depression. But the powerful left hand he developed by working on the Hoboken waterfront helped him score a comeback that put the nation in his corner and prompted legendary sportswriter Damon Runyon to b this two-legged pugilistic Seabiscuit the Cinderella Man.

The expertly crafted script by Cliff Hollingsworth and Akiva Goldsman takes its lead from a famous line in John Ford's 1962 western The Man Who Shot Liberty Valance: "When the legend becomes fact, print the legend." Howard gives the film the resonant power of myth. And Wynn Thomas' proction design, lit with a poet's eye by camera whiz Salvatore Totino, evokes the period of bread lines with rare artistry.

Of course, a film with no gray on its palette can lack human dimension. Enter a cast of miracle workers. Crowe is jaw-droppingly good, a movie star with a true actor's subtlety and grace. He plays Braddock not as a gladiator but as a family man who boxes to feed his wife and kids. But he'd rather face an opponent's deadly blow than poverty: "At least I can see who I'm fighting," he says. Crowe finds the sadness in Braddock when he must rely on government assistance to support his family. But he also reveals a rugged resilience. Braddock is a simple man with complicated emotions, and Crowe lets us inside his secret heart.

As Joe Gould, Braddock's can-do manager and trainer, Paul Giamatti is a dynamite package of brash humor and scrappy tenderness. He delivers a tour de force. Bet on this consummate pro (Sideways, American Splendor) to win the Oscar race for Best Supporting Actor.

Renee Zellweger brings backbone to Mae, the long-suffering Mrs. Braddock. She shows that sexual attraction is a major bond in their marriage, providing welcome heat and heart in her scenes with Crowe. Mae has one rule: She will not watch her husband take hits in the ring.

It's hard to blame her. The fight scenes may lack the surreal grandeur of Raging Bull and the tragic underpinnings of Million Dollar Baby, but Howard -- working with editors Mike Hill and Dan Hanley -- creates fireworks in the ring, using real boxers such as Art Binkowski, Troy Amos-Ross and Mark Simmons to take on Crowe.

All of which leads to the main event. Time: June 13th, 1935. Place: New York's Madison Square Garden. It's Braddock against playboy, actor and clown Max Baer (Craig Bierko), the heavyweight champ who brags about having killed two opponents by dislocating their brains. Baer is the villain of the piece, but the remarkable Bierko adds a vulnerability not in the script. It's a sective and scary performance that should put this versatile actor -- he sang his way to a Tony nod in Broadway's The Music Man -- on the movie map.

Watching Baer and Braddock go a punishing fifteen rounds ends Cinderella Man on a note of riveting suspense. But the film stays focused on the human drama. It's the classic American tale of the family man triumphant, and Howard makes sure that it hits you right in the heart.

2
Consider Cinderella Man to be a Depression era Rocky. While that may at first seem like a glib way to describe Ron Howard's rags-to-riches boxing drama, a careful examination of the storyline reveals numerous similarities between this drama and Sylvester Stallone's Oscar winner. Perhaps that's because the formula associated with boxing movies demands a sameness. Whatever the reason, the specter of Rocky hovers over Cinderella Man like a restless thing. During the concluding moments, if you close your eyes, you can almost hear Apollo Creed gasping, "No rematch!"

This is based on a true story, although, thankfully, Howard doesn't come right out and say it. The opening caption references a quote by Damon Runyon, but that's as close as the director comes to saying that the movie is a bio-pic. From the accounts of Jim J. Braddock's career I can find, Cinderella Man offers a reasonably accurate portrayal of what happened in the ring. I can't speak to how correct the depictions of Braddock's home life are. Although the movie is entertaining and succeeds in its goal as a feel-good experience, it does not rank in the top echelon of Howard's films. Overlong and unevenly paced, Cinderella Man hits stretches (especially between bouts) when it threatens to lose its audience.

The movie opens in November 1928. The "Bulldog of Bergen," Jim J. Braddock (Russell Crowe), is an up-and-coming light heavyweight fighter who is on his way to becoming a challenger for the championship. After every fight, his loving wife, Mae (Renée Zellweger), waits for him at the front door to their house, since she can't bear to watch him in the ring. Following this brief introctory section, Cinderella Man jumps ahead five years. The country is mired in the Great Depression, and Jim's fortunes haven't been better than those of the country in general. He is a has-been who only gets a few dollars a night for participating in second-rate bouts. When he breaks his hand, his career appears to be over, and he goes to work as a longshoreman. However, with day jobs being unreliable and low-paying, he and Mae soon lose the electricity in their apartment, a situation that endangers the health of their children. A chance at redemption occurs when his former manager, Joe Gould (Paul Giamatti), offers him $250 to fight on short notice with a heavyweight contender. Jim is expected to lose, and lose badly, but he confounds the experts, and his June victory over Corn Griffith propels him on the fast lane to a shot at the title against a ferocious and heavily-favored opponent, Max Baer (who has previously killed two inferior boxers).

Borrowing liberally from Martin Scorsese (Raging Bull), Howard creates boxing sequences that are as brutal as they are compelling. When Jim is in the ring, Cinderella Man is never boring. Unfortunately, the same cannot be said of all the connective material which is intended to form the movie's backbone. The scenes that show Jim as a loving husband and father, and depict him as a good friend to his equally down-on-his-luck pal, Mike (Paddy Considine), are trite. Instead of developing the main character into a fully three-dimensional indivial, they serve only to drag out the running time. Cinderella Man is a decent 105-minute movie that has been stretched to fill nearly 2 1/2 hours.

One non-boxing scene stands out as being worth the celluloid it was printed on. When he reaches rock bottom, Jim faces the possibility of having to send his children to stay with relatives. Yet he has promised his oldest son, Jay (Connor Price), that he would not do this. So, in order to raise the money to re-connect the electricity, he goes to a club frequented by his old boxing confederates, many of whom are high-rollers. With hat in hand (literally), he asks for donations. It's a moving sequence that brings home some of the hard reality of life in the 1930s.

There's nothing wrong with the acting, although most of the participants have done more impressive work in the past. Russell Crowe, working with the director for the first time since A Beautiful Mind, is effective as Jim both inside and out of the ring. Renée Zellweger, who has already looked "frumpy" as Bridget Jones, tries on "mousy" for this role. A spark of energy comes from Paul Giamatti, who has a solid chance of being nominated for an Oscar for his portrayal of Joe Gould (if only because the Academy will feel that they owe him for 2004's Sideways snubbing).

The period details are impeccable. Howard goes to great pains to convince us that we're back in the Depression. From his re-creation of the old Madison Square Garden to the infamous "Hooverville," this feels like the 1930s. Unfortunately, the by-the-numbers script, which hits every boxing cliché with far less effectiveness than other contenders (such as the aforementioned Rocky), doesn't do the other aspects of the proction justice. True story or not, Cinderella Man seems like the uncomplicated fairy tale its title hints at. This is 2005's Seabiscuit, an inspirational, "alt" drama thrown into theaters in the midst of the summer's blockbusters. As counter-programming, it may be successful, but as entertainment, it's on the bubble. To use a boxing metaphor, it lands a few solid punches, but never achieves anything close to a knock-out.

3
Russell Crowe reunited with Ron Howard and my first reaction is “Hmm, somebody’s definitely fishing for more awards.” After the success of A Beautiful Mind, who could blame them? When the early marketing focused too much on the past success of Howard and Crowe, my doubt about the Jim movie began to grow. Isn’t it nice when your doubts are unfounded? While possibly not on the same level of Mind in the critic world, Cinderella Man delivers another knockout hit for the Crowe/Howard tandem.

Despite being an unlikable fellow in reality, Russell Crowe keeps churning out outstanding roles that draw me to the theatre. Crowe’s portrayal of a sports legend continues his streak of powerful cinematic performances. Cinderella Man is the story of James J. Braddock, a rising star in the light heavyweight boxing ring ring the late 1920s. His rise up the ranks is coldly halted as the stock market crash of 1929 cripples the American economy. With a string of losses, injuries, and the end of his big paydays, Braddock suffers the same fate that thousands of other Americans felt ring the Great Depression.

After losing his personal fortune, Braddock struggles to provide for his wife (Zelweger) and children while never fully giving up his dream of returning to boxing. Due to a last minute cancellation and a recommendation by his old manager (Giamatti), Braddock gets one last chance at glory and cements his place in boxing history.

It is Crowe’s portrayal of Braddock that keeps Cinderella Man from slipping into the clichéd territory of Rocky. Braddock fights, not for glory, but to provide for his family. Along the way, Braddock becomes a hero and gives hope to other people struggling to survive the times.

Come on; hope being a central theme of a movie? Hasn’t that been done to death? Yet, I found myself falling for it completely. Crowe’s accent and look is a perfect capsule of the time and his boxing style is a perfect of Braddock’s. Did it take me this long to finally mention the boxing matches? Don’t think this is some boring historical crap starring Brendan Gleeson (Seriously, that guy is in all of em). The boxing matches in Cinderella Man are hands down the best ever replicated on the big screen. The Braddock fights are for folks who grew up with Rocky but now require realistic boxing and not to mention better acting in their films. The film's stunning cinematography draws you into the ring, and leaves you feeling like you're sitting there in person. I’m not even a boxing fan, but I found myself completely thrilled by the action.

Besides Crowe and the boxing scenes, the other bright spot in this film is Paul Giamatti’s portrayal of manager Joe Gould. Some will question Giamatti playing the comedic wise ass in yet another movie, but it’s a good move for him. Fresh off critical praise for Sideways, Giamatti can cash in with a blockbuster that will be seen by a much larger audience. Unlike other roles he’s had in, Giamatti’s character is more than just punch lines; he does an outstanding job of showing the heart of Joe Gould. Zellweger is adequate enough as Braddock’s wife, I can think of dozens of actresses who I’d prefer to see in a movie, but at least she isn’t as annoying as normal. That’s high praise from me considering the sight of those cheeks usually causes me to suffer an uncontrollable eye twitch. Oh come on, you were thinking it!

Director Ron Howard has a knack for heartwarming tales that while sometimes dangerously close to falling into the “sappy” territory, always manage to build a bond between the viewer and the characters. A great example of this is his other “based on a true story” epic, Apollo 13. I cheered for the astronauts when the came back home and my heart raced as Braddock battled in the ring. If history bores you, see this for the fights. If you aren’t a boxing fan, you’ll be fascinated by the story and the acting. Cinderella Man, while it appeals to a wide audience, doesn’t compromise; a quality Mr. Braddock would be proud of.

I. 如何评价电影《铁拳男人》

该片再现了一段真实的美国历史，一段令人不堪回首的辛酸岁月。电影中的詹姆斯-布洛克可以说是整个美国的缩影，他是象征了整个美国社会在低谷中的崛起。

J. 铁拳男人的介绍

《铁拳男人》是博伟国际公司于2005年发行的动作电影，该片由朗·霍华德执导，拉塞尔·克劳、蕾妮·齐薇格等主演。该片讲述了三十年代的美国工业大萧条时期，经济状况跌落谷底、民不聊生时，一个为家庭而争取第二次机会拼搏的男人受到了大批民众的拥戴。