1. 八百影評
《八佰》講述淞了滬會戰末期謝晉元所率524團第一營死守上海最後一塊陣地的歷史故事。影片讓我們感受到了華夏熱血兒郎的家國情懷!
何香凝先生的一句「國人皆如此,倭寇何敢」印象最為深刻!其中最感人的一幕是,戰士們做好准備,將炸彈綁在自己身上,一個接著一個報著自己的名字和家鄉,往下跳的那一幕,眼淚就止不住的流。太慘烈了,他們血肉喚醒的不止是蘇州河對岸的國人。
還有銀幕前的觀眾,國難當頭民族氣節顯得尤為重要。電影拍出的戰爭臨場感帶來的最直觀的震撼尤為強烈,很難想像自己身處這樣環境下的時候,能不能做出這種犧牲自己的決定!看完以後久久不能平復自己的心情。
看看這安逸的社會,都是血與淚保衛而來的!中國崛起!人民團結!珍惜生活!勇敢面對!我敬佩的是在這個國家一盤散沙時每一顆沖上去粉身碎骨的沙子。牢記歷史,勿忘國恥,愛我中華!
(1)電影八佰的影評英文擴展閱讀
《八佰》取材1937年淞滬會戰最後一役,彼時,這場中日首次正面交鋒已持續近三個月,上海瀕臨淪陷。第88師262旅524團團副謝晉元率420餘人,奉命死守最後的防線——四行倉庫。為迷惑日軍、壯大聲勢,謝晉元對外宣稱有800人,這便是「八百壯士」的由來。
預告呈現了震撼的戰爭場面,日寇從地面到空中輪番進犯,4天4夜戰火硝煙彌漫不休。在武器裝備、參戰人數均處於明顯劣勢的情況下,四行孤軍明知獲勝希望渺茫,仍選擇正面迎戰。
為了最真實還原抗日戰場的殘酷,據煙火指導尹星雲透露,本片僅地面子彈點便設置近5萬個,超過10部大型戰爭劇集的總和;每個戰斗場景,一般也會設置60個以上炸點。
而為了將這一切以最好的視覺效果呈現在銀幕上,攝影指導曹郁使用了業內最頂尖的ALEXA IMAX攝影機,本片也成為亞洲首部全程使用IMAX攝影機拍攝的商業電影。
2. 求八百字左右的英語影評範文
我是學渣,這是之前在知米背單詞(http://shouji..com/software/item?docid=6683750&from=as)交流群找別人求的。望採納。
星球大戰的影評
What made this the hugely successful triumph it was? Was it casting, music, imagination, ingenuity, or luck?
I remember opening day at the theaters. I was old enough to remember every scene, every character, every nuance of this film; having committed it to memory forever, as if I would never again be able to see this beloved, instantly loved masterpiece.
I also remember that the HIT factor of this movie was so unexpected that you had to wait literal MONTHS to get the action figures promised on the cereal boxes. The pieces were still in the manufacturing process and we had to settle for coupons promising our toys in a few months. I wound up seeing this in the theaters a grand total of 36 times; much to my mother's dismay. She loved the movie as I did, but felt I was obsessed. Today, thirty years later, sitting here writing this review, I realize how right she was. I'm still obsessed with this movie, and with the subsequent movies which followed. I wait in great anticipation for Episode 3. I'm a fan, and I don't care what other people say about Episodes 1 & 2. I don't even mind the "prequel" factor, as the situation at the time, dictated to Lucas which movies he would do first.
See, I remember the studios saying to him that he had to choose from the three central climactic books, and trash the rest, or just trash the whole idea. He didn't exactly "sell out," he did what he had to do to get his movie...his vision...out there for us to see and experience. I admired his decision then, and I admire it now. Episodes 1-3 are being filmed now, because Lucas had the clout, the money, and the patience to give us his vision...his complete vision and not just the three center books of a 9-book series. I realize that now, there are dozens of books, but at the time, there were nine. And while most of us were happy with Episodes 4-6 and would not have missed 1-3 and 7-9, I personally am so very glad he has taken it upon himself to give us his full vision. I have enjoyed each and every installment with the same sense of awe and joy as I did this one.
The casting was the first triumph for this cinematic milestone. Ford is a charismatic and magnetic personality and portrayed Han with a professionalism that you'd expect from more seasoned actors. Sir Alec Guiness is an absolute joy as Obi Wan. His casting was precise and excellent in that part. Carrie Fisher portrayed Leia in a way that, up until then, had never been experienced. Most "princess" types before her were whining, whimpering, little snots who were incapable of anything beyond tripping and twisting their ankle in times of peril, while Fisher portrayed her character as a bold, brazen, yet sophisticated and ecated woman who was aware of her surroundings and capable of defending herself and her realm with the utmost authority.
And Mark Hamil. He was perfectly cast as the whining little boy who wanted more, but was afraid to reach for it. He grows up quite well on film in these three installments, and endears himself to the audience so much the more for it. But a cast member who is almost always left out of these reviews is Peter Mayhew. Chewbacca. His character, as a supporting character to Han's, was exemplary. It's not easy portraying a walking carpet, yet holding the attention, admiration, and love of virtual millions. I am VERY happy about his being cast as Chewy in Episode 3. Couldn't happen to a more deserving...or capable...fellow. Bravo! And James Earl Jones's voice being used as the voice of Darth Vader, was pure genius. His commanding voice haunted the dreams of countless thousands of star-struck children for generations to come. I also have to say that this movie would not have had the charm it does had it not been for Anthony Daniels' C3P0. He is a gift and a joy.
The musical score by John Williams featured in this masterpiece was one of the contributing factors. But honestly, this movie's success was such a total surprise to everyone, including Lucas, that nothing could prepare the world for the aftermath of having witnessed this bona fide legend, first hand.
The story itself; replete with sub-plot after sub-plot, rich in dialog and detail, was beyond anyone's greatest expectations. Everyone, including Lucas, expected this movie to fail. It is a timeless classic, which I will not repeat here. There are too many movie reviews giving full details of the plot, and I won't be rendant beyond what I have already said.
However, that being said, there are a few points I would like to make concerning the symbolism of this endeavor. The Force is a metaphor for the psychic abilities with which we are all born. It was also a metaphor for hope and faith, dedication and commitment to the greater state of being. The Empire is said to have been a metaphor for the Germanic Nazi "storm troopers." While the Rebellion is said to have been symbolic of (what would later become) the NATO forces who defeated them.
And then there are the effects. The effects were, in 1977, so awesome; so creative; so ahead of their time, as to ensure this movie's vast success for the next forty years. George Lucas enjoys an almost god-like status among sci-fi/fantasy fans worldwide.
This movie does not rate a rating. Usually, when I say that, it is because the movie is so bad, or disappointing that I don't have the heart to rate it.
3. 《八佰》影評怎麼寫
寫該影評時可以先簡要概括一下故事內容,然後分析一下人物形象,然後挑一個你最喜歡的人物或者片段進行細寫,然後再升華主題。
以下是《八佰》的相關介紹:
《八佰》是由華誼兄弟電影有限公司、北京七印象文化傳媒有限公司出品,管虎執導,黃志忠、歐豪、王千源、姜武、張譯、杜淳、魏晨、李晨、俞灝明等主演的戰爭題材影片。
該片取材於1937年淞滬會戰,講述了被稱作「八百壯士」的中國國民革命軍第三戰區88師524團的一個加強營,固守蘇州河畔的四行倉庫、阻擊日軍的故事。該片於2020年8月21日在中國內地上映。
塑造立體的人,是《八佰》的立意與野心所在。以往戰爭片的主角,要麼是正面迎敵的戰士,要麼是深入敵營的卧底。而該片卻從一群逃兵的身上展開,《八佰》能在國產戰爭片中越眾而出,恰恰是因為它「敢拍人性的真,甚至丑」。該片拓寬了我們認識英雄的維度,他們在捨生取義前,也有過平凡的,甚至苟且的懦弱與掙扎。
以上資料參考網路——《八佰》
4. 寫一篇介紹電影的英語作文
寫作思路:從文章的寫作目的、中心主旨入手,以使文章中心思想鮮明、深刻地表現出來。
正文:
Going to the movie is an affair of recreation, I like in the movie theater to go to the movie, because movie theater in of that kind of the atmosphere is what home can't own
看電影是一件消遣的事情,我喜歡在電影院里去看電影,因為電影院里的那種氛圍是家裡不能擁有的。
but the condition of now, we usually will go to the movie in the home, few go to movie theater
但是現在的情況,我們通常會在家裡看電影,很少有人去電影院。
usually see foreign movie at ordinary times, the really local movie still has a certain margin, the movie of now comes close the modern living method more, the thinking of now
平時通常看外國電影,真正的本土電影還有一定的差距,現在的電影更接近現代生活方式,現在的思考。
classic movie many meeting bodies now traditional pleasant impression, however as long as is a good movie, I will like
經典電影很多會體現現在傳統的美感,不過只要是好電影,我都會喜歡。
If is a book change of movie, I feel this have no intentional viewpoint, if the movie draws on a person enough, I think the original book that may see the bottom movie, if is a good book
如果是一本書換電影,我覺得這是沒有目的的觀點,如果電影足夠吸引人,我想可以看底層電影的原著,如果是一本好書.
I certainly think it can clap movie, see the oneself like of the person image move a screen up, can the better comprehension appreciate
我當然認為它可以拍電影,看到自己喜歡的人形象搬上屏幕,能更好的理解欣賞嗎?
5. 《八佰》這部劇的影評怎麼樣看過的人都是怎麼評價的
這部劇在豆瓣影評目前打到了7.7分,有超過百分之七十以上的人打了四星及以上,目前看過的人都說好。
《八佰》作為一部民族電影還是值得去電影院一看。
哭到窒息,這個世界的安定是多少人的生命換來的,我們生活的這片熱土,有多少先人的熱血,我們這個偉大的民族,經歷了那麼多的磨難,吾輩必須強大。
吾輩當自強,為中華之崛起而努力!看完之後,最大的感受就是,我們這一代人真的信服,沒有經歷過戰爭的殘酷,我們這一代的人必須要自強,要守住前輩們用血肉換來的和平,好好的讀書,讓中國強大以來,只有自己強大起來,我們才對得起他們用生命換來的太平盛世。
7. 八百電影評價
對於很少進影院和果粉這些非資深非主流觀眾來說,《八佰》前半段的激戰和中場的護旗,足以成為犒賞他們視覺和情緒的饕餮盛宴。
作為有一定藝術審美基礎,有個人獨立思考,和對歷史有一定知識儲備的觀眾,比如我,對影片則是感到失望。
工業化技術度方面是華語電影絕對一流水準,曹郁的攝影也完全有實力問鼎甚至是橫掃明年三金獎杯。
最糟的恰恰是導演編劇管虎,是他把一個難得的好題材拍成了一桶半熟的爆米花。將戰斗場面升級做誇大渲染,並不為過。射殺戰俘,也是華語電影里珍貴的一次血性飛揚,不必理會聖母婊的聒噪,這樣處理既真實也理所應當。你死我活的戰場,殺敵就該理直氣壯。
真正的錯誤是價值觀的混亂和缺失,沒有對歷史的尊重和負責之心,反而讓人看出其中有點卑劣的商業算計。
首先,珍惜生命不等於貪生怕死。對懦弱的逃兵新兵著墨太多,此類人物會有但絕非戰場主流,電影里對姜武、張譯、包括歐豪和那個小湖北的怯戰描寫太多太過,也是創作者人文意識的泛濫與意淫。
其次,八百壯士四行倉庫保衛戰的來龍去脈,被編導做了個人喜好化的騸割。以怯戰小兵視角,切入這個歷史事件也可以接受。但是,撤退到租界和其後孤軍營生活以及謝將軍的結局,不應該有個如實的表現嗎?這不是八佰這個集體和這場戰斗完完整整不可缺少的一部分嗎?
這才是真實的歷史,這才是給觀眾負責任的講述自己要說的歷史。截取事件一段高光時刻,掐頭去尾誇大煽情之餘,又以畏死來曲解反戰的含義,離佳作和史詩的門檻實在是百步之遙。
第三,在藝術手法上總體寫意,局部寫實的比例,明顯不適合表現歷史戰爭題材,尤其是華語電影創作和觀賞環境,也與影片宣傳定位相悖。
銀幕上那匹白馬,就是管虎創作上的一顆私心。我不是講述歷史,是自己說書。謝將軍和日本將領騎白馬相見,說為各自的榮譽而戰時,這電影已經徹底垮了,那座四行倉庫已經轟然崩塌成廢墟了。
如果不做商業計算的煽情,樓頂護旗一場和前半段接近寫實的戰斗拍攝風格一樣,情緒的沖擊和情感的升華只會更真實深刻。而不是現在這般強行煽情無休無止,讓人感到疲勞尷尬。
可能導演只怕觀眾不知道,我這電影就因為這場戲而審查受阻的。毋庸諱言,審查真的不盡人意。但有些導演的本事和腦子,還真不一定是審查這口鍋給砸壞的。
自己屁股坐歪了,摔倒了不能怨椅子。
《八佰》電影最大的價值和意義就是它的上映,能讓一些年輕人知道了哪怕是十分輕淺的歷史事件和愛國感情,也是一件功德之舉。至於電影的藝術品質,那就另當別論,真的不談也
8. 八佰的觀後感
一條蘇州河,一邊是天堂,一邊是地獄。四行倉庫這邊是刀槍火海的浴血奮戰,對面是紙醉金迷的十里洋場。這就是電影《八佰》呈現的畫面,影片一經上映票房就破億,它所帶來的並不僅僅是絕望與希望相纏繞所呈現出的一種震撼。更是民族的恥辱與自豪相交雜的心靈撞擊。
《八佰》中的人物並不是單單純純的非黑即白,而是摻雜許許多多的灰色地帶——租界的民眾、起先想要逃跑無意抗戰的士兵、開賭場的大姐等等。他們不是純粹的「黑」,也不是純粹的「白」,他們是等待被「喚醒」的一個個「灰色」的靈魂。他們的「黑」在於放棄抵抗沉迷於眼前的美好幻景,他們的「白」在於願意為八佰壯士捐物資,在於企盼出現一個嶄新的中國。
「我不能死,我娘還等著我回家呢。」這是劇中的一個人物端午說過的一句話。由此可見,他們所令人憤怒的「黑」其實是由每個人對團圓盡孝這一期望的「白」所產生的。每個人都有恐懼,每個人的無畏都需要被喚醒。
影片中的蘇州河(吳淞江進入上海市區後被上海人稱為蘇州河)隔開了租界和四行倉庫,隔開了浮於表面的繁華與令人戰栗的荒蕪。影片中的人物也曾說過:「那邊是天堂,這邊就是地獄。」河的這岸是「滿目蕭然」,河的那岸卻是「商女不知亡國恨,隔江猶唱《後庭花》」,這一反差的確讓人心酸與憤怒。「天堂」充斥著愚昧與麻木,「地獄」充滿了不屈與堅守。「天堂」是精神上的地獄,而「地獄」承載的卻是我們這一民族的脊樑。
當主動請纓的壯士們一個一個從樓頂無畏躍下引爆自己時,那接連不斷的爆炸聲真正炸醒了河對岸愚昧無知而又麻木不仁的民眾。「國人皆如此,倭寇何敢。」何香凝的這一句台詞被深深地印在了每一個人的心底。當國旗被升起國民歡呼叫好時,當一雙雙國人的手伸出時,中國人的家國情懷是真正被喚醒了。
電影中還有一個小細節,那就是日本軍官和謝晉元團長的會面。身騎黑馬的日本軍官和身騎白駒的謝團座無疑是影片中一大沖擊波,黑暗和光明、絕望和希望被巧妙地轉化成日本軍官的黑馬以及八佰壯士的白駒。而當河對岸租界的民眾們看到賓士的白駒時的興奮,既是新奇而更多的則是對希望的渴望,對光明的嚮往,對中華民族會重新站起來的堅定。
而影片最後在廢墟中踏出的帶著血紅色的傷口的白駒,則意味著中華民族遭受重重磨難,早已千瘡百孔卻仍然充滿希望仍大步昂揚地向未來馳騁而去的中華民族的脊樑。
那匹白駒,它是希望,也是影片中灰暗天空下最耀眼的曙光,和四行倉庫的八佰壯士一起,重新燃起中華民族的自豪,塑起中華民族永不屈折的脊樑!
9. 電影《八佰》影評是什麼
《八佰》影評如下:
該片取材於1937年淞滬會戰,講述了被稱作「八百壯士」的中國國民革命軍第三戰區88師524團的一個加強營,固守蘇州河畔的四行倉庫、阻擊日軍的故事。該片於2020年8月21日在中國內地上映。
塑造立體的人,是《八佰》的立意與野心所在。以往戰爭片的主角,要麼是正面迎敵的戰士,要麼是深入敵營的卧底。
而該片卻從一群逃兵的身上展開,《八佰》能在國產戰爭片中越眾而出,恰恰是因為它「敢拍人性的真,甚至丑」。該片拓寬了我們認識英雄的維度,他們在捨生取義前,也有過平凡的,甚至苟且的懦弱與掙扎。
相關簡介
《八佰》是由華誼兄弟電影有限公司、北京七印象文化傳媒有限公司出品,管虎執導,黃志忠、歐豪、王千源、姜武、張譯、杜淳、魏晨、李晨、俞灝明等主演的戰爭題材影片。
該片取材於1937年淞滬會戰,講述了被稱作「八百壯士」的中國國民革命軍第三戰區88師524團的一個加強營,固守蘇州河畔的四行倉庫、阻擊日軍的故事。該片於2020年8月21日在中國內地上映。
10. 八佰影評
《八佰》是一部擁有超越其電影本身意義的作品,甚至藉由「戲」的意象引出了對電影本質的思考,拓寬到觀眾對電影態度的邊界,觀看和目光所蓄積而突破熒幕內外的潛在價值,熒幕前的觀眾也參與其中,將要繼續完成這場戲最後一個環扣。
《八佰》也許不會在世界影史上留名,但相信在中國的戰爭電影中是可以擁有很大分量的。追根究底,《八佰》從來沒有放棄作為它作為電影的存在,這也是近年來的主旋律電影大多隻能供國人自我高潮的原因。
首先,從過硬的技術上看,《八佰》的攝影師曹郁對兩岸的落差氛圍是有很明確清晰的把控的,南岸的燈紅酒綠人的衣著皆是高飽和度,而北岸卻是灰淡黃綠的末世降臨。作為亞洲首部全程使用IMAX攝影機拍攝的片子也達到了其追求的宏大質感。
除了上述「戲」的意象之外,白馬的出現也貢獻了很多神性的瞬間,它幾乎伴隨也代表了那一群守在四行倉庫中的人們。從初始的驚慌失措妄圖逃竄,到順從本性開始奔跑,想要逃脫又不願離去,成全了自己,但最後又重新被拉回既定的路線,判斷不了的未來。
比較令人感動的細節是影片對個人結果的呈現方式。與此相輔的是演員的陣容都是老熟人了,因此當觀眾陷入對主角光環的信任中,而陳樹生的自爆,端午的死亡,老鐵的破相......他們受到的傷害清脆又不可置信。
影片也從不吝於給早走的英雄戲份。包括最後選出來的敢死隊的結局也在被日本兵發現時戛然而止,沖刺過橋的人們下場又如何呢,歷史早已給我們更殘酷的解答。